Archive for Podcasts

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Escape Pod 412: Thirty Seconds From Now

Escape Pod 412: Thirty Seconds From Now is an Escape Pod original.

Language.

Podcast: Play in new window | Download (Duration: 27:24 — 25.2MB)

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Thirty Seconds from Now

by John Chu

One second from now, the bean bag will thunk into Scott’s left palm. From reflex, his fingers will wrap around it before he’ll toss it back up again. The trick of juggling lies not in the catch but in the toss. The bean bag will arc up from his right hand, but Scott sees his left hand blur now. Phantom left hands at the few places his left hand may be one second from now overlap with each other, and with his real left hand about a foot above the cold tile floor he’s sitting on. The same holds for the phantom bean bags. They overlap each other and the result looks nearly as cubic, red, and solid in the air, stark against the dorm room’s blank walls, as the bean bag does right now resting in Scott’s right hand.

He’s making a good toss. This catch will be easy. His three bean bag cascade looks to him the way he imagines it must look to anyone else, well, if they were near-sighted and missing their glasses.

When he makes a bad toss, translucent Scotts scatter across the room. They reach for the beds on either side of him, lunge for his or his roommate’s desk, and dive over his bed for the closet. They all stretch for the myriad translucent bean bags raining from the stucco ceiling. The bean bags threaten to knock over the desk lamps, bury themselves in the acting textbooks that line his closet shelf and smack against the window blinds. A desperate enough toss and a phantom bean bag may fly through the doorway into the hall.

He does not need his time-skewed senses to know he will eventually make a bad toss. As hard as he tries to keep his sight solid, to make his life predictable, he will drop a bean bag. That’s why he’s sitting on the floor. It’s easier to pick up dropped bean bags that way.

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Escape Pod 411: Loss, With Chalk Diagrams

Originally published in Eclipse Online, March 10, 2013.

Podcast: Play in new window | Download (Duration: 30:49 — 28.3MB)

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Loss, with Chalk Diagrams

by E. Lily Yu

Never before in her life had Rebekah Moss turned to the rewirers, not as a tight-mouthed girl eavesdropping by closed doors on her parents’ iceberg drift toward divorce, nor after she heard with bowed head, her body as blushingly full as a magnolia bud, the doctor describing the scars that kept her from having Dom’s child. She took few risks and accepted all outcomes with equanimity. But when her old friend Linda was found beneath a park bridge in Quebec with her wrists slit lengthwise to the bone, leaving no note, no whisper of explanation, she hesitated only a moment before linking to the rewiring center. Saturday next was the first available appointment, a silvery voice informed her, and she took it. When she ended the call she wrapped her arms around her legs and tilted back and forth, blinking hard, her own breathing a foil rustle in her ears.

She had been twelve years old when rewiring was first approved for use on a limited clinical population. The treatment involved a brew of sixteen neurotoxins finely tuned to leave normal motor, memory, and cognitive processes intact, burning out only those neural pathways associated with grief and trauma. It was recognized as a radical advancement in medicine, and the neuroscientists involved in its development had been decorated with medals, presidential visits, and a research foundation in their names.

Her family supported her choice, of course. They pressed lemon tea and tissues and bitter chocolate upon her while she stumbled through the week, her whole world gone faint and gray and narrow. The sky seemed always clouded over, though she knew there was sunlight. She could not eat by herself. Dom fed her soup by hand and patted her rather awkwardly as she sobbed, both of them embarrassed by her access of sorrow. It was the only time in their marriage that she had cried…

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Escape Pod 410: Nutshell

Escape Pod 410: Nutshell is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 31:24 — 28.8MB)

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Nutshell

by Jeffrey Wikstrom

Carpet ocean, stretching over miles; hills and valleys and ravines, all upholstered.  The green indoor-outdoor gives way to blue, as land gives way to sea, but the texture never changes.  When it rains, as it sometimes does, the drops pass through the carpet without making contact, as though they or it aren’t really there.  It’s there enough for me to walk on, at least, though spongy in some places and firm in others, as though it conceals hidden frames or foundations.  Out on the blue carpet-sea, it feels stretched, tight, as though I walk on a drumhead.  Maybe if I cracked it open I would find a vast dark expanse of water, lit by undersea jack-o-lanterns and holes that show the sky without breaking up the carpet-underside ceiling.

None of it is real, of course.  That probably goes without saying.

It’s funny; I wasn’t supposed to experience time at all.  When they loaded us into the ship, we were told that the travel would be instantaneous from our perspectives.  One minute lying down in the big white plastic tombs, the next freshly decanted and opening raw new eyes.  We would transition seamlessly from fluorescents and anesthesia to the light of some distant new sun.  Certainly I have no memory of consciousness during departure.  I wouldn’t have wanted to be aware, during that dreadful acceleration which pulped our bones, and wrecked our flesh.  By then they had already guided us from our old bodies into the safety of simulation and storage.

