Category: Podcasts

EP531: Bend Back the Shadows

by Michael Reid
narrated by Summer Brooks

about the author…

I am a 2015 graduate of the Clarion Workshop, but I have no other publication credits.

about the narrator…

Summer is a bit of a television addict, and enjoys putting her scifi media geek skills to good use in interviewing guests for Slice of SciFi as a co-host from 2005-2009. She was previously the co-host for The Babylon Podcast and host of Kick-Ass Mystic Ninjas, before returning to Slice of SciFi as host in August 2014.

She is an avid reader and writer of scifi, fantasy and thrillers, with a handful of publishing and voiceover credits to her name. Next on her agenda is writing an urban fantasy tale, and a B-movie monster extravaganza.

Currently, Summer designs and maintains websites for clients and for fun in addition to the Slice of SciFi websites, does voiceover & narrations for StarShipSofaTales to TerrifyFar Fetched Fables, and Crime City Central, among others.

 

Bend Back the Shadows
By Michael Reid

Month 669, Day 10

When I was a little girl, Grandma used to tell me scary stories about the day the lights went out on Earth. Back then, she said, there were lots of people on our station. People would come and go from Earth all the time in little gray capsules. And then, one day, the capsules had stopped coming. Soon after that, the messages had stopped coming on the radio. Everyone on the station had hovered by the windows like ghosts, watching day after day as plumes of smoke erupted from the hearts of the cities, their trails snaking across the continents.

“But that wasn’t the worst of it,” Grandma would tell me. “Not by a long shot.”

“What was worse?” I asked her once, between lessons on medicine and aquaponics.

Grandma looked away when she spoke. “The worst part was watching the night sweep across the Earth and seeing that the darkness was empty. No more lights. Just shadows.”

Grandma used to live down on Earth, a long time ago. She was a doctor–a brain doctor. She said that one of the reasons she came up to the station was to see Earth from space with her own eyes. She loved the day side with its browns and greens and blues, but I think she loved the lights on the night side even more. I’ve seen pictures from back then, back when the whole Earth was covered with cities that glowed yellow at night. The pictures reminded me of the diagrams of neurons Grandma used to show me on her slate: nuclear cities connected to dendritic suburbs, all bound together by axonal highways. Then the end had come. Night after night, the web of neurons had disintegrated, like a brain consumed by Alzheimer’s. Grandma and the others had watched it all happen, watched each city flare brightly for a few seconds, then disappear forever.

Our station orbits Earth once every four hours: two hours over the day side and two hours over the night. Grandma said that, every time the station caught up to the night, she would go to a window and pray that there would still be lights. One orbit, she had gone to the windows and there had been only one light left on the whole dark side of the planet. One tiny light, smack in the middle of the big continent–Africa, it was called, when there were still people on it. Orbit after orbit, she watched for that spot, prayed the whole time it was in daylight that it would still be there when the night returned. She would wish on it like an ember, praying for it to spark and spread. But one day, less than a year after the last capsule had come to the station, darkness swept over the place where the light had been and the light was gone.

Grandma said that was the single worst day of her life. Worse than leaving Grandpa behind on Earth. Worse than watching the city where he lived go dark. Worse than watching all those plumes of smoke circling the planet. She said watching that last light be engulfed by the shadows was more fearful than losing all of the rest combined. “But it won’t always be this way,” she told me. “Someday those lights are going to come back. Someday you’ll see just the tiniest flicker down there, but that one tiny flicker will spread and soon it will bend back all those shadows.”

EP530: City in the Wound

by Michael Buckley
narrated by Barry Haworth

author Michael Buckley

author Michael Buckley

about the author…

Mike Buckley’s fiction has appeared in The Best American Non-Required Reading 2003The Southern California Review, and numerous times in The Alaska Quarterly Review.  His science fiction has appeared in Clarkesworld (in a story read by Cast of Wonders’ Marguerite Kenner), Pravic, and is forthcoming from Abyss and Apex. He is currently working on a Transhumanist murder mystery novel.  He has been nominated for various awards, and his debut short story collection, Miniature Men,was released in 2011.   He is a practicing Creative Futurist, using science fiction storytelling to improve corporate and government policy.  He is also an instructor with the UCLA Extension Writers’ Program, and regularly teaches workshops on science fiction and short story.

about the narrator…

Barry Haworth is from Australia and he last narrated for Escape Pod in episode 428. This is his third appearance after offering to narrate as a way to contribute to one of his favorite shows.

 

City in the Wound
By Michael Buckley

In the middle of the night Eztli decides to burn The Mothers. He’s a block down and they’re visible through a sliver of space between two corners, drapes of light kelping back and forth slow in the darkness.

