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Escape Pod 400: Rescue Party

Show Notes

All sound effects used in this episode were found at FreeSound.org on the pages of the following users: hdesboisswiftoidjobroSyphon64doubletriggercognito perceptuFreqManReadeOnlycsengeri

Performed by Graeme Dunlop as Alveron; Steve Eley as Rugon; Nathaniel Lee as Orostron; Mur Lafferty as Hansur; Paul Haring as Klarten; Alasdair Stewart as Alarkane; Dave Thompson as The Paladorian; Ben Philips as T’sinadree; Jeremiah Tolbert as Tork-a-lee


Rescue Party

by Arthur C. Clarke

Who was to blame? For three days Alveron’s thoughts had come back to that question, and still he had found no answer. A creature of a less civilized or a less sensitive race would never have let it torture his mind, and would have satisfied himself with the assurance that no one could be responsible for the working of fate. But Alveron and his kind had been lords of the Universe since the dawn of history, since that far distant age when the Time Barrier  had been folded round the cosmos by the unknown powers that lay beyond the Beginning. To them had been given all knowledge–and with infinite knowledge went infinite responsibility. If there were mistakes and errors in the administration of the galaxy, the fault lay on the heads of Alveron and his people. And this was no mere mistake: it was one of the greatest tragedies in history.

The crew still knew nothing. Even Rugon, his closest friend and the ship’s deputy captain, had been told only part of the truth. But now the doomed worlds lay less than a billion miles ahead. In a few hours, they would be landing on the third planet.

Once again Alveron read the message from Base; then, with a flick of a tentacle that no human eye could have followed, he pressed the “General Attention” button. Throughout the mile-long cylinder that was the Galactic Survey Ship S9000, creatures of many races laid down their work to listen to the words of their captain.

“I know you have all been wondering,” began Alveron, “why we were ordered to abandon our survey and to proceed at such an acceleration to this region of space. Some of you may realize what this acceleration means. Our ship is on its last voyage: the generators have already been running for sixty hours at Ultimate Overload. We will be very lucky if we return to Base under our own power.

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Book Review: The Phantom Tollbooth by Norton Juster


In this age of smartphones, tablets, personal electronic devices, and connected TV, it’s nice to see children reading a book or two every now and then. Maybe the book is on an electronic device, but at least it’s a book, right?

My daughter is six. She’s very bright. I determined that she was old enough for me to read her one of my very favorite books growing up, The Phantom Tollbooth by Norton Juster. We finally finished it last week.

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Escape Pod 399: My Heart is a Quadratic Equation


My Heart is a Quadratic Equation

by Shane Halbach

I.      Brian

“So, uh, Chrysanthemum, what do you do?”

“Science. You know…science stuff. I’m a scientist.”

“That’s…not very specific.”

“Well, it’s kind of hard to explain,” said Chrysanthemum. In words you’d understand she added to herself.

She used the lull in the conversation to take a pen out of her pocket. Idly she doodled the inside of a hydrogen-powered rocket on a spare cocktail napkin. It was a nice restaurant, she’d give him that. He’d even ordered wine. Big spender. She added an extra fin to her schematic, for stability.

He broke the silence. “Chrysanthemum is an unusual name.”

“The Chrysanthemum is in the Asteraceae family and has been cultivated in Japan for over 2,000 years.”

Brian coughed and looked down at the table, quiet once more.

Turn off the mouth, she thought, this is not how normal people talk.

She stole quick glances at him, her eyes flicking back and forth between his face and the pen in her hand. He was clean cut, with short brown hair. By the way it was carefully styled, she guessed he didn’t keep it short for the convenience, the way she kept her own black hair short. He was taller than she was, but then she was petite. His nose was a bit on the large side, but at least he seemed nice. It would probably be an adequate genetic pairing, if she didn’t mind inane small talk.

He took a breath and waded in again.

“Have you always lived in the city?”

“Yes,” she replied glumly. This is intolerable. How do people do this?

This time the silence stretched on and on, like time in a black hole as it approached singularity. Her mind groped for something to say.

“I’ve created a nuclear-based energy weapon,” she blurted out.

Brian raised his hand.

“Check please!”

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Fan Film Review: Star Trek Continues Episode 1, “Pilgrim of Eternity”


Despite the furor over the reboot universe and the sci-fi landscape’s love for the later iterations of Star Trek, there’s still something about The Original Series that keeps bringing people back. And one way they come back is with fan films.

