Archive for December, 2010

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EP270: Advertising at the End of the World

By: Keffy R. M. Kehrli
Read by: Dani Cutler of the Truth Seekers Podcast
First appeared in Apex Online
Discuss on our forums.
All stories by Keffy R. M. Kehrli
All stories read by Dani Cutler
Rated PG: For language and adult topics of spousal death and demanding advertising.

Excerpt:
Five years after her husband died, two years after she moved to a cabin in Montana, and six months after the world ended, Marie opened her curtains to discover her front garden overrun with roving, stumbling advertisements. Marie hadn’t seen one since she’d sold her condo and moved out to her isolated cabin. She shuddered.

There were at least twenty of the ads, and for all it seemed they were doing their damndest to step lightly, her red and yellow tulips were completely trampled. Marie had stubbornly continued to cultivate those flowers despite the certainty that she ought to be using the gardening space, and the captured rainwater, to grow food. Not that it mattered what she’d been growing there. It was all mud now.

The ad nearest her window looked quite a bit like a tall, lanky teenager. It moved like one as well, and might have fooled her except that its forehead was stuck in price scrolling mode. Faintly glowing red letters crawled across its forehead from right to left.

TOILET PAPER…2 FOR 1 SALE…RECYCLED….

Show Notes:

  • Feedback for Episode 262: Cruciger
  • Apologies to narrator Dani Cutler, whom I didn’t credit in the introduction. Shows what happens when I try to get ahead of the workload…
  • There will be no epub this week; this was purchased before we started purchasing epub rights.
  • Next week… The old west, and some dangerous happenings.

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Announcements from Pyr, Angry Robot, and Cory Doctorow!

First, Pyr is releasing a free ePub Novelette in celebration of its 100th book published: The Wolf Age by James Enge.

From the press release:

The Wolf Age is the third novel to feature Enge’s character Morlock Ambrosius, a wandering swordsman, an exile, and a drunk. Blood of Ambrose, Enge’s first Morlock novel, was on the Locus Recommended Reading list and a World Fantasy Award nominee for Best Novel.

In honor of this burgeoning Morlock fan base, and to commemorate The Wolf Age’s status as Pyr’s one-hundredth title, Pyr is issuing a free, exclusive, ePub novelette called “Travellers’ Rest.” Featuring a cover by artist Chuck Lukacs, “Travellers’ Rest” is an 8,500 word original novelette, written for Pyr, which takes place before the events of Blood of Ambrose. It is available on the Pyr website, http://www.pyrsf.com, as a free download in ePub format and will also be available via Kindle. (Two previously published Morlock short stories that take place many decades after the events of The Wolf Age—“A Book of Silences” and “Fire and Sleet” —are available on the Sample Chapters section of the Pyr website.)


Angry Robot Books is expanding its ebook store to include short stories from its authors. They’re calling it nano fiction and pricing them at 59p apiece or 10 for £3.49. They also have a fun Advent Calendar at their site, including presents from their authors, which is a unique and fun idea.

(Disclaimer- Escape Pod editor Mur Lafferty hosts and produces a podcast for Angry Robot Books.)


And Escape Pod favorite Cory Doctorow has released a ground-breaking self-publishing venture called With A Little Help. In short, it’s a short story collection. but it’s so much more than that. He’s done a limited edition (which I covet very much — see right), four different soft cover books (I want the Pablo Defendini cover), an audio book with stories narrated by Wil Wheaton, Neil Gaiman, JC Hutchins, and many others (including me!), and, if you know Cory’s work, this part is obvious, a free ebook. He’s been completely transparent thus far explaining his reasoning behind doing this, and how he’s gone about the process,and who has helped him with free work, and what work he paid for. It’s not just a neat book to get, it’s fascinating for anyone considering a self publishing venture.

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“Major Tom Was a Fungi” by Trevor Henderson

Trevor Henderson - Major Tom Was A Fungi

Trevor Henderson

This print and others are available at his Etsy shop.

(Via Hello-Zombie)

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Super Mario Brothers (and other genre games): the Next Generation

Video games are science fiction, right?

Well, at least, they can be. Metroid, Einhander, Portal, even Space Quest.

They can also be horror — Parasite Eve, Phantasmagoria, and Resident Evil. And they can be fantasy.

I mean, how much more fantastical do you get than an overweight, moustached plumber jumping on turtles and anthropomorphized mushrooms in an attempt to save a princess who’s been kidnapped by a cross between a dragon, a stegosaurus, Morla, and Michael Savage?

I’ve been thinking a lot about Super Mario Brothers lately. I have a story that’s been perennially submitted that sort of retells the origin of SMB. I’ve been playing the game since the NES — and even remember the extra-tough arcade version at the skating rink in Davie, Fla., where I grew up. And now, with the Wii, I’ve been enjoying the hell out of New Super Mario Bros Wii.

As has my four-year-old daughter.

Not at all unexpectedly, she’s been interested in video games for quite some time already — her first love was Mega Man, and you haven’t lived until your child has interrupted a dance demonstration to show you off by telling a story about how you and she play video games together — and for months we’d sit together and I’d play while she made up stories. But recently, on a suggestion from my friend Chrome, I put a controller in her hands and taught her how to play.

She hasn’t looked back. We play Mario quite a bit now, and she’s not terrible at it. She loves riding Yoshi and imitating the voices of the characters. She gets a major kick out of defeating me (I try to let her win, but she’s surprisingly adept at not collecting coins). And even her imaginary friends are now Mario-related — Bowser, Princess Peach, Koopa Jr, Wendy O. Koopa, and Ludvig Von Koopa.

