Posts Tagged ‘robot’

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Escape Pod 615: Lonely Robot on a Rocket Ship in Space

Lonely Robot on a Rocket Ship in Space was first published in Cicada Magazine in 2016.

Frank discussion of sexual, gender and body identity; nothing graphic.

Podcast: Play in new window | Download (Duration: 32:02 — 48.2MB)

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Show Notes

Audio production note: Christopher Cornell has done an amazing and creative job of adapting the visual and formatting elements of Lonely Robot on a Rocket Ship in Space to the audio medium.

That said, there are simply some elements that do not lend themselves to a one-to-one equivalent.

I strongly encourage Escape Pod listeners, then, to not only listen, but also to see the full written story on our website.

In the text, I have changed the section breaks from a hashtag (#) to our logo icon and have taken out the paragraph indents to match our style. Otherwise, however, I have left the unique font and visual elements as A. Merc Rustad sent them to us.

Keep in mind, however, that because this is the Internet, your particular browser may interpret that formatting in myriad ways.

TL;DR: Read the text, too. Your mileage may vary.

-Adam Pracht, Escape Pod audio producer

Lonely Robot on a Rocket Ship in Space

By A. Merc Rustad

Byron scribbled crib notes on his wrist the night before he planned to come out to his dads.

He’d told all his friends he was sick so he would have an excuse to stay home Friday night. It wasn’t like he was lying. His stomach was so knotted he thought he’d puke. But he couldn’t sleep, either. The words burned like he’d used acid instead of a Sharpie.

I’m not scared or confused. It’s who I am.

In the tiniest he could write legibly, he added, Please don’t be mad. (Continue Reading…)

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Escape Pod 609: Wasps Make Honey

Escape Pod 609: Wasps Make Honey is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 30:46 — 42.3MB)

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Wasps Make Honey

By Penelope Evans

The scrap heaps at the edge of the settlement are taller than the average colony building. They offer up next to nothing good. But the factory doesn’t want either of us anymore. Power cells don’t come cheap now. In fact, they barely come at all. “Sometimes I think we should give up on this,” Jax tells me, leaning on a big busted-up engine piece—an oscillator from a collector class ship or something of equal size. This is her half of the argument, where she begs me to give up. She has a lot of arguments, and they are all at least mildly convincing and a little hurtful. I’m getting old (true), she’s getting old (also true), sooner or later her drivers will fail and I could be doing better things with my time (true and true).

“I’m not giving up on you anytime soon.” This is my half. My half is not an argument, more a refusal to argue. It infuriates Jax. It makes her tv-screen face go fizzy red and yellow. I’ll hike up the closest heap and heft out something funny and wave it at her, and if she’s really sulking, sometimes toss it down at her so she has to dodge on many-times repaired joints. And some days, she’ll chuck something back, so I have to dodge too, even with my bad knee.
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Escape Pod 607: Red in Tooth and Cog

Originally appeared in The Magazine of Fantasy & Science Fiction, 2016

Podcast: Play in new window | Download (Duration: 56:25 — 77.5MB)

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Red in Tooth and Cog

By Cat Rambo

A phone can be so much. Your memory, your edge against boredom, your source of inspiration. There’s always an app for whatever you need. Renee valued her phone accordingly, even celebrating it by giving way to the trend for fancy phone-cases. Its edges were bezeled with bling she’d won on a cruise the year before, and she’d had some tiny opals, legacy of her godmother, set into the center.

It was an expensive, new-model phone in a pretty case, and that was probably why it was stolen.

(Continue Reading…)

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Escape Pod 597: Ms. Figgle-DeBitt‘s Home for Wayward A.I.s

Escape Pod 597: Ms. Figgle-DeBitt‘s Home for Wayward A.I.s is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 35:43 — 49.1MB)

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Ms. Figgle-DeBitt’s Home for Wayward A.I.s

By Kurt Pankau

I watch with hope as Ms. Figgle-DeBitt samples a slice of caramelized banana upside-down cake. She takes a nibble and seems pleased. She sweeps cybernetic fingers through the shock of gray hair that sits on the human half of her face, a gesture I’ve learned is contemplative. She takes a larger bite, chews, and grimaces. She spits it out into a trash can.

I’m not upset by this. I do not get upset. I get better.

“This is definitely an improvement, Charlie,” she says. “If I may make a recommendation? Next time, peel the bananas first.”

