Genres:

Escape Pod 286: The ’76 Goldwater Dime

Show Notes

Show Notes:

  • Feedback for Episode 278
  • Next week… a taste of time.

The ’76 Goldwater Dime

by John Medaille

I started in 1962, that’s when I became a numismatist. You know what that is? It’s the study of… well, it’s not the study of anything. It’s coin collecting, is what it is.

I was ten in 1962, and Christmas I got my first coin album. I didn’t actually get it. My father gave it to my brother. It was, you know, you’ve seen them, a sturdy cardboard folder with slots punched out that you put the coins in. Behind the slots, the empties, it had a backing of blue felt, I remember that. My dad gave it to my brother, I guess maybe thinking it would straighten him out. But coins, you know, they don’t really have that power. He wasn’t interested. He gave it to me. Me, I was interested.

The album was for Lincoln pennies, 1909 to 1959. I had five cents in the world then and each of the five fit in the slot. It only took me five more days to get the other forty-five. I would do anything for those pennies and slot it in its slot. Anything, anything. When I got my last penny, wow. It was a 1943 steel mint penny, a ‘steelie.’ They had to use steel instead of copper that year cause they needed the copper for all the bombs. I was so proud.

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Genre for Japan


You may have seen it mentioned on Twitter (by Neil Gaiman, no less). You may have seen it mentioned on Facebook or on various blogs. But this week – until Sunday April 3rd, in fact – Genre for Japan is running one heck of an online auction to raise funds for the British Red Cross Japanese appeal, in the wake of the terrible earthquake and tsnunami that struck that country three weeks ago.

Genre for Japan is a collective of authors, editors, publishers, bloggers, reviewers, and people just wanting to help out, who have organised 137 incredible lots of science fiction, fantasy and horror-related items. From signed ARCs, to guest appearances in novels, to writing critiques by professional writers and editors, there is, as the saying goes, something for everyone.

But enough gabber from me. I’ll let them take over:

Genre for Japan is a charity auction designed to raise money for the victims of the Tōhoku earthquake and tsunami in Japan. We are using JustGiving to donate money to the British Red Cross Japanese Tsunami Appeal.

Responses to our plea for donations have been more generous than we could have hoped – we now have over one hundred fantastic items up for auction!

Now all we need is for you to get your wallets out and bid, bid, bid!

There is a full list of the items here, or you can browse the items by categories on our front page such as artwork or signed copies.

The auctions will close at midnight on Sunday 3rd April. Bidding will take place in the comment boxes on the website. Winning bidders will be notified by e-mail after bidding closes. A full list of auction rules has been posted on the website.

Some of the prizes include:-

  • One year’s supply of books from Tor!
  • Editing/critiques from professional authors and editors!
  • A character named after you in soon-to-be-published novels by Al Ewing, Adam Christopher, Suzanne McLeod or Jon Courtney Grimwood!
  • Limited-edition cover art from Solaris Books and Gollancz!
  • Custom sketches from comic artists and manga artists!
  • Signed books from Neil Gaiman and Terry Pratchett!

Bidding opened on Monday, and pledges have already reached nearly £7,000 ($11,300). And word is that more lots are going to be added this week.

There are no geographical restrictions on bidding or on the auction items, although you need to bid in British pounds Sterling. Just grab your favourite currency calculator, like this one, and convert your bid before posting. Bidding ends at midnight BST on Sunday April 3rd – that’s Saturday 2nd April at 4pm West Coast US, 7pm East Coast US.

It’s a marvellous cause and the generosity of the SF community has been amazing – not only in the bids pledged so far, but in the incredible collection of items on offer. Ever wanted to own a bestselling fantasy author for two days? Or pick up a signed Terry Pratchett ARC from the author’s own library? Now is your chance. Please give generously!

For more information, their website is: http://genreforjapan.wordpress.com, and they are on Twitter as @genreforjapan. If you want to donate something to auction, it’s not too late – email the team at genreforjapan@gmail.com.

Happy bidding!

