Archive for 10 and Up

Escape Pod 167: Love and Death in the Time of Monsters

Show Notes

Rated PG. Contains violence on a grand scale and illness on a human scale.

Referenced Sites:
GUIDOLON The Giant Space Chicken
Well-Told Tales

Special closing music: “Showdown in Shinjuku” and “Incognito” by Daikaiju.


Love and Death in the Time of Monsters

By Frank Wu

They try everything. Cellular toxins. DNA replication inhibitors. Anti-sense nucleic acids. Artillery. Great bolts of lightning. Nothing stops him, it only makes the monster angrier. They try mutagens, teratogens, carcinogens, neurotoxins, hemotoxins, genotoxins — they think that toxins in the environment created the monster, and maybe toxins can kill it. Maybe two wrongs can make a right.

They don’t, apparently. I worry about the residues left in the ground after the monster’s moved on. He’s going up and down the eastern seaboard. Janie talks about flying out there to help, but she doesn’t want to get stomped on. Who would? A team of guys from work drive across the country to do whatever they can. They figure that patent annuities can still get paid in their absence. I want to go, but I have to stay to help my mom. That’s my fight.

Genres:

Escape Pod 165: Those Eyes

Show Notes

Rated PG. Contains some sexual situations and scattered profanity in both English and Spanish.


Those Eyes

By David Brin

“…So you want to talk about flying saucers? I was afraid of that.

“This happens every damn time I’m blackmailed into babysitting you insomniacs, while Talkback Larry escapes to Bimini for a badly needed rest. I’m supposed to field call-in questions about astronomy and outer space for two weeks. You know, black holes and comets? But it seems we always have to spend the first night wrangling over puta UFOs.

“…Now, don’t get excited, sir…. Yeah, I’m just a typical ivory tower scientist, out to repress any trace of unconventional thought. Whatever you say, buddy.”

Escape Pod 157: A Small Room in Koboldtown

Show Notes

2008 Hugo Nominee!

Rated PG. Contains dark, seedy places and dark, seedy characters, only a few of them alive.

Today’s Sponsor:
Implied Spaces
Implied Spaces by Walter Jon Williams


A Small Room in Koboldtown

By Michael Swanwick

That Winter, Will le Fey held down a job working for a haint politician named Salem Toussaint. Chiefly, his function was to run errands while looking conspicuously solid. He fetched tax forms for the alderman’s constituents, delivered stacks of documents to trollish functionaries, fixed L&I violations, presented boxes of candied John-the-Conqueror root to retiring secretaries, absent-mindedly dropped slim envelopes containing twenty-dollar bills on desks. When somebody important died, he brought a white goat to the back door of the Fane of Darkness to be sacrificed to the Nameless One. When somebody else’s son was drafted or went to prison, he hammered a nail in the nkisi nkonde that Toussaint kept in the office to ensure his safe return.

He canvassed voters in haint neighborhoods like Ginny Gall, Beluthahatchie, and Diddy-Wah-Diddy, where the bars were smoky, the music was good, and it was dangerous to smile at the whores. He negotiated the labyrinthine bureaucracies of City Hall. Not everything he did was strictly legal, but none of it was actually criminal. Salem Toussaint didn’t trust him enough for that.

Escape Pod 156: Distant Replay

Show Notes

Rated PG. Contains mature themes and wistfulness.

Referenced Sites:
2008 Hugo Awards
“First of May” by Jonathan Coulton (Not work-safe)


Distant Replay

By Mike Resnick

“Let me show you,” I said, pulling out my wallet. I took my Deirdre’s photo out and handed it to her.

“It’s uncanny,” she said, studying the picture. “We even sort of wear our hair the same way. When was this taken?”

“Forty-seven years ago.”

“Is she dead?”

I nodded.

Escape Pod 155: Tideline

Show Notes

2008 Hugo Nominee!

Rated PG. Contains implied violence and themes of death.

Referenced Sites:
2008 Hugo Awards
WisCon May 23-26, Madison, WI

Closing Music: “The Fall” by Red Hunter.


Tideline

By Elizabeth Bear

They would have called her salvage, if there were anyone left to salvage her. But she was the last of the war machines, a three-legged oblate teardrop as big as a main battle tank, two big grabs and one fine manipulator folded like a spider’s palps beneath the turreted head that finished her pointed end, her polyceramic armor spiderwebbed like shatterproof glass. Unhelmed by her remote masters, she limped along the beach, dragging one fused limb. She was nearly derelict.

The beach was where she met Belvedere.

Escape Pod 148: Homecoming at the Borderlands Café

Show Notes

Rated PG. Contains heavy racial and political themes.

