Archive for 10 and Up

Escape Pod 229: Littleblossom Makes a Deal With the Devil

Show Notes

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Littleblossom Makes a Deal With the Devil

By S. Hutson Blount

From beneath the camouflage of kindling on her back came Grandma Thinkbox’s quiet voice. “You should have something hot to drink, child. Do not make yourself sick.”

“Yes, nainai. As soon as I check on Pig.”

After Comrade Liu had been evacuated with the last of the support troops, Xiaoying had rearranged the personality of her assistant battlefield AI into something that suited her better. If she were going to spend months carrying it around, she wasn’t going to listen to it drone on like a party chief. The way it talked now reminded her of her grandmother. The missiles had overlays for their small brains, too, and she’d decorated them with personalities as well. Boredom was a more immediate enemy than Japan.

Escape Pod 228: Everything That Matters

Show Notes

Closing music: “Heartache Over Innsmouth” by Norm Sherman.

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Everything That Matters

By Jeff Spock

“I have done over fifteen hundred dives,” I said, and let that sink in. The number was astronomical for a guy my age, even for a professional. “I have done free diving down to eighty meters. I have worked as a commercial diver and in commercial salvage.”

They were listening and nodding, concentrating on me while recording the conversation. “Then you, of all people, should have known better,” said the little guy.

“I did know better!” They were acting like the shark was the victim, not me. “How many people in the whole fucking galaxy could have come up alive, huh? How many would have had the technology and experience and conditioning?”

“If you want our congratulations, you got ’em,” said Odenny. “But we’re more interested in what you were doing.”

Escape Pod 224: The Ghost in the Death Trap

Show Notes

Editor’s note:  this is a sequel to EP007.  Listen to it here.


The Ghost in the Death Trap

By Marjorie James

Flies buzzed around the edges of the huge stone block, gathering at the rivulets of blood that ran down to the floor. A bit of what looked like it might be intestine hung off one corner, drawing special attention. It was a testament to the force of the collision that fragments of bone and tissue were scattered all the way down the passage, some even wedged in the carvings in the stone walls. Two men surveyed the scene with dismay.

“See? And this just keeps happening. It’s getting so we can’t get anything done around here,” said the taller of the two, a grey-haired man with red eyes and a patchy beard.

The other man, younger but not precisely young, hauled himself up on top of the block and examined the mechanism. “This bar’s been sliced right through.” He looked back down at his client. “You say this was a poltergeist?”

Escape Pod 221: Little Ambushes


Little Ambushes

By Joanne Merriam

Practically the first thing she did when she took in the alien was to give him a new name. He looked at her outstretched hand long enough to annoy her, and then grasped it with his four opposable fingers and hung on limply until she wrenched her hand out of his moist and over-jointed grip.

She said, “I’m Sarah,” and he said his name, or what she assumed was his name, in return, rolling the syllables around in his mouth like so many rough pebbles. His name was too long, something like Shperidth with extra grunting noises in the middle, like a car backfiring very far away. She tried to repeat it and couldn’t, while he stood on her doorstep sweating and folding his fingers around each other. She frowned at him.

“I can’t say that,” she said.

Escape Pod 220: Come All Ye Faithful


Come All Ye Faithful

By Robert J. Sawyer

“Damned social engineers,” said Boothby, frowning his freckled face. He looked at me, as if expecting an objection to the profanity, and seemed disappointed that I didn’t rise to the bait.

“As you said earlier,” I replied calmly, “it doesn’t make any practical difference.”

He tried to get me again: “Damn straight. Whether Jody and I just live together or are legally married shouldn’t matter one whit to anyone but us.”

I wasn’t going to give him the pleasure of telling him it mattered to God; I just let him go on. “Anyway,” he said, spreading hands that were also freckled, “since we have to be married before the Company will give us a license to have a baby, Jody’s decided she wants the whole shebang: the cake, the fancy reception, the big service.”

Escape Pod 215: Mr. Penumbra’s Twenty-Four-Hour Book Store


Mr. Penumbra’s Twenty-Four-Hour Book Store

By Robin Sloan

IT’S 2:02 A.M. ON A COLD SUMMER NIGHT.

I’m sitting in a book store next to a strip club.

Not that kind of book store. The inventory here is incredibly old and impossibly rare. And it has a secret—a secret that I might have just discovered.

I am alone in the store. And then, tap-tap, suddenly I’m not.

And now I’m pretty sure I’m about to snap my laptop shut, run screaming out the front door, and never return.

