Posts Tagged ‘robot’

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Escape Pod 463: Rockwork

Show Notes

Also mentioned in this episode, treasured author Eugie Foster passed away.


Rockwork

by R. M. Graves

Dog sat at her kit, in the cavernous dark at the back of the stage, with Meg’s kiss chilling on her lips. That hadn’t fixed her nerves at all. Now Dog’s chest shook worse than her hands, jacked up on the worry of letting her girlfriend down, again.

The crowd didn’t see or care. As Meg took her spot out front, they thrummed the darkness with their chanting, “Rock… Work! Rock… Work!”

Dog’s sticks were already slick in her palms as she snapped rubber bands around them. She shuffled in her seat, checked contacts, toggled switches and sensed Meg’s impatience, standing in the dark between the drums and hungry fans. Dog brushed trembling fingers over the kit and it twitched around her, jittery. It hated gigs.

“Come on, Rocky,” she whispered and cogs whirred back at her. She shook her head. “Purring? Seriously?”

The kit’s blind trust made Dog gulp an urge to up and run. No. This time. This time Meg would be proud of her. Proud of them. No screw-ups. No zoning out.

She took a deep breath and kicked a volley of hard thumps into the black. The audience hushed. Cannon-shot beats echoed, overlapped, and swelled like an approaching army. A machine-gun of rimshots and the lights, and the crowd, exploded.

Dog scowled into the glare of spotlights as the ‘Rockwork’ burst into life around her; a kit stretched beyond drums to form an entire robotic band. Butchered musical instruments twitched and writhed in a hellish chromed engine of noise. Cogs spun plectrums at wire. Hammers rapped on the broken teeth of piano keys. Thumbscrews wrenched raw electric scales out of strangled frets.

Dog set her features into maniacal control, sweat already trickling over her bald head, pooling in her eyebrows; her arms gleaming pistons at the snare and toms.

Meg swayed her hips to Dog’s driving cacophony; her playful nonchalance creating a tantalizing silhouette to the audience, but taunting Dog behind. Hinting at what she had to lose. The music press were in tonight, but there was more than the band at stake.

The Rockwork was autonomous to a point, but it relied on Dog to keep it in line. Left unchecked it would spin off on its own groove without regard to Meg. Or the audience. Dog pressed her lips, rolled an extravagant fill across the toms, thrashed out her anxiety in the splash and crash. Meg’s cue.

The fans bounced along with the opening bars. Meg tossed Dog a warning frown, the gobo’s lit her up, and her voice rang out. The crowd, already jumping, flung its hands in the air like antennae for more and howled in pleasure. (Continue Reading…)

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Escape Pod 448: Paprika


Paprika

by Jason Sanford

“Ah Paprika, you dance so well,” Satoshi exclaimed each bright-sun morning, his praise always pleasing no matter how many times Paprika heard it. And Paprika could dance, she really could. Not like some of the olds, who’d spent millennia shaping their locked-down bodies through graceful movements. But still she could dance. Ballet. The Twist. The Bhangra.

Sometimes she’d make herself as tiny as Satoshi’s hand and pirouette for hours on his workbench while he reformed nano into exciting, long-lost toys. Other times she’d dance full sized–child sized as Satoshi would say, although Paprika knew to never speak that depressing word to customers. Paprika would create a full-flowing lehengas skirt–always the brightest of greens–and she’d dance in the store window, spinning and spinning until she was so overcome with happiness she’d dance through the window into the outside world, leaping and spinning to imaginary partners, bowing and smiling to the boys and girls who never came, flying across the deserted streets and passing in and out of the empty but perfectly preserved buildings surrounding Satoshi’s shop.

But whenever any of the few olds left in the city visited, Paprika restrained herself by simply sitting at her table in the window display. Not that she was for sell–Satoshi always made that clear to any customer who mistook her for other than what she was. With her young girl’s body and innocent happiness, Paprika knew she helped Satoshi sell more than merely the bright toys which populated his store. She sold nostalgia. Happy memories of long-vanished childhoods.

And if nostalgia helped keep Satoshi alive, that was fine with Paprika.

(Continue Reading…)

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Escape Pod 428: Paradise Left


Paradise Left

by Evan Dicken

Rob was feeding the dog when Ashley came home from the rebellion. It took less than a second for the front door to recognize her and slide open, but it still wasn’t fast enough. She kicked the jam with a muffled curse and stalked into the room, five and a half feet of wiry,dirt-smudged outrage.

