Archive for Podcasts

EA Metacast: New Websites

Show Notes

Hi there! A short metacast to tell you all about our new websites. Transcript follows for those who who prefer to read along.


Transcript

(Alasdair) Hi there! This is Alasdair!

(Marguerite) And this is Marguerite!

(Alasdair) And we’re looking a good deal shinier. The EA family of podcasts has all new websites, thanks to Jeremy Tolbert of Clockpunk Studios and Scott Pond for the incredible new logo designs! And to Marguerite for riding herd on the project for most of this year.

(Marguerite) Why thank you! So you may be asking yourself, why? I mean, we’re podcasts, right? Most of the time you listen to our shows, not read them. Well, we’re glad you asked.

(Alasdair) First off, we were a decade-old company with decade-old websites. It’s true – aside from maintenance from our heroic two-fisted IT Barbarian, Graeme Dunlop, EA’s never had a major upgrade. That won’t cut it for a digital publisher, especially one with 1900 episodes under its belt. It was a major undertaking, and past due.

(Marguerite) Plus now we’re in a great position to make that vast back catalog a whole lot easier for you to get at. But we ran into a chicken and egg problem – all the solutions we had in mind needed new interfaces and graphics. You probably saw that when our old logos got upgrades so we could be a launch offering at Google Play. But to make the leap to ‘Tubes and ‘Camps and ‘Fys’, needed a ground-up refresh.

(Alasdair) So, big thanks to Jeremy and Scott, and Marguerite

(Marguerite) (thank you!)

(Alasdair) and Graeme and the tireless work of the editorial teams and admin staff who kept this project upright and moving.

(Marguerite) And most of all, from all of us, thank YOU. Thank you do our donors and listeners, new and veteran, on PayPal, Patreon, Dwolla and more. Thanks to everyone who says hello at a convention, votes for us in awards and reviews the great stories we publish. Thank you to our authors, narrators, guest hosts and artists.

(Alasdair) And stick around for more.

(Marguerite) More tales to tell.

(Alasdair) One story told well. that’s what we do. And we promise you, it’s true.

Escape Pod 601: Wet Fur


Wet Fur

By Jeremiah Tolbert

You can tell the dog owners when they board the plane; they see the black cloud hovering in the first row and their eyes widen in shock, then narrow in fear, followed by a glimmer of a smile, a hope as they glance at so many occupied seats. A hopeful smile that seems to say: “not for me. Not for mine.”

Unease settles over the plane, like a heavy, acrid scent. A few passengers throw suspicious glances at you, and one elderly woman even stops for a moment beside you, opens her mouth as if to speak. You hold your breath. She closes her mouth and shuffles toward the rear of the plane

You breathe again. You try to ignore the man seated next to you. You focus on the safety talk.

When the flight attendant buckles her fake belt, she glances at the cloud off her shoulder, then smiles apologetically at her audience. Like it’s her fault, or perhaps the airline’s? There’s nothing she can do, or anyone else.

You sniff. You smell damp fur. You frown, wondering, perhaps, how that could be? You don’t know what strange links lie between memory and nose, but we do.
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Escape Pod 600: At the Rialto

Show Notes

“At the Rialto” was a 1990 Hugo nominee and the 1990 Nebula winner for best novelette.


At the Rialto

By Connie Willis

Seriousness of mind was a prerequisite for understanding Newtonian physics. I am not convinced it is not a handicap in understanding quantum theory.

—EXCERPT FROM DR. GEDANKEN’S KEYNOTE ADDRESS TO THE 1989 INTERNATIONAL CONGRESS OF QUANTUM PHYSICISTS ANNUAL MEETING, HOLLYWOOD, CALIFORNIA

I got to Hollywood around one-thirty and started trying to check into the Rialto. “Sorry, we don’t have any rooms,” the girl behind the desk said. “We’re all booked up with some science thing.”

“I’m with the science thing,” I said. “Dr. Ruth Baringer. I reserved a double.”

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Escape Pod 599: What Glistens Back


What Glistens Back

By Sunny Moraine

Come back.

