Posts Tagged ‘Hugo Awards’

2011 Award Season: The British Contingent

The 2011 awards season is well and truly upon us – it’s an exciting time of year, with all but one of the big awards having released their shortlists, and the SF community engaging in discussion and debate both online and off. I’m sure that there are a lot of us who know some of the nominated people personally, and in some small part we can share what must be a nerve-wracking few weeks until the various award ceremonies are held.

The big award that is still collecting nominations is, of course, the Hugos. Laura Burns has already talked about the Hugo awards, the granddaddy of the lot, perhaps. One great thing about the Hugos, as Laura mentions, is that you can join WorldCon as a supporting member, even if you can’t attend the convention itself. This entitles you to nominating and voting rights, and you get an electronic pack of all the final nominees. I’m mentioning this here again as I did this for the first time last year, and was very impressed. As a UK resident it cost me £25, and I still haven’t finished reading everything that was provided. As well as the opportunity to take part in the Hugo awards process, you get very good value for money!

As well as the Hugos and the Nebulas (summarised nicely by Bill Peters), there are two more major SF/fantasy awards on this side of the Atlantic which have recently announced their shortlists.

The Arthur C. Clarke award, so named in honour of the great SF author and originally founded thanks to a grant from the man himself, is presented each year for the best science fiction novel first published in the UK in the previous calendar year. It is described as the most prestigious award for science fiction in Britain, and is unusual in that it is a jury-judged prize. Six novels are selected from publisher submissions, and the prize itself (the amount corresponding to the year of the award, so this year is £2,011) is presented at a ceremony as part of the Sci-Fi London event in April.

The Clarke awards often provoke intense debate and analysis in the UK. Personally, I don’t think the shortlist ever quite reaches controversial levels, but usually the selection is very interesting and quite unpredictable, with most commentary (at least initially) focussing on what books didn’t make it. Last year’s winner was The City and the City by China Miéville, which went on to win both the British Science Fiction Association award and the Hugo the same year. Miéville also broke the record by winning the Clarke award for the third time with The City and the City.

This year’s shortlist (selected from 54 eligible submissions) is:

Zoo City – Lauren Beukes (Angry Robot)

The Dervish House – Ian McDonald (Gollancz)

Monsters of Men – Patrick Ness (Walker Books)

Generosity – Richard Powers (Atlantic Books)

Declare – Tim Powers (Corvus)

Lightborn – Tricia Sullivan (Orbit)

The eligibility criteria  – specifically the requirement for the book to have been published in the UK to quality – have thrown up an interesting result this year with Declare by Tim Powers making the shortlist. While this book was first released in the US in 2001, the first UK edition didn’t come out until 2010, hence it is eligible. Also, Monsters of Men by Patrick Ness is the third book in a trilogy.

The shortlist was released on Friday 4th March, and Clarke award administrator Tom Hunter managed to spare some time to give me his thoughts on this year’s selection:

I’ve spent most of the day tabbing between different web pages, following threads, checking Google alerts, clicking links and generally watching Twitter like the kind of geekily obsessive SF stereotype I am. I spend a good part of my Clarke Award working-life trying to challenge, and the overwhelming conclusion from all of this adhoc research is that people seem to really like this shortlist.

This doesn’t mean that they necessarily agree with all of it, and there’s no rule that says they should, but I think this year people have really seen where our shortlist has come from and the real hard work that’s gone into it on the part of the judges; who I think deserve some real kudos by the way.

Then again, maybe all the goodwill is simply down to it being our 25th anniversary…

Either way, it’s a great result for the Award and a fantastic statement about the health of modern science fiction literature – just don’t ask me to guess the winner, this really is one of those great shortlists where the field is wide open.

The British Science Fiction Association award shortlist was also recently announced, with the award ceremony held at the national science fiction convention (commonly referred to as EasterCon), Illustrious, over the Easter weekend. Interestingly, of the Best Novel nominations, three out of the five BSFA nominees are also on the Clarke award shortlist. Together, the BSFA and the Clarke awards count as two of the ‘big ones’ for the UK. A third set of awards, given by the British Fantasy Society, happen later in the year.

Best Novel

Paolo Bacigalupi – The Windup Girl (Orbit)

Lauren Beukes – Zoo City (Angry Robot)

Ken Macleod – The Restoration Game (Orbit)

Ian McDonald – The Dervish House (Gollancz)

Tricia Sullivan – Lightborn (Orbit)

Best Short Fiction

Nina Allan – ‘Flying in the Face of God’ – Interzone 227, TTA Press.

Aliette de Bodard – ‘The Shipmaker’– Interzone 231, TTA Press.

Peter Watts – ‘The Things’ – Clarkesworld 40

Neil Williamson – ‘Arrhythmia’ – Music for Another World, Mutation Press

Best Non-Fiction

Paul Kincaid – Blogging the Hugos: Decline, Big Other

Abigail Nussbaum – Review, With Both Feet in the Clouds, Asking the Wrong Questions Blogspot

Adam Roberts – Review, Wheel of Time, Punkadiddle

Francis Spufford – Red Plenty (Faber and Faber)

Jonathan Strahan and Gary K. Wolfe the Notes from Coode Street Podcast

Best Art

Andy Bigwood – cover for Conflicts (Newcon Press)

Charlie Harbour – cover for Fun With Rainbows by Gareth Owens (Immersion Press)

Dominic Harman – cover for The Cat’s Cradle by Kurt Vonnegut (Gollancz)

Joey Hi-Fi –cover for Zoo City, by Lauren Beukes (Angry Robot)

Ben Greene – ‘A Deafened Plea for Peace’, cover for Crossed Genres 21

Adam Tredowski – cover for Finch, by Jeff Vandermeer (Corvus)

Voting on the BSFA awards is open to all members of the BSFA and of EasterCon, with advance votes due by 18th April and on-site ballot boxes available at EasterCon itself.