Book Review: “Soft Apocalypse” by Will McIntosh


Apocalypse fiction has been around for many years, usually in the form of a cataclysmic event — asteroid impact, nuclear bomb, giant space squid — that destroys a good chunk of the entire planet and leaves the survivors to fend for themselves in a world gone mad.

But after reading Will McIntosh’s new novel Soft Apocalypse, I can tell you that sitting in the belly of an intergalactic Sarlacc might actually be better than the road we’re on now.

Soft Apocalypse is the story of Jasper, a college graduate with a sociology degree, no job, and nowhere to live. While that does sound like the fate of many liberal arts majors these days*, where Soft Apocalypse differs is that it begins in 2023, ten years after an economic depression that has left 40 percent of Americans unemployed. The story begins in Metter, Georgia, about half a centimeter** east of the midpoint between Macon and Savannah, where Jasper and what he calls his tribe are harvesting wind energy from cars passing on I-16***. A policeman drives the tribe away, and after a short while they end up in Savannah, where Jasper grew up.

But this is not the Savannah you and I know, or the Savannah you saw in Midnight in the Garden of Good and Evil. No, just like larger cities, Savannah is in the midst of its own troubles. Jasper gets a job at a convenience store and a house with his friends Colin and Jeannie, and he starts trying to eke out a life during this soft apocalypse.

As the novel progresses, Jasper does things that we might, in saner times, say that no human should be forced to do. He changes residences, lives as a nomad in east Georgia, falls in love with a woman who is extremely wrong for him — and everyone else — and is forced to watch a friend die in a scene that is both hideous and inventive.

To my mind, the main theme of the novel is “just how much of your civility are you willing to hold onto when no one else is civilized?” Most of us have said we’d be willing to kill to protect those we love, or if we were forced into a kill-or-be-killed situation, but for Jasper it’s harder than he expected. Still, he’s pretty lucky, compared to people who’ve succumbed to manufactured diseases, gangs, drugs, or even simple starvation. And he has friends, too — friends like Cortez, a fighting man and natural leader, and Ange, his off-again-on-again lover.

McIntosh projects the future of Soft Apocalypse in a thoroughly realistic fashion, and although world events occur relatively tangential to Jasper — they don’t really affect him as much as local ones like the Wal-Mart closing, but then, how many of us**** feel like the tragedies in Japan or New Zealand, or the regime change in Egypt and the unrest in Libya, really have an impact on our lives? Most Americans wouldn’t even know something was happening in Libya if it wasn’t making it more difficult to fill our gas tanks (or if their favorite Monday night shows hadn’t been pre-empted by the President on March 28). The future of Soft Apocalypse is much harder than anything we’re going through now*****, and McIntosh acknowledges that while also making some so-obvious-it’s-hard-to-see commentary on the present. (He has a great line about starving people, expensive cars, and oil.)

Overall I found Soft Apocalypse to be an engrossing read, as well as a fast one — I read 60 percent of it on a plane flight to Minnesota****** — and I attribute the latter to a combination of good pacing and the story’s ten-year timeline. Though it’s not a happy book, there are moments of win peppered throughout, and the ending is both satisfying and thought-provoking in exactly the same way the rest of the book is.

How far would you go to protect your tribe? Maybe after reading Soft Apocalypse, you’ll think a little harder before you answer that question.

Note to Parents: this novel contains explicit language and graphic violence, as well as sex, occasional torture, and mature themes. I don’t recommend it for anyone younger than 15, and only to highly mature teenagers between 15 and 18. Of course, you should use your own discretion when it comes to your children.

Special thanks to Night Shade Books for providing a review copy.

* I know, I know, low blow. But I’ve worked in academia and employment and let’s just say the prospects aren’t good.

** According to Google Maps on my phone.

*** I’m not really sure how much they’d be getting. I’ve been on 16, and there were very few cars. My guess is that people were commuting from Macon to Savannah.

**** By “us” I mean the average American citizen, not the average sci-fi consumer, who is generally more in-tune with world events.

***** Interestingly, many of the difficult lessons Jasper and his tribe learn are covered in Robert Heinlein’s Time Enough For Love, under the “things every man should be able to do” heading.

