Posts Tagged ‘Tina Connolly’

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Escape Pod 607: Red in Tooth and Cog

Originally appeared in The Magazine of Fantasy & Science Fiction, 2016

Podcast: Play in new window | Download (Duration: 56:25 — 77.5MB)

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Red in Tooth and Cog

By Cat Rambo

A phone can be so much. Your memory, your edge against boredom, your source of inspiration. There’s always an app for whatever you need. Renee valued her phone accordingly, even celebrating it by giving way to the trend for fancy phone-cases. Its edges were bezeled with bling she’d won on a cruise the year before, and she’d had some tiny opals, legacy of her godmother, set into the center.

It was an expensive, new-model phone in a pretty case, and that was probably why it was stolen.

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Escape Pod 603: An Equal Share of the Bone

Escape Pod 603: An Equal Share of the Bone is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 24:01 — 33.0MB)

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An Equal Share of the Bone

By Karen Osborne

To kill a theriida, you need gunboats and suits, laser cutters and open-mawed cargo bays, brawn and a stout heart, and God on your side.

We, of course, had none of that.

I learned in the merchant marines to never shoot a theriida with a standard railgun. They’ll thrash and writhe and put angry holes through your hull, and eating vacuum is nobody’s idea of a good trade run. No: a theriida’s distributed brain needs a distributed solution. If you don’t have a spinal lance capable of wide-range dispersal, move on. Don’t even try. Back in the academy, before Eliot and I signed on with Garuda, we used to inflate massive plastex balloons with pressuregel and deploy them beside our training vessels, taking turns at the lance control. It wasn’t anything like the real thing.

Inexperienced spacers often believe that the glimmering purple sac in a theriida’s bioluminescent belly is the animal’s brain, but that is only because we mammals forget that the universe is a multifarious, violent parade of a hundred thousand ways to be mortal. But we weren’t inexperienced. Our captain, Nate, had thousands of hours of piloting time. I was the best gunner this side of the Mercy War. Eliot could make a working engine out of spit and vomit. That’s why we believed we could handle a theriida kill.

Hubris. That’s the word. (Continue Reading…)

Escape Pod 601: Wet Fur

Originally published in Asimov’s, August 2014.

Isolated cursing.

Grief.

Podcast: Play in new window | Download (Duration: 38:33 — 52.9MB)

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Wet Fur

By Jeremiah Tolbert

You can tell the dog owners when they board the plane; they see the black cloud hovering in the first row and their eyes widen in shock, then narrow in fear, followed by a glimmer of a smile, a hope as they glance at so many occupied seats. A hopeful smile that seems to say: “not for me. Not for mine.”

Unease settles over the plane, like a heavy, acrid scent. A few passengers throw suspicious glances at you, and one elderly woman even stops for a moment beside you, opens her mouth as if to speak. You hold your breath. She closes her mouth and shuffles toward the rear of the plane

You breathe again. You try to ignore the man seated next to you. You focus on the safety talk.

When the flight attendant buckles her fake belt, she glances at the cloud off her shoulder, then smiles apologetically at her audience. Like it’s her fault, or perhaps the airline’s? There’s nothing she can do, or anyone else.

You sniff. You smell damp fur. You frown, wondering, perhaps, how that could be? You don’t know what strange links lie between memory and nose, but we do.
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Escape Pod 599: What Glistens Back

Lightspeed Magazine, November 2014

Isolated cursing.

Passing mention of suicide.

Podcast: Play in new window | Download (Duration: 28:15 — 38.8MB)

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What Glistens Back

By Sunny Moraine

Come back.

You hear the call as the lander breaks up around you. You’re aware of the entirely arbitrary concepts of up and down before you realize what’s happening, and then they’re a lot less arbitrary. Down is not so much a direction as a function of possibility, of what might happen to you, of what is happening now. You finally getdown as an idea.

Come back.