The shortlists so far announced show, I think, that 2010 was a pretty strong year for genre fiction. Certainly some of the novels released in 2010 I now count among my favourites, periods. All that is left is wait for the Hugo shortlist to be announced. And I’m looking forward to that very much indeed.

Hugo- past, present, and yet to come

Laura Burns, aka @moonrangerlaura or @scifilaura, is a NASA Contractor and a science fiction and podcasting fan. She participates in the science tracks at many East Coast cons. She has attended several WorldCons and has voted for the Hugos in times past. She is the head of the Parsec Awards Steering Committee ( and has had her secret identity documented by Mur Lafferty and Matt Wallace (

In Hollywood it is Awards season. With the constant coverage of the Golden Globes and Oscar nominations, it is hard not to know about what is going on in sunny Southern California. In the Science Fiction, Fantasy and Horror world, awards season has also started, but with much less pomp and circumstance. The two big awards for genre fiction are the Hugos and the Nebulas. The Nebulas are determined by members of the Science Fiction Writer’s Association, but the Hugos.. the Hugos are determined by the fans. That means you. Or at least it could. And your favorite podcasters hope you take the challenge.

First, a bit of history. The Hugo awards are managed by the World Science Fiction Society ( and awarded at the World Science Fiction Convention (WorldCon). The awards honor professional and fan contributions to the community. The first WorldCon was in 1936, but the first awards weren’t given out in 1953. Isaac Asamov was the Toastmaster and Philip Jose Farmer won for “Best New SF Author or Artist”. Even then, there was a Fan aspect to the awards as Forrest J. Ackerman won for “#1 Fan Personality”. Over the years the categories have evolved with the times.

The 2011 Categories are as follows: ( (
* Best Novel
* Best Novella
* Best Novelette
* Best Short Story
* Best Related Work
* Best Graphic Story (Trial Award)
* Best Dramatic Presentation, Long Form
* Best Dramatic Presentation, Short Form
* Best Editor (Long Form)
* Best Editor (Short Form)
* Best Professional Artist
* Best SemiProzine
* Best Fanzine
* Best Fan Writer
* Best Fan Artist

Historically, the Hugo award is a literary award, and thus the nominees are based on printed, ink on paper works. This is changing. In 2006 podcast Novella “Burn” ( by James Patrick Kelly was nominated for the Hugo and won the Nebula in 2007.  At the 2010 ceremony, the podcast Starship Sofa ( won the Hugo award for best Fanzine. Having been at WorldCon and NASFic (North American Science Fiction Convention held since WorldCon was outside North America), I can tell you that this caused a bit of a stir.

From what I can determine, your favorite podcasts, stories, authors and editors are eligible for the following categories.
* Best Novel
* Best Novella
* Best Novelette
* Best Short Story
* Best Dramatic Presentation, Long Form
* Best Dramatic Presentation, Short Form
* Best SemiProzine
* Best Fanzine
* Best Fan Writer

Web content is also eligible for
* Best Graphic Story (Trial Award)
* Best Professional Artist
* Best Fan Artist

The story must have been first published in 2010. You can find out more details regarding eligibilty and the specific awards here (

Since the Hugo awards are determined by the fans, you have the power to make an impact. All of the statistics on the number of nominations and votes are posted online. ( Historically, fan involvement has been very low.  Last year was a record year for Hugo Nominations with less than 900 ballots. ( Some of the short story finalists made the cut with only 23 nomination votes.

So, how do you nominate and vote? First, you need to “join” the World Science Fiction Society by purchasing a membership to the World Science Fiction Convention. ( There are several different membership levels. A supporting member, someone not planning on attending the convention, costs $50 until February 28, 2011.  A supporting member has the right to Hugo Award and Site Selection voting rights. Receives any materials relating to that voting. In 2010, the voting packet included free digital access to the nominees. If you later decide to upgrade to an attending member, you will do so at a discount. (

The Hugos are arguably the most prestigious award given for genre fiction. Far too few people get involved in the nomination and selection process. This is your chance. Nominations are open until March 26, 2011, but you need to have purchased your membership on or before January 31, 2011. If you were an attending or supporting member of the 2010 WorldCon (Aussiecon 4), you are automatically eligible to nominate, but not to vote.

There are a lot of nuances to the Hugo awards, and I have not covered all of the details here, but if you are interested, please follow the links and get involved. There are some frequently asked questions here (

Escape Pod 246: Bride of Frankenstein

Show Notes

Show Notes:

  • The Escape Pod Flash Contest ends soon! It runs June 1- July 4, stories must be under 500 words. More information at the link.
  • Editor’s note: Thanks so much to Dave Thompson and Peter Wood for taking on this project of securing all five Hugo stories during the hiatus of Escape Pod. Most of the work was done before I joined, and this wouldn’t have happened without them stepping up.

Next week… Another Hugo-nominated story!

Bride of Frankenstein

By Mike Resnick

Victor can be so annoying. He constantly whistles this tuneless song, and when I complain he apologizes and then starts humming it instead. He never stands up to that ill-mannered little hunchback that he’s always sending out on errands. And he’s a coward. He can never just come to me and say “I need money again.” Oh, no, not Victor. Instead he sends that ugly little toady who’s rude to me and always smells like he hasn’t washed.

And when I ask what the money’s for this time, he tells me to ask Victor, and Victor just mumbles and stammers and never gets around to answering.