****** Don’t worry; I won’t make you do a word problem. It’s about three hours of air travel from Atlanta to Minneapolis, but since I read on my iPad I can only use it at safe cruising altitude, or on the ground. I read the 60 percent noted above in about two hours. For reference, you can figure out how fast I read when I say that I read Harry Potter and the Deathly Hallows in 5.5 hours.

Book Review: “Dancing with Bears” by Michael Swanwick


The law-breaking but good-hearted character is one that most of us have come across in our consumption of media. From smuggler Han Solo to counter-terrorism agent Jack Bauer, we’ve time and again rooted for men and women who break the rules in pursuit of a greater good — often reluctantly.

And then there’s Darger and Surplus, who have absolutely no desire to be a force for good. They’re in Russia to make money via a complicated con involving seven beautiful women and an ambassadorship. This is the general plot of Dancing With Bears, the new novel by Michael Swanwick.

The principle characters of Dancing With Bears are Aubrey Darger, a debonair Englishman, and “Surplus” — that is, Sir Blackthorpe Ravenscairn de Plus Precieux — who is a dog. Well, a dog genetically engineered to have the intelligence and bearing of a man, but a dog just the same. Together, Darger and Surplus use their not-inconsiderable intelligence to try and make a buck, or a ruble, or whatever the local currency might be. These gentlemen are dropped into a futuristic Russia, but not a future you might expect. At first, when reading the novel, I thought we were in an alternate past, but as Swanwick takes us through the story, it becomes clear that the technological utopia came and went. There’s still touches of technology here and there, but on the whole the Russia through which Darger and Surplus travel is quite non-technical. Think New Crobuzon with less machinery.

Our story begins with Darger and Surplus in the service of a Byzantine prince and ambassador to Moscow, who is conveying the Pearls of Byzantium — seven physically-flawless women genetically engineered for maximum pleasure, but who can only touch their intended husband — to that great city. Early on they rescue a man from a cybernetic wolf and have a small layover at his home, during which the man’s son, Arkady, is exiled for attempting to profess his love to one of the Pearls. Later, when the group arrives in Moscow, Surplus is forced to take on the mantle of ambassadorship while Darger begins searching for their true prize: the lost library of Ivan the Great. These two missions bring our heroes in contact with a huge cast of characters and a broad series of machinations to bring about a revolution in Moscow.

What sets Darger and Surplus apart, I think, is their complete disinterest in anything that doesn’t directly benefit them. I mean, Han Solo came back to save Luke; Mal Reynolds never committed a crime that harmed the common people; and John Glasken, despite being a lout and a womanizer, played a large part in improving Australica for all its citizens. But Darger has no desire to give the library to the Russian people, and Surplus certainly isn’t being an ambassador for his health (although if, as has been said in the news, having sex keeps you healthy, Surplus certainly will live a long life). No, the two of them are running a very large con* with the goal of getting rich.

Darger and Surplus, though, aren’t the only interesting characters in Dancing With Bears. We also meet:

  • The Three Stranniks, who have their own goals for Arkady and Muscovy.
  • Zoesophia, the leader of the Pearls, whose depths are… well… deeper than Surplus (or anyone else) expected.
  • Anya Pepsicolova, Darger’s guide to the undercity of Moscow.
  • Chortenko, an advisor to the Duke, whose eyes see everything and who has a thing for kennels.
  • The Duke of Muscovy, who spends a lot of time lying down on the job.
  • Kyril, a foul-mouthed boy who becomes a companion of Darger’s.

…as well as a collection of minor characters that includes genetically-engineered nine-foot-tall bears — presumably the ones with whom the dancing is done that the title alludes to.

Dancing With Bears introduces strong characters, a future world that will appeal even to the steampunk and urban-fantasy crowds, and enough plot twists to close a grocery store’s worth of bread inventory*. While I found the immense amount of intrigue a little too tangled for my liking, I was able to set that aside because the book was so rich in character- and world-building, two things which I personally really enjoy. The pacing is a bit slow at first, and there are a couple of “as you know, Bob” moments, but once the characters arrived in Moscow I found myself quite interested in what would happen next.