Look up and there it is, floating over you in stable low orbit with its backdrop of stars, long and sleek and lovely, all its modules and portholes out of which you spent so much time looking, and that voice clutches at you like it could hold onto you, and you almost start to fucking cry, and you’re panicking and taking huge gasping breaths and clawing at nothing, and you’re falling. And you can’t come back. So the universe goes away for a while, and when you blink again, that brownish pitted curve beneath you is just a little bit bigger.

“Sean, come back. Do you read? Come back?”

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Escape Pod 598: On the Fringes of the Fractal

Originally published in 2113: Stories Inspired by the Music of Rush, edited by Kevin J. Anderson in April 2016.

Podcast: Play in new window | Download (Duration: 35:16 — 48.4MB)

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On the Fringes of the Fractal

By Greg van Eekhout

I was working the squirt station on the breakfast shift at Peevs Burgers when I learned that my best friend’s life was over.

The squirt guns were connected by hoses to tanks, each tank containing a different slew formula. Orders appeared in lime-green letters on my screen, and I squirted accordingly. Two Sausage Peev Sandwiches was two squirts from the sausage slew gun. An order of Waffle Peev Sticks was three small dabs of waffle slew. The slew warmed and hardened on the congealer table, and because I’d paid attention during the twenty-minute training course and applied myself, I knew just when the slew was ready. I was a slew expert.

Sherman was the other squirter on duty that morning. The orders were coming in fast and he was already wheezing on account of his exercise-induced asthma. His raspy breaths interfered with my ability to concentrate. You really have to concentrate because after four hours of standing and squirting there’s the danger of letting your mind wander and once you do that you can lose control of the squirts and end up spraying food slew all over the kitchen like a fire hose.

“Wasted slew reflects badly on you,” said one of the inspirational posters in the employee restroom. (Continue Reading…)

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Escape Pod 595: Islands in the Dark

Escape Pod 595: Islands in the Dark is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 40:12 — 55.2MB)

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Islands in the Dark

By Sarah Goldman

Road out from Kaysee was boring as ever. The kids we’d picked up this time weren’t anything to sneeze at: soft-spoken boy with eyes too teched up to blink, real young bratty kid who kept trying to backseat drive me from the hatch of a goddamn pickup, and a girl I hadn’t quite gotten a read on yet. Made me nervous. New things tended to do that. Hal would know their names and their stories, hers included, but that wasn’t my job; socializing was his thing and driving was mine. Talking hasn’t ever been my strong suit. Neither has caring. But I was curious.

I let Hal take the wheel and swung myself back into the hatch. Quiet boy with the bright eyes spoke to me first. Asked me my name and rubbed at the place behind his ear where we’d cut the interface out. Thanks to the spray-on shit Hal kept around, it was scarring up already. We’d grabbed a few cans while we were in the city—we could grow a lot out here, but medical supplies could be hard to come by.

I said, “Call me Lanz.”

“You’re going the wrong way,” the bratty kid told me.

“And how would you know?” I asked. “You ever been out here before?”

“Once, on a bet,” she said. She tucked her hair back and wrinkled her nose. “I made it two hours before my ears hurt too much.”

“We’re going the right way,” said the inscrutable girl. Not soft but not loud either: steady like a lighttrain locked to its tracks. She didn’t say it like she trusted me. It was like she just knew better than the rest of us.

(Continue Reading…)

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Escape Pod 592: When All the Clocks Are Wrong

Escape Pod 592: When All the Clocks Are Wrong is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 42:45 — 58.7MB)

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When All the Clocks Are Wrong

By Beth Goder

Jen locks her bike and heads towards the theater. She needs a break from studying, but more importantly, she needs to find Ash, who has her Soil Science notes. Jen promises herself she won’t try to kiss Ash–they’ll see the midnight movie, Ash will hand her the notes, and then, summer vacation. That’s it.