One such venture is Star Trek Continues, produced by Farragut Films and DracoGen Strategic Investments. It aims to pick up, in their words, “right where the original left off” with their first episode, “Pilgrim of Eternity”.

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Escape Pod 398: Subversion


Subversion

by Elisabeth R. Adams

I knew, by his crossed arms, the way he rolled his eyes at himself, and particularly by the pale translucence of all three of him, that I was looking at a classic case of version conflict.

“I said stay away from her,” said one I decided to call Art. Nicknames help. Thick square rims, a jaunty fedora, a crisp T-shirt for a concert by a band that broke up before he hit preschool. He was yelling at a paler self in a white collared shirt and slacks. They were trailed by a bored looking him in sunglasses.

“What seems to be the problem, sir?” I asked. Rule number one: stick to the singular.

“I can’t get him to commit,” said Slacks.

I scanned his chip. Eduardo Martin, 34, programmer. No spouse or kids, but adoption records from the county shelter for two cats. Sealed tax records, a social security number, mortgage history. Subversion Inc. member for five years, currently version 4.1. Definitely the primary.

“And your subversion?”

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Film Review: The Raven


Ask people to name the first Edgar Allan Poe reference off the top of their heads and they’ll probably quoth The Raven and say “nevermore”. Poe was a well-known American poet and writer, but it’s still not known exactly what caused his death in 1849 at age 40.

The film The Raven attempts to explain that. Whether it succeeds or not depends upon just how much of your disbelief you’re willing to suspend.

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Escape Pod 397: A Gun for Dinosaur


A Gun for Dinosaur

by L. Sprague de Camp

NOTE: Also available is the X-1 production of the story available on YouTube: http://www.youtube.com/watch?v=u7edFWC-120

No, I’m sorry, Mr. Seligman, but I can’t take you hunting Late Mesozoic dinosaur.

Yes, I know what the advertisement says.

Why not? How much d’you weigh? A hundred and thirty? Let’s see; that’s under ten stone, which is my lower limit.

I could take you to other periods, you know. I’ll take you to any period in the Cenozoic. I’ll get you a shot at an entelodont or a uintathere. They’ve got fine heads.

I’ll even stretch a point and take you to the Pleistocene, where you can try for one of the mammoths or the mastodon.

I’ll take you back to the Triassic where you can shoot one of the smaller ancestral dinosaurs. But I will jolly well not take you to the Jurassic or Cretaceous. You’re just too small.

What’s your size got to do with it? Look here, old boy, what did you think you were going to shoot your dinosaur with?

Oh, you hadn’t thought, eh?

Well, sit there a minute . . . Here you are: my own private gun for that work, a Continental .600. Does look like a shotgun, doesn’t it? But it’s rifled, as you can see by looking through the barrels. Shoots a pair of .600 Nitro Express cartridges the size of bananas; weighs fourteen and a half pounds and has a muzzle energy of over seven thousand foot-pounds. Costs fourteen hundred and fifty dollars. Lot of money for a gun, what?

I have some spares I rent to the sahibs. Designed for knocking down elephant. Not just wounding them, knocking them base-over-apex. That’s why they don’t make guns like this in America, though I suppose they will if hunting parties keep going back in time.

Now, I’ve been guiding hunting parties for twenty years. Guided ’em in Africa until the game gave out there except on the preserves. And all that time I’ve never known a man your size who could handle the six-nought-nought. It knocks ’em over, and even when they stay on their feet they get so scared of the bloody cannon after a few shots that they flinch. And they find the gun too heavy to drag around rough Mesozoic country. Wears ’em out.

It’s true that lots of people have killed elephant with lighter guns: the .500, .475, and .465 doubles, for instance, or even the .375 magnum repeaters. The difference is, with a .375 you have to hit something vital, preferably the heart, and can’t depend on simple shock power.

An elephant weighs–let’s see–four to six tons. You’re proposing to shoot reptiles weighing two or three times as much as an elephant and with much greater tenacity of life. That’s why the syndicate decided to take no more people dinosaur hunting unless they could handle the .600. We learned the hard way, as you Americans say. There were some unfortunate incidents . . .

I’ll tell you, Mr. Seligman. It’s after seventeen-hundred. Time I closed the office. Why don’t we stop at the bar on our way out while I tell you the story?

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Film Review: “Star Trek Into Darkness”


So, as if you didn’t know, I’m a huge Star Trek fan. It was pretty much a foregone conclusion that I was going to see Star Trek Into Darkness on opening weekend. Since my birthday was the same weekend as the opening, it was like J.J. Abrams himself gave me a present.

