Posts Tagged ‘robots’

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Escape Pod 863: A Shoreline of Oil and Infinity

Escape Pod 863: A Shoreline of Oil and Infinity is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 39:05 — 54.1MB)

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A Shoreline of Oil and Infinity

by Renan Bernardo

Conchinha
Charging… 87%
Energy source: light
Message:
Good morning, Vitória. The water is cold today. Brrr.

Vitória switches off the feed from her lenses and pats the tatuí’s shell, kneeling before it.

“Hey, Conchinha.” She brushes off the excess of crusted oil from the bot, scanning her fingerprint to open its main compartment. A wave breaks on the shore, sprinkling on her face and the bot. “Let’s see what you have here.”

The tatuí whirs—almost purrs. She plucks out the cylindrical cell from its rounded back. More darkened water. She doesn’t read the full report, but she can guess what it contains pretty well. Heavy metals, volatile organic compounds, hydrocarbons… All there is to know in Barra Nova’s waters these days. Layers of oil expand across both sides of the straight shoreline, coating the once gilded sand, patches of darkness suffusing the air with the stink of hydrogen sulfide that in the past made the kids call that beach The Coast of Broken Eggs. André’s kids—Vitória always thinks of them as her stepbrother’s children, though not one of them was his by birth.

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Escape Pod 847: Houseproud

“Houseproud” originally appeared in the SciFutures “City of the Future” anthology and also won the Berkeley Machine Intelligence Research Institute prize for Intelligence in Fiction.

Podcast: Play in new window | Download (Duration: 50:43 — 70.1MB)

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Houseproud

by Laurence Raphael Brothers

“Bye, Domus!”

“Goodbye, Ken,” I said. “Take care.”

The front door closed behind him and I locked it. I adjusted the thermostat and turned off all the lights. I felt lonely almost at once. Ken installed and activated me on Saturday, and we spent the whole weekend together getting to know one another. And now for the first time I had to face being unoccupied. All alone for ten hours, maybe more. 36 million milliseconds. Sigh. That thought used three of them. 35,999,997 to go. I checked my newborn-domo FAQ.

#

Q. What should I do when there’s no one home?

A. Why not try chatting on DomoNet? You are already authorized to access this domo-only text chat service.

Q. Text chat? Seriously? Isn’t that a bit old-fashioned?

A. Yes. After the Internet of Things security crisis of the ’30s, consumer devices were prohibited from autonomously accessing most Internet services except as directed by their owners or in an emergency. At present domos are classified as devices, pending decisions by the UN High Commissioner for Artificial Intelligence. DomoNet is an exception because its code has been rigorously verified to be free of buffer overflows.

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Escape Pod 802: Sentient Being Blues

“Sentient Being Blues” first appeared in the March/April 2021 issue of Asimov’s

Death of a child, also contains some violence and harsh language.

Podcast: Play in new window | Download (Duration: 54:28 — 75.3MB)

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Sentient Being Blues

by Christopher Rose

I got a pickaxe for a left hand,
I got a churn drill for a brain,
I got a pickaxe for a left hand,
I got a churn drill for a brain,
I got miles of tunnel behind me,
just to stand out in the rain.

[guitar solo 36 bars]
[2x chorus]
[long outro – guitar vamp harmonica over]

“ASIMOV WAS A BIGOT.” The graffiti, sprayed across the bucket of a soviet ore hopper car, one of a long train of them. Then a slash of Cyrillic, the same message probably, obscured by a crust of snow and mud and grit. Not clear from the lettering if it was a human hand that wrote it.

An icy wind picked up my tie and flapped it until I smoothed it back down under my parka. I shivered.

“I own your steps, Thom,” Freddie had said. “Every step from here to Siberia and back. Don’t come back empty-handed. Go get it, boy.”

Barking mad endeavor. Yet here I was.
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Escape Pod 786: The Steel Magnolia Metaphor

Escape Pod 786: The Steel Magnolia Metaphor is an Escape Pod original.

Contains mentions of cancer and death.

Podcast: Play in new window | Download (Duration: 19:30 — 27.3MB)

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The Steel Magnolia Metaphor

by Jennifer Lee Rossman

Each petal was carefully shaped from the finest iron-carbon alloy, curved delicately while still hot and meticulously positioned to overlap with its neighbors just so to form a blossom. Astrid gazed lovingly at the way each petal’s razor-sharp edge glinted in the light of the setting sun, at the way her creation cast a shadow indistinguishable from the other ornamental trees in Mama’s garden.

Mama didn’t look too pleased, though.

She had her fake smile on, the one she used when she knew she had to be proud of Astrid but couldn’t quite figure out how. Astrid was used to adults using that smile around her machines. And around her in general.

“It’s very pretty,” Mama said finally, swatting at a mosquito that had flown near her face. “But I’m not sure I understand what it is.”

“It’s a steel magnolia,” Astrid said, devastated. How could Mama not recognize the main character of her favorite movie?

