2011 Award Season: The British Contingent

The 2011 awards season is well and truly upon us – it’s an exciting time of year, with all but one of the big awards having released their shortlists, and the SF community engaging in discussion and debate both online and off. I’m sure that there are a lot of us who know some of the nominated people personally, and in some small part we can share what must be a nerve-wracking few weeks until the various award ceremonies are held.

The big award that is still collecting nominations is, of course, the Hugos. Laura Burns has already talked about the Hugo awards, the granddaddy of the lot, perhaps. One great thing about the Hugos, as Laura mentions, is that you can join WorldCon as a supporting member, even if you can’t attend the convention itself. This entitles you to nominating and voting rights, and you get an electronic pack of all the final nominees. I’m mentioning this here again as I did this for the first time last year, and was very impressed. As a UK resident it cost me £25, and I still haven’t finished reading everything that was provided. As well as the opportunity to take part in the Hugo awards process, you get very good value for money!

As well as the Hugos and the Nebulas (summarised nicely by Bill Peters), there are two more major SF/fantasy awards on this side of the Atlantic which have recently announced their shortlists.

The Arthur C. Clarke award, so named in honour of the great SF author and originally founded thanks to a grant from the man himself, is presented each year for the best science fiction novel first published in the UK in the previous calendar year. It is described as the most prestigious award for science fiction in Britain, and is unusual in that it is a jury-judged prize. Six novels are selected from publisher submissions, and the prize itself (the amount corresponding to the year of the award, so this year is £2,011) is presented at a ceremony as part of the Sci-Fi London event in April.

The Clarke awards often provoke intense debate and analysis in the UK. Personally, I don’t think the shortlist ever quite reaches controversial levels, but usually the selection is very interesting and quite unpredictable, with most commentary (at least initially) focussing on what books didn’t make it. Last year’s winner was The City and the City by China Miéville, which went on to win both the British Science Fiction Association award and the Hugo the same year. Miéville also broke the record by winning the Clarke award for the third time with The City and the City.

This year’s shortlist (selected from 54 eligible submissions) is:

Zoo City – Lauren Beukes (Angry Robot)

The Dervish House – Ian McDonald (Gollancz)

Monsters of Men – Patrick Ness (Walker Books)

Generosity – Richard Powers (Atlantic Books)

Declare – Tim Powers (Corvus)

Lightborn – Tricia Sullivan (Orbit)

The eligibility criteria  – specifically the requirement for the book to have been published in the UK to quality – have thrown up an interesting result this year with Declare by Tim Powers making the shortlist. While this book was first released in the US in 2001, the first UK edition didn’t come out until 2010, hence it is eligible. Also, Monsters of Men by Patrick Ness is the third book in a trilogy.

The shortlist was released on Friday 4th March, and Clarke award administrator Tom Hunter managed to spare some time to give me his thoughts on this year’s selection:

I’ve spent most of the day tabbing between different web pages, following threads, checking Google alerts, clicking links and generally watching Twitter like the kind of geekily obsessive SF stereotype I am. I spend a good part of my Clarke Award working-life trying to challenge, and the overwhelming conclusion from all of this adhoc research is that people seem to really like this shortlist.

This doesn’t mean that they necessarily agree with all of it, and there’s no rule that says they should, but I think this year people have really seen where our shortlist has come from and the real hard work that’s gone into it on the part of the judges; who I think deserve some real kudos by the way.

Then again, maybe all the goodwill is simply down to it being our 25th anniversary…

Either way, it’s a great result for the Award and a fantastic statement about the health of modern science fiction literature – just don’t ask me to guess the winner, this really is one of those great shortlists where the field is wide open.

The British Science Fiction Association award shortlist was also recently announced, with the award ceremony held at the national science fiction convention (commonly referred to as EasterCon), Illustrious, over the Easter weekend. Interestingly, of the Best Novel nominations, three out of the five BSFA nominees are also on the Clarke award shortlist. Together, the BSFA and the Clarke awards count as two of the ‘big ones’ for the UK. A third set of awards, given by the British Fantasy Society, happen later in the year.