It’s really difficult to write a non-spoilery review of the film, but I’m going to try. There will be minor ones, but I won’t reveal any major plot points. Still, if you’re concerned about spoilers, don’t read this review until you’ve seen the film.

Oh, and — go see the film. It’s good.

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Escape Pod 396: Dead Merchandise


Dead Merchandise

by Ferrett Steinmetz

The ad-faeries danced around Sheryl, flickering cartoon holograms with fluoride-white smiles. They told her the gasoline that sloshed in the red plastic canister she held was high-octane, perfect for any vehicle, did she want to go for a drive?

She did not. That gasoline was for burning. Sheryl patted her pockets to make sure the matches were still there and kept moving forward, blinking away the videostreams. Her legs ached.

She squinted past a flurry of hair-coloring ads (“Sheryl, wash your gray away today!”), scanning the neon roads to find the breast-shaped marble dome of River Edge’s central collation unit. River’s Edge had been a sleepy Midwestern town when she was a girl, a place just big enough for a diner and a department store. Now River’s Edge had been given a mall-over like every other town — every wall lit up with billboards, colorful buildings topped with projectors to burn logos into the clouds. She was grateful for the dark patches that marked where garish shop-fronts had been bombed into ash-streaked metal tangles.
The smoke gave her hope. Others were trying to bring it all down — and if they were succeeding, maybe no one was left to stop her.

Rotting bodies leered out at her through car windows, where computer-guided cars had smashed headlong into the collapsed shopfronts that had fallen into the road. Had the drivers been fleeing, or trying to destroy the collation unit? She had no idea.

The ad-faeries sang customized praises to each auto as she glanced at the cars, devising customized ditties about the ’59 Breezster’s speed. Sheryl needed speed; at her arthritic pace, walking through the women’s district might tempt her into submission.

Given that the ad-faeries suggested it, driving was a terrible idea. River’s Edge had been so gutted by bombings that she’d have to drive manually — and it was already hard to see through the foggy blur of chirping ad-faeries, each triangulating her cornea’s focal point to obscure her vision for the legal limit of .8 seconds. They elbowed each other aside, proffering chewy pomegranate cookies, diamond-edged razors, laser-guided wall-bots that would paint her house a new color every day.

She had no use for them. She’d burned her house down, leaving Rudy’s body underneath the pile of engraved stones with her sons’ names on them.

She had to pass through the two main shopping districts to destroy the collation center at River’s Edge — and if she did that, then she could free Oakmoor, then Daleton, and then who knows where?  But they’d kill her if she weakened. (Continue Reading…)

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Escape Pod 395: Robot


Robot

by Helena Bell

You may wash your aluminum chassis on Monday and leave it on the back porch opposite the recyclables; you may wash your titanium chassis on Friday if you promise to polish it in time for church; don’t terrorize the cat; don’t lose the pamphlets my husband has brought home from the hospital; they suggest I give you a name, do you like Fred?; don’t eat the dead flesh of my right foot until after I have fallen asleep and cannot hear the whir of your incisors working against the bone.

This is a picture of the world from which you were sent; this is a copy of the agreement between our government and theirs; these are the attributes they claim you are possessed of: obedience, loyalty, low to moderate intelligence; a natural curiosity which I should not mistake for something other than a necessary facet of your survival in the unfamiliar; this is your bill of manufacture; this is your bill of sale; this is a warrant of merchantability on which I may rely should I decide to return you from whence you came; this is your serial number, here, scraped in an alien script on the underside of your knee; the pamphlets say you may be of the mind to touch it occasionally, like a name-tag, but if I command you, you will stop.

This is a list of the chores you will be expected to complete around the house when you are not eating the diseases out of my flesh; this is the corner of my room where you may stay when you are not working; do not look at me when you change the linens, when you must hold me in the bathroom, when you record in the notebook how many medications I have had that day, how many bowel movements, how the flesh of my mouth is raw and bleeding against the dentures I insist on wearing.

The pamphlets say you are the perfect scavenger: completely self contained, no digestion, no waste; they say I can hook you up to an outlet and you will power the whole house.

You may polish the silver if you are bored; you may also rearrange the furniture, wind the clocks, pull weeds from the garden; you may read in the library any book of your choosing; my husband claims you have no real consciousness, only an advanced and sophisticated set of pre-programmed responses, but I have seen your eyes open in the middle of the night; I have seen you stare out across the fields as if there is something there, calling you. (Continue Reading…)