Science Future


“Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century.”J. G. Ballard

Science is not something the we think about day-to-day. As children we’re educated in the ways of biology, chemistry, and physics. We visited museums, planetariums, and wildlife parks. We calculated mass and velocity, dissected animals, and stared at the periodic table of elements with vague comprehension.

Then it all stopped.
Plasma lamp at Kobe Science Museum CCL 2.5 (http://opencage.info)
But there are many different ways to be exposed to science. One could go re-visit a museum, subscribe to a science news feed, pick up a nature magazine, or go grab a quick doctorate. There is, however, one avenue that is often overlooked even by its regular consumers. You could read, or in our case listen to, science fiction.

Science is the systematic study of the world around us. Science fiction is the exploration of science through the use of story and imagination. Every time we hear a new and amazing tale, we’re being exposed not to present day science but the science of the future. Science fiction takes what we know today and projects it forward, creating a hypothesis surrounded by an entertaining tale. These hypotheses have come to influence not only our popular entertainment but the minds of generations. People across the world now carry hand-held communication devices, once called communicators on a popular science fiction television show and now called cell phones. In Japan robots of all shapes and sizes are being fashioned after the popular stories of giant robots in their science fiction. All over we can see the small influences of science fiction in the science and technologies of our society.

So if we can see the influence of science fiction upon our world now, what science fiction has yet to be written that will inspire our future?

To know that we need to look to what is between science and science fiction. We need to look at Science Future. Science Future is a series of articles dedicated to bridging the gap between science and science fiction by looking at the bleeding edge of scientific discovery and linking it back to science fiction. Each article will present scientific discoveries and discuss science fiction themes related to it  and the possible impacts it could have upon the future of the genre. Together, we will explore science fiction from its roots.

“Science fiction writers foresee the inevitable, and although problems and catastrophes may be inevitable, solutions are not.”Isaac Asimov

Genres:

Escape Pod 295: Disarm


Disarm

By Vylar Kaftan

We kept in touch through the war, when he messaged me about marching through upstate New York. He always started the same way: “Dear Ryan, Please come kick my commanding officer in the balls.” Then he’d tell me about the latest mess–cracks in their radiation suits, or toxic waterholes that were supposed to be clear. He never got in trouble for the messages; they needed him too badly. My epilepsy disqualified me from the draft, which probably saved my life. Pretty boys like me weren’t exactly Army material. By the time things were bad enough that they needed any warm body, there wasn’t enough human government left to organize a draft.

The ruins at Binghamton were where Trey got sick. By the time I got across the country to him, he’d recovered–well, as much as possible. I remember the doctor’s face as he says Trey will live, but he’ll be in pain.

The Soundproof Escape Pod #8


ePub version here.

Hello Gentle Listeners—

May brought us the announcement of the Hugo Awards nominees, which means that June is Hugo Month! For years, Escape Pod has been buying the rights to most of the Hugo short story nominees, and this year is no different. We’ll be featuring three of the four nominees, and since June has five Thursdays, we will also be featuring two longer stories that got Nebula and/or Hugo nods!

We also have the ebook rights to the stories, which is an Escape Pod first, so next month’s Soundproof will be a collector’s item. (If a digital file could be collectible. Which it can’t. So never mind. But you know what I mean; it’ll be cool.) I’m very excited to see our site growing so much.

We want to send extra special congrats to the podcasts who managed to make it onto the Hugo Ballot this year! 2010 winner for Best Fanzine, Starship Sofa, has gotten another nomination, and Writing Excuses has received a nod for Best Related Work. SSS has wonderful stories from many masters of SF, and Writing Excuses has wonderful discussions on how to write genre fiction. We are thrilled that these quality podcasts are getting attention from fandom. I’ll be reporting from WorldCon in two and a half months, and liveblogging the Hugo Awards. More info soon!

A question we get a lot of is, “Why do you not have all the stories in your PDF?” The answer is simple- audio and ebook rights are purchased separately, and sometimes an author cannot or will not grant us both rights. Or there are stories we’ve purchased before we started purchasing ebook rights, so we have no right to give you text versions of the stories. We take our authors’ rights very seriously and will only release the format for which we have rights. Audio-only stories are fewer and fewer these days, but there still will be an occasional one in our future feed.

Speaking of the feed, some people have asked that the Soundproof Escape Pod have its own feed, or the audio have its own feed. Or the R stories to have their own feed. We get this question a lot and can’t really create custom feeds for each listener – but never fear, there is a solution. I’d like to point you to a page that gives you some RSS options, including some things you can do to custom make your own EP feed.

