Genres:

Escape Pod 239: A Programmatic Approach to Perfect Happiness


A Programmatic Approach to Perfect Happiness

By Tim Pratt

My step-daughter Wynter, who is regrettably prejudiced against robots and those who love us, comes floating through the door in a metaphorical cloud of glitter instead of her customary figurative cloud of gloom. She enters the kitchen, rises up on the toes of her black spike-heeled boots, wraps her leather-braceleted arms around my neck, and places a kiss on my cheek, leaving behind a smear of black lipstick on my artificial skin and a whiff of white make-up in my artificial nose.

“Hi Kirby,” she says, voice all bubbles and light, when normally she would never deign to utter my personal designation.

“Is Moms around? Haven’t talked to her in a million.”

I know right away that Wynter has been infected.

Genres:

Escape Pod 209: On the Eyeball Floor

Show Notes

Closing song by Andrew Richardson


On the Eyeball Floor

by Tina Connolly

We’ve got robotic arms to put the eyeballs in. Metal clamps to pulldown the eyelids. Tony, on Four, keeps the grease vats filled. Oil squirts nineteen times a minute to keep the eye sockets from squeaking. Tiny slick needles stitch on the lashes, while millions of different irises get stamped in magenta and yellow and cyan, so no two will ever be alike, just like us.

All that, and they can’t engineer anything—or anyone—to take over my job. People in Organs go home coated with grease and vinegar; people in Bones have lost fingers to the machines, and still nobody wants the job where a hundred half-live cyborgs line up in rows, twitching when your back is turned. Waiting for someone to talk to them, feel for them. Transcend them to life.

There are safety signs around the factory. “Scrub Up.” “Know Thyself.” “Don’t Blink.” That last is the best piece of advice, here on the eyeball floor.

Genres:

Escape Pod 196: Evil Robot Monkey

Show Notes

Special closing monkey music by George Hrab


Evil Robot Monkey

By Mary Robinette Kowal

Sliding his hands over the clay, Sly relished the moisture oozing around his fingers. The clay matted down the hair on the back of his hands making them look almost human. He turned the potter’s wheel with his prehensile feet as he shaped the vase. Pinching the clay between his fingers he lifted the wall of the vase, spinning it higher.

Someone banged on the window of his pen. Sly jumped and then screamed as the vase collapsed under its own weight. He spun and hurled it at the picture window like feces. The clay spattered against the Plexiglas, sliding down the window.

Genres:

Escape Pod 31: Robots and Falling Hearts

Show Notes

Rated PG. Contains slight profanity, long flirtations, and excessive Zen. Watch for falling metaphors.

Referenced sites:
Child’s Play
Hooting Yard


Robots and Falling Hearts

By Tim Pratt and Greg van Eekhout

I paused to tie a loose shoelace and a squat robot, like a dirty white trashcan on tank-treads, trundled out of an alley toward me. A red light on top of its domelike top blinked erratically. It said, in a high-pitched voice, “Klaatu barada nikto.” A small panel slid open in its front, and a pole with a cup on the end telescoped out. There were a few coins in the cup, mostly pennies and nickels, and the robot jingled the cup significantly.

“Take me to your leader,” I said, wishing it could be that simple, knowing that these things are never that simple. The robot beeped at me and jingled its cup harder, the coins rattling.

“It won’t go away unless you give it some change,” said a woman standing on the corner. “It followed me all the way to work one day, and hung around outside the door like a dog for hours.”