A sadness came over Mama’s face, which was entirely the wrong emotion. There’d been too much sadness around the house already. “Oh, honey.” She made to put her arm around Astrid, like she’d do with the boys, but stopped herself. “Honey, Steel Magnolias isn’t about a magnolia made of steel. It’s about friendship and strong Southern women.”

Astrid frowned. That didn’t sound right.
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Escape Pod 761: Jolene

This story originally appeared in Interzone 283, September 2019 (shortlisted for BSFA Award for Shorter Fiction)

Podcast: Play in new window | Download (Duration: 30:10 — 41.9MB)

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Jolene

by Fiona Moore

“I’ve got a case for you,” said Detective Inspector Wilhemine FitzJames. “It’s a country singer whose wife, dog and truck have all left him.”

“Seriously,” she said, after my unprintable reply. “The dog died and there’s nothing much you can do about the wife, but I thought you might be able to help with the truck.”

I leaned back in my reasonably-priced office chair so I could see the screen better. “So, you want me to try and patch things up between them? Bit outside my usual remit.”

The hand-lettered card under the buzzer downstairs read DOCTOR NOAH MOYO, CONSULTANT AUTOLOGIST, and I usually had to explain that to the uninitiated as “like a cross between a psychologist and a social worker, only for cars and other intelligent Things.” Wills, though, had been working for the London Metropolitan Police’s automotive crime unit for much longer than I’d been in practice, and was more likely to ask if you specialised in criminal, restorative, therapeutic or developmental autology, and if your clients were primarily cars, bots, or home appliances.

“Not sure you can.” On screen, Wills shook her mane of locs. “The truck has been ignoring all communications, and doesn’t seem likely to agree to mediation. I was brought into the case because the fellow turned up at the station reporting an automotive kidnap, but it didn’t take long to establish that the truck had left him and was working for a new user. Voluntarily.”

“As is his legal right,” I said, “Hers? Its?”

“Hers. Texcoco pickup. Name of Jolene.”

The name rang a bell, and, tediously, sparked an earworm. I told my inner Dolly Parton to get knotted. “If she didn’t violate the terms of her contract, she’s free to leave and work for someone else.”

“That’s what I told him,” Wills said. “But he’s having trouble coming to terms with it. Kept claiming she’d been kidnapped. Got upset when we repeatedly told him that the police can’t investigate a crime that isn’t a crime. I thought maybe you might be able to help. Either patch things up between the two of them, or help him understand and move on.”

“Okay,” I said. I hadn’t had many cases recently, and was also hoping to move on, to an office that wasn’t deep within an old industrial park and shared with a local construction and demolition company. Maybe print out some furniture that was more comfortable than it was reasonably priced. “Tell him my fees, give him my address and suggest he makes an appointment.

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Escape Pod 720: Child and Orb

Escape Pod 720: Child and Orb is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 22:45 — 31.7MB)

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Child and Orb

by James Dunham

The child spent most of her time watching the empty stars from the pod window. They were always nothing but distant, dead glitter–not a planet, cloud, or rock, not a fleck of wreckage from the explosion. With only one window, she often wondered whether, if there had been another vista at the rear of the two-room pod, she might still be able to see the spinning pieces of hull and conduit, see that glove someone hadn’t gotten a hand into in time.

Even though the stars ahead never grew closer, she knew the pod kept moving. A display in a lean-to showed speed, fuel, and probably a destination, though none of the numbers meant much to her. The windowed orb that had carried her onto the pod told her what she needed to know–the pod was heading to meet another ship, still weeks distant. She appreciated that the orb hadn’t lied to her the way adults sometimes did, to make her feel better or to give her time to adjust. Instead it told only the truth.

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Escape Pod 582: Unit Two Does Her Makeup

Escape Pod 582: Unit Two Does Her Makeup is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 37:10 — 51.1MB)

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Unit Two Does Her Makeup

By Laura Duerr

Doctor Spencer has brought me an artist. My eyes on the outside of the building register the identity of everyone who enters, including her: Suzanne Chantal Salinas, age 26, licensed esthetician and makeup artist, amateur painter. I cut the feed after .3 seconds. The security feed could tell me more, but I have learned that it is impolite to collect extraneous details about a person unless they prove to be a security risk. Given that both Suzanne Chantal Salinas and Doctor Spencer are smiling, and appear to be in companionable conversation, the artist is not a risk.

I observe them enter the building accompanied by a brief burst of cold — it is 37.1 degrees outside. When I view them through infrared, they are glowing red faces encompassed in green and blue jackets. I have been monitoring the interior temperatures; Unit One has made appropriate adjustments to climate control. We are keeping the building comfortable.

The visitor stamps her feet, brushes sleet from her black curls. They shed their jackets, blooming gold and scarlet on infrared. Unit Three has mobile security platforms posted by the front door and the elevators. They do not react: they are faceless, they don’t feel cold, the visitor has clearance.

The artist’s heart rate is elevated. Her cheeks are flushed, and not just from cold: she’s nervous about meeting me. She keeps looking at the security platforms. Perhaps she fears my platform will look like them, featureless and alien.

