Book Review: “Seize the Fire” by Michael A. Martin


One of the things that I love about the Star Trek: Titan novels is that the editors at Pocket/Simon & Schuster allow the authors to really expand upon the scientific points in the stories. Even when the point of the story is to expound upon the Typhon Pact, science still gets done. In Seize the Fire, the second Typhon Pact novel, there’s enough science and technology to keep Titan fans happy, and as the story wears on, the action is enough to keep the editors feeling like the book is moving along at a good clip.

To recap, the Typhon Pact bands together six traditional Federation enemies (Romulans, Gorn, Breen, Tzenkethi, Kinshaya, and Tholians). Seize the Fire covers the Gorn, who we first (and only) met in the original series episode “Arena”. The Gorn suffered a defeat that day, leading to a thriving Federation colony on Cestus III (I believe the current President is from there). In other adventures, Riker was involved in an uprising to overthrow the Gorn government, so he has some backstory with them. But really, this book — like Zero Sum Game did for the Breen — establishes who the Gorn are, their caste system, their technology and terminology, and the way they behave around other races. The beginning of the book outlines that the Gorn warrior caste lost their one major hatchery, and now have to look for a new one. Fast-forward about a year, and a Gorn fleet has found an ancient alien artifact that could be used to terraform (ecosculpt, as they call it) a planet on the outskirts of explored space into an ideal hatchery world.

Except that the planet is already populated.

In comes Titan, who doesn’t want to see the indigenous race be destroyed by the terraforming device. The problem is that the people on the planet — Hranrar — haven’t demonstrated that they have warp-capable spaceships, so the Prime Directive is in play. It’s up to Riker and his crew to stop the Gorn from killing the Hranrarii before Typhon Pact reinforcements arrive… and before Gog’ressh, a renegade Gorn captain affected by radiation poisoning, destroys the ecosculptor in an attempt to remake the warrior caste in his own image.

One of the great strengths of the Titan novels has been characterization, and author Michael A. Martin — one of the co-writers of the first two Titan novels, which defined the crew and ship — includes updates on everyone we want to know about. Other than the main three characters (Riker, Troi, and Vale), he spends quite a bit of time on series regulars Evesh, Modan, Dakal, Torvig, and Dr. Ree. Unfortunately, being constrained by the story and the fact that he has to get from A to B to C kind of limits and two-dimensional-izes some of the main characters. To wit:

  • Commander Vale is annoyingly snarky. We get it, Christine — you’re a female Kirk.
  • Emo-Efrosian chief engineer Ra-Havreii continues to find things to whine about.
  • Other than a passing reference to her holopresence system, Melora Pazlar has very little to do in the way of character development. She’s Lieutenant Commander Exposition this time around.
  • Commander Keru is suspicious of everyone. At least he’s stopped moping around about Sean. That happened eleven years ago. I realize it sucked, but… man, eleven years!
  • We have some supernumaries on the bridge by name of Lavena and Rager. How is Rager still only a Lieutenant, anyway? She was an ensign on TNG, and one would think that the Dominion War would’ve kicked her up at least another grade by now.

The story is really about the Gorn — a couple of tech-caste characters are given main focus in the novel, along with Gog’ressh, and it is they who provide much of the impetus to move the plot forward. The main Star Trek characters are Riker (by virtue of being the captain) and Tuvok (who has some experience with terraforming devices — the term “Genesis” is bandied about quite a bit). Also added to the mix is SecondGen White-Blue, from the previous Titan stand-alone novel; he (it?) is an artificial intelligence who has made friends with Torvig. I think we’re supposed to get some sort of ironic vibe from that (Torvig is a cybernetic being; White-Blue is a machine intelligence who wants to learn more about organic life forms), but I didn’t. And finally, Mr. Gibruch, the second officer, appears to be a cross between Predator and a pipe organ — a cool image, but I didn’t feel invested enough in his character to really care about him.

While the climax of the story had plenty of action and a satisfying ending, I think overall the book had some flaws that should have been addressed. First and foremost, we don’t actually see Tuvok’s role in the climax — it just sort of happens, and then is vaguely discussed in the denouement. Secondly — and also related to Tuvok — there’s a flashback to show us why he hates Genesis-type devices so much, but it isn’t paid off satisfactorily (at least to my mind). And speaking of italicized sections, there’s a bit with the ecosculptor that feels like an artifact of an earlier story, perhaps something that the author edited out in revision and didn’t remove before the final cut. It makes sense, I guess, but again, no payoff.