“Of course, Ms. Figgle-DeBitt,” I say. Another foolish mistake.

“This recipe is important to you, isn’t it?” she asks. “You’ve tried to make it three times this week.”

“It’s the recipe that ended my career,” I say.

(Continue Reading…)

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Escape Pod 582: Unit Two Does Her Makeup

Escape Pod 582: Unit Two Does Her Makeup is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 37:10 — 51.1MB)

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Unit Two Does Her Makeup

By Laura Duerr

Doctor Spencer has brought me an artist. My eyes on the outside of the building register the identity of everyone who enters, including her: Suzanne Chantal Salinas, age 26, licensed esthetician and makeup artist, amateur painter. I cut the feed after .3 seconds. The security feed could tell me more, but I have learned that it is impolite to collect extraneous details about a person unless they prove to be a security risk. Given that both Suzanne Chantal Salinas and Doctor Spencer are smiling, and appear to be in companionable conversation, the artist is not a risk.

I observe them enter the building accompanied by a brief burst of cold — it is 37.1 degrees outside. When I view them through infrared, they are glowing red faces encompassed in green and blue jackets. I have been monitoring the interior temperatures; Unit One has made appropriate adjustments to climate control. We are keeping the building comfortable.

The visitor stamps her feet, brushes sleet from her black curls. They shed their jackets, blooming gold and scarlet on infrared. Unit Three has mobile security platforms posted by the front door and the elevators. They do not react: they are faceless, they don’t feel cold, the visitor has clearance.

The artist’s heart rate is elevated. Her cheeks are flushed, and not just from cold: she’s nervous about meeting me. She keeps looking at the security platforms. Perhaps she fears my platform will look like them, featureless and alien.

I chose my face. Unit Three chose hers, too, in a way. Our platforms serve different purposes, and the faces we built reflect that.

(Continue Reading…)

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Escape Pod 571: Beetle-Cleaned Skulls

Escape Pod 571: Beetle-Cleaned Skulls is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 32:53 — 47.2MB)

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Beetle-Cleaned Skulls

By J. E. Bates

Fine amber dust infiltrated everything in the Preserve. Each morning, I vacuumed it away with my ventral hose prior to opening my kiosk. I paid particular care to my curios: the fossils, the bismuth crystals, and the beetle-cleaned skulls. Forebears, especially the children, delighted in receiving my curios as gifts. Each successful transaction gave me a burst of surplus energy, expressed as pride.

The mineral specimens I gathered from the talus behind the kiosk. I polished them right in the kiosk according to aesthetic principles. But I prepared the skulls in the subterranean machine rooms. They were created from deceased rhuka, a species of domesticated bovine. No other kiosk attendant created such skulls, and Forebears traveled great distances to receive one. They used them to decorate their caves.

(Continue Reading…)

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Escape Pod 563: Two Steps Forward

First appeared in the anthology Scarecrows edited by Rhonda Parrish.

Podcast: Play in new window | Download (Duration: 22:32 — 29.0MB)

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Two Steps Forward

By Holly Schofield

I eased myself down off the running board of the ’28 Hudson sedan then laid a hand on the hood in mute sympathy for its overheated pistons. A quick buttoning-up of my topcoat and a tug on my fedora and I felt ready to approach the farmhouse.

The old woman on the veranda watched me as I drew close. Fly-away gray hair surrounded a narrow, clever face, faded housedress atop rubber boots, she was as much of a hodgepodge as I used to be. The late model Stewart Warner radio perched on the windowsill shimmied with “The Spell of the Blues”. I hummed along as the saxophones swooped and soared.

The old woman fingered the jumble of items on her lap as if looking for a weapon and I stopped a few feet from the bottom step of the porch.

“Afternoon, ma’am.” I tipped my hat, not too far, and put my hands in my pockets. “I won’t take up much of your time. Your husband built that famous automated scarecrow, am I right?” At her tightening mouth, I quickly added, “I’m not a reporter, just an admirer. I saw that scarecrow ace the dance marathon at the Playland  Pavilion in Montreal last winter. Truly hep to the jive.”  The ballroom’s mirrored walls reflecting the graceful moves of the dark-suited figure, hands as clever as Frisco twirling a chiffon-clad partner—a sight worth seeing, all right. The old woman grunted and picked up a dirty rag. She poured something golden and syrupy over it from a pickle jar, and began rubbing a coaster-sized metal disc—a flywheel? a gear?—with more vigor than necessary.

