Escape Pod 476: In Loco Parentis

Escape Pod 476: In Loco Parentis is an Escape Pod original.

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In Loco Parentis

by Andrea Phillips

The video stutters at the eighteen-second mark. Yakova knows by heart precisely when it happens. As she watches, she mouths the words along with Autumn. “So this girl just, like, opens up her bag, right?”

And here is where it happens: Autumn elbows her and knocks her glasses off. Yakova knows she should edit it out, those few seconds of skewed and jarring footage as her glasses skitter across the lunch table. Instead, she studies each frame carefully.

Jad is there, nearly off-frame and out of focus, light gleaming off the angled planes of his cheekbones, dark hair curled over his eyes. He starts from his recline, and he looks at her (looks at her!), eyes widening. His hand reaches up, and —

She cuts it off here, before she has to hear her own brassy laugh, before she can hear herself telling Autumn to be more careful. If she doesn’t hear it, she can pretend HE didn’t hear it, either.

She bites her lip, studying Jad’s expression of… concern? It must be concern. Probably. But is it the aloof concern of a bystander, or a more significant concern, floating atop a deep ocean of unspoken feeling?

At the base of Yakova’s skull, her minder, Seraph, uncoils and stretches. “You have homework to do,” Seraph says. When she speaks, it is a warm vibration behind Yakova’s ear, all thought and no real sound. Her voice is the same as Yakova’s mother.

Yakova zooms in on Jad’s inscrutable degree of concern. “Do you think he likes me?” she asks.

The video panel winks out. “Homework,” Seraph says. If she has arrived at any conclusions regarding the boy’s feelings, she keeps them to herself.

Yakova shouldn’t have glasses at all, of course. Not anymore, not at her age. The last two years have seen her friends blossoming into adulthood — one by one peripherals have fallen away, leaving their eyes clear, their faces open and unguarded. Yakova is left behind with a goggle-eyed wall between her and her newly coltish, beautiful peers.

(Continue Reading…)

The Season

Podcast: Play in new window | Download (Duration: 2:39 — 1.9MB)

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It’s a new year!  Celebrations and congratulations all around, as we have successfully survived, both as a species and as individuals (presuming you are reading this text from a computer and not, like, Valhalla).  That means, however, a new awards season is coming.  If you want to support Escape Pod, then please, feel free to nominate us for awards such as the Hugos, the Nebulas, or the Parsecs.  Escape Pod publishes both text and audio, so that gives some flexibility in how you nominate us.  For example, with the Hugos we are eligible for Best Fancast and Best Semi-Pro-Zine.

We’d also love to see some of the authors we publish see their own work highlighted.  The stories are, after all, the whole point of the exercise.  With that in mind, we’ve compiled a list of the award-eligible fiction we ran in 2014.

The following short stories were originally published in EscapePod in 2014:

“That Other Sea,” by William Ledbetter

“Kumara,” by Seth Dickinson

“An Understanding,” by Holly Heisey

“To Waste,” by Luke Pebler

“Rockwork,” by R. M. Graves

“The Sky is Blue, and Bright, and Full of Stars,” by Edward Ashton

“Checkmate,” by Brian Trent

“Trash,” by Marie Vibbert

“Inseparable,” by Liz Heldmann

“Shared Faces,” by Anaea Lay

“The Mercy of Theseus,” by Rachael K. Jones

“Soft Currency,” by Seth Gordon

“The Golden Glass” by Gary Kloster

The following stories were originally published somewhere else in 2014, but reprinted in Escape Pod that same year. (If you want to nominate any of these, please do so naming the original venue, even if you heard them first with us.):

“The Transdimensional Horsemaster Rabbis of Mpumalanga Province,” by Sarah Pinsker, originally published in Asimov’s

“A Struggle Between Rivals Ends Surprisingly,” by Oliver Buckram, originally published in F&SF

“Repo,” by Aaron Gallagher, originally published in Analog

“Enjoy the Moment,” by Jack McDevitt, originally published in the anthology “The End is Nigh”

“This is as I Wish to Be Restored” by Christie Yant, originally published in Analog

Hat tip to datameister David Steffen of Diabolical Plots for volunteering to help put this list together!

 

Escape Pod 475: Homegrown Tomatoes

This story previously appeared in the pay-what-you-can Clarion Foundation fundraiser anthology The Red Volume.

Podcast: Play in new window | Download (Duration: 25:11 — 17.4MB)

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Show Notes

Mentioned in Alisdair’s commentary: KT Tunstall “Black Horse”

Homegrown Tomatoes

by Lara Elena Donnelly

When I pick Louisa up from school, All Things Considered is on the radio, playing a round table discussion about the virus. One person believes that the disease ravaging the corn belt is a government experiment gone awry. The reporter reminds the audience: botanists speculate it was brought to the U.S. by an invasive species of beetle. I recognize a few of the interviewees—I studied their research back when I was still pursuing my doctorate. Before I met Ann, before we had Louisa. It’s strange, thinking I could have been on NPR some day, if I had finished my degree.