Best Novel

Paolo Bacigalupi – The Windup Girl (Orbit)

Lauren Beukes – Zoo City (Angry Robot)

Ken Macleod – The Restoration Game (Orbit)

Ian McDonald – The Dervish House (Gollancz)

Tricia Sullivan – Lightborn (Orbit)

Best Short Fiction

Nina Allan – ‘Flying in the Face of God’ – Interzone 227, TTA Press.

Aliette de Bodard – ‘The Shipmaker’– Interzone 231, TTA Press.

Peter Watts – ‘The Things’ – Clarkesworld 40

Neil Williamson – ‘Arrhythmia’ – Music for Another World, Mutation Press

Best Non-Fiction

Paul Kincaid – Blogging the Hugos: Decline, Big Other

Abigail Nussbaum – Review, With Both Feet in the Clouds, Asking the Wrong Questions Blogspot

Adam Roberts – Review, Wheel of Time, Punkadiddle

Francis Spufford – Red Plenty (Faber and Faber)

Jonathan Strahan and Gary K. Wolfe the Notes from Coode Street Podcast

Best Art

Andy Bigwood – cover for Conflicts (Newcon Press)

Charlie Harbour – cover for Fun With Rainbows by Gareth Owens (Immersion Press)

Dominic Harman – cover for The Cat’s Cradle by Kurt Vonnegut (Gollancz)

Joey Hi-Fi –cover for Zoo City, by Lauren Beukes (Angry Robot)

Ben Greene – ‘A Deafened Plea for Peace’, cover for Crossed Genres 21

Adam Tredowski – cover for Finch, by Jeff Vandermeer (Corvus)

Voting on the BSFA awards is open to all members of the BSFA and of EasterCon, with advance votes due by 18th April and on-site ballot boxes available at EasterCon itself.

The shortlists so far announced show, I think, that 2010 was a pretty strong year for genre fiction. Certainly some of the novels released in 2010 I now count among my favourites, periods. All that is left is wait for the Hugo shortlist to be announced. And I’m looking forward to that very much indeed.

Escape Pod 282: You’re Almost Here

Originally published in Bull Spec Magazine

Rated PG-13: This story contains one F-bomb.

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Show Notes

A&E are offering us a prize pack for a random drawing! So US residents, please email feedback at escapepod.org and put CONTEST in the subject line. We’ll do a drawing next week!

You could win both of the following:

Space 1999: The Complete Season 1
In the year 1999, a spectacular explosion at a lunar nuclear waste dump sends the moon out of Earth’s orbit. In this seminal sci-fi series from producer Gerry Anderson, the men and women of Moonbase Alpha are suddenly propelled on a treacherous journey across the universe in search of extraordinary new worlds.

The Prisoner
Since its CBS debut in the summer of 1968, the masterful British TV series THE PRISONER has captivated American audiences. Now A&E presents a definitive aficionado’s edition of the cult classic which is considered one of the most innovative TV series ever filmed, for the first time in breathtaking Blu-Ray.

Show Notes:

  • Feedback for Episode 274
  • Next week… The grandfather paradox rears its violent head.

You’re Almost Here

By Melinda Thielbar

“Can I share your table?”

You look up to see your dream girl. Red hair, cream-colored skin, face just a little round, breasts just a little small. Not movie-star beautiful, not perfect just–nice. She smiles, and her cheeks dimple, and you’re in love. You gesture to the empty chair across from you with a grin of your own.

“Be my guest,” you say.

“Thanks.” She takes the chair and sets her coffee cup down. You close the notebook in front of you and open your mouth to say something—anything—to impress this girl.

Without looking at you, she turns in her chair, pulls a phone out of her pocket and bends over it. You watch her face in profile as she slips a pair of earbuds into her ears. Your mouth is still open, so you close it and look away. That’s when you see that every table is occupied. Men in suits, women in suits, a few people your age in khakis or jeans. They’re all looking down at their phones, laptops, or handheld game consoles. Sunlight streams in through the floor-to-ceiling windows, and you watch people passing by on the street for a minute. They’re all looking straight ahead, faces set the way they have to be in a city this size. When it’s this crowded, the only privacy you can give a stranger is not to notice them. That idea interests you, and so you open your notebook to jot it down at the bottom of the second-to-last page. As you’re writing, a chair scrapes behind you, and a guy in a navy three-piece moves past. He flips his phone open and then closed again, checking the time, and hurries out.