Eztli runs, safe for the moment ‘cause it’s his street, Da is watching, but then off his block, out into the middle of the road.

A brick flies past him. He hears shouting in the rooms above The Mothers, but their boys and girls don’t make it out in time. Now it’s just him standing in front of The Mothers. There’s three in a row, their dresses shimmering and lovely, and they stare down at him, so kind and gentle. The one in front is actually crying as Eztli sprays stolen gasoline in a wide arc across them. Eztli hates her for it. He could burn her a thousand times.

The lit match hits the wall and The Mothers go up. The children scream from the second floor. Feet bang on the stairs. Eztli runs, the warmth of the fire behind him, listening to the other screams, the ones coming from beneath the flames.

That night he sleeps next to Da, the composites moving about slowly behind him, lulling. And he doesn’t dream at all.

Da wakes him the next day. The composites reach finger-like to brush his cheek. Feels like lizard skin, or what he’s heard of The Native’s hide.

“Wakee,” Da says. His voice makes Eztli’s lips go cold. “Wakee. Food for the others. At the farthest pit.”

Eztli stands in the morning light. The street is dead quiet and Da behind him moves across the wall, ticking and groaning and hissing.

“You slept close to Da last night for burning The Mothers,” Da says.

Eztli gets it: But today you gotta work.

EP529: Of Blessed Servitude

by A. Merc Rustad
narrated by Trendane Sparks

author A. Merc Rustad

author A. Merc Rustad

about the author…

Hello and welcome! My name is Merc Rustad and I’m a queer non-binary writer and filmmaker who likes dinosaurs, robots, monsters, and cookies. My fiction has appeared in nifty places like ScigentasyDaily Science Fiction, and Flash Fiction Online. (More at the Published Fiction tab at the top of the page.)

I’m mostly found on Twitter @Merc_Rustad and occasionally playing in cardboard boxes. The site is updated with publication announcements, completed short films, and occasional blog-like essays. (For more semi-regular blogging, I hang out on LJ and DW.)

narrator Trending Sparks

narrator Trendane Sparks

about the narrator…

Originally born in Texas, Tren eventually escaped and wound his way through a mystical series of jobs in the San Francisco Bay Area where he has worked as a software QA Tester for both graphics drivers and video games, a freelance mascot performer, and several jobs on a PBS kids’ show. For most of his life, people have told him that his voice is a pleasure to listen to. But since being a werewolf phone sex operator can get boring, he decided to use his powers to entertain a broader audience.

OF BLESSED SERVITUDE
A. Merc Rustad

The sacrificial cross threw a long shadow across the road at Bishop’s dust-caked boots. He halted sharp at the sight of it. Wind hummed through wildseed bushes strung along the ditch, yellow buds as bright as radiation seals. Bishop clenched his jaw and looked along the shadow to the cross itself. It gleamed in the sunset, a steel post with a fused crossbeam, packed dirt the color of old blood at its base. And the cross wasn’t empty.

_Well, shit. _

The offering was a pretty one—young, work-muscled body, a day’s stubble scuffing his jaw. He’d been shackled naked to the cross, arms spread against the top beam. The dusty wind tugged unkempt hair across his eyes.

Bishop slapped the film of red dirt from his duster, his shoulders tense, and checked his knives from habit. He knew he shouldn’t have traveled past Providence Circle. If chokevine hadn’t overrun the only bridge across Unrepentant’s Canyon, he’d never have come near this territory. He’d never have come within sight of the town of Blessed Servitude.

He hadn’t been home in ten years.

“You should get off the road, stranger.”

“Mighty courteous of you to warn a man,” Bishop said. He shouldn’t look at the man chained against steel, shouldn’t stir up old memories. He never saved the offerings, and he didn’t try.

EP528: Divided By Zero

by Samantha Murray
narrated by Ibba Armancas

author Samantha Murrayabout the author…

Samantha Murray is a writer, actor, mathematician and mother.  Not particularly in that order.

She lives in Western Australia in a household of unruly boys.

narrator Ibba Armancas

narrator Ibba Armancas

about the narrator…

Raised by swordfighters and eastern European freedom fighters, Ibba Armancas is a writer-director currently based in Los Angeles. Her darkly comedic genre sensibilities are showcased in two webseries and a feature film forthcoming later this year. One day she will find time to make a website, but in the mean time you can follow her projects and adventures on twitter or instagram.

 

Divided By Zero
by Samantha Murray

As a child I already knew that there were different kinds of infinity.

When I asked my mother whom she loved the most–me or my brother–she would pause and then say she loved the both of us.

