Film Review: “Oz the Great and Powerful”

This review contains somewhat-moderate spoilers for Oz the Great and Powerful, though I’ll try to obfuscate them as best I can.

Like many people, my first exposure to The Wizard of Oz was the Judy Garland film. However, my second exposure was the original L. Frank Baum novel series — my local library had a bunch of them, and I read them all. Then of course there was Wicked and its sequels, and the vastly-underappreciated Return to Oz.

This year will see the release of two Oz films — Dorothy of Oz, an animated feature, and the one that came out last Friday, Oz the Great and Powerful, which I saw.

It was a film that was on a screen. That’s about how well I can explain it.

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Escape Pod 386: Finished

Originally in Asimov’s Science Fiction, September 2005.

Language.

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Finished

by Robert Reed

What did I plan?  Very little, in truth.  An evening walk accompanied by the scent of flowers and dampened earth, the lingering heat of the day taken as a reassurance, ancient and holy.  I was genuinely happy, as usual.  Like a hundred other contented walkers, I wandered through the linear woods, past lovers’ groves and pocket-sized sanctuaries and ornamental ponds jammed full of golden orfes and platinum lungfish.  When I felt as if I should be tired, I sat on a hard steel bench to rest.  People smiled as they passed, or they didn’t smile.  But I showed everyone a wide grin, and sometimes I offered a pleasant word, and one or two of the strangers paused long enough to begin a brief conversation.

One man—a rather old man, and I remember little else—asked, “And how are you today?”

Ignoring the implication, I said, “Fine.”

I observed, “It’s a very pleasant evening.”

“Very pleasant,” he agreed.

My bench was near a busy avenue, and sometimes I would study one of the sleek little cars rushing past.

“The end of a wonderful day,” he continued.

I looked again at his soft face, committing none of it to memory.  But I kept smiling, and with a tone that was nothing but polite, I remarked, “The sun’s setting earlier now.  Isn’t it?”

The banal recognition of a season’s progression—that was my only intent.  But the face colored, and then with a stiff, easy anger, the man said, “What does it matter to you?  It’s always the same day, after all.”

Hardly.  Yet I said nothing.

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Book Review: The Mirage by Matt Ruff

Alternate history, by its very nature, is one of the most easily-ploughable fields in genre fiction because literally all one must do is change a single historical event and then logically extrapolate the repercussions. Harry Turtledove has made a career out of doing this.

Sometimes, though, alternate history doesn’t require telling the reader what the crisis point was that got changed. Sometimes, the reader just needs to know things are different. And that’s where The Mirage by Matt Ruff begins.

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Genres:

Escape Pod 385: The Very Pulse of the Machine

Originally in Asimovs Science Fiction 52. Folge

Vulgar language.

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Show Notes

Special thanks to user ERH at FreeSound.org who created and/or recorded the sound effect used in this episode!

The Very Pulse of the Machine

by Michael Swanwick

Click.

The radio came on.

“Hell.”

Martha kept her eyes forward, concentrated on walking. Jupiter to one shoulder, Daedalus’s plume to the other. Nothing to it. Just trudge, drag, trudge, drag. Piece of cake.

“Oh.”

She chinned the radio off.

Click.

“Hell. Oh. Kiv. El. Sen.”

“Shut up, shut up, shut up!” Martha gave the rope an angry jerk, making the sledge carrying Burton’s body jump and bounce on the sulfur hardpan. “You’re dead, Burton, I’ve checked, there’s a hole in your faceplate big enough to stick a fist through, and I really don’t want to crack up. I’m in kind of a tight spot here and I can’t afford it, okay? So be nice and just shut the f*** up.”

“Not. Bur. Ton.”

“Do it anyway.”

She chinned the radio off again.

Jupiter loomed low on the western horizon, big and bright and beautiful and, after two weeks on Io, easy to ignore. To her left, Daedalus was spewing sulfur and sulfur dioxide in a fan two hundred kilometers high. The plume caught the chill light from an unseen sun and her visor rendered it a pale and lovely blue. Most spectacular view in the universe, and she was in no mood to enjoy it.

Click.

Before the voice could speak again, Martha said, “I am not going crazy, you’re just the voice of my subconscious, I don’t have the time to waste trying to figure out what unresolved psychological conflicts gave rise to all this, and I am not going to listen to anything you have to say.”

Silence.

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Genres:

Escape Pod 384: The Tamarisk Hunter

“The Tamarisk Hunter” originally appeared in the environmental journal High Country News. It was inspired by the only thing that really matters in the Western U.S. — water.

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The Tamarisk Hunter

by Paolo Bacigalupi

A big tamarisk can suck 73,000 gallons of river water a year. For $2.88 a day, plus water bounty, Lolo rips tamarisk all winter long.

Ten years ago, it was a good living. Back then, tamarisk shouldered up against every riverbank in the Colorado River Basin, along with cottonwoods, Russian olives, and elms. Ten years ago, towns like Grand Junction and Moab thought they could still squeeze life from a river.