Before she reaches the theater, Jen feels a familiar frisson, disorienting, dizzying. When the red lights of the marquee blink 12:45 a.m., Jen isn’t surprised. The clock thing is happening again. She left her house with enough time to meet Ash outside, buy a ticket, grab a soda. But now, it’s 12:45 a.m. One hour later than it should be.

All her life, time has disappeared like this.

(Continue Reading…)

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Escape Pod 590: Four Seasons in the Forest of Your Mind

Four Seasons in the Forest of Your Mind originally appeared in the the May/June 2015 issue of Fantasy & Science Fiction.

Podcast: Play in new window | Download (Duration: 19:49 — 27.2MB)

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Show Notes

Thanks to our sponsor, ARCHIVOS – a Story Mapping and Development Tool for writers, gamers, and storytellers of all kinds!

Four Seasons in the Forest of Your Mind

By Caroline M. Yoachim

Spring

My tree is a pyramidal cell in the prefrontal cortex of your brain.

There are millions of us here, in the forest of your brain, each with our own region to tend. My region is a single tree, for I am newly born, just as you are.  It is a lovely tree, with a long axonal root and majestic dendritic branches that reach outward to receive the signals of other neurons.  Like you, the tree is in a springtime state of frenetic growth, reaching its delicate tendrils to nearby cells and more distant targets.  The Omnitude has given me a simple task, a message that comes to me via the entanglement: Save this tree.

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Escape Pod 585: We All Scream

Escape Pod 585: We All Scream is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 18:56 — 26.0MB)

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We All Scream

by Marie Vibbert

We weren’t, any of us, heroes. Aiden was a downright chicken. I’m allowed to say that; I love him. My husband doesn’t have to live up to your expectations of masculinity. I’ll beat the crap out of anyone who says otherwise. Me? I don’t stick my neck out. I mind my own business, which is selling ice cream and looking after the twins. That’s Aiden’s business, too. We take turns driving the truck and keeping the kids from falling out of it.

It was Aiden driving that particular day. I was counting the money and finding that we’d gotten short-changed about the price of a dream bar at the playground stop – always happens when there’s a large crowd. Little scammers.

“Count the dream bars, Stevie,” I said. He rolled his eyes as he got to his feet like I’d asked him to carry eight loads of bricks ten miles. Molly raised her head and with the air of a saint said, “I can do it, Momma.”

“Nothing doing, you keep on with your reading.”

I was being mean and forcing them to do the work the other one was better at. Builds character. Molly hid her annoyance well.

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Escape Pod 582: Unit Two Does Her Makeup

Escape Pod 582: Unit Two Does Her Makeup is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 37:10 — 51.1MB)

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Unit Two Does Her Makeup

By Laura Duerr

Doctor Spencer has brought me an artist. My eyes on the outside of the building register the identity of everyone who enters, including her: Suzanne Chantal Salinas, age 26, licensed esthetician and makeup artist, amateur painter. I cut the feed after .3 seconds. The security feed could tell me more, but I have learned that it is impolite to collect extraneous details about a person unless they prove to be a security risk. Given that both Suzanne Chantal Salinas and Doctor Spencer are smiling, and appear to be in companionable conversation, the artist is not a risk.

I observe them enter the building accompanied by a brief burst of cold — it is 37.1 degrees outside. When I view them through infrared, they are glowing red faces encompassed in green and blue jackets. I have been monitoring the interior temperatures; Unit One has made appropriate adjustments to climate control. We are keeping the building comfortable.

The visitor stamps her feet, brushes sleet from her black curls. They shed their jackets, blooming gold and scarlet on infrared. Unit Three has mobile security platforms posted by the front door and the elevators. They do not react: they are faceless, they don’t feel cold, the visitor has clearance.

The artist’s heart rate is elevated. Her cheeks are flushed, and not just from cold: she’s nervous about meeting me. She keeps looking at the security platforms. Perhaps she fears my platform will look like them, featureless and alien.

I chose my face. Unit Three chose hers, too, in a way. Our platforms serve different purposes, and the faces we built reflect that.

(Continue Reading…)

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