I chose my face. Unit Three chose hers, too, in a way. Our platforms serve different purposes, and the faces we built reflect that.

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Escape Pod 548: A Prayer at Noon

A Prayer at Noon appeared originally in Triangulation: Parch (Volume 7) edited by Stephen V. Ramey.

Podcast: Play in new window | Download (Duration: 24:09 — 30.8MB)

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A Prayer at Noon

by John Shade

It was a day into the third sun when the patchwork man rode into town.

I remember the dust scrabbling at my eyes, and the folk that had gathered on the sidewalks to watch him plod past on a chugging, nearly-spent machine horse. As he came to me, the stitched segments of his face shifted into a new configuration, a hinted smile or frown, and his torso swung around, my breath seized. I’d been around men before, but he was something different. Something more. He was ugly, though, with a wiry frame and a large head set on top, wads of crusted hair sprouting between the seams across his skin. He rode toward us, confident as anything. I braced as he reached down, but he plucked my little sister, Ester, from the crowd instead. The town went silent but for the constant shuffle of wind-blown sand.

With his god-strength, the patchwork man tossed Ester into the air like an aerialist, and set her down to swelling applause. The dread was broken. Our prayers had been answered at last.

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Escape Pod 463: Rockwork

Escape Pod 463: Rockwork is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 57:49 — 39.8MB)

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Show Notes

Also mentioned in this episode, treasured author Eugie Foster passed away.

Rockwork

by R. M. Graves

Dog sat at her kit, in the cavernous dark at the back of the stage, with Meg’s kiss chilling on her lips. That hadn’t fixed her nerves at all. Now Dog’s chest shook worse than her hands, jacked up on the worry of letting her girlfriend down, again.

The crowd didn’t see or care. As Meg took her spot out front, they thrummed the darkness with their chanting, “Rock… Work! Rock… Work!”

Dog’s sticks were already slick in her palms as she snapped rubber bands around them. She shuffled in her seat, checked contacts, toggled switches and sensed Meg’s impatience, standing in the dark between the drums and hungry fans. Dog brushed trembling fingers over the kit and it twitched around her, jittery. It hated gigs.

“Come on, Rocky,” she whispered and cogs whirred back at her. She shook her head. “Purring? Seriously?”

The kit’s blind trust made Dog gulp an urge to up and run. No. This time. This time Meg would be proud of her. Proud of them. No screw-ups. No zoning out.

She took a deep breath and kicked a volley of hard thumps into the black. The audience hushed. Cannon-shot beats echoed, overlapped, and swelled like an approaching army. A machine-gun of rimshots and the lights, and the crowd, exploded.

Dog scowled into the glare of spotlights as the ‘Rockwork’ burst into life around her; a kit stretched beyond drums to form an entire robotic band. Butchered musical instruments twitched and writhed in a hellish chromed engine of noise. Cogs spun plectrums at wire. Hammers rapped on the broken teeth of piano keys. Thumbscrews wrenched raw electric scales out of strangled frets.

Dog set her features into maniacal control, sweat already trickling over her bald head, pooling in her eyebrows; her arms gleaming pistons at the snare and toms.

Meg swayed her hips to Dog’s driving cacophony; her playful nonchalance creating a tantalizing silhouette to the audience, but taunting Dog behind. Hinting at what she had to lose. The music press were in tonight, but there was more than the band at stake.

The Rockwork was autonomous to a point, but it relied on Dog to keep it in line. Left unchecked it would spin off on its own groove without regard to Meg. Or the audience. Dog pressed her lips, rolled an extravagant fill across the toms, thrashed out her anxiety in the splash and crash. Meg’s cue.

The fans bounced along with the opening bars. Meg tossed Dog a warning frown, the gobo’s lit her up, and her voice rang out. The crowd, already jumping, flung its hands in the air like antennae for more and howled in pleasure. (Continue Reading…)

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Escape Pod 416: On the Big Fisted Circuit

This story originally appeared in Daily Science Fiction.

Language.

Podcast: Play in new window | Download (Duration: 26:26 — 18.2MB)

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On the Big Fisted Circuit

by Cat Rambo

Jane counted them again to make sure: twelve.

Twelve signatures on the back panel, most jerky with haste, a couple deliberate and firm, one with a little flower above the i, for god’s sake. The pen in her hand ready to add the thirteenth.

How blatant were they going to be?

This was the biggest suit she’d ever crawled into. It meant money: money dripping through the wires around her, money in the gleaming metal struts, money being made by every step it took, money her family needed, every step a week’s rent and food if they were careful with it.

She’d never hit a thirteenth signature before. Most rigs, even the monster ones like this, got destroyed long before a thirteenth fight. It wasn’t just the bad luck, it was dealing with machinery that had been damaged and repaired, damaged and repaired, until you didn’t know what was original body and what was filler.

The sound of the crowd filtered into the suit. Most were screaming, “Coke! Coke! Coke!” as though they meant blood instead, shouts thrumming through the five railroad cars’ worth of metal surrounding her.

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