Overall I found this to be a stronger novel than Zero-Sum Game, although I felt there were areas that could have been improved or expanded upon. Also, there was plenty of filler to cut, and while I know how hard that can be, sometimes your favorite scenes (like the whole bit with Noah Powell) just have to go. As with the Breen in the previous novel, we definitely got insight into the way the Gorn work, and I commend Martin for his excellent work there, but parts of the book were too two-dimensional or slow for me, and as I said previously, there wasn’t enough payoff*. Still, for having to somehow work the far-away spaceship into the main plot, this was done far better than many Voyager stories that somehow were shoehorned into what was happening on the homefront. And even if you don’t read Typhon Pact but you like Titan, you’ll like this book. A solid Star Trek outing all around.

* I think that, at the end, Martin was laying the groundwork for a Big Boss that Titan can take on in future novels, but I was a bit disappointed that I didn’t know more about what was coming. Contrast that to Treason by Peter David, where the new Big Boss for Calhoun and co. is clearly laid out by the end of the novel.

Spring Reading


Visit these web magazines. Read these stories. It is a moral imperative.

Otherwise you’ll miss out on something really good. A big percentage of the various “Year’s Best” anthologized stories this year came from online magazines like these. Don’t fall behind the curve.

Abyss & Apex
Bots D’Amor by Cat Rambo
Hail to the Victors by Philip Edward Kaldon
and several other stories in their Second Quarter Issue

Apex
Biba Jibun by Eugie Foster
The Eater by Michael J. DeLuca
The Speaking Bone by Kat Howard
The Dust and the Red by Darin Bradley

Clarkesworld
The Cartographer Wasps and the Anarchist Bees by E. Lily Yu
Matchmaker by Erin M. Hartshorn
The Book of Phoenix (Excerpted from The Great Book) by Nnedi Okorafor
Perfect Lies by Gwendolyn Clare

Daily Science Fiction
Wings for Icarus by P. Djeli Clark
The Blue Room by Jason Sanford
and numerous other stories.

Lightspeed
Maneki Neko by Bruce Sterling
All That Touches the Air by An Owomoyela
Woman Leaves Room by Robert Reed
Saying the Names by Maggie Clark
and yet more stories

Redstone Science Fiction
The Hubbard Continuum by Lavie Tidhar
Perfection by Jay Garmon
Brittlestar by Mike Barretta
First Light by Patrick Lundrigan
Time’s Arrow by J. Chant

Strange Horizons
Pataki by Nisi Shawl (Part 1 and Part 2)
Rising Lion — The Lion Bows by Zen Cho
Trouble by David M. deLeon
The Last Sophia by C.S.E. Cooney

Subterranean Magazine
Show Trial by Kristine Kathryn Rusch
The Crane Method by Ian R MacLeod
The Crawling Sky by Joe R. Lansdale
The Fall of Alacan by Tobias S. Buckell
Water to Wine by Mary Robinette Kowal

Tor.com
Ragnarok by Paul Park
Shtetl Days by Harry Turtledove
The Lunatics by Kim Stanley Robinson
Chicken Little by Cory Doctorow
Many more stories, excerpts, and reprints at Tor.com/stories.

You can find Escape Pod’s fiction gathered together here.

There are many other stories and magazines out there. Give them all a chance. It would be great to see links to other stories in the comments.

Genres:

Escape Pod 288: Future Perfect


Future Perfect

By LaShawn M. Wanak

I saw you at a party once. You stood by the bookshelf, reading a tattered volume on Proust. You wore an orange and yellow XTC shirt beneath brown flannel. I bumped your elbow by accident and you looked up, your eyes startling green.

I smiled and said, “Hi. I’m Nina.”

“Hi. Eric.”

I trailed behind you for the rest of the party. You introduced me to your friends and I laughed at their jokes. Twice, our sleeves brushed against each other.

Around two in the morning, you left with your friends. An hour later, I also left. I crossed the empty campus, humming under my breath, wondering if I’d ever see you again.