My only previous exposure to the author, Michael Swanwick, was in his novel The Iron Dragon’s Daughter. I definitely liked Dancing With Bears more than Daughter, perhaps because — at least, in my opinion — the ending was more satisfying and there were more characters to root for.

You’ll be rooting for Darger and Surplus as you read this book. Check it out.

Note to parents: This novel contains explicit material, including sex, violence, and language, as well as scenes of torture and drug use. I personally would not recommend this for anyone under the age of 15 — and even then, only to mature teens — although you should of course make your own judgment regarding your children.

* In addition to the novel itself, you may also be interested in a series of flash fiction running on the Starship Sofa podcast, “How to Run a Con”. In it, Michael Swanwick is joined by Gregory Frost to portray Darger and Surplus as they explain to the average listener the ins and outs of being con men. It begins in Episode 176.

** Did I stretch that metaphor so far? Sorry about that. But it sounded good in my head.

Best News Ever. (This Week)


So, apparently good things can happen to good shows.

This has been a very strong season of Fringe, and it seemed inevitable that this would be its last. I mean, seriously, it’s on Fox, the ratings have been slipping, and it got moved to the friday night death slot.

The one that took out Star Trek — the first one. (The good one*.)

And yet, it got renewed for another full season.

It has even been fairly clear that the writers expected this season to be the show’s last, with the main plot arc hurtling towards its final resolution and the show’s canon being laid bare left and right.

So you know, congratulations and good luck to the writers and producers on slipping out of that one.

I’m not aware of a stronger science fiction show airing in the US right now, and I look very much forward to watching it again in the fall. It surveys the science of the weird week in and week out, but has never lost sight of the characters. Which is the best you can hope for in a US-style series.

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*Outrage can be sent to bill at escapeartists dot net, as per usual.

Genres:

Escape Pod 285: Jaiden’s Weaver

Show Notes

Show Notes:

  • Feedback for Episode 277
  • Next week… Coin collecting SF. I’m serious.

Jaiden’s Weaver

By Mary Robinette Kowal

I was never one of those girls who fell in love with horses. For one thing, on our part of New Oregon they were largely impractical animals. Most of the countryside consisted of forests attached to sheer hills and you wanted to ride something with a little more clinging ability. So from the time I was, well, from the time I can remember I wanted a teddy bear spider more than I wanted to breathe.

The problem is that teddy bear spiders were not cheap, especially not for a pioneer family trying to make a go of it.

Mom and Dad had moved us out of Landington in the first wave of expansion, to take advantage of the homesteading act. Our new place was way out on the eastern side of the Olson mountains where Dad had found this natural level patch about halfway up a forested ridge, so we got sunshine all year round, except for the weeks in spring and autumn when the shadow of our planet’s rings passed over us. Our simple extruded concrete house had nothing going for it except a view of the valley, which faced due south to where the rings were like a giant arch in the sky. Even as a twelve-year-old, angry at being taken away from our livewalls in town to this dead structure, I fell in love with the wild beauty of the trees clinging to the sheer faces of the valley walls.

The only thing that would have made it better was a teddy bear spider so I could go exploring on my own. I felt trapped by the walls of the house and the valley. I had this dream that, if I had a spider, that I’d be able to sell its weavings for enough to install livewalls in my room. That’s not as crazy as it sounds; teddy-bear spider weavings are collected all over the colonies and sell for insane amounts of money.

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The great Escape Pod Lovecraft readalong


I’m a fan of Howard Philips Lovecraft. In fact, he’s my favourite (deceased) author. Perhaps unusually for someone of my age, I didn’t actually come to him through the Call of Cthulhu RPG, which seems to have been the main route of discovery for most people. In fact, I was introduced to Lovecraft and the Cthulhu mythos through Doctor Who, specifically the Virgin New Adventures.