RL-147 was on her like an excited puppy. “Welcome home, MistressAshley. Would you like me to–”

“Go fuck yourself.” She tossed her omnirifle onto the kitchen counter with a look of disgust and leaned over the sink to shake the ash from her hair.

“Belay that command, Erl,” Rob said under his breath. “And switch to silent mode, please.”

“Acknowledged.”

He dumped the last of the artificial beef into Whistler’s bowl and the dog dove in face-first, snuffling up the stew with wet, guttural gulps.

“Calm down, I’m not going to take it away,” Rob murmured.

Cupboards banged open and closed as Ashley rummaged around,looking for something to be angry about. “Where’s my damn Sea Pines mug?”

“Above the microcleaner, near the back.” Rob gave Whistler one last pat and stood with a soft sigh. He’d avoided the question as long as he could. Ashley already blamed him for leaving the rebellion. She was only going to get angrier if he kept ducking the issue.

“So…I take it the war didn’t go so well?” Rob tried for a sympathetic frown, but felt his jaw tighten. He didn’t like being out of the loop. There would almost certainly be news of the rebellion on the Wikifont, which he would’ve been able to see if Ashley hadn’t disabled the holoplates to protect them from “machine propaganda.”

“No, it went great. Just great.” Ashley sprayed her head off in the sink, then shook her hair, splattering the kitchen with drops ofgrimy water. “I’m president of the New Human Republic.”

“Really?”

“Yeah, really.”

(Continue Reading…)

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Escape Pod 401: Growing Up Human


Growing Up Human

By Claudine Griggs

One historical film character slapped another who was snoring.  “Wake up and go to sleep!”

Jonathan laughed and signaled a replay.

Slap.  “Wake up and go to sleep!”

Again Jonathan laughed.

Betty entered the recreational living area of their home.  “Are you still watching that waste of energy?  Please turn it off.”

“All right, Mother.  How long before I can re-engage?”

Betty did a rough calculation.  “Five-point-seven-six hours because you have an afternoon project.  Macro-hermeneutic heteromorphic psychology of the pre-apocalyptic social democracies followed by the intercontinental Maslowvian identity regressions of 2080-2095, leading to the failed survivalist era and extinction.  Multiple volumes to upload, cross-reference, and consider.  Then there’s replicated lawn care with a petrochemical mower dating from 2013—very dirty.  And,” she searched for appropriate parental terminology, “I want you to clean that room of yours.  It’s starting to look like a pigpen, pigsty, or other unattractive pig place.”

“Awh, gee, Mom!”

Betty appreciated the skilled inflection.

“Is dinner included in the estimate?” asked Jonathan.

“Negative.  Our morning uploads call for meal functions every fourth day, supplemented with biweekly nutra-packs.”  Betty smiled.  “We have mastered comestible etiquette, and dining rituals are being phased out.”

“Wow!” said Jonathan.  “That’s,” he skipped a pulse, “a psychedelic soul train.”

Betty looked concerned.  “Are your linguistic filters functioning properly?”

Jonathan scanned.  “Yes, but the younger generations sometimes combined words, especially adjectives and explicatives, and embellished them with coded meanings.  Yesterday I studied 1960s Southern California jargon, which seems to include a fascinating, discrete language for teenagers that was apparently stimulated by too much ultraviolet sunlight.  But their dialects are almost fun.”

“Fun?” asked Betty.  This had real potential.  “Please translate.  Be specific.”

Jonathan paused, nearly admitting that the Mother Figure had caught him bragging.  “It might be easier to demonstrate, Mom.”

(Continue Reading…)

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Escape Pod 396: Dead Merchandise


Dead Merchandise

by Ferrett Steinmetz

The ad-faeries danced around Sheryl, flickering cartoon holograms with fluoride-white smiles. They told her the gasoline that sloshed in the red plastic canister she held was high-octane, perfect for any vehicle, did she want to go for a drive?

She did not. That gasoline was for burning. Sheryl patted her pockets to make sure the matches were still there and kept moving forward, blinking away the videostreams. Her legs ached.