I turn the radio off before Louisa is buckled in. The virus has been the only thing on the news for a week. Louisa’s teacher talked about it with her class a little bit, but I don’t want Louisa to get worried, so Ann and I don’t mention it much at home.

“Daddy,” she says, buckling herself in. “Can we plant my tomatoes when we get home?”

Louisa’s tomatoes started out as a kindergarten project last spring, but quickly escalated into a backyard plot sized right for a small-town farmers’ market. Ann and I thought she would forget about them this year, but in February she asked if we could plant tomatoes again.

“Sure, cookie. But you have to do your homework first.”

She shakes her head. “Mommy said she would help with my homework.”

I sigh. Ann won’t be home until Louisa is in bed. She called at lunch today and said her boss wanted a story on the virus before she left the office—it’s starting to appear outside the Midwest now, affecting fields in New England. There are signs that it might be spreading to wheat and other grasses.

(Continue Reading…)

Escape Pod 474: In Coppelius’s Toyshop

This story was first published in Asimov’s Science Fiction, December 1996.

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In Coppelius’s Toyshop

by Connie Willis

[EDITOR: We don’t have the rights to post the text of this story.]

Escape Pod 473: Soft Currency

Escape Pod 473: Soft Currency is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 39:09 — 27.0MB)

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Soft Currency

by Seth Gordon

When Cassie Levine was nine years old, her family lived in the center of Boston, Lyndon B. Johnson was President, and Cassie learned that her mother was a criminal.

The two of them sat in a parked car on Blue Hill Avenue, outside Ethel Glick’s grocery store. While Cassie ate an ice-cream sandwich, her mother smoked a cigarette. The sandwich, the cigarettes, and three bags of groceries had come from Mrs. Glick’s store. When the ice cream sandwich was half gone, Cassie asked, “Why did you change Dad’s money at Mrs. Glick’s? Why not go to the bank?”

Cassie’s mother had passed Mrs. Glick a twenty-dollar bill; the older woman had tucked the bill under the counter and handed back a stack of coupons; then, her mother had used some of those coupons to pay Mrs. Glick. Each twenty-coupon note showed a picture of Margaret Mitchell, holding a copy of Gone With the Wind. Cassie’s little brother called coupons “cootie money,” because only women and girls could use them.

“The exchange rate at the banks is twenty-seven coupons for a dollar,” Cassie’s mother said, “and Mrs. Glick is paying thirty-one.”

“Why don’t the banks pay thirty-one?”

“The government won’t let them.”

“Does the government let Mrs. Glick?”

Cassie’s mother drew on her cigarette and exhaled out the half-open window into the drizzle. Cassie licked vanilla ice cream all around the edge of her sandwich, feeling smug and virtuous and full of sugar. “You’re doing something il-le-gal,” she said, stretching out the last word.

“Don’t tell your father about this.”

Cassie raised her eyebrows. Her mother’s expression was solemn. Through the blur of rain over the windshield, Cassie could see the delicatessen on the opposite corner; the G&G sign was suspended over the sidewalk, round and vertical like a ketchup bottle. Some nights, Cassie’s father would take the family out to dinner there.

“He’s an idealist, and I love him for that, but… he doesn’t understand how much things cost.”

“Is it really illegal, changing money at Mrs. Glick’s? Could you get arrested for it?”

Her mother shook her head. “It’s like jaywalking, honey. It doesn’t hurt anyone, and the police have better things to do than go after it.”

(Continue Reading…)

Escape Pod 472: The Mercy of Theseus

Escape Pod 472: The Mercy of Theseus is an Escape Pod original.

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The Mercy of Theseus

by Rachael K. Jones

Greta and Jamal have three arms, two legs, and one working kidney between the two of them. The kidney belongs to Greta. Its twin went to her little sister three years back, and now she has a laparoscopic keyhole scar over her belly button to remember it by. She can feel it pull tight when she rolls her creeper beneath the chassis of the next project in the shop. Thanks to the war, Jamal has lost the arm, the legs, and the other two kidneys.

All his parts have since been replaced.

When Greta picked up Jamal in Washington, D.C. three days back, the first thing she did was insult him.

“You look like shit,” she said. His left hand–the good one–flew up to his right cheek where the surgical scars stood out like red cords. His bionics were top notch–the Army had to put you together again before they could legally discharge you–but you could still see where the silicone skin ended and his real face began.

