Rated 13 and over for sexual innuendo
By Robert Silverberg
There are only fragments of me left now. Chunks of memory have broken free and drifted away like calved glaciers. It is always like that when a Passenger leaves us. We can never be sure of all the things our borrowed bodies did. We have only the lingering traces, the imprints.
Like sand clinging to an ocean-tossed bottle. Like the throbbings of amputated legs.
I rise. I collect myself. My hair is rumpled; I comb it. My face is creased from too little sleep. There is sourness in my mouth. Has my Passenger been eating dung with my mouth? They do that. They do anything.
It is morning.
A gray, uncertain morning. I stare at it awhile, and then, shuddering, I opaque the window and confront instead the gray, uncertain surface of the inner panel. My room looks untidy. Did I have a woman here? There are ashes in the trays. Searching for butts, I find several with lipstick stains. Yes, a woman was here.
I touched the bedsheets. Still warm with shared warmth. Both pillows tousled. She has gone, though, and the Passenger is gone, and I am alone.
How long did it last, this time?