And when we discovered the old Super Mario Brothers Super Show! on Netflix, well… she was just thrilled.

What she hasn’t done yet, though, is try to act like the actual characters in the game. That is, to try and jump on bad guys or break bricks. But at least one person has: this guy, who hacked his Kinect to show just how tough it would be to really play SMB.

It’s kind of cool to watch how much difficulty he has just trying to get the first super mushroom in 1-1 of the original SMB. Not in a schadenfreude way, but in a “wow, that should be so simple” kind of way.

Makes me not want a Kinect. At all. (Sorry, Microsoft; if you want to advertise here, we’ll still take your money, we promise.)

I wonder how many of us got our start in sci-fi or fantasy as young kids with video game systems, jumping on mushrooms and ducking into pipes, collecting coins and power-ups, and defeating Bowser over and over, only to be told the princess was in another castle. How many of us ran through our houses or our backyards, jumping on imaginary bad guys — or real toys, like soccer balls and pool floats — and flinging imaginary fireballs — or ping-pong balls, or tennis balls, or even baseballs?

The video games we played when we were young — at least, if you’re my age (that is, in elementary school in the 80s) — have a profound effect on what we like now, I think. And I think it’s because we had to use our imaginations. When I played Combat with my dad, I had to fill in the details. At age four, I vaguely knew what tanks were… but I definitely knew what a fighter plane looked like, and in my mind my fighter planes were totally getting blown to smithereens by my dad’s. When I finally got a Nintendo and started playing Super Mario Brothers, 8-bit graphics were awesome… but I still had to use my imagination a little. As games got better, and I got better at them, I used my imagination less and less.

Nowadays, my daughter knows exactly what her favorite video game characters look like. I wonder if, in 20 years, she’ll still hold as fond a place in her heart for the Super Mario Brothers as I do for Combat and the other Atari 2600 games I used to play (and the shows I used to watch with my dad when I was between four and ten — Star Trek, the A-Team, Knight Rider, WCW Wrestling). I wonder if my attempts to indoctrinate her in the things I like — video games, sci-fi (on a limited basis), Miami Dolphins football, thinking farts are hilarious — will stick as well as my dad’s stuck with me.

Just… not too sticky. The last thing I need is this playing at her wedding.

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Vincent Di Fate in Omni (1982)

A painting from Vincent Di Fate’s “Stellar Technician” pictorial

The Best of Omni Science Fiction #3 (1982)

(Via Skiffy)

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EP269: Élan Vital

By: K. Tempest Bradford
Read by: Mur Lafferty
First appeared in Sybil’s Garage no. 6
Discuss on our forums.
All stories by K. Tempest Bradford
All stories read by Mur Lafferty
Rated PG: For adult topics of parental death

Show Notes:

  • Feedback for Episode 261: Only Springtime When She’s Gone
  • Next week… The future of corporate America

Élan Vital
By K. Tempest Bradford

The few minutes I had to spend in the Institute’s waiting room were my least favorite part of coming up to visit my mother. It felt more like a dialysis room, the visitors sunk into the overly-soft couches and not speaking, just drinking orange juice and recovering. There were no magazines and no television, just cold air blowing from the vents and generic music flowing with it. I’d finished my juice and was beginning to brood on my dislike for overly air-conditioned buildings when my mother arrived attended by a nurse.

I kissed and hugged her, automatically asking how she was, mouthing the answer she always gave as she gave it again.

“I’m fine, same as always.”

It wasn’t strictly true, but true enough.

Read More…

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The Soundproof Escape Pod #2

We at Escape Pod have been thrilled and gratified at the response for the first Soundproof Escape Pod. We got kudos for everything from the fact that it existed, to the awesome layout job by our own Bill Peters.

Speaking of Bill, this month I want to announce our staff changes. Escape Pod is hitting its stride now, thanks mostly to our new assistant editor. We promoted Bill Peters from the inside joke of Assistant to the Regional Manager, or the Right A.R.M., to Assistant Editor. He wrangles the slush and makes sure I am on top of things, and I don’t know where I’d be without him. We’re also delighted to welcome Mat Weller on as our audio producer. If you listen to Escape Pod, you’ll notice that Norm Sherman of the Drabblecast (a fine, award-winning podcast you should totally listen to) is still a part-time host, who, incidentally, makes me work harder on my intros.

Speaking of slush, in order to get a hold of the reins of this mighty team of slush ponies, we’re closing to submissions over December. We’ll be back on the job in January, once the hangovers fade.

Contents:

  • EP265: We are Ted Tuscadero for President, By Chris Dahlen
  • Review: Shades of Milk and Honey by Marie Robinette Kowal, Review by Sarah Frost
  • EP266: Kachikachi Yama, By Michael R. Underwood
  • Dark Fiction Magazine Q&A, By Adam Christopher
  • EP267: Planetfall by Michael C. Lea
  • Review: A Princess of Mars by Edgar Rice Burroughs, Review by Josh Roseman
  • EP268: Advection by Genevieve Valentine
  • Review: Zero History by William Gibson, Review by Sarah Frost

The ePub version can be downloaded here.

Edit: The ePub version we previously put out was apparently broken for several types of ePub reading software. It has been hopefully repaired and replaced, please let me know at bill <at> escapeartists <dot> net if it is still causing problems.