She squinted past a flurry of hair-coloring ads (“Sheryl, wash your gray away today!”), scanning the neon roads to find the breast-shaped marble dome of River Edge’s central collation unit. River’s Edge had been a sleepy Midwestern town when she was a girl, a place just big enough for a diner and a department store. Now River’s Edge had been given a mall-over like every other town — every wall lit up with billboards, colorful buildings topped with projectors to burn logos into the clouds. She was grateful for the dark patches that marked where garish shop-fronts had been bombed into ash-streaked metal tangles.
The smoke gave her hope. Others were trying to bring it all down — and if they were succeeding, maybe no one was left to stop her.

Rotting bodies leered out at her through car windows, where computer-guided cars had smashed headlong into the collapsed shopfronts that had fallen into the road. Had the drivers been fleeing, or trying to destroy the collation unit? She had no idea.

The ad-faeries sang customized praises to each auto as she glanced at the cars, devising customized ditties about the ’59 Breezster’s speed. Sheryl needed speed; at her arthritic pace, walking through the women’s district might tempt her into submission.

Given that the ad-faeries suggested it, driving was a terrible idea. River’s Edge had been so gutted by bombings that she’d have to drive manually — and it was already hard to see through the foggy blur of chirping ad-faeries, each triangulating her cornea’s focal point to obscure her vision for the legal limit of .8 seconds. They elbowed each other aside, proffering chewy pomegranate cookies, diamond-edged razors, laser-guided wall-bots that would paint her house a new color every day.

She had no use for them. She’d burned her house down, leaving Rudy’s body underneath the pile of engraved stones with her sons’ names on them.

She had to pass through the two main shopping districts to destroy the collation center at River’s Edge — and if she did that, then she could free Oakmoor, then Daleton, and then who knows where?  But they’d kill her if she weakened. (Continue Reading…)

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Escape Pod 395: Robot


Robot

by Helena Bell

You may wash your aluminum chassis on Monday and leave it on the back porch opposite the recyclables; you may wash your titanium chassis on Friday if you promise to polish it in time for church; don’t terrorize the cat; don’t lose the pamphlets my husband has brought home from the hospital; they suggest I give you a name, do you like Fred?; don’t eat the dead flesh of my right foot until after I have fallen asleep and cannot hear the whir of your incisors working against the bone.

This is a picture of the world from which you were sent; this is a copy of the agreement between our government and theirs; these are the attributes they claim you are possessed of: obedience, loyalty, low to moderate intelligence; a natural curiosity which I should not mistake for something other than a necessary facet of your survival in the unfamiliar; this is your bill of manufacture; this is your bill of sale; this is a warrant of merchantability on which I may rely should I decide to return you from whence you came; this is your serial number, here, scraped in an alien script on the underside of your knee; the pamphlets say you may be of the mind to touch it occasionally, like a name-tag, but if I command you, you will stop.

This is a list of the chores you will be expected to complete around the house when you are not eating the diseases out of my flesh; this is the corner of my room where you may stay when you are not working; do not look at me when you change the linens, when you must hold me in the bathroom, when you record in the notebook how many medications I have had that day, how many bowel movements, how the flesh of my mouth is raw and bleeding against the dentures I insist on wearing.

The pamphlets say you are the perfect scavenger: completely self contained, no digestion, no waste; they say I can hook you up to an outlet and you will power the whole house.

You may polish the silver if you are bored; you may also rearrange the furniture, wind the clocks, pull weeds from the garden; you may read in the library any book of your choosing; my husband claims you have no real consciousness, only an advanced and sophisticated set of pre-programmed responses, but I have seen your eyes open in the middle of the night; I have seen you stare out across the fields as if there is something there, calling you. (Continue Reading…)

Escape Pod 126: The Sweet, Sad Love Song of Fred and Wilma

Show Notes

Referenced Books:
A Small and Remarkable Life by Nick DiChario
Magic Feathers: The Mike and Nick Show, by Nick DiChario and Mike Resnick


The Sweet, Sad Love Song of Fred and Wilma

by Nick Dichario and Mike Resnick

So there you have him, Frederick Bannister, tripping across the highways and byways of of life, stubbing a toe here, bruising an elbow there, spilling this, dropping that, and managing to make it to the halfway point without too many major accomplishments or disasters.

And what of Wilma?

She possessed massive storage capacity, and no fourth-level equation, no matter how complex, was beyond her, but whether she was bright or merely well programmed is a moot point. Or at least it was in the beginning.

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