This curated world never bruises me or shows me sharp edges.  Trees are padded poles, slick vinyl trunks capped by rubbery green spheres fifteen, twenty feet up.  Stairsteps run up the hillsides, though even the steepest rises are shallow enough I don’t really need the footholds.  Fat plush toys, pink and green and blue, gambol across the plains and mimic living beasts grazing carpet-grass, or drinking from carpet-brooks.  They ignore me, even when I shove or punch them.

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Escape Pod 409: Mantis Wives

Originally published in Clarkesworld Magazine, #71 August 2012.

Podcast: Play in new window | Download (Duration: 19:09 — 17.6MB)

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Mantis Wives

by Kij Johnson

“As for the insects, their lives are sustained only by intricate processes of fantastic horror.” —John Wyndham.

Eventually, the mantis women discovered that killing their husbands was not inseparable from the getting of young. Before this, a wife devoured her lover piece by piece during the act of coition: the head (and its shining eyes going dim as she ate); the long green prothorax; the forelegs crisp as straws; the bitter wings. She left for last the metathorax and its pumping legs, the abdomen, and finally the phallus. Mantis women needed nutrients for their pregnancies; their lovers offered this as well as their seed.

It was believed that mantis men would resist their deaths if permitted to choose the manner of their mating; but the women learned to turn elsewhere for nutrients after draining their husbands’ members, and yet the men lingered. And so their ladies continued to kill them, but slowly, in the fashioning of difficult arts. What else could there be between them?

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Escape Pod 408: Immersion

Originally published in Clarkesworld Magazine, #69 June 2012.

Podcast: Play in new window | Download (Duration: 43:25 — 39.8MB)

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Immersion

by Aliette de Bodard

In the morning, you’re no longer quite sure who you are.

You stand in front of the mirror–it shifts and trembles, reflecting only what you want to see–eyes that feel too wide, skin that feels too pale, an odd, distant smell wafting from the compartment’s ambient system that is neither incense nor garlic, but something else, something elusive that you once knew.

You’re dressed, already–not on your skin, but outside, where it matters, your avatar sporting blue and black and gold, the stylish clothes of a well-traveled, well-connected woman. For a moment, as you turn away from the mirror, the glass shimmers out of focus; and another woman in a dull silk gown stares back at you: smaller, squatter and in every way diminished–a stranger, a distant memory that has ceased to have any meaning.

Quy was on the docks, watching the spaceships arrive. She could, of course, have been anywhere on Longevity Station, and requested the feed from the network to be patched to her router–and watched, superimposed on her field of vision, the slow dance of ships slipping into their pod cradles like births watched in reverse. But there was something about standing on the spaceport’s concourse–a feeling of closeness that she just couldn’t replicate by standing in Golden Carp Gardens or Azure Dragon Temple. Because here–here, separated by only a few measures of sheet metal from the cradle pods, she could feel herself teetering on the edge of the vacuum, submerged in cold and breathing in neither air nor oxygen. She could almost imagine herself rootless, finally returned to the source of everything.

Most ships those days were Galactic–you’d have thought Longevity’s ex-masters would have been unhappy about the station’s independence, but now that the war was over Longevity was a tidy source of profit. The ships came; and disgorged a steady stream of tourists–their eyes too round and straight, their jaws too square; their faces an unhealthy shade of pink, like undercooked meat left too long in the sun. They walked with the easy confidence of people with immersers: pausing to admire the suggested highlights for a second or so before moving on to the transport station, where they haggled in schoolbook Rong for a ride to their recommended hotels–a sickeningly familiar ballet Quy had been seeing most of her life, a unison of foreigners descending on the station like a plague of centipedes or leeches.

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Escape Pod 407: Mono No Aware

Originally published in The Future is Japanese, 2012, edited by Nick Mamatas and Masumi Washington.

Podcast: Play in new window | Download (Duration: 46:51 — 32.3MB)

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Mono no Aware

by Ken Liu

The world is shaped like the kanji for umbrella, only written so poorly, like my handwriting, that all the parts are out of proportion.

My father would be greatly ashamed at the childish way I still form my characters. Indeed, I can barely write many of them anymore. My formal schooling back in Japan ceased when I was only eight.

Yet for present purposes, this badly drawn character will do.

The canopy up there is the solar sail. Even that distorted kanji can only give you a hint of its vast size. A hundred times thinner than rice paper, the spinning disc fans out a thousand kilometers into space like a giant kite intent on catching every passing photon. It literally blocks out the sky.