Greta snorted. “Not your face, you moron. Your sweatshirt. You look like a psycho killer.”

Jamal wore an oversize gray Army sweatshirt with the hoodie cinched tight beneath his chin. He dropped his hand and sidestepped when she tried to hug him. “Where did you park? Let’s get out of here.”

She ignored the slight and led the way to the parking lot. She felt secretly gratified when Jamal’s jaw dropped at the sight of the ancient Mercedes. “Jesus fucking Christ, Greta! You found Mercy!”

Greta sidled up behind him and eased the duffel bag from his hand–the bionic one. It looked like a real hand up close. Just not like Jamal’s hand. “Get in. We’re going on a road trip.” She slung the duffel bag on a stack of Heinleins in the back and took the driver’s seat.

“I don’t remember it smelling like French fries in here,” said Jamal. (Continue Reading…)

Genres:

Escape Pod 471: Shared Faces

Escape Pod 471: Shared Faces is an Escape Pod original.

Contains adult language.

Podcast: Play in new window | Download (Duration: 36:46 — 25.3MB)

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Shared Faces

by Anaea Lay

Dora’s favorite thing about Justin was that he liked to talk during sex. A good conversation turned him on, and he’d keep it up until the breathless, incoherent stage right before the end. They weren’t at that stage quite yet. Soon. At the moment she was nibbling the flesh at the very top of his thigh.

What’s the spot for the sexbot to spot the spot of the plot damn spot

You’ll never get it out

The music fell from the speakers in a manic rush and Dora shifted her pace to match it. Her skin tingled in response to his arousal, her body automatically configuring itself to comply with the program they’d designed together before starting.

“Ugh, I hate this song,” Justin said.

Dora tightened her hand around him as she let go with her teeth. The conversation kept her mind engaged, prevented her from slipping completely into brain-dead-Bot mode. “Really? I like it. It’s catchy.”

“It’s awful,” Justin said. “Haven’t you seen the video?”

She had, and he was right, it was awful. A Sex Bot got jealous of her primary client’s human lover and attacked her. As if the heart-break of watching the client defend the lover weren’t enough, the video went on to lovingly depict the brutal punishment and dismantling of the offending bot. Dora’s skin went clammy-cold when she’d watched it.

“Yeah, but the nastiness isn’t in the actual lyrics, and it is really catchy.” (Continue Reading…)

Escape Pod 470: The Transdimensional Horsemaster Rabbis of Mpumalanga Province

This story was published in the February 2014 issue of Asimov’s.

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The Transdimensional Horsemaster Rabbis of Mpumalanga Province

by Sarah Pinsker

I. Options for an Imagined Pictorial Eulogy of Oliver Haifetz-Perec

IMAGE 1: The photograph depicts an unmade bed covered in gear and clothing. A military-style duffel, half filled, dominates the shot. A camera bag sits next to it, cameras and lenses and lens cleaners laid out neatly alongside.

IMAGE 2: Shot from the center of the bed. A shirtless man reaches for something high in the closet. He has the too-thin build of an endurance runner, his bare back lanky and muscled. There is a permanent notch in his left shoulder, from where his camera bag rests. A furrow across his back tells of a bullet graze in Afghanistan. The contrast of his skin and his faded jeans plays well in black and white. A mirror on the dresser catches Yona Haifetz-Perec in the act of snapping the picture, her face obscured but her inclusion clearly deliberate. Multiple subjects, multiple stories.

IMAGE 3: This photograph does not actually exist. A third person in the room might have taken an intimate portrait of the two alone in their Tel Aviv apartment, photographers once again becoming subjects. A third person might have depicted the way her freckled arms wrapped around his torso, tender but not possessive. It might have shown the serious looks on both of their faces, the way each tried to mask anxiety, showing concern to the room, but not each other. They have the same career. They accept the inherent risks. They don’t look into each other’s faces, but merely press closer. It would have been the last photograph of the two together. Eleven days later, he is beaten to death in Uganda. His press credentials, his passport, his cameras, his memory cards, and cash are all found with his body; it isn’t a robbery. Since the third option doesn’t exist, the last picture of Yona and Oliver is the one that she took from the bed: his strong back, her camera’s eye.

IMAGE 4: A Ugandan journalist sent Yona a clipping about Oliver’s death. A photo accompanies the article. It shows a body, Oliver’s body, lying in the street. Yona doesn’t know why anyone would think she would want to see that photograph. She does; she doesn’t. She could include it, make people face his death head on.

Instead she opts for

IMAGE 5: in which Oliver plays football with some children in Kampala, his dreadlocks flying, his smile unguarded (photographer unknown), and IMAGE 6.

(Continue Reading…)