Archive for Reviews

Book Review: The Long Earth by Terry Pratchett and Stephen Baxter

I’ve only seen a few episodes of Sliders, and it’s been a while, but as far as I can remember the premise of the show was quasi-similar to Quantum Leap: a team of scientists slides sideways into an alternate version of Earth, does something that can be resolved in a 42-minute episode, and slides on. A quick check of Wikipedia tells me that I’m more or less on the money there.

And that kind of explains to me why parts of The Long Earth, by Terry Pratchett and Stephen Baxter, felt vaguely familiar.

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Short Film Review: Play Dead

It’s not easy to come up with a new way to look at the zombie apocalypse. I mean, the topic’s pretty well mined at this point. Now, I’m not going to say that I’ve seen every single zombie apocalypse show, film, story, or musical, but I’ve heard about enough of them.

And I hadn’t heard of anything like Play Dead.

Play Dead is the story of the survivors of a zombie apocalypse in Miami, Florida. A short film made on-location, it follows this unlikely group of survivors as they escape the zombies, band together, and seek out a place where they can ride out the chaos until it ends.

Oh, yeah, and these survivors? They’re all dogs.

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Web Series Review: The Booth at the End

The concept of “one person at the center of a spider’s web” isn’t new in fiction — from the mob boss who pulls everyone’s strings to something as simple as the network of interconnections in the film Love Actually, we’ve all seen it done before.

But as the Hulu series The Booth at the End shows, there’s a reason why it’s still being done: because it’s really damn compelling.

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Book Review: Ink by Sabrina Vourvoulias

In certain parts of the US, immigration policy and illegal alien rights are forefront. In other parts, they exist only as issues upon which to campaign. Regardless of your opinion on the subject, it’s pretty much a foregone conclusion that we’re moving in one of two directions: full amnesty or full illegality.

Ink, which will be released on October 15, tells one such story. Or, more precisely, four of them.

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Film Review: Griff the Invisible

Fans of True Blood know Ryan Kwanten as Sookie’s buff but not too bright brother, Jason Stackhouse. He plays the role really well, and the writers do a good job with him. But Kwanten isn’t just eye candy. Sometimes, he plays a man with cripplingly-bad social anxiety disorder who just wants to be invisible.

This man is named Griff, and the movie about him is called Griff the Invisible, which I watched last week.

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Film Review: Buffy the Vampire Slayer

This review contains spoilers for both the filmed and televised versions of Buffy the Vampire Slayer.

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Twenty years ago today, a film called Buffy the Vampire Slayer opened in theaters to unimpressive reviews (and only a 32% on the Tomatometer). At that point, no one could possibly have expected that Joss Whedon’s story about a California valley girl would morph into a television show that even today is still impacting fans in powerful and meaningful ways.

From the most humble beginnings, eh?

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Web Series Review: “Harry Potter and the Ten Years Later”

The following review contains spoilers for all seven Harry Potter books and the eight films that followed them. There are also minor spoilers for HPplus10, because when you only have a nine-minute episode it’s really hard to write a review without talking about the entire plot.

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The Harry Potter phenomenon has spawned countless fan-created works of written fiction, musical awesomeness, and re-cut music videos. It has inspired thousands of people to be more awesome than they might otherwise have been. And that’s good.

But now it’s over. The last film was released in 2011, and if you don’t subscribe to the EWE school of thought, we know what’s happening 19 years later: Harry and Ginny are married with three children, Ron and Hermione with two, Draco with one, and so on. However, lots of good fan-fiction* has changed the outcome of that epilogue.

Harry Potter and the Ten Years Later is the latest entry in that oeuvre, and, so far, it looks promising.

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Book Review: “Death’s Daughter” by Amber Benson

Okay, I’m not going to lie to you: I got myself a copy of Death’s Daughter by Amber Benson because, hey, Tara wrote a book.

Yes, I know, I know, the actor is not the character. And yes, I’ve seen other work Benson has written, performed, and directed. I was kind of expecting a certain type of novel, and to a certain extent, I did get it.

I also apparently stumbled into chick-lit. How did that happen?

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Book Review: “Kiss the Dead” by Laurell K. Hamilton

The following review contains minor spoilers for Kiss the Dead and moderate spoilers for all preceding Anita Blake novels. It also contains discussion of sexual material. Reader discretion is advised.

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Hmm… okay, so, we start with police procedural, and our hero shows up on the scene. She’s got a crap-ton of weapons and abilities, and she uses them to be a monster and save the day, sort of, except that nothing really happens and, twenty chapters later, we’re going back to the station for her to have the new guy — let’s make him a gigantic freaking red herring, just for the sake of argument — come out to someone he’s never met. Add in some drama with the other female cops before the hero goes home to her polyamorous lifestyle and has sex with two gorgeous, exceedingly well-endowed men before being even more dramatic, going to a hostage situation, and then dealing with vampire issues. Then she has still more sex with still more well-endowed men — all of whose eyes and hair we get intimate knowledge of — and obsesses over the fact that, holy crap, I’m in a semi-successful polyamorous relationship, what must be wrong with me??? before sitting down for a discussion and having a little action scene at the very end that she’s not even in the same room for most of, and…

…and then the book just stops.

Yeah. Welcome to Laurell K. Hamilton’s latest Anita Blake novel, Kiss the Dead.

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Film Review: Ted

Sometimes movie trailers try to be too cute. That is to say, they hide the entire story from the viewer, or try to create mystery where there is none.

And sometimes movie trailers tell you exactly what the movie is about. Sometimes, the trailer says “you’re going to watch a 100-minute live-action episode of Family Guy, and you’re going to laugh your ass off doing it.”

Ted is one of those movies.

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