How much did she love us? I wanted to know. And she’d say she loved me an infinite amount and my brother an infinite amount too.

From this I knew implicitly that two infinities did not have to be the same size.

As a child I knew this although I had no words for it. It was what drove me to ask the question. I knew also that I was waiting for her not to pause.

She always did. Every time.

Secure in his answer, my brother never asked the question. I was the lesser infinity; that of whole numbers perhaps, while his was of real and irrational numbers, which could be complex, and transcendental.

My brother won awards and prizes, was tall and athletic while I could not use my legs, but this is not why his infinity was infinitely bigger and infinitely better than mine. I’m sure people wondered how anyone could fail to love my brother when he was so brave and shining–but I think they have the causality backwards. Everybody loved him and he took all of that love inside himself until he could not help but glow like a nebula pinpricked with stars.

#

My lover indicates the space between our two bodies. She moves so that the space is gone, my skin flush against hers, no gaps. “Is this not enough for you?”

I let her words fall away into silence, receding from us, shifting into red.

She knows, as I know, that it is not.

#

EP527: Plural

by Lia Swope Mitchell
narrated by Amanda Ching

author Lia Swope Mitchell

author Lia Swope Mitchell

about the author…

Lia Ardith Swope Mitchell is a writer of literary fiction. Sometimes speculative, sometimes not. Real world with a twist, let’s say. She has lived in Minneapolis all her life, except for a couple years in Wisconsin and France.

Lia is also a PhD candidate in French literature at the University of Minnesota. Her dissertation is currently titled Scientific Marvelous: Technologized Experience and Speculative Fiction in the Third Republic. Someday, she swears, she will finish it.

narrator Amanda Ching

narrator Amanda Ching

about the narrator…

Amanda Ching is a freelance editor and writer. Her work has appeared in WordRiot, Candlemark & Gleam’s Alice: (re)Visions, and every bathroom stall on I-80 from Pittsburgh to Indianapolis. She tweets @cerebralcutlass and blogs at http://amandaching.wordpress.com.

Plural
by Lia Swope Mitchell

The aliens come in peace, as they always do, bearing gifts and a banner printed with hopeful messages. Universal understanding, sharing and collaboration, the usual thing: three-hundred-year-old language cribbed from the Bebo time capsule. We install them in the quarantine tank and let them alone. We’re still processing the previous group.

The predecessors were large, their plump thigh muscles well marbled with fat. We’re dressing them in herbs and slow-roasting them, and the flavor is good, rich and unctuous, the fibers softened by their long voyage in low-G. The rest we’re making into sausage, confit, and stock. We’ve been lucky this year, with three groups since spring. Sometimes we go a long time without meat; at least real meat, better than the crawlers and birds, tiny dust-flavored things full of bones.

These new ones aren’t impressive, as aliens go. Maybe reptilian: small and sweet-fleshed. Ten forlorn figures in blue smocks, they sit on the sterile-sheeted beds and do not speak or gesture much, exchange only occasional glances. From this we conclude that they communicate telepathically. After a few hours, though, one falls ill, probably from some unfamiliar bacteria. Greenish saliva drips from its mouth onto a pillow. Soon enough they might all be infected, and already this is no great harvest.

The first gift is plants, miniature trees bearing sour marble-sized drupes. Alien plants are rarely hardy enough, although we try. Under our red-eyed sun they wither quickly, and even within the shade and cool of the Complex they give too little in exchange for the water required. Our own plants have adapted to heat and dust. They stand tough and proud in bristling rows, radiating out into the dustplains. Most years they’re enough, as long as our numbers are controlled. But any supplements that arrive, while they last, are welcome.

They brought another gift, too: squares of a glass-like material, several thin layers pressed together around dull silvery skins, about ten centimeters across. Close examination reveals no obvious function, but they’re not particularly decorative, either. The inner material is metallic but not metal, not a mineral at all. Normally we refrain from extended communication with aliens, but given the possibility of new technology, we decide to see what information they can offer.

After some discussion, Reception selects an ambassador. Sub-engineer Tres is the smallest Reception tech, physically unthreatening even to these small aliens. We dress her in a white robe and place metal circlets around her waist, throat and wrists, a tiara on her head. Worthless old-world trinkets, but aliens often interpret them as signs of importance. She looks right. A good-enough representative for us, the collective remainders of the human race.

*

EP: Metacast 0416

EscapePod

We wanted to give you a quick update of the goings-on at Escape Pod. It’s the first of what we expect to be many positive developments in 2016, so hold onto your socks!