A couple of years after Doctor Who was originally cancelled in 1989, the Virgin publishing group acquired the rights to publish original, novel-length Doctor Who fiction. With no television revival on the cards, this was a godsend for fans. The New Adventures initially promised stories “too broad and too deep for the small screen”, and to start with this mainly meant a slightly disconcerting touch of nudity, sex and violence. But after a while the range settled down and produced some of the best Doctor Who stories in any form. It’s hard to believe the first volume, Timewyrm: Genesis came out twenty years ago this June. It’s even harder to believe that Paul Cornell’s first ever published novel, Timewyrm: Revelation came out twenty years ago this December. Paul wrote another five New Adventures novels, one of which – Human Nature – he adapted into one of most well-regarded episodes of the current TV series in 2007.

One of my favourite New Adventure novels was All-Consuming Fire by Andy Lane. This novel is quite remarkable – not only is it a Sherlock Holmes crossover, but it’s also a story in the Cthulhu mythos. But more than just having the Doctor joining forces with Holmes and Watson to battle the Old Ones (and, let’s be honest here, doesn’t that sound like the most outrageously awesome story idea ever?), it went further by implying that a variety of creatures from the original television series – mostly the weird, nebulous sort like the Great Intelligence and the Animus – were actually part of Lovecraft’s pantheon, applying names familiar to Lovecraft fans to these TV monsters. All-Consuming Fire was just the start – from then onwards, various writers wove Doctor Who and Lovecraft together, further embedding the original TV series in the mythos. For such an extensive contribution to the Cthulhu Mythos, it’s amazing it is almost entirely overlooked by Lovecraft fans.

From there I was hooked on Lovecraft. This was 1994, before the internet, before Amazon, when things went by snail mail and everything was slow. Acquiring Lovecraft stories or books was difficult. They were out of print, or at least unavailable in New Zealand. I found a couple of ancient paperback anthologies in a used book store, but one was mostly material attributed to Lovecraft but really mostly written by others, including August Derleth, while the other was a strange collection of his, shall we say, crappy stories like The Cats of Ulthar and The Dream-Quest of Unknown Kadath.

It’s all different now, of course. Lovecraft died in 1937 so all of his writings are in the public domain. I have a set of Arkham House hardcover anthologies, but you can download everything he wrote for free. Fifteen years on from when I was first introduced to Cthulhu, Nyarlathotep and Yog-Sothoth, not only have I read everything he wrote several times over, but his name is spreading as a master of 20th century American horror.

Which is where the Escape Pod Lovecraft readalong comes in. All of Lovecraft’s material is available online, and most of it is pretty short. So, running in publication order (not chronological order of writing), I’ll be reviewing and commenting on his stories. All of them, the good and the bad, the short and the long. The excellent HP Lovecraft Literary Podcast have been running through Lovecraft’s canon for a while now – and they really are worth checking out – but I’ll be giving my take on the stories here.

But… Lovecraft on Escape Pod? Well, while he is often categorized as horror, Lovecraft is really a science fiction author. Cthulhu and his kin may all be monsters with god-like powers, but they’re also aliens. Some are from other planets, some are from other universes entirely. But science fiction it is. Well, let’s call it science fiction horror.

The first story up is The Alchemist, first published in The United Amateur in November 1916. It was also one of the first stories Lovecraft wrote, in 1908, and will be a fascinating place to start. Grab your copy and get reading!

Book Review: “Agatha H. and the Airship City”, by Phil and Kaja Foglio


I love webcomics. I think Ozy and Millie is better than Calvin and Hobbes. I’m shocked that studios haven’t secured the rights to comics like Questionable Content, Something Positive, or even XKCD (wouldn’t that pair up well with Big Bang Theory). And for years I’ve been following the hilarious but slowly-told story of Sabrina Online. But despite all the webcomics I read, I’ve never taken the time for Phil and Kaja Foglio’s Girl Genius. I’d certainly heard of it; it just hasn’t yet found its way into my Google Reader.

So I think that makes me the right kind of person to review Agatha H. and the Airship City, by Phil and Kaja Foglio*. I mean, I had no idea that this was a “Girl Genius” novel to begin with, after all, until I actually received the book.

