Posts Tagged ‘Tina Connolly’

Escape Pod 528: Divided By Zero


Divided By Zero

by Samantha Murray

As a child I already knew that there were different kinds of infinity.

When I asked my mother whom she loved the most–me or my brother–she would pause and then say she loved the both of us.

How much did she love us? I wanted to know. And she’d say she loved me an infinite amount and my brother an infinite amount too.

From this I knew implicitly that two infinities did not have to be the same size.

As a child I knew this although I had no words for it. It was what drove me to ask the question. I knew also that I was waiting for her not to pause.

She always did. Every time.

Secure in his answer, my brother never asked the question. I was the lesser infinity; that of whole numbers perhaps, while his was of real and irrational numbers, which could be complex, and transcendental.

My brother won awards and prizes, was tall and athletic while I could not use my legs, but this is not why his infinity was infinitely bigger and infinitely better than mine. I’m sure people wondered how anyone could fail to love my brother when he was so brave and shining–but I think they have the causality backwards. Everybody loved him and he took all of that love inside himself until he could not help but glow like a nebula pinpricked with stars.

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Escape Pod 216: βoyfriend


βoyfriend

By Madeline Ashby

Violet snapped three photos of herself from various angles, sent them, and waited for her boyfriend’s response. He rang her up—a slow vibrating purr, unlike the staccato door-knocking of her mother’s ringvibe—and said: “Me likey. Now take it off.”

Violet frowned. “You were _supposed_ to dig up the backstory on the dress.”

“Well, you can’t blame me for getting a little distracted. Besides, isn’t it bad luck for me to see?”

“That’s only for weddings, not prom.”

Genres:

Escape Pod 209: On the Eyeball Floor

Show Notes

Closing song by Andrew Richardson


On the Eyeball Floor

by Tina Connolly

We’ve got robotic arms to put the eyeballs in. Metal clamps to pulldown the eyelids. Tony, on Four, keeps the grease vats filled. Oil squirts nineteen times a minute to keep the eye sockets from squeaking. Tiny slick needles stitch on the lashes, while millions of different irises get stamped in magenta and yellow and cyan, so no two will ever be alike, just like us.

All that, and they can’t engineer anything—or anyone—to take over my job. People in Organs go home coated with grease and vinegar; people in Bones have lost fingers to the machines, and still nobody wants the job where a hundred half-live cyborgs line up in rows, twitching when your back is turned. Waiting for someone to talk to them, feel for them. Transcend them to life.

There are safety signs around the factory. “Scrub Up.” “Know Thyself.” “Don’t Blink.” That last is the best piece of advice, here on the eyeball floor.

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