EP526: The Hunter Captain

by David John Baker
narrated by Mat Weller

author David John Baker

author David John Baker

about the author… Aside from my philosophical essays, I also write short science fiction stories.  Some of these have been published in anthologies.

The Hunter Captain
by David John Baker

“The sign for the survivor’s species is ‘human,'” said Kyber, “although I am unsure of the exact pronunciation.”

Hunter Captain Sra examined the data feed, zooming in on an image of the human’s brain. “Have you discovered anything in her nervous system that might function as a seat of consciousness?” said Sra.

“There is one promising organ. An intersection here, between the two hemispheres of the brain. But we’ve found such things before, in highly developed animals. I see no particular reason for optimism.”

Although he knew it was naive, Sra was optimistic. For once his hunter’s skills might not be needed–if the human was in fact a sentient alien being. Although it meant Explorer Captain Kyber would retain command of the ship, the prospect of true first contact spoke to a dream Sra had cultivated since his infancy.

Sra was old enough to recall an earlier age, when no one believed that the Nampranth were alone. A time before their race journeyed outside the home system–before they found a galaxy infested with intelligent animals and bereft of sentient life.

Already this mission seemed different. Sra had never heard of a more auspicious contact. They’d found the alien ship alone, disabled–apparently by a freak collision with a cosmic string. Its single passenger was recovered still unconscious, its computer’s artificial animal dormant but intact. The animal’s architecture had so far resisted interface with Nampranth computers, but Kyber’s explorers had already learned much from the ship’s markings. It was a perfect opportunity for slow, cautious study before beginning the delicate process of contact.

“When do you plan to revive the human?” Sra said.

“Perhaps very soon. We can’t learn much more from noninvasive scans, especially given the number of cybernetic devices operating within her brain.”

EP525: Among the Living

by John Markley
narrated by Carl Allery

narrator Carl Allery

narrator Carl Allery

about the narrator… Carl Allery has sold a couple of stories (Farthing Magazine, Killers ed. Colin Harvey), had a couple read out loud (BBC local radio, Escape Pod) and had a couple placed in short story contests (Jim Baen Memorial, Heinlein Society Centennial). He lives in Somerset, UK with 2 Feline Overlords and needs to write more.

Among the Living
by John Markley

Williams perceives a world of hazy reds and angular grays. He sees through smoke and through walls. He sees the fury of fires and the sparks of life in survivors hundreds of yards away. He sees every crack and buckle in the structure around him.

Most importantly, he can’t see Chicago’s burning skyline as it would look to his own eyes.

The bulky door barring him from the interior of Waldron Arcology shudders as Williams’ gauntlet-mounted saw tears through its hinges, then falls outward. McIlrath, Principe, and Armstrong catch it, lowering it to the ground while Williams’ saw retracts. Team Leader Garcia shouts commands.

The room beyond is an inferno. The five step aside, and a great blast of fire-retardant dust blasts from the Vertical Take-Off/Landing transport on the landing pad.

They advance into what had been the terminal for the 150th floor’s south landing pad. Williams takes the lead, metal ringing under his 500-pound weight with every step. There’s no need for anyone in full Evac Team Armor to wait for the fire to go out; extinguishing it isn’t for their benefit.

Fire-choking sodium chloride and melting thermoplastics spread across every surface, covering everything but sparing Williams nothing. He sees through it as if it were air, sees the skeletal ultrasound reflections of every person who died here.

They died very quickly, Williams reminds himself. One of the floor’s main corridors runs straight through the center of the building to here. The shock wave of superheated atmosphere and debris had been channeled towards this place unimpeded, crushing and incinerating them before they could have registered what was happening.

He hopes. He hopes most of the 150,000 people living here died that way.

EP524: Scrapmetal

by Nan Craig
narrated by Cat Rambo

 

about the author…

Nan Craig holds an MSc in Global Politics from the LSE and worked for the social enterprise Participle, and as a freelance editor, before becoming Publications Director for the Centre for Global Studies. twitter.com/nancraig

narrator Cat Rambo

narrator Cat Rambo

about the narrator…

Cat Rambo lives, writes, and teaches by the shores of an eagle-haunted lake in the Pacific Northwest. Her 200+ fiction publications include stories in Asimov’s, Clarkesworld Magazine, and Tor.com. Her short story, “Five Ways to Fall in Love on Planet Porcelain,” from her story collection Near + Far (Hydra House Books), was a 2012 Nebula nominee. Her editorship of Fantasy Magazine earned her a World Fantasy Award nomination in 2012. For more about her, as well as links to her fiction and information about her popular online writing classes, see http://www.kittywumpus.net.