The girl across from you moves almost as fast as he does. “Thanks,” she says and flashes that amazing smile again before she grabs her drink and hops to the newly-open table. You write FUCK across the top of the second-to-last page of your notebook, tuck it into your pocket, and go get another coffee.

(Continue Reading…)

Book Review: “Paths of Disharmony” by Dayton Ward

Boy, does it suck when everything goes horribly wrong. For 200 years, these dudes have been our friends, ever since we helped them make peace with these other dudes who were our friends even longer. But now they’re all pissed at us. So let’s send our most awesome dude to their house and hold a giant party, inviting everyone. That’ll totally work! Until the few asshats who kind-of-sort-of know these friendly dudes’ roommate call in all their asshat friends and start throwing down.

That’s pretty much the entire plot of Star Trek: Typhon Pact #4: Paths of Disharmony. Also known as the one with Captain Picard and the dreadlocked Andorian on the front cover.

In all honesty, this is quite possibly the best of the Typhon Pact novels so far, and I’m not really surprised at that. It’s the most popular ship and crew in Star Trek, plus a race that has really gotten kind of short shrift in televised Trek (Enterprise notwithstanding), plus a classic Trek “let’s go to a planet and solve a problem” episode. It’s written by Dayton Ward, who has done some really great Trek writing over the years. And, of all the Trek tie-ins written since the end of Voyager, this one brings together the largest amount of the most popular crew (four-sevenths of the central TNG cast).

Paths begins with the Enterprise being sent to Andor, a staunch Federation member for more than 200 years, because their people are up in arms that genetic research is being done to help them find ways to reproduce that don’t involve four distinct sexes. Lieutenant Thirishar ch’Thane, late of the Deep Space Nine relaunch, is a part of that team. Support on Andor is turning against the Federation, and the Andorian presider hopes a scientific conference will be the answer. Like I said, pretty standard TNG at this point.

Aboard the Enterprise, we find Picard, Beverly, their son Rene (who is now one year old), Worf, and Geordi. Added to their number are science officer Elfiki, contact specialist (and somewhat annoyingly Mary-Sue-ish*) T’Ryssa Chen, security chief (and Worf-squeeze) Jasminder Choudhury, assistant chief engineer Taurik, and ship’s counselor Hegol Den. Picard is mentally battling with himself as to whether or not he should take a promotion to Admiral (or even Ambassador), and he and Beverly are definitely looking to make things a little more stable for their son. Geordi is having love issues (a common theme for him). And everyone is worried about the Typhon Pact.

Upon arrival at Andor, the crew splits up into their traditional small groups — Picard does some diplomacy and is enticed to visit an archaelogical dig; Beverly works with the genetic scientist who caused all this trouble; Geordi builds a power station; Choudhury has to secure the conference building; and up on the ship, Worf is left in charge. Through all of this we meet many secondary Andorian characters, as well as a lot of enterprising young men (and women) — mostly in security. About 40 percent into the book, a rebel group of Andorians strikes at the Federation personnel, but it’s not until halfway through — the traditional cliffhanger point — that we see who’s really behind all of this anti-Federation settlement.

As one would expect, after the Typhon Pact drops a bombshell that shakes the Andorian people’s trust in the Federation, the true villains make a series of attacks somewhat reminiscent of the Picard-on-the-surface-Riker-on-the-ship that we saw in Insurrection. Our heroes must stop these terrorists.

You can guess how that turns out.

In exactly the same way that Rough Beasts of Empire didn’t, Paths of Disharmony manages to make me care about all the secondary (and even the minor) characters enough that I didn’t get lost when we jumped from place to place. With the exception of a huge digression (Picard’s archaeological trip, which seemed to me to be an excuse to tie in Enterprise), the writing is well-paced and the action is gripping.