The watch on my arm beeped.


“This experiment will measure how small changes occurring before a certain event affect its outcome positively and negatively.”

The chair is her creation. She bought the frame on impulse at a medical supply shop. The conical helmet, perforated with slender tubes, fits on top. Whenever she maneuvers her head beneath it, she thinks of the hair dryers at her mother’s beauty salon. All those bulky astronaut bonnets lined in perfect rows, vibrating air molecules to a feverish pitch. She likes this scientific homage to her mother extracting time from thin air.

“Recording of the control event complete. Setting a change in a condition set slightly in the past. The goal of this first jump is to see if this will change the outcome of the event to a more positive circumstance.”

She types on the laptop built into the armrest, then glances at the elaborate flowchart tacked upon the far wall of the laboratory. Written in
her own hand, neat and precise, equations and sums branch and connect like a roadmap of a probability highway.

She wonders which formula will have his lips pressing against hers.

“Test #1. Begin.” (Continue Reading…)

“God’s War” by Kameron Hurley


God’s War by Kameron Hurley opens with our hero, Nyxnissa, who has just sold her uterus for petty cash and then blown it all on drugs and gambling. Then things get worse. This book picks up the reader and drops them onto an alien planet, thousands of years in the future. It is a world where technology is powered by genetically engineered bugs and the colonists are tearing their world apart to fight a holy war, the origins of which no one quite remembers.

All the men of Nyxnissa’s nation are drafted into the army. Women are allowed to volunteer. Nyxnissa served her time on the front, and came home a hero, with a body covered in burns. Once the magicians — this book’s practitioners of the Sufficiently Advanced Technology — finished putting her back together, she joined the bel dames, an order of sacred assassins who hunt down deserters in the name of God and the Queen. She isn’t particularly successful at it. When she’s offered a job that promises to shake all the vultures off her back, she has to take it, no matter how low her odds of surviving it seem to be.

The other protagonist in God’s War is a young man name Rhys. What terrible thing drove him over the border to Nyx’s country, which is not a safe place either for foreigners or beautiful men, is revealed slowly over the course of the book. He is as close to a pacifist as anyone can be in war-torn Nasheen, and as close to a romantic interest as Nyxnissa is capable of having.

While it is unmistakably science fiction, this book’s form reminds me of some of my favorite urban fantasy. The focus stays on Nyx and her band of hired misfit. None of them can afford to worry about interstellar politics or the power struggle between the Queen and her bel dames. They’re too busy trying to and take care of the people they love. Some romance has been waved in the direction of this book, but thankfully it is not allowed to dominate the narrative.

This book is brutal. Everyone and everything in Nyx’s world has scars from the war. The author is unflinching in her descriptions of violence. I’ll admit to skimming some of the more graphic passages. I’d hesitate to call it gratuitous, though. Hurley understands that the life of a woman who collects blood debts is not one awesome shoot-em-up adventure after another. In the course of the book, Nyxnissa is broken down to the last slivers of her character. Her choices would not make sense without the violence that surrounds her.

God’s War runs for quite a while before it tells the reader what it plans to be about. I did not mind that, because I was too wrapped up in watching Nyxnissa as she struggled to survive from one day to the next, as she tried (and inevitably failed) to stay ahead of the people who hated her. By the time the book gets around to mentioning the starships, the aliens, and the effects that three thousand years on an alien planet have had on its human population, they were just another set of interesting details added to the plot that had already sucked me in.

Islam permeates every part of God’s War. I don’t recall another work of science fiction that featured a planet that was not only colonized by Muslims, but by waves of different Muslims of different ethnicities and traditions. The religions in God’s War seem rich and detailed to me. I would be very interested to hear the reactions this book gets from its Muslim readers.

Now I am trying to find time to reread this book. I was not completely sold on the way it ended the first time around. As time has passed, though, I find myself growing more and more attached to God’s War. I’m glad I had a chance to read it, and I recommend it highly. God’s War is a fine piece of writing, and not one that its readers will easily forget.

Kameron Hurley and God’s War were featured on John Scalzi’s The Big Idea series.