From How To Subscribe (https://escapepod.org/subscribe/):

You can make your own special Escape Pod feed by subscribing to https://escapepod.org/category/XXXX/feed where you replace XXXX with the category you want to subscribe to. Categories are listed on the front page in a drop-down box on the right. Have at it!

Lastly, in order to get the submissions under control, we’re taking two months off and closing for submissions on June 6th.

We hope you enjoy this issue, chock full of awesome stories, reviews, and Nebula reporting. We hope you have a wonderful summer (or winter, if you’re on the other side of the world) and keep listening! We will have other announcements next month!

—Mur

Promo for The Alphabet Quartet


From Dave Thompson, the co-editor at our sister podcast, Podcastle:

In late 2007, I took a trip down to San Diego’s Conjecture convention. I’d been listening to Escape Pod for a couple of years (PodCastle hadn’t even started yet) and so I was thrilled that the very first panel I got to see featured Tim Pratt, Heather Shaw, and Greg van Eekhout. Tim had just won a Hugo for his story “Impossible Dreams” (which I first heard at Escape Pod, yo!) and proceeded to do a collaborative reading of ABC flash fiction. Essentially, they divvied up the alphabet, wrote flash fiction stories for each letter, such as “E is for Excrement” and “N is for Nevermore Nevermore Land.” It was a fantastic reading – hilarious, poignant, thrilling, and most of all – they knew how to have fun. I left the convention knowing, just knowing, that one day – this ABC book was going to be big.

But nothing happened. Several years passed, and still – nothing happened.

And then, toward the end of last year – I realized, I’m at Escape Artists, co-editing PodCastle, and that awesome book I remember? Is out there still, and nobody’s heard it. So, I talked to Ben Phillips, and then I talked to Tim, Heather, Greg, and Jenn Reese – who came aboard to help them finish up the collection – and we came up with a plan. I decided it’d be awesome to send the Alphabet Quartet out to listeners who’d been kind enough to sign up as paid subscribers or make a one-time donation to us of $50 or more since January 1, 2011. Times are tough, we know, and not everyone can donate, so all the Escape Artists podcasts are going to be sharing a few of these stories with everyone who wants them (and also at the Drabblecast). Additionally, all the stories are available to read there for free at Daily Science Fiction, a great new online magazine that emails you free SF/F stories daily, so everyone wins. Thanks for listening, and we hope you enjoy the extra stories.

Closing for Submissions until August


Hey folks,

We’ll be closing to submissions next Monday (the 6th) until August as we clear some stories out of the inbox and cut down a bit on the inventory of stories we’ve already bought.

–Bill

Escape Pod 294: The Night Train


The Night Train

By Lavie Tidhar

Her name wasn’t Molly and she didn’t wear shades, reflective or otherwise.

She was watching the length of the platform.

Hua Lamphong at dusk: a warm wind blowing through the open platforms where the giant beasts puffed smoke and steam into the humid air, the roof of the train station arching high overhead.

Her name wasn’t Noi, either, in case you asked, though it’s a common enough name. It wasn’t Porn, or Ping. It wasn’t even Friday.

She was watching the platform, scanning passengers climbing aboard, porters shifting wares, uniformed police patrolling at leisure. She was there to watch out for the Old Man.

She wasn’t even a girl. Not exactly. And as for why the Old Man was called the Old Man . . .

He was otherwise known as Boss Gui: head and bigfala bos of the Kunming Toads. She got the job when she’d killed Gui’s Toad bodyguards—by default, as it were. (Continue Reading…)

Congratulations to the Nebula Awards Winners!


It’s Nebula Awards weekend, and the ceremony was last night. Congrats to the winners!

Short Story

Novelette

Novella

Novel

The Ray Bradbury Award for Outstanding Dramatic Presentation

  • WINNER Inception, Christopher Nolan (director), Christopher Nolan (screenplay) (Warner)
  • Despicable Me, Pierre Coffin & Chris Renaud (directors), Ken Daurio & Cinco Paul (screenplay), Sergio Pablos (story) (Illumination Entertainment)
  • Doctor Who: ‘‘Vincent and the Doctor’’, Richard Curtis (writer), Jonny Campbell (director)
  • How to Train Your Dragon, Dean DeBlois & Chris Sanders (directors), William Davies, Dean DeBlois, & Chris Sanders (screenplay) (DreamWorks Animation)
  • Scott Pilgrim vs. the World, Edgar Wright (director), Michael Bacall & Edgar Wright (screenplay) (Universal)
  • Toy Story 3, Lee Unkrich (director), Michael Arndt (screenplay), John Lasseter, Andrew Stanton, & Lee Unkrich (story) (Pixar/Disney)

Andre Norton Award for Young Adult Science Fiction and Fantasy

Jeff VanderMeer Covers Finnish SF in Two Part Series


Ann and Jeff VanderMeer recently went to Finland to attend lectures and learn about the SFF community there. in a two-part blog series, Jeff talks about authors he met and the experience of interacting with SFF fandom in a country where the government actively supports the arts (including SFF!) communities.

Supported by that community, a number of unique Finnish writers are appearing on the scene—several of whom have been or will soon be translated into English. Two of the most prominent for readers in English this year are Johanna Sinisalo and Hannu Rajaniemi, both of whom, Halme notes, hail from small villages in northern Finland.

Birdbrain

Sinisalo, whose Birdbrain was published this April in the U.S., is a well-known figure in Finland, where she’s written teleplays, screenplays, and been involved in a stunning number of different creative projects. Including Birdbrain on my top 10 fantasy novels list for Locus Online, I wrote, “This slow-burn of a novel relates the story of Finns Jyrki and Heidi as they hike through the wilderness of Tasmania and New Zealand. Sinisalo immerses the reader in the physicality of the trek, and the increasing isolation of the hikers…the atmosphere created is exciting and the trip fascinating to watch play out. When the fantastical element finally enters the story it’s all the more effective because of the careful way in which Sinisalo has brought the reader to that point.”

Finnish Science Fiction and Fantasy: Johanna Sinisalo, Hannu Rajaniemi, and Moomins: Part One
Finnish SF and Fantasy: An Established Community, a Surge of Talent: Part Two

Book Review: “Blind Man’s Bluff” by Peter David


Warning: This review contains spoilers for previous New Frontier novels, most notably Treason.

Many a young Star Trek fan has imagined what it would be like to create a new ship and crew and take them on adventures around the galaxy. Many of those young fans make a start, and then give up when they realize that (a) carving out a chunk of a universe with established rules can be kind of difficult and (b) they’ll never sell their idea to CBS/Paramount/Simon & Schuster.

And then there’s novelist and comic-book author Peter David, who brought us Star Trek: New Frontier, carving out a chunk of a universe with established rules and selling the idea to his editors.

For fourteen years, David has been sharing with us the adventures of Captain Mackenzie Calhoun of the U.S.S. Excalibur — his unorthodox style, his unorthodox crew, his unorthodox worldview. In fact, if New Frontier had a single word to describe it, that word would be… well… unorthodox.

And in his latest New Frontier novel, Blind Man’s Bluff, he continues in the fast-paced adventure vein that his fans have come to enjoy.

To recap: in Treason, David’s previous New Frontier novel, the crew is introduced to a powerful new enemy, the D’myurj (sound it out) and their servants, the even-more-powerful armored soldiers who possess an Achilles heel in the form of a vent in said armor. They kill many people on Captain Mueller’s U.S.S. Trident, and generally wreak havoc on the galaxy, until Selar (first introduced in TNG’s “The Schizoid Man” as Dr. Crusher’s colleague) undergoes a Vulcan mental break known as “treason” and ends up destroying most — but not all — of the D’myurj in hopes of finding a way to save her son from what is essentially progeria. She succeeds, but the cost is her own life.

Blind Man’s Bluff picks up shortly after the events of Treason. It’s focused mostly on Calhoun, although there are notable appearances by the entire Excalibur crew, as well as some others. After paying a little lip service to the existence of Admiral Shelby, Captain Mueller, and those who died on the Trident, we find ourselves on Xenex, Calhoun’s home planet, where he is attempting to marshal his people into a guerilla force to fight off the Brethren. As the book continues, layers of the D’myurj/Brethren plot are peeled back and we find out exactly how Calhoun was marooned on Xenex and why he’s fighting in the first place.

The b-plot of the book is almost better-developed — and definitely easier to understand — than the a-plot. Morgan Primus, mother of Robin Lefler, became joined with the Excalibur’s computer system some books back. She is gaining power at a remarkable rate — rather like Barclay in “The Nth Degree” — and Calhoun realizes she’s becoming a danger not just to his ship but the entirety of Starfleet. Via Soleta, who you may remember now has her own spy ship, he enlists the help of Seven of Nine and The Doctor in a plot to get Morgan off his ship, once and for all.