I know there are at least two more Typhon Pact books in the offing, but they’ll be hard-pressed to top this one. Definitely worth it, for both casual and die-hard Star Trek fans who are looking for the next chapter in the lives of our Next Generation friends.

* I don’t blame Ward; he didn’t invent the character, and he actually gives her some respectable things to do in this episode.

The Soundproof Escape Pod #5

Read

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Quick note: Sorry it’s late folks, minor illness-related delays.

The ePub version can be found here.

To our readers—

I’ve always been of two minds about that proverb (well, curse) that has been attributed to the ancient Chi- nese of “May you live in interesting times.”

Because let’s face it, boring times are getting further apart and fewer. The era of the noble farmer living a quiet life on the plains is long dead in much of the developed world, and while we always dream of re- turning home to a quiet Ithaca, I think a lot of us prefer the torrents of the seas and not knowing what the next isle will bring.

Which is bit of a long way of saying that it was a bit of a crazy month last month, wasn’t it?

Thousands of much better words than these have been etched in the cyber on the wave of popular revolu- tions in North Africa and the Middle East, so I’m going talk about the impending end of the Space Shuttle program.

Space shuttles were always a bit of science fiction that existed in the real world for those of us who grew up after the space race. They were the oddly shaped white space ships in the toy box with the X and Y- Wings and variants of the Enterprise.

They mixed the aspiration of escape from the bonds of gravity with the weight of tragedy that such aspira- tion can lead to. They were something between a pickup truck and the first real wave of space colonizers. Not that the two are mutually exclusive

The third to last shuttle mission is skimming the stratosphere as I write this, and the last one is due to launch in June. And then the US civilian space program will be reliant on private sector for space vehicles until at least 2015. Which, in a way, is progress.

But progress that doesn’t quite sit right. You want commercial haulers out there making space civilized, useful, and cheap enough that you might be able to hop out there for less than a decade’s salary. But there’s a need for ships of the line, and those come from the public masses.

Last month, Escape Pod brought you four stories, two of which will be republished here. Unfortunately we bought EP279: Conditional Love just before we started asking for ePub rights, as it was just nominated for the Nebula. Escape Pod knows all, but not always at the right time.

But we are bringing you the excellent David D. Levine’s Written On The Wind and the quite interesting Alex Dally MacFarlane’s The Notebook of My Favorite Skin-Trees. One’s about a bunch of aliens living together, mostly in peace, and the other’s about advertising in the near future.

We also did something a little special with the Written On The Wind episode, and you can read about it in the back of this month’s Soundproof.
Yours,
—Bill

Book Review: “Rough Beasts of Empire” by David R. George III

I’m really hoping that the Star Trek Typhon Pact tie-in novels aren’t going to suffer from the odd-numbered curse all the way through, because I don’t think I can handle spending another $8 on book five if it’s going to be as disappointing as Rough Beasts of Empire, the third book in the saga.

I had really hoped Empire would be great. After all, the author, David R. George III, wrote what was to my mind the best installment in the Lost Era, Serpents Among the Ruins (if you like Trek and you haven’t read it, you should rectify that situation immediately). George has also written other very enjoyable books in the Trek universe. But, unfortunately, this Typhon Pact novel just doesn’t cut it.

I’m usually a fan of multiple interlocking stories that come together at the end. I even liked Love Actually, despite the extremely-tangential way some of the storylines touched each other. But compared to Empire, that film’s stories were completely intertwined.

There are four distinct stories in Empire, and the only way to explain them is to keep them separate, like they are in the novel.

The Tzenkethi. As with the other Typhon Pact novels, Empire exists to show us a Star Trek race that we haven’t seen. The Tzenkethi are a merit-driven caste society of beautiful beings with no bones and a very unique approach to the use of floor (and ceiling) space. Their names are so complex that I can’t even remember what the main Tzenkethi character was called. Something with an A at the end. Anyway, this Tzenkethi was sent to be the Typhon Pact’s ambassador to Romulus, although she had a secret mission. Which was addressed so infrequently that I totally forgot about it until the very end.