Genres:

Escape Pod 287: A Taste of Time

Show Notes

Show Notes:

  • No feedback this week because of site issues!
  • Next week… don’t drink the water.

A Taste of Time

By Abby Goldsmith

1.

On the night she turned twenty-nine, Jane sat on her narrow bed, watching TV and drinking alone. She’d gone through a bottle of wine and was mostly through a second bottle. Tomorrow morning would be painful.

Or she could stop worrying about tomorrow. The ibuprofen in her cabinet kept popping into her mind. Jane wasn’t sure if all those pills chased by alcohol would be enough to end her life, but the idea of looking up how to commit suicide online seemed just too pathetic.

The front door of her tiny apartment creaked open.

Jane leaned forward, peering through her bedroom doorway. A black wine bottle stood on the floor, with a placard dangling from its silver ribbon.

Her gaze immediately went to the deadbolt. It was in place, as she’d left it.

Jane shut the TV off and listened for noises from the hallway. All she heard were the sounds of Boston traffic outside. Several weeks ago, after she’d come home to find her boyfriend screwing a fat chick on her couch, she’d had the locks changed. No one could have gotten in.

Yet the bottle sat mysteriously on the wooden floor.

At last, Jane crossed her apartment, checking every shadow for an intruder.

She picked up the bottle. The placard had gilded letters, making it a potentially expensive gift.

Tabula Rasa
Warning: There Is No Return

Jane flipped the placard over twice, but nothing else was written on it.

She listened, alert for any noise. Mystery had never been much a part of her adult life, and it gave her a strangely excited feeling. If the warning label meant something like poison, it seemed like a more dignified way to go than pills and alcohol.

Her reflection on the black surface of the bottle was disturbingly clear. There she was: Plain Jane, a frumpy woman with a double-chin and acne scars.

She unscrewed the cap and popped the foil underneath. A stringent smell wafted up, making her wrinkle her nose and salivate at the same time.

“Happy birthday, Jane,” she told herself, and swallowed a mouthful. (Continue Reading…)

Downtime


Hey folks,

We’re very sorry for the downtime of the last day or two, and I’m very sorry to also say that it may continue for another few days while we sort through some server issues that have affected the blogs, forums, and RSS feeds. Though we are hopeful that we’ve gotten things fairly well fixed for now.

Please let us know here if you are having issues with the blogs or RSS feeds at this thread on our forums. Or if they go back down, please email me at bill at escapeartists period net.

Thanks for your patience,

–Bill

The Soundproof Escape Pod #6


The ePub version can be found here.

Welcome to April! —

March was a sad month worldwide, and I, frankly, am looking forward to leaving winter behind. (Yeah, I know March starts spring in the Northern Hemisphere, but the damp and dank weather we’ve been having the US South makes me feel more like winter than January did.)

First, the world was shocked by the disasters in Japan, earthquake, tsunami, and the continuing threat of radiation from their nuclear plant.

Then fantasy lost one of its masters with the death of Diana Wynne Jones. Any fan or writer of fantasy needs to read her Tough Guide to Fantasyland, and, well, any of her other books. Thirdly…

Well, hell, isn’t that enough?

Many people find themselves feeling lost and useless when it comes to disasters, especially if they’re happening far away. Luckily, some very quick and innovative SFF fans and professionals (including Pseudopod’s own Alasdair Stuart) got together to create Genre for Japan ( http://genreforjapan.wordpress.com/ ), an auction featuring signed books from authors, collections of books from publishers (like Tor and Angry Robot), and editing or critique services from agents and editors. All proceeds go to the Japan Tsunami Appeal run by the British Red Cross. (They know what they’re doing.) Give generously and you can get some awesome prizes.

We hope you’re enjoying the monthly Soundproof PDFs.

We have had gotten a couple of questions asking why some of our audio stories don’t get printed on the site or in the Soundproof. The answer is simple: we don’t have the rights.

We buy the audio and ebook rights to all stories we are able to, but sometimes we are only able to get the audio rights, so those stories are in our audio feed. As we move forward we will do everything we can to get both ebook and audio rights.

Here’s to a better month.

——Mur

Mur Lafferty

Editor

Genres:

Escape Pod 286: The ’76 Goldwater Dime

Show Notes

Show Notes:

  • Feedback for Episode 278
  • Next week… a taste of time.