(Continue Reading…)

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Escape Pod 561: The Android’s Prehistoric Menagerie

Mothership Zeta, February 2016

Podcast: Play in new window | Download (Duration: 38:22 — 46.3MB)

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The Android’s Prehistoric Menagerie

By A. Merc Rustad

The world explodes.

Unit EX-702 comes back online when UV wavelengths activate its solar plating. Its optics are crusted with red dust; a low-powered system scan concludes that though its left arm is missing and there is excessive oxidation damage along its chassis and helmet, as well as a web spun from several arachnids (Nephila clavipes) now embedded in its servo stump, EX-702 is functional. Its operational protocols are intact.

This unit is programmed for the support of life and sapience.

Its databanks are semi-corrupted beyond basic functions and archived footage and base knowledge dumps. Attempts to access the ‘Net and reboot from a mobile hub fail with a repeated NO CONNECTION AVAILABLE alert. EX-702 lifts its remaining arm and scrapes dust away from its optics.

Operational Function 413: this unit will maintain self-preservation operations, including but not limited to the access of immediately available data to determine procedure, when it does not conflict with the preservation of homo sapiens’ survival.

EX-702 sits in the crater of what had been Newtonian Genetech Incorporated laboratories and HQ facility. Debris from the lab cakes the thick concrete and rusted iron walls. Its scanner matrix glitches with static-filled readouts and partially deteriorated unprocessed updates from microseconds before it was shut down.

Scientist voices agitated and unmodulated without appropriate safety masks. [STATIC] “—find survivors! Protect yourself!” [SHUT DOWN]

Something crackles against EX-702’s knee joints. Fibers, synthetic and organic—old HAZMAT suits shredded and woven around broken plywood and stripped copper wiring—shaped in a non-geometric design. Inside the structure sit three maroon and heather-brown eggs thirteen centimeters in length and six in diameter.

Processing…

(Continue Reading…)

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Escape Pod 550: When They Come Back

When They Come Back was originally published in Crossed Genres (Issue 22), in October 2014.

Frank though not explicit reference to human sexual anatomy

Podcast: Play in new window | Download (Duration: 28:08 — 34.9MB)

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When They Come Back

By Natalia Theodoridou

They were called Maria, and Michael, and Siobhan, George, Elise, and Sarah, and Violet, Daisy, Jasmine, Rose–

no, perhaps these were not people names, these were flower names, weren’t they?–

and Gabriel, Raphael, Bacchus, Athena, Io, Muhammad,

but these were mythical names, and god names, and prophet names, so hard to tell them apart all these years after the–

all these years after they–

and Natalie, Vasilis, Dmitri, Ousmane…

The angel is rotting. He’s leaning against the trunk of an olive tree. I examine his body but avoid his eyes, as always, just in case. I would like to have been a man, he’d said once, so I always think of him as one, no matter what his body looks like. Today he has a mane of dark curls that reach all the way down to the roots of his wings. No beard. No breasts. No hair on his body except a little around his crotch.

His skin has turned the colour of a fresh bruise. It won’t be long. (Continue Reading…)

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Escape Pod 548: A Prayer at Noon

A Prayer at Noon appeared originally in Triangulation: Parch (Volume 7) edited by Stephen V. Ramey.

Podcast: Play in new window | Download (Duration: 24:09 — 30.8MB)

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A Prayer at Noon

by John Shade

It was a day into the third sun when the patchwork man rode into town.

I remember the dust scrabbling at my eyes, and the folk that had gathered on the sidewalks to watch him plod past on a chugging, nearly-spent machine horse. As he came to me, the stitched segments of his face shifted into a new configuration, a hinted smile or frown, and his torso swung around, my breath seized. I’d been around men before, but he was something different. Something more. He was ugly, though, with a wiry frame and a large head set on top, wads of crusted hair sprouting between the seams across his skin. He rode toward us, confident as anything. I braced as he reached down, but he plucked my little sister, Ester, from the crowd instead. The town went silent but for the constant shuffle of wind-blown sand.

With his god-strength, the patchwork man tossed Ester into the air like an aerialist, and set her down to swelling applause. The dread was broken. Our prayers had been answered at last.

(Continue Reading…)

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