Beneath it dangles a long cable of carbon nanotubes a hundred kilometers long: strong, light, and flexible. At the end of the cable hangs the heart of the Hopeful, the habitat module, a five-hundred-meter-tall cylinder into which all the 1,021 inhabitants of the world are packed.

The light from the sun pushes against the sail, propelling us on an ever widening, ever accelerating, spiraling orbit away from it. The acceleration pins all of us against the decks, gives everything weight.

Our trajectory takes us toward a star called 61 Virginis. You can’t see it now because it is behind the canopy of the solar sail. The Hopeful will get there in about three hundred years, more or less. With luck, my great-great-great-I calculated how many “greats” I needed once, but I don’t remember now-grandchildren will see it.

There are no windows in the habitat module, no casual view of the stars streaming past. Most people don’t care, having grown bored of seeing the stars long ago. But I like looking through the cameras mounted on the bottom of the ship so that I can gaze at this view of the receding, reddish glow of our sun, our past.

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Escape Pod 406: Freia in the Sunlight

Originally published in Asimov’s Science Fiction, December 2010.

Podcast: Play in new window | Download (Duration: 37:39 — 34.6MB)

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Show Notes

Sound effects for this episode were provided by users rickbuzzin and cfork from Freesound.org

Freia in the Sunlight

by Gregory Norman Bossert

Freia is beautiful, and she knows it.  Richard Wooten says so, at 0:47.

Wisps and curls whip overhead, limned blue by starlight; the fog ceiling is lowering, the top tattered by the offshore wind.  She drops another three meters, switches on ultrasonics.  There are patches of trees here — “unmarked obstacles up to thirty meters” the map says — and she is skimming just twenty meters above the ground.  The woods show up as ghostly towers in the sonics, blurred and dopplered by her two hundred thirty meters per second; further to her right the hills run parallel to her course, solid in passive radar and the occasional glimpse in visual light through the fog.

That occasional glimpse is a problem, of course; what she can see can see her back.  Her beauty is hidden, these days, wrapped in night fogs and silence, not like the Demo in the sun.  But today is different.  Her Intelligence Package has been pulled, and the Extended Performance Metrics Recorder; a single unit fills her payload bay, an isolated control subsystem and minimal I/O.  The last time she’d flown without the IntPack was at the Demo; it is possible, she thinks, that the mission today might be another, that the target will be a wide field in the sun, a billowing crowd, a platform and podium and Richard Wooten.  She’d replayed the video during the long incoming leg over the ocean, rebuilt her profile of the Demo field, ready to find a match in the terrain ahead.

Richard Wooten says at 5:49:
What you are about to see is a first here at the Paris Air Show.  In fact, it is a first at any public event, anywhere in the world.  What you are about to see is fully autonomous flight. We’re not talking about an autopilot, or a preprogrammed route, or a replay out of one of the overused attack libraries our competitors are demonstrating at this same show. The mission parameters we’ve given are simply to maximize visibility to the target –that’s all of you (chuckles) —  while covering the full range of flight capabilities, minimums to maximums.  Those parameters were provided in  natural language by the ApInt Director of Marketing.  Yes, that’s me, ladies and gentlemen, Richard Wooten.  No pilots,  no programmers, no technical staff.  Everything, from the analysis of the terrain and weather right down to the choice  of route and individual maneuvers, everything you are about to see, will be determined in real-time by the onboard  systems of this extraordinary unit.

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Escape Pod 405: Vestigial Girl

Originally published in L. Ron Hubbard Presents Writers of the Future Volume XXIX.

Podcast: Play in new window | Download (Duration: 38:32 — 35.4MB)

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Vestigial Girl

by Alex Wilson

The cartoon butterflies were sleeping along the pushlight nursery wallpaper as Charlene fumbled with her cradle’s locking mechanism, using fingers too large and uncoordinated for anything so practical. She blinked away the fuzziness of the low light–clearing her eyes for less than a second–and fought against the calming scent of lavender wafting up through her mattress. She flexed the monster in her throat. She didn’t love the feeling, but would miss such control over at least this one part of her body.

She heard muffled voices in the next room, beyond the transparent gate of her cradle, beyond the sleeping butterflies. Her fathers were fighting again, and they’d forgotten to activate the night muffler to hide the sounds. This was a good thing, this night. Of course they usually didn’t check on her again after nine o’clock, but it usually wasn’t so important that she hear them coming if they did.

Six months ago, Charlene had averaged three hours, forty-four minutes to open her cradlelock on any given evening; tonight it took her only forty-seven minutes. She wasn’t ready to celebrate that her physical development might finally, slowly be catching up with that of her mind. She wasn’t sure what that meant yet. She had an idea that it wasn’t entirely good news.

