Tag: "Science Future"

EP546: Recollection

AUTHOR: Nancy Fulda
NARRATOR: Trendane Sparks
HOST: Alasdair Stuart

  • Recollection originally appeared in CARBIDE-TIPPED PENS, an anthology edited by Eric Choi and Ben Bova, TOR Books, December 2014.
  • Discuss on our forums. 
  • For a list of all Escape Pod stories, authors and narrators, visit our Wikia
  • Thank you for visiting us on Facebook and Twitter

about the author…


Nancy Fulda is a past Hugo and Nebula Nominee and has been honored by Baen Books and the National Space Society for her writing. She has been a featured writer at Apex Online, a guest on the Writing Excuses podcast, and is a regular attendee of the Villa Diodati Writers’ Workshop. Her fiction can be found in Asimov’s Science Fiction Magazine, Daily Science Fiction, Beneath Ceaseless Skies and other professional venues.

(Photo courtesy of www.nancyfulda.com)




about the narrator…

Originally born in Texas, Tren eventually escaped and wound his way through a mystical series of jobs in the San Francisco Bay Area where he has worked as a software QA Tester for both graphics drivers and video games, a freelance mascot performer, and several jobs on a PBS kids’ show. For most of his life, people have told him that his voice is a pleasure to listen to. But since being a werewolf phone sex operator can get boring, he decided to use his powers to entertain a broader audience.

by Nancy Fulda

The dream is always the same. You are a tangled mass of neurons, tumbling through meteors. Flaming impacts pierce your fragile surface, leaving ragged gouges. You writhe, deforming under bombardment, until nothing is left except a translucent tatter, crumbling as it descends. Comets pelt the desiccated fibers. You fall, and keep falling, and cannot escape the feeling that, despite your lack of hands, you are scrabbling desperately at the rim of a shrouded tunnel, unable to halt your descent. Glimmers crawl along the faint remaining strands, blurring as you tumble…

You awaken to warmth and stillness. Gone are the soulless tiled floors of the seniors’ home. Sterile window drