By Paul Di Filippo
Generally speaking, I need only three minutes of concentrated attention to kill someone by staring at them. If I’m feeling under the weather, or my mind is preoccupied with other matters–you know how your mind can obsess about trivial things sometimes–it might take five minutes for my power to have its effect. On the other hand, if I focus intensely on my victim I can get the job done in as little as ninety seconds.
…Now the nation is at war. Or so we’re told. I guess that changes everything. A person like me becomes much more important.
Host Commentary by Alasdair Stuart
The thing I love about this is, honestly, everything, Di Fillippo does such a fantastic job of parking us inside the head of the protagonist that we wake up to the drip feed of information, and the theft of temporal awareness at the same time. That rising awareness is in turn mapped onto the gradual realization of what the lead can do. This is Scanners without the grand guignol, the assassin’s dream. Tireless, effortless, painless, invisible.
But not unaware.
That’s the single chink in the armour of dystopia and the author does such fascinating things with it. This is the slow moral awakening of a gun mixed with the gradual realization that he is far from alone and far from indispensable. There is always another target and there is always another gun.
That sort of cold, machine calculus lies at the heart of a lot of great espionage fiction alongside the simple, brutal certainty of survival, physical, rather moral. A spy may not leave a story with their mission intact but they’ll usually leave it with their body and mind intact. Whether that’s entirely true of the most famous spy in the world depends on when that latest Bond movie will finally be released but even Commander Bond, he of the bad knee and possible brain damage, still works in a position of moral certainty. He gets to live. His target does not.
This character is denied even that. The ending, for me, reads one of two ways. The personal one is arguably the more horrifying, where his lack of memory dovetails with the mirror and his latest target to ensure this particular cannon is fixed directly towards self slaughter. That, especially when he’s viewed as nothing more than a weapon, is terrifying. He’s ordered to decommission himself and seems minded to do so.
The second option is cold but almost more reassuring. That the President as his final target is an exhausted road to Damascus for the conspiracy that has him; they’re pushed to the limit, they have no further plays, so it’s time for a decapitation strike. Worse still, they’re winning and this is the last move. Regardless, the story ends with us, and the lead, aware that the chessboard is there but with no idea who is playing what side or what piece our lead is. Check is always a single move away. Choose wisely.
This is expertly handled genre fiction and for 5 bucks a month at Patreon, you can not only help us keep making it but get access to our vault. For more you get access to surveys, merch, the whole bit. For 5 bucks a month at PseudoPod, it’s the vault. Either option works for us. Both are needed. Please help out if you can. And if not with money, why not time? Help us raise our profile by leaving a review, on apple podcasts or google or whatever your podcatcher of choice is. Tweet a link to an episode, write a blog. Trust me it all helps. And on behalf of all of us, thank you.
Escape Pod is a production of Escape Artists Inc and released under a creative commons attribution non commercial no derivatives license. It will return next week with Balancing the Equation by Justin C Key, hosted by Jay Bhat with audio by Summer and narration by Laurice White. I leave you with this quote from The Iron Giant: “I Am NOT A Gun.”
Take care folks, see you next time.