You hear the call as the lander breaks up around you. You’re aware of the entirely arbitrary concepts of up and down before you realize what’s happening, and then they’re a lot less arbitrary. Down is not so much a direction as a function of possibility, of what might happen to you, of what is happening now. You finally getdown as an idea.

Come back.

Look up and there it is, floating over you in stable low orbit with its backdrop of stars, long and sleek and lovely, all its modules and portholes out of which you spent so much time looking, and that voice clutches at you like it could hold onto you, and you almost start to fucking cry, and you’re panicking and taking huge gasping breaths and clawing at nothing, and you’re falling. And you can’t come back. So the universe goes away for a while, and when you blink again, that brownish pitted curve beneath you is just a little bit bigger.

“Sean, come back. Do you read? Come back?”

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Escape Pod 598: On the Fringes of the Fractal


On the Fringes of the Fractal

By Greg van Eekhout

I was working the squirt station on the breakfast shift at Peevs Burgers when I learned that my best friend’s life was over.

The squirt guns were connected by hoses to tanks, each tank containing a different slew formula. Orders appeared in lime-green letters on my screen, and I squirted accordingly. Two Sausage Peev Sandwiches was two squirts from the sausage slew gun. An order of Waffle Peev Sticks was three small dabs of waffle slew. The slew warmed and hardened on the congealer table, and because I’d paid attention during the twenty-minute training course and applied myself, I knew just when the slew was ready. I was a slew expert.

Sherman was the other squirter on duty that morning. The orders were coming in fast and he was already wheezing on account of his exercise-induced asthma. His raspy breaths interfered with my ability to concentrate. You really have to concentrate because after four hours of standing and squirting there’s the danger of letting your mind wander and once you do that you can lose control of the squirts and end up spraying food slew all over the kitchen like a fire hose.

“Wasted slew reflects badly on you,” said one of the inspirational posters in the employee restroom. (Continue Reading…)

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Escape Pod 597: Ms. Figgle-DeBitt‘s Home for Wayward A.I.s


Ms. Figgle-DeBitt’s Home for Wayward A.I.s

By Kurt Pankau

I watch with hope as Ms. Figgle-DeBitt samples a slice of caramelized banana upside-down cake. She takes a nibble and seems pleased. She sweeps cybernetic fingers through the shock of gray hair that sits on the human half of her face, a gesture I’ve learned is contemplative. She takes a larger bite, chews, and grimaces. She spits it out into a trash can.

I’m not upset by this. I do not get upset. I get better.

“This is definitely an improvement, Charlie,” she says. “If I may make a recommendation? Next time, peel the bananas first.”

“Of course, Ms. Figgle-DeBitt,” I say. Another foolish mistake.

“This recipe is important to you, isn’t it?” she asks. “You’ve tried to make it three times this week.”

“It’s the recipe that ended my career,” I say.

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Escape Pod 596: The Wind You Touch When You Run


The Wind You Touch When You Run

By James Beamon

This pursuit starts as they all start, going after the Underground Railroad. It will end as it always ends, with us feeding the Minotaur. The in-between is where I tell tales.

I wipe sweat from my eyes while my son Langston squints under the blue-white light of this alien sun, scanning the swollen green and purple foliage for signs of recent human passage. He points his machete at a fresh boot print obscured by dense undergrowth. We pick up pursuit, south. It reminds me of a little-known facet of my favorite story.

“The original Underground Railroad ran south to Spanish controlled Florida a lot longer than it ran north,” I tell Langston. “I’m talking more than two hundred years, going as far back as the fifteen hundreds, and lasting until well after the Revolution.”

“Unless your railroad story leads to Talya, I’m not interested, Saul.”

This is the nearest I’ve been to Langston in six years and I see he’s grown into a strong man. We’re shirtless because of the heat and his skin is beautifully black like a scarab’s shell, free of all the gashes and scars I’ve accumulated in the jungle. His dreadlocks are tied into a crude ponytail that hangs down the center of his back. Intensity burns in his eyes as he navigates the jungle.