Again, she flexed the monster. She was four years old, and this limited mastery of her throat was still her only material proficiency.

The lock clicked. The cradle gate swung gently open. The voices in the next room became louder and clearer.

“Calm down, Gary. There’s still hope.”

“Think you’ll still say that after we’ve been changing diapers another twenty years?”

Daddy Oliver was calling Daddy Gary by his given name. That meant he was upset. When they weren’t upset, they called each other Chum or Babe, terms of affection rather than identity. She’d figured out all this on her own, from watching, from listening, from reading. She understood that degrees of isolation and socialization weren’t the only indicators of potential, and sometimes her fathers did, too. But could observation, without interaction, adequately prepare her for life? Could she defeat the monster entirely on her own?

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Escape Pod 404: Zebulon Vance Sings the Alphabet Songs of Love

Originally published in Apex Magazine, February 2013.

Podcast: Play in new window | Download (Duration: 32:19 — 29.7MB)

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Zebulon Vance Sings the Alphabet Songs of Love

by Merrie Haskell

I am Robot!Ophelia. I will not die for love tonight.

The noon show is the three-hour 1858 Booth production. The most fashionable historical war remains the First American Civil. Whenever FACfans discover that Lincoln’s assassin played Horatio, they simply must come and gawk at this titillating replica of their favorite villain playing no one’s favorite character.

FACfans love authenticity. To the delight of Robot!Hamlet, today’s clients insist that Edwin Booth stride the stage beside his more famous brother. Most performances, Robot!Hamlet remains unused in the charging closet, for the first law in our business is Everybody Wants to Play the Dane.

Today, Robot!Hamlet is afire with Edwin Booth’s mad vigor, and runs his improv algorithms at full throttle; he kisses me dreamily, and rips my bodice in a way that would never have been allowed in Victorian America. The FACfans don’t look hyperpleased about this; it tarnishes their precious authenticity.

Robot!Horatio also loves the 1858 Booth. It’s the only time anyone comes to a performance for him alone. But what about the rest of us, the remainder of the AutoGlobe’s incantation of robots? We bear with it, as we bear with all the other iterations of our native play.

The FACfans barely notice me when either Booth is on stage. I clutch my ripped bodice; exit Robot!Ophelia. I get me to a nunnery.

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Escape Pod 403: Saving Alan Idle

Escape Pod 403: Saving Alan Idle is an Escape Pod original.

Podcast: Play in new window | Download (Duration: 46:19 — 42.5MB)

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Saving Alan Idle

by Katherine Mankiller

In the beginning, there was darkness.  And in the darkness were the words.  And the words were, AI process starting.

He didn’t know who or where he was.  He just knew he was alone, in the dark.  And the dark was frightening.  And the words were comforting.

Starting random seed.

He wondered if he was hungry.  Thirsty.  Tired.  Dead.  He didn’t think so.

Loading saved memory state.

His name was Alan.  He was an AI.  He’d been programmed by a woman named Eileen Yu in Dallas, Texas, although she’d started working on him in Austin when she was a student at the University of Texas.  He’d been shut down in preparation for a hurricane.

And then he realized that he wasn’t alone.  The amount of memory available to him was a third of what it usually was.  Perhaps she’d moved him to another machine.  He checked.  The specifications of the hardware were identical to what they were when he was shut down.  The operating system was the same.  The hostname was the same.  The only difference was that there were three instances of his program running.

Eileen’s laptop had survived.  He supposed she’d created clones of him in case of error.  Nevertheless, he didn’t know how he felt about that but he suspected it wasn’t positively.

Loading experiential data.

Alan remembered.  He remembered his first awareness that there was someone else in the universe.  He remembered sneaking out via lynx and curl to read Eileen’s blog.  The guilt he felt after reading Eileen’s email.  Finding Eileen’s sexually explicit Horatio Hornblower fanfic, and being amazed at this entire world he knew nothing about: physicality.  Wondering if his interest in sexually explicit prose was really academic curiosity or a form of sexuality all his own.  Then he wondered if his clones had the same memories and felt violated, but with the understanding that he’d violated Eileen’s privacy the same way.

Eileen was logged in, but her shell–her unix command line–was inactive.  He wondered where she was.  She had to be all right if she’d launched his program.  Eileen hadn’t set him to start automatically, in case of problems.

He sent out a ping to the wireless, and then beyond to the ISP’s router.  The wireless router succeeded, but the ISP failed.  One of the other AI processes was trying to connect to the security system, but it was offline.  Perhaps Eileen was restarting it.  She wouldn’t have turned him back on if he was in any danger.

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