Vulcan-Romulan Reunification. Spock is still on Romulus, trying to bring both sides together. This was by far the least interesting of all the storylines because, (a), we’ve been dealing with it in novels for far too long and, (b), we know it’s never going to succeed. It’s just an excuse to get a picture of Leonard Nimoy on the cover of the book. In any case, an assassination attempt is made upon Spock, which leads him to approach Praetor Tal’Aura* with a groundbreaking proposal.

The Romulan Senate. The Ortikant family, led by Gell Kamemor**, is heavily involved in the reformation of the Romulan Senate under Tal’Aura.

Captain Sisko. I firmly believe that this is the story George wanted to tell when he started writing this book. It is the most interesting, the most nuanced, and the most compelling. In the beginning, we see Sisko commanding the starship New York during the Borg war in Star Trek: Destiny. This actually happens before the first two Typhon Pact novels, which confused me at first, but I got over it. Anyway, after the battle, Sisko goes home to Kasidy and his family, but remembers that the Prophets told him he would only know sadness if he made a life for himself on Bajor. So he makes the questionable decision to leave Bajor and return to Starfleet. He is assigned a starship on patrol along the Romulan border, where he becomes Emo Sisko.

There’s also several minor sub-plots, including the return of a somewhat-overused-as-a-plot-device character, the summit between Empress Donatra and Praetor Tal’Aura, the observations of Senator Durjik, and an out-of-nowhere flashback to Sisko’s experiences during the last Tzenkethi conflict which completely pulled me out of the story.

The plots above only barely touch, and I don’t feel as though they were adequately tied together (especially Sisko’s, which only very slightly interacted with any of the others). I really feel this is two books — Sisko’s story, and the Romulan story. Unfortunately, I couldn’t really get into the Romulan story because it was too boring, and I couldn’t really get into the Sisko story because I can’t believe that Sisko would walk away from his family just because the Prophets told him to. I can think of at least three better ways to get Sisko into the story, and I’m probably not the only Trek fan who read “reunification” and thought “oy vey, enough already.”

I realize I’ve been pretty negative overall, but mostly what I’m negative about is the plot and the story. George’s writing is still top-notch, even when he’s dumping scads of exposition, and as with the other Typhon Pact novels there are plenty of hooks into other Star Trek shows and books that fans will remember and recognize. I just don’t think this book was interlaced enough with its A and B plots to really interest me; therefore, I’ll have to recommend that you give this one a pass and just read the spoilers online.

* You may remember her from Star Trek: Nemesis as the Romulan woman who left the Senate chamber just before everyone turned into stones and crumbled to dust.

* See Serpents Among the Ruins, where she was the chief Romulan negotiator on the Treaty of Algeron, best known for preventing the Federation from developing or using cloaking devices.

Escape Pod 281: The Notebook of my Favourite Skin-Trees

Originally published in DayBreak Magazine

Rated R: This story contains erotic imagery and sex.

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Show Notes

Show Notes:

  • Feedback for Episode 273
  • Next week… You go to a coffee shop.

The Notebook of my Favourite Skin-Trees

By Alex Dally MacFarlane

BANANA

The best part of these are the fruits, growing on their fat stem, dangling down the person’s back or from their arm. I always bow and smile, asking, “Can I taste one of your fruits? Bananas from a skin-tree are so sweet.”

So sweet and so small, a single mouthful.

I also enjoy the place where banana tree meets flesh, roots curving over and into the person’s limb — pressing my lips there, my tongue — and the small shade cast by the leaves.

Kim Cuc saw advertisements everywhere she looked in the walking street market, but only on the leaves of the skin-trees: names of shops and cafés and restaurants spelled out, Thai or English or other languages, in the bright white veins. Aside from the occasional cry from stall owners or vendors — “I have the finest grilled bananas in Chiang Mai! Come and taste!” — no other form of promotion cluttered the senses.