“What you want is through the wilderness,” I tell him. “She’s three hours ahead of us, which could put her ten miles out or ten feet depending on what she’s run into out there. Either way, we can catch her before nightfall.”

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Escape Pod 595: Islands in the Dark


Islands in the Dark

By Sarah Goldman

Road out from Kaysee was boring as ever. The kids we’d picked up this time weren’t anything to sneeze at: soft-spoken boy with eyes too teched up to blink, real young bratty kid who kept trying to backseat drive me from the hatch of a goddamn pickup, and a girl I hadn’t quite gotten a read on yet. Made me nervous. New things tended to do that. Hal would know their names and their stories, hers included, but that wasn’t my job; socializing was his thing and driving was mine. Talking hasn’t ever been my strong suit. Neither has caring. But I was curious.

I let Hal take the wheel and swung myself back into the hatch. Quiet boy with the bright eyes spoke to me first. Asked me my name and rubbed at the place behind his ear where we’d cut the interface out. Thanks to the spray-on shit Hal kept around, it was scarring up already. We’d grabbed a few cans while we were in the city—we could grow a lot out here, but medical supplies could be hard to come by.

I said, “Call me Lanz.”

“You’re going the wrong way,” the bratty kid told me.

“And how would you know?” I asked. “You ever been out here before?”

“Once, on a bet,” she said. She tucked her hair back and wrinkled her nose. “I made it two hours before my ears hurt too much.”

“We’re going the right way,” said the inscrutable girl. Not soft but not loud either: steady like a lighttrain locked to its tracks. She didn’t say it like she trusted me. It was like she just knew better than the rest of us.

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Escape Pod 594: The Spice Portrait


The Spice Portrait

By J.M. Evenson

They said my love for my daughter was excessive, that I made her weak by kissing her and singing in her ear at night.

They also said I killed her.


My mother did not believe in tenderness. She was gaunt, all teeth and hair, her face hard as a stone lion. “If she wants to be fed, she must work,” my mother said.

She hunched over a copper vat of bubbling breadbean stew, stirring to make sure it didn’t burn. Powdered white liverwort dusted her eyelashes and the edges of her black headscarf. A dozen vats boiled behind her, each with a different gaunt woman stirring it.

Three young girls carried large bundles of firewood and loosed their loads into the flames beneath the vats. They couldn’t have been more than six or seven, but their shoulders were already wide and knotted with muscles.

I looked up from my own copper vessel and snuck a glance at Damla. She was sitting in the crook of a juniper tree collecting berries. She had dark eyes ringed in lashes that curled upward at the outer corners like a cat’s and a black ponytail that spiraled down her back.

Damla was smaller than the other children, even the younger ones. She’d been premature at birth and struggled for every inch, but I was proud of her length of bone. By some miracle she’d survived infancy—many didn’t—so I still had hope she’d catch up to the others.

“She’s too young,” I said.

“Nonsense,” said my mother. “You started when you were five. Like everyone else.”

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Escape Pod 593: Planetbound


Planetbound

By Nancy Fulda

There’s a moment that comes, the first time you step on the rim of a planet, when you suddenly realize how breakable you are. When you finally understand that despite the bone density treatments, despite the braces cradling your back and legs, despite the half-dozen hands that support your first faltering steps down the hallway, you will never be more than a hair’s breadth from disaster. A false step, an unexpected nudge, even the tilt of your own head could send you toppling. It’s worse – much worse – than you expected, and for five panicked heartbeats you consider retreating. It’s not too late to grab a flight back to the orbitals, to float again in those serene, majestic habitats. But no. There is something to be learned here; something important. Something that cannot be understood except through the eyes of a floater. And so you grit your teeth and slide your foot awkwardly forward, into this strange new existence.

It is a perilous reality, chaotic and unintuitive. Cloth leaps in strange directions. Objects zip away if you release them. Even the sounds are different. It’s like someone has erased the laws of the universe and written the equations anew.

On the next step something goes wrong and you jolt sideways. Shouts. Hands beneath your shoulders. Your arm flails outward and knocks a vase from a table. It clatters to the ground and stays there, water clinging to the tiles like a living creature.

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