Escape Pod 211: Carthago Delenda Est


Carthago Delenda Est

By Genevieve Valentine

Wren Hex-Yemenni woke early. They had to teach her everything from scratch, and there wasn’t time for her to learn anything new before she hit fifty and had to be expired.

“Watch it,” the other techs told me when I was starting out. “You don’t want a Hex on your hands.”

By then we were monitoring Wren Hepta-Yemenni. She fell into bed with Dorado ambassador 214, though I don’t know what he did to deserve it and she didn’t even seem sad when he expired. When they torched him she went over with the rest of the delegates, and they bowed or closed their eyes or pressed their tentacles to the floors of their glass cases, and afterwards they toasted him with champagne or liquid nitrogen.

Before we expired Hepta, later that year, she smiled at me. “Make sure Octa’s not ugly, okay? Just in case—for 215.”

Wren Octa-Yemenni hates him, so it’s not like it matters.

Escape Pod 210: The Hastillan Weed


The Hastillan Weed

By Ian Creasey

“Since we have so many new faces,” I said to the half-dozen volunteers, “I’ll start with a tools talk. Safety points for the spade — the most important is that when you’re digging, you push with the ball of your foot.”

I picked up a spade from the pile, and demonstrated by digging up a bluebell growing by the hedge. From the large bells all round the stem, I knew it was a Spanish bluebell, a garden escape that if left unchecked would hybridise with the natives. Too late now, though. You can tell the British bluebell because the flowers are smaller, deeper blue, and they’re usually
on one side of the stem, so the plant droops under their weight as if bowing down before its foreign conqueror. There’s hardly a wood left in England where you’ll see only native bluebells.

“Or you can use your heel on the spade.” I heaved the invader out of the earth and tossed it aside, knowing it would safely rot. “But you should never press down with the middle of your foot. The bones in the arch are delicate, and you can injure yourself.”

Genres:

Escape Pod 209: On the Eyeball Floor

Show Notes

Closing song by Andrew Richardson


On the Eyeball Floor

by Tina Connolly

We’ve got robotic arms to put the eyeballs in. Metal clamps to pulldown the eyelids. Tony, on Four, keeps the grease vats filled. Oil squirts nineteen times a minute to keep the eye sockets from squeaking. Tiny slick needles stitch on the lashes, while millions of different irises get stamped in magenta and yellow and cyan, so no two will ever be alike, just like us.

All that, and they can’t engineer anything—or anyone—to take over my job. People in Organs go home coated with grease and vinegar; people in Bones have lost fingers to the machines, and still nobody wants the job where a hundred half-live cyborgs line up in rows, twitching when your back is turned. Waiting for someone to talk to them, feel for them. Transcend them to life.

There are safety signs around the factory. “Scrub Up.” “Know Thyself.” “Don’t Blink.” That last is the best piece of advice, here on the eyeball floor.

Escape Pod 206: Rogue Farm

Show Notes

Recorded at Balticon 43, May 23, 2009

Read by:

Joe – Jared Axelrod (of The Voice of Free Planet X),

Maddie – J.R. Blackwell (of Voices of Tomorrow)

The Farm – Evo Terra and Sheila Dee (of Evo at 11, et al.)

Brenda the Barkeep – Dee Reed (of Nobilis Erotica),

Wendy the Rat – Laura Burns,

Art the Boy Toy – John Cmar,

Bob the Dog – Earl Newton (of Stranger Things),

Narrator – Stephen Eley

Special Thanks To:
Paul Fischer (of The Balticon Podcast) for instigating and organizing
Nobilis Reed (of Nobilis Erotica) for engineering


Rogue Farm

By Charles Stross

“Buggerit, I don’t have time for this,” Joe muttered. The stable waiting for the small herd of cloned spidercows cluttering up the north paddock was still knee-deep in manure, and the tractor seat wasn’t getting any warmer while he shivered out here waiting for Maddie to come and sort this thing out. It wasn’t a big herd, but it was as big as his land and his labour could manage – the big biofabricator in the shed could assemble mammalian livestock faster than he could feed them up and sell them with an honest HAND-RAISED NOT VAT-GROWN label.

“What do you want with us?” he yelled up at the gently buzzing farm.

“Brains, fresh brains for baby Jesus,” crooned the farm in a warm contralto, startling Joe half out of his skin. “Buy my brains!” Half a dozen disturbing cauliflower shapes poked suggestively out of the farms’ back then retracted again, coyly.

“Don’t want no brains around here,” Joe said stubbornly, his fingers whitening on the stock of the shotgun. “Don’t want your kind round here, neither. Go away.”

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