The ’76 Goldwater Dime

by John Medaille

I started in 1962, that’s when I became a numismatist. You know what that is? It’s the study of… well, it’s not the study of anything. It’s coin collecting, is what it is.

I was ten in 1962, and Christmas I got my first coin album. I didn’t actually get it. My father gave it to my brother. It was, you know, you’ve seen them, a sturdy cardboard folder with slots punched out that you put the coins in. Behind the slots, the empties, it had a backing of blue felt, I remember that. My dad gave it to my brother, I guess maybe thinking it would straighten him out. But coins, you know, they don’t really have that power. He wasn’t interested. He gave it to me. Me, I was interested.

The album was for Lincoln pennies, 1909 to 1959. I had five cents in the world then and each of the five fit in the slot. It only took me five more days to get the other forty-five. I would do anything for those pennies and slot it in its slot. Anything, anything. When I got my last penny, wow. It was a 1943 steel mint penny, a ‘steelie.’ They had to use steel instead of copper that year cause they needed the copper for all the bombs. I was so proud.

(Continue Reading…)

Genre for Japan


You may have seen it mentioned on Twitter (by Neil Gaiman, no less). You may have seen it mentioned on Facebook or on various blogs. But this week – until Sunday April 3rd, in fact – Genre for Japan is running one heck of an online auction to raise funds for the British Red Cross Japanese appeal, in the wake of the terrible earthquake and tsnunami that struck that country three weeks ago.

Genre for Japan is a collective of authors, editors, publishers, bloggers, reviewers, and people just wanting to help out, who have organised 137 incredible lots of science fiction, fantasy and horror-related items. From signed ARCs, to guest appearances in novels, to writing critiques by professional writers and editors, there is, as the saying goes, something for everyone.

But enough gabber from me. I’ll let them take over:

Genre for Japan is a charity auction designed to raise money for the victims of the Tōhoku earthquake and tsunami in Japan. We are using JustGiving to donate money to the British Red Cross Japanese Tsunami Appeal.

Responses to our plea for donations have been more generous than we could have hoped – we now have over one hundred fantastic items up for auction!

Now all we need is for you to get your wallets out and bid, bid, bid!

There is a full list of the items here, or you can browse the items by categories on our front page such as artwork or signed copies.

The auctions will close at midnight on Sunday 3rd April. Bidding will take place in the comment boxes on the website. Winning bidders will be notified by e-mail after bidding closes. A full list of auction rules has been posted on the website.

Some of the prizes include:-

  • One year’s supply of books from Tor!
  • Editing/critiques from professional authors and editors!
  • A character named after you in soon-to-be-published novels by Al Ewing, Adam Christopher, Suzanne McLeod or Jon Courtney Grimwood!
  • Limited-edition cover art from Solaris Books and Gollancz!
  • Custom sketches from comic artists and manga artists!
  • Signed books from Neil Gaiman and Terry Pratchett!

Bidding opened on Monday, and pledges have already reached nearly £7,000 ($11,300). And word is that more lots are going to be added this week.

There are no geographical restrictions on bidding or on the auction items, although you need to bid in British pounds Sterling. Just grab your favourite currency calculator, like this one, and convert your bid before posting. Bidding ends at midnight BST on Sunday April 3rd – that’s Saturday 2nd April at 4pm West Coast US, 7pm East Coast US.

It’s a marvellous cause and the generosity of the SF community has been amazing – not only in the bids pledged so far, but in the incredible collection of items on offer. Ever wanted to own a bestselling fantasy author for two days? Or pick up a signed Terry Pratchett ARC from the author’s own library? Now is your chance. Please give generously!

For more information, their website is: http://genreforjapan.wordpress.com, and they are on Twitter as @genreforjapan. If you want to donate something to auction, it’s not too late – email the team at genreforjapan@gmail.com.

Happy bidding!

Book Review: “Soft Apocalypse” by Will McIntosh


Apocalypse fiction has been around for many years, usually in the form of a cataclysmic event — asteroid impact, nuclear bomb, giant space squid — that destroys a good chunk of the entire planet and leaves the survivors to fend for themselves in a world gone mad.