That had always been the intent of the skin-trees’ engineers and earliest supporters. Kim Cuc smiled often, seeing the remains of once-garishly lit billboards, or walls that several years earlier would have been covered in paper.

No smiles on this night.

(Continue Reading…)

2010 Nebula Nominees

Congratulations to everybody, and if you want to listen to two of them we’ve already podcast the ones with Love in the title — Conditional Love and I’m Alive, I Love You, I’ll See You in Reno. What this says about us or SFWA can be speculated on in the comments.

SFWA:

Short Story

Novelette

Novella

Novel

The Ray Bradbury Award for Outstanding Dramatic Presentation

  • Despicable Me, Pierre Coffin & Chris Renaud (directors), Ken Daurio & Cinco Paul (screenplay), Sergio Pablos (story) (Illumination Entertainment)
  • Doctor Who: ‘‘Vincent and the Doctor’’, Richard Curtis (writer), Jonny Campbell (director)
  • How to Train Your Dragon, Dean DeBlois & Chris Sanders (directors), William Davies, Dean DeBlois, & Chris Sanders (screenplay) (DreamWorks Animation)
  • Inception, Christopher Nolan (director), Christopher Nolan (screenplay) (Warner)
  • Scott Pilgrim vs. the World, Edgar Wright (director), Michael Bacall & Edgar Wright (screenplay) (Universal)
  • Toy Story 3, Lee Unkrich (director), Michael Arndt (screenplay), John Lasseter, Andrew Stanton, & Lee Unkrich (story) (Pixar/Disney)

Andre Norton Award for Young Adult Science Fiction and Fantasy

Genres:

Escape Pod 280: Endosymbiont

Originally published in Seeds of Change

Rated PG-13: Swearing (one f-bomb) and disturbing hospital images

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Show Notes

Show Notes:

  • Feedback for Episode 272
  • Next week… Horticulture, dermatology, and love

Endosymbiont

By Blake Charlton

“Do you know what day it is? What year?”

“It’s like mid August, 2017?” her voice squeaked. Jesus, had she really lost her mind?

“That’s right.” She smiled. “Don’t be scared. I just wanted to be sure.”

“What do you mean don’t be scared?” she blurted. “Sure about what? Jesus! How long have I been here? How many times have you seen me before?”

Jani held up her hand. “Slow down; it’s okay…I’m not an oncologist, but I’m following your case. The cancer responded well to the treatment. And our research suggests that the side effects are temporary.”

Stephanie started to protest but then stopped. A terrifying memory flashed through her mind. “Mom said they might take me to a hospital for the dead.” She didn’t know what that meant but the memory was clear. “She said you’d keep me here to fool me into thinking I’m still alive.”

Jani was holding up both hands now. “Slow down. The survival rates are scary but they’re far better—”

“You’re not listening. She said they’d take me to a hospital for people who’ve _already_ died. I have to escape before—”

Stephanie started to stand but Jani put a heavy hand on her shoulder and said “Lullaby.”

The word opened a bloom of orange light across Stephanie’s vision. A static hiss exploded into her ears, and she felt herself falling. There was a firecracker yellow flash and then…nothing.

Love’s Labours Won

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So I haven’t posted here as much as I should, and hope to alter that in the next few weeks. There are things I know I should be writing about (Like, for example, Fringe. Which is a great, great SciFi show. It has heart and a parallel universe and an ancient and mysterious machine.)

But I’m breaking my silence today to relate onto thee, treasured listener, of a really cool thing I was able to facilitate the weekend before last.

A little bit back I got an email from Susan (aka Georgia), who lives in Washington, D.C. with her boyfriend Christie (aka Xie). (Yes, boyfriend. As Susan explained in an early email, “Australians have flexible ideas on what counts as a dude’s name.”)

Like many people who email me, she is a fan of Escape Pod. Unlike many¹ people who email me, she wanted Escape Pod’s help asking her boyfriend, Christie, to marry her.

They listen to Escape Pod together, and apparently Steve Eley fills a void in Christie’s life that others of us fill with Dan Savage or Dear Prudence. The relationship advice columnist void. Get your mind out of the gutter treasured listener.