SCRAPMETAL
by Nan Craig
This bloke was as ordinary as you’d get. His own patches seemed good – seamless, no tics or sags, which gave me a bit of confidence. I wondered if he’d even done some of them himself. His surgery – because it turned out he was properly licensed for teeth and eyes – was as neat and rundown as he was. Burn marks in the carpet. The walls and chairs were grimy with fingerprints. The only clean thing in there was his kit, and for that at least I breathed relief. It was a residential house in Grangetown, with an ordinary looking dentist’s chair in the back room, letters of qualification framed on the walls. But he lead me through that room, and up the stairs.

***

I lay on my back on the grass and howled. No one was going to hear me up here, anyway, so I let go. I was no singer, mind, and the whiskey in me didn’t help. I started off singing something, something old, and then let it degenerate into yodels that swooped off into the overcast skies like gulls. I half hoped I could shoot something down with my wild yells.

I just wanted to forget. Forget what? Oh, everything. The last six weeks, the last six years, the whole of the sky and all under it. It was harder to get drunk than I’d thought, even on this 47% stuff. The wet grass soaked my t-shirt through to my muscles. They didn’t even ache, the bloody useless powerful things. There was no chance. No chance for nothing.

I’d thought no one could hear me shout, but then I heard an answering whoop. It could have been a bird, I guess, but I knew the voice already – it was Ioan. As soon as I’d registered that the wind stole all sound of him away from me for a few minutes and then I heard his breath again as he reached me, puffing a bit against the incline of the hill, hurrying. He stood over me, casting a weak shadow, and toed me gently with one boot.

“What’re you up to, now, eh? You look bare plastered. How have you even managed it? I thought you didn’t get drunk, Sergeant Major?”

I propped myself up on my elbows and took another swig.

“I’m not drunk,” I said. “I’m just trying to be. I’m an extravagant failure. At this. And everything else, so they tell me.” I gestured with the bottle down at the town below us. Port Talbot, sprawling and gasping.

He kicked me in the ribs then, not so gently, though we both knew I wouldn’t bruise.

“Anyway, it’s Captain,” I said. “And I’ll do a little private court martial if you’re not careful. Up here no one can here you scream.”

“Ooh, Sarge,” he said. “D’you promise?”

He was kidding. Helen wouldn’t even have cared. She had no reason to be jealous of me, sadly.

EP523: Artemis Rising – Windows

by Beth Goder
narrated by Andrea Richardson
with guest host Kate Baker

Welcome to the 2nd Annual Artemis Rising

a celebration of women and non-binary authors
author Beth Goder

author Beth Goder

about the author…

Beth Goder worked as an archivist at Stanford before becoming a full-time mom to wonderful twin girls. Now she enjoys writing speculative fiction stories about archives, memory, records, and the relationship between the past and present. She has a degree in information science from the University of Michigan and lives in the San Francisco Bay Area.

about the narrator…

Andrea Richardson is a British singer and actress.  With extensive stage and film performances to her name, she began narration and voice over work fairly recently, but enjoys using her existing skills in a different way. You can find Andrea at www.andrea-richardson.co.uk and www.castingcallpro.com/uk/view.php?uid=507734

narrator Andrea Richardson

narrator Andrea Richardson

Windows
by Beth Goder

After just three years, most of Gurt’s downtown was nearly unrecognizable. Roldan Street boasted a new tea shop, and the roads had been repaved with greenish eco-tar. Even the old sign at Marta’s Bakery, which had been shaped like a pink cupcake, was replaced with sleek blue lettering.

Score another one for the prophetic soup.

The library sported new windows, stained glass whorls of teal and gold, while Grocery Plus had removed the panoramic window which used to overlook the river. That was the first thing I noticed when I came back, the windows.

I’d spent a lot of time looking out of windows, back when I lived in Gurt. I couldn’t go outside during the dust storms, because of my asthma, so I’d waited inside wherever I happened to be when the storm hit. But dust is all the same, just one blank, swirling vortex, so instead of watching the storms I started looking at the windows. Marta’s Bakery used to have the most beautiful violet windows, circular, like a morning bun with icing on top. Not that I eat morning buns, anymore.

I promised myself when I moved away from Gurt that I’d never come back, not after Sara left me at the altar. On the day of our wedding, I waited for hours at the church window (clean, but with the latch rusted off), fingering the beading on my beautiful white dress, while all of the guests snuck out, except for my family, who had transported in for the ceremony. Dad enveloped me in a hug, while Mom said that she had never liked Sara anyway, reminding me of the time Sara had ruined our trip to Seldar by whining about the swamp smell. It helped, but not very much.