Lolo stands on the edge of a canyon, Maggie the camel his only companion. He stares down into the deeps. It’s an hour’s scramble to the bottom. He ties Maggie to a juniper and starts down, boot-skiing a gully. A few blades of green grass sprout neon around him, piercing juniper-tagged snow clods. In the late winter, there is just a beginning surge of water down in the deeps; the ice is off the river edges. Up high, the mountains still wear their ragged snow mantles. Lolo smears through mud and hits a channel of scree, sliding and scattering rocks. His jugs of tamarisk poison gurgle and slosh on his back. His shovel and rockbar snag on occasional junipers as he skids by. It will be a long hike out. But then, that’s what makes this patch so perfect. It’s a long way down, and the riverbanks are largely hidden.

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Book Review: This Book is Full of Spiders: Seriously, Dude, Don’t Touch It by David Wong

Warning: this review contains spoilers for both the book and filmed versions of John Dies at the End. And, I mean, like in the first paragraph. So, be warned.

#

While the character of John does indeed die in David Wong’s first book, John Dies at the End, when I got to the final page of the book I was rather surprised to learn that he survived the entire novel. Good thing, too, because without John, Dave and Amy and the rest of the town of Undisclosed certainly wouldn’t have survived the events of Wong’s second novel, This Book is Full of Spiders: Seriously, Dude, Don’t Touch It.

No, really. That’s the title. And it’s an accurate one at that.

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Escape Pod 383: The First Book of Flaccid Swords

Escape Pod 383: The First Book of Flaccid Swords is an Escape Pod original.

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The First Book of Flaccid Swords

by Edward Cowan

It was a snake–and Gods, what a snake it was. Fifty feet from sweeping tail to flicking tongue, its eyes as cold as deepest space and dim as the farthest star, its fangs dripping poison so vile the stench alone would kill a lesser man.

This, then, was the dreaded Doom of Lla Haathra, into whose black maw the unlucky and damned were fed to the Impotent God. Never having counted myself among His faithful, I saw no reason to submit meekly to His wrath.

His priests had made one crushing mistake when they lured me onto the trap door: they failed to relieve me of my blade. Wind, they called it, those for whom that name was the last word to leave their lips. I rushed the foul altar, upon which lay my Darinda, black chains coiling about her supple form, her body purest alabaster against the crimson stone marbling her flesh. Tsutu Kalai, highest of the wretched priests, cackled as I approached, throwing the lever that opened the trap. Darinda’s scream followed me down the endless, serpentine flue. Beyond that, darkness.

Rolling to my feet, I stood in the shaft of light piercing the abyss from the chamber above, Wind held before me, daring the almost tangible shadow to draw near. Within moments came a rasping omen, as of a great mass dragging itself awake after a slumber of eons.

Now the Doom reared before me, thrusting its head into the light. We goaded one another to strike–it with the insolence of the predator that has never known failure, I with a rage that would never be clenched till the serpent’s blood coated my blade from point to pommel. From above echoed the laughter of the priests and the muffled screams of my Darinda. Here there was only silence–the sweet anticipation of the moment before death.

Finally I saluted the beast with a nod and spoke: “At least your masters have granted me a worthy adversary. Very well; let us have at it. I will not pretend to the ancient patience of the serpentfolk.”

It hissed its reply.

At that I lunged. Its mammoth head darted forward quicker than mercury, but primal speed avails not against human cunning. I ducked its strike and gripped my blade for the piercing jab: up under the jaw and through the skull. I sprang up, mighty thews tensing for the killing blow–

And found myself holding a wet noodle.

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Book Review: The Graveyard Book by Neil Gaiman

Neil Gaiman is an author who needs no introduction. From his graphic novel work with Sandman to his screenplays, from his amazing American Gods to his also-amazing but perhaps less-known-about (by American audiences) Neverwhere, Gaiman is known throughout the spec-fic world as a prolific author and a pretty nice guy to meet.

I was going to say something like “but not everyone knows Gaiman’s work as a children’s and young-adult author”, but that wouldn’t be accurate. So instead I’ll cut this intro short and just tell you I’m reviewing Neil Gaiman’s The Graveyard Book.

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Escape Pod 382: They Go Bump

Originally published in Empire of Dreams and Miracles.

Language.

Podcast: Play in new window | Download (Duration: 51:03 — 35.1MB)

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Show Notes

Special thanks to user esperri at FreeSound.org who created and/or recorded the sound effect used in this episode!

They Go Bump

by David Barr Kirtley

Ball placed his feet carefully. Walking on rough terrain was treacherous when you couldn’t see your feet — or your legs, for that matter, or any part of yourself. All he could see was the uneven ground, the shady stones outlined with sharp sunlight, drifting eerily beneath him. His boot caught and twisted, and he pitched forward, falling and smacking his elbows rough against the ground.

From somewhere up on the hilltop, Cataldo’s voice laughed. That voice — smooth and measured, with just a hint of sharpness. Ball had never paid much attention to voices before, but now voices were all he had.

Cataldo’s shouted, “Was that you, Ball? Again?”

Ball groped on the ground for his rifle. He felt it, grasped it, and slung it over his shoulder. He clambered to his feet, and wavered there a few moments, unsteady.

Cataldo’s voice again: “How many times is that now? Twelve?”

“Eleven.” Ball groaned, stretched, and looked around. “Where are you?”

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