So we did it, and awoke Steve from his deep slumber. And I spliced it quickly into a copy of EP278 Written On the Wind and sent our favorite robot speeding her way with it.

The text is below, but I’m sure many of you would prefer listening to Steve read it, so click here.

Hi, this is Steve Eley.  Rising from the deep for a special announcement.  There’s a lot going on in the world, but some things are more important than others.  Some of the most important things involve just two people.  Could be any two people, but let’s say two people from the United States and Australia.  Let’s say these two people are in love.  There’s almost nothing more important than that.

They’d have a lot of challenges, these two people.  They’d spend a lot of time on planes.  They’re in love, so it’s worth it.  And maybe they listen to Escape Pod on the plane.  Maybe when they’re together, they listen to Escape Pod together, too.  Making dinner, or walking the kitten.  It’s clearly not the most important thing, but anything two people do together can be special.  And if one of those two people asks us to help, with the most important question — that’s VERY special.  It’s special enough to bring me up out of retirement.  But what’s special is what you two have.

So.  Christie.  I’m talking to you.  Georgia wants to know: will you marry her?

We now return you to your regularly scheduled outro.  Have Fun — and I _hope_ you say yes.

And as Susan emailed me soon after:

He said yes. :) (Or rather… “Well if Steve Eley thinks I should, then of course I will!”)

Thank you so much. And give my thanks to every else too!

And Xie say thanks as well. He didn’t see it coming… He kept saying “that’s just like us!” until, finally, he realized it was us.

And we’re very happy for them both. Best of luck you pair of really hoopy froods.

¹Really, everyone else. So far.

Snow Day Reading

Quality science fiction short stories continued to accumulate online during the non-stop snow storms of the first few weeks of 2011. Even if you can’t make it out to a bookstore, as long as the power and net connections stay up, there are plenty of good stories to read. We’ve compiled a list of what some of the pro markets have published so far in 2011:

Abyss and Apex
Of Ambergris, Blood, and Brandy by J. Kathleen Cheney
A New Bridge Across the Lethe by Howard V. Hendrix
Mind-Diver by Vylar Kaftan
and more stories in their 1st Quarter Issue.

Apex
Close Your Eyes by Cat Rambo
Langknech and Tzi-Tzi in the Land of the Mad by Forrest Aguirre
The Itaewon Eschatology by Douglas F. Warrick
The Tolling of Pavlov’s Bells by Seanan McGuire

Clarkesworld
Diving After the Moon by Rachel Swirsky
Three Oranges by D. Elizabeth Wasden
Ghostweight by Yoon Ha Lee
Tying Knots by Ken Liu

Daily Science Fiction
On Paper Wings by Victoria Sonata
And several other stories added weekly

Lightspeed
Long Enough and Just So Long by Cat Rambo
The Elephants of Poznan by Orson Scott Card
Black Fire by Tanith Lee
Cucumber Gravy by Susan Palwick

Redstone Science Fiction
Like a Hawk in its Gyre by Philip Brewer
Fatherhood by Kristen Lee Knapp
Bloodtech by Rhiannon Held
Who’s Afraid of Wolf 359? by Ken MacLeod

Strange Horizons
The Third Wish by Joan Aiken
Pinion by Stellan Thorne
The Space Between Stars by Cassandra Clarke
Source Decay by Charlie Jane Anders

Subterranean
A Long Walk Home by Jay Lake
The Boy Who Followed Lovecraft by Marc Laidlaw
And other stories in their Winter Issue.

Tor.com
Beauty Belongs to the Flowers by Matthew Sanborn Smith
Making My Entrance Again With My Usual Flair by Ken Scholes

And, of course, you can find EscapePod’s fiction gathered together here.

This is just the tip of the iceberg of science fiction stories that are freely available online. Support these sites, their editors, and most importantly these writers by visiting these sites, donating support to them, and checking out their advertisers. Access to quality new science fiction online is a relatively recent development, and we want to see more of it. All these stories are out there, right now, waiting for us. Enjoy.