Agatha H., in one sentence: it’s a fun book. I immensely enjoyed reading it. It’s a madcap comic adventure combined with steampunk (or “gaslamp”, as the authors say on their site), a little Bas-Lag, and some well-used adventure fantasy tropes. The dialogue is funny and sharply-written — to be expected from authors who make popular comic strips — and the world is complex and fully-realized.

The novel retells the origin story of Agatha Clay, a young woman living in Transylvania in an alternate, steampunk style of Europe. “Sparks” — basically supervillains — held the continent in their grasp until Baron Wulfenbach showed up to impose order by any means necessary. When he and his son, Gilgamesh, show up at the University where Agatha works, a fight in the lab leads to Agatha’s mentor being killed and Agatha herself going on the run. Soon, though, she is captured by the Baron and brought to his castle, where she finds out that the world isn’t as black-and-white as she thought, and neither is the Baron.

I would say that, if this book suffers in any way, it’s that some humor conventions of webcomics just don’t translate into print all that well. Take, for example, the scene where Agatha and Gilgamesh are on an out-of-control flying machine. In a webcomic, you can have an entire conversation over the course of a strip or two while the heroine is plummeting to her death. But in the novel, it seemed as though they should’ve hit the ground long before Agatha attempted to fix the machine. Another instance: the underwear gag. I’ve seen it used quite successfully on television and in other comics, but after the shock of its first appearance, future ones felt somewhat forced.

But while those parts didn’t work, the rest of the book certainly did. I laughed a lot, and I definitely empathized with the characters — although one does pull a heel turn that I wasn’t expecting and really didn’t understand the point of, except to move the plot along. The fight scenes were well-written and well-choreographed, from Agatha’s swordfight with the princess to Von Pinn taking on a pirate queen to the Baron himself against the Slaver Wasps. A few genre conventions are turned on their heads (isn’t that right, Princess?), while others (like Agatha’s physical shape) are cheerfully indulged.

Toward the end, the book got really quick to read, and each time I turned the page I wondered how everything was going to get wrapped up. I felt like maybe there was room for another chapter, like the ending needed a little something more to be fully satisfying… but then, there’s plenty more to be written, especially if further adventures of Agatha are to be retold as novels. And hey, if not, I can always read the comics.

Overall, I like I said, the book was a lot of fun to read. I got through it fairly quickly, owing to the fast pace and the desire to find out just what the hell is happening to Agatha. Plus, the nuanced nature of the Baron added a layer to the story that some adventure novels just can’t pull off. Agatha H. and the Airship City is worth reading, and — at least, in my case — it got me interested in the Girl Genius comic as well.

After all, I have to know what happens next.

* For some reason, I feel like I’m used to seeing them credited as “Kaja and Phil Foglio”, so it seems weird to type it the other way. But Phil’s name comes first on the cover, so that’s how I’m putting it here.

Genres:

Escape Pod 284: On a Clear Day You Can See All the Way to Conspiracy

Show Notes

Show Notes:

  • Feedback for Episode 276
  • Next week… The hopes and dreams of a child, and her pet.

On a Clear Day You can See All the Way to Conspiracy

By Desmond Warzel

You’re listening to the Mike Colavito Show on Cleveland’s home for straight talk, WCUY 1200. The opinions expressed on this program do not reflect those of WCUY, its management, or its sponsors.

Fair warning; I’m in a mood today, folks.

We’ve got a mayor whose only talent seems to be showing up at luncheons and waving at the cameras.

Eighty bucks I had to pay yesterday for not wearing my seatbelt. Show me the seatbelts on a school bus.

I saw a Cleveland athlete on national TV last night wearing a Yankees cap.

And every day I get at least a dozen calls from schmucks who think that people like me are the problem in this city.

Tell me America’s not falling apart.

[pause]

And some of you people–including our programming director, by the way–seem to think I’m running my mouth too much and not taking enough phone calls. I’ve only been number one in radio in this city for ten straight years; what would I know?
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