But after reading Will McIntosh’s new novel Soft Apocalypse, I can tell you that sitting in the belly of an intergalactic Sarlacc might actually be better than the road we’re on now.

Soft Apocalypse is the story of Jasper, a college graduate with a sociology degree, no job, and nowhere to live. While that does sound like the fate of many liberal arts majors these days*, where Soft Apocalypse differs is that it begins in 2023, ten years after an economic depression that has left 40 percent of Americans unemployed. The story begins in Metter, Georgia, about half a centimeter** east of the midpoint between Macon and Savannah, where Jasper and what he calls his tribe are harvesting wind energy from cars passing on I-16***. A policeman drives the tribe away, and after a short while they end up in Savannah, where Jasper grew up.

But this is not the Savannah you and I know, or the Savannah you saw in Midnight in the Garden of Good and Evil. No, just like larger cities, Savannah is in the midst of its own troubles. Jasper gets a job at a convenience store and a house with his friends Colin and Jeannie, and he starts trying to eke out a life during this soft apocalypse.

As the novel progresses, Jasper does things that we might, in saner times, say that no human should be forced to do. He changes residences, lives as a nomad in east Georgia, falls in love with a woman who is extremely wrong for him — and everyone else — and is forced to watch a friend die in a scene that is both hideous and inventive.

To my mind, the main theme of the novel is “just how much of your civility are you willing to hold onto when no one else is civilized?” Most of us have said we’d be willing to kill to protect those we love, or if we were forced into a kill-or-be-killed situation, but for Jasper it’s harder than he expected. Still, he’s pretty lucky, compared to people who’ve succumbed to manufactured diseases, gangs, drugs, or even simple starvation. And he has friends, too — friends like Cortez, a fighting man and natural leader, and Ange, his off-again-on-again lover.

McIntosh projects the future of Soft Apocalypse in a thoroughly realistic fashion, and although world events occur relatively tangential to Jasper — they don’t really affect him as much as local ones like the Wal-Mart closing, but then, how many of us**** feel like the tragedies in Japan or New Zealand, or the regime change in Egypt and the unrest in Libya, really have an impact on our lives? Most Americans wouldn’t even know something was happening in Libya if it wasn’t making it more difficult to fill our gas tanks (or if their favorite Monday night shows hadn’t been pre-empted by the President on March 28). The future of Soft Apocalypse is much harder than anything we’re going through now*****, and McIntosh acknowledges that while also making some so-obvious-it’s-hard-to-see commentary on the present. (He has a great line about starving people, expensive cars, and oil.)

Overall I found Soft Apocalypse to be an engrossing read, as well as a fast one — I read 60 percent of it on a plane flight to Minnesota****** — and I attribute the latter to a combination of good pacing and the story’s ten-year timeline. Though it’s not a happy book, there are moments of win peppered throughout, and the ending is both satisfying and thought-provoking in exactly the same way the rest of the book is.

How far would you go to protect your tribe? Maybe after reading Soft Apocalypse, you’ll think a little harder before you answer that question.

Note to Parents: this novel contains explicit language and graphic violence, as well as sex, occasional torture, and mature themes. I don’t recommend it for anyone younger than 15, and only to highly mature teenagers between 15 and 18. Of course, you should use your own discretion when it comes to your children.

Special thanks to Night Shade Books for providing a review copy.

* I know, I know, low blow. But I’ve worked in academia and employment and let’s just say the prospects aren’t good.

** According to Google Maps on my phone.

*** I’m not really sure how much they’d be getting. I’ve been on 16, and there were very few cars. My guess is that people were commuting from Macon to Savannah.

**** By “us” I mean the average American citizen, not the average sci-fi consumer, who is generally more in-tune with world events.

***** Interestingly, many of the difficult lessons Jasper and his tribe learn are covered in Robert Heinlein’s Time Enough For Love, under the “things every man should be able to do” heading.

****** Don’t worry; I won’t make you do a word problem. It’s about three hours of air travel from Atlanta to Minneapolis, but since I read on my iPad I can only use it at safe cruising altitude, or on the ground. I read the 60 percent noted above in about two hours. For reference, you can figure out how fast I read when I say that I read Harry Potter and the Deathly Hallows in 5.5 hours.