As I said earlier, Blind Man’s Bluff is a fast-paced adventure story, which makes it a lot of fun to read. It also contracts its view somewhat, focusing only on the Excalibur (in recent novels, we’ve dealt with both the Excalibur and the Trident, as well as Space Station Bravo, and while David is perfectly capable of casting a wide net, it’s nice to get back to a smaller-scale story). He does bring back almost every character from the previous novels — at least, the ones who are alive (including Calhoun’s sons Xyon and Moke as well as Admirals Nechayev and Jellico) — but the story is really all about the main characters from the Excalibur. While Calhoun is off fighting on Xenex, his first officer Burgoyne and the rest of the gang — Calhoun, Tobias, Xyon (Burgy’s son, not Calhoun’s), and Mitchell must deal with Morgan.

While the novel did have its sticky points — the Nechayev plotline particularly confused me, and I really wasn’t expecting its resolution; also, it seemed as though too much time was spent on the crew of the Dauntless — David’s writing managed to keep me well and truly interested in everything that was going on. In addition, he hung a bit of a lampshade on his own writing style. In fact, there’s even a scene where Burgoyne laments the fact that everyone on Excalibur has their verbal responses set permanently on “sarcasm”. He does overplay Calhoun’s previously-stated tactical and combat skills to excess, perhaps to hang another lampshade, perhaps to help new readers understand just how powerful the Brethren actually are. Whichever it was, it really didn’t work for me. I guess it was necessary to make the hero more mortal, but he’s so immortal (thanks to the way he was written in the past) that there really wasn’t any other way.

David said in a recent interview that this might be the last New Frontier novel — his contract with the publisher is coming to a close and he hasn’t heard about any extensions or re-signings yet. It may be that he wanted to close the series with a bang, killing off another major Star Trek character — you may recall he also offed Admiral Janeway in Before Dishonor — but while I found the novel to be a good one, I wasn’t really satisfied by the ending. I feel like there’s a little more story to be told, and that a few loose ends remain to tie up. It’s not like a sequel hook; it’s like there’s a third book in a trilogy that’s waiting to be written. I hope it is.

In the foreword to Peter David’s Q-Squared, he says that some readers find his books quick reads, but this one will take longer because it’s more complicated. I finished it in one Saturday afternoon. Blind Man’s Bluff took about two-and-a-half hours, despite being 352 pages long. I’d say that fans of New Frontier, and even fans of Star Trek tie-ins, would enjoy this book. It’s not a book for new readers — especially given that there’s very few threads back to major characters in any series except Voyager — but despite my issues with it, it’s another stellar piece of Peter David Star Trek fiction, and I look forward to whatever comes next.

Note to Parents: This book contains occasional adult humor and an awful lot of violence. I don’t recall any sexual situations, although there is a scene of partial nudity. If your kids can handle Star Trek II: The Wrath of Khan, they’ll be able to handle this book, but if Khan’s mangled face gave them nightmares, you might want to skip this book for a while. Of course, you should use your own best judgment where your children are concerned.

Escape Pod 293: A Small Matter, Really


A Small Matter, Really

By Monte Cook

Only the Catholic Church of Osirus would have enough money to afford not one, but two black holes. Standing within the majestic narthex, Maria McNaki imagined the vibration of complex machinery under her feet, despite the fact that the nanosensors laced into her flesh revealed nothing other than the passing of the people in the crowd and the chanting coming from deeper within the cathedral.

The stone walls of the chamber slowly flowed with a liquid relief of gothic circuitry and religious hieroglyphic animations. The glyph depicting Setan as he tore the crucified Osirus-Christ into tiny fragments malfunctioned and remained static. Just as well. The petitioners around her made carefully devout hand signs over their hearts as they faced the ankh crucifix over the door into the sanctuary.

Religion was back in fashion this season.

Three identical priests stood next to the holy water fonts, welcoming the incoming congregation. Their white collars and black robes stood starched-still. Geneticists form-shaped all Catholic-Osirus priests into the gentle, fatherly form selected by church PR, but these three were special. The bright eyes and the shining hair indicated Aesthicel, the most expensive genengineering firm in the Earth system. This parish liked to spend money.

Perfect. That most likely meant that they were interested in obtaining more.

(Continue Reading…)