Referenced Sites:
Decoder Ring Theatre


Homecoming at the Borderlands Café

By Carole McDonnell

We don’t see a lot of mixed couples around here, and we’re not like some of the other states in the Confederate United Republic. It’s not like they’re gonna get killed or lynched or nothing. But it’s tough just the same. And although it’s weird enough that they’re an interracial couple, it seems to me that they’re arguing about something bigger than merely coming into this café.

I don’t know any Blacks. You got to go to Laramie, or Cheyenne to see them. But I watch Cosby when it’s on. The Confederacy ain’t as bad as the folks in Columbia might think. Sure everyone’s segregated, but it’s all equal and the Platte County school district is pretty good about African-American History Month.

Escape Pod 147: Pressure

Show Notes

Rated PG. Contains moderate violence.

Audible.com Promotion!
Receive your free audiobook at: http://audiblepodcast.com/escapepod

Referenced Sites:
PodCastle

Closing music: “I Crush Everything” by Jonathan Coulton.


Pressure

By Jeff Carlson

I spent the longest five weeks of my life in that tank and in a deeper pool, healing, testing, practicing. My feet and toes had been augmented much like my hands, my thighs shortened to maximize the available muscle. I was damned quick. Relearning construction techniques with my new fingers was sometimes frustrating, yet my progress was real and those periods of solitary labor became important to me.

At the surface, in the shallows, doctors poked and prodded and put me through redundant tortures. I had been warned that the study of my new body would be extensive and did my best not to fear or hate them, but I’d never imagined such intense scrutiny. During my years as a SEAL, I had been like a bug under a microscope, constantly evaluated and scored. Here I was the microscope, my body the only lens through which they could measure their work. Stenstrom tried to be my buddy, as he had always tried, joking and asking what I’d do with the money, yet his possessiveness was obvious. “We’ll be famous,” he said. “We’ll change the world.”

I wasn’t a slave or a pet, exactly, but I was anxious to get started. To get away from them.

Escape Pod 145: Instead of a Loving Heart

Show Notes

Rated PG. Parental guidance suggested for violence and ennui.

Audible.com Promotion!
Receive your free audiobook at: http://audiblepodcast.com/escapepod

Referenced Sites:
Jared Axelrod’s Commissions


Instead of a Loving Heart

By Jeremiah Tolbert

We are somewhere among the tallest mountains of the world. When we arrived, I was locked away in a cargo hold, so I don’t know exactly where. Our home is a small, drafty castle and a separate laboratory. Dr. Octavio had the locals construct the lab before he tested the new death ray on their village. There’s very little left there. In my little bit of spare time, I try to bury the bodies and collect anything useful to the doctor’s experiment.

My primary duties consist of keeping the castle’s furnace running and clearing the never-ending snow from the path between the two buildings. Sometimes, it falls too fast for my slow treads and shovel attachment to keep up with and I find myself half-buried in the snow. It is horrible on my gears when this happens, but I use heavyweight oil now and it helps.

It is one of the few benefits of my metal frame that I appreciate. Life in this contraption is like being wrapped in swaddling clothes. I wonder if I would feel anything if my casing caught on fire? I need to ask the doctor when he isn’t in one of his moods.

Escape Pod 144: Friction

Show Notes

Referenced Sites:
Nawashi, a podcast novel by Graydancer

Closing music: “Blue Genes” by George Hrab


Friction

By Will McIntosh

Gruen was on the sixty-first master, and while his wisdom had grown steadily, he had worn very little. He was incredibly well-preserved–the palms of his three-fingered hands still sported the deep, swirling ridges that had worn to nothing in most people before they’d lived thirty years. Indeed, all of the myriad folds and ridges in his thick maroon skin were for the most part intact. His eyes were still housed in tight sockets, surrounded by thickly-ridged cheeks.

Besides the feet, the eyes were the greatest point of weakness for those who aspired to read the works of the masters. Ceaseless up-and-down eye movement caused the sockets to wear out, and eventually the reader’s eyes fell out. At that point they were forced to trace the carved words with their fingers. Friction quickly took its toll on the hands; readers rarely made it through one master’s teachings this way before their hands were ground to the wrist, and they were finished.

Escape Pod 138: In the Late December

Show Notes

Closing Music: “Chiron Beta Prime” by Jonathan Coulton.


In the Late December

by Greg van Eekhout

They come to a cloud of silver mist, and there Santa finds a little boy made of molten silver with liquid silver eyes and sweeping silver delta wings. His wrists are ringed with missile launchers, and a rounded cone emerges from a cavity in his chest. Once there were many silver boys, fleets of them, protecting the outermost parts of inhabited space against things that came from outside inhabited space. But now, there is only the silver boy.

“You, sir,” the silver boy says, “are a tiresome consciousness cluster. Your binary value system remains as laughable as it is irrelevant. How you manage to remain cohesive is beyond me.”

“My value system is hardly binary,” Santa says. “In between naughty and nice I’ve made room for you: grumpy but fundamentally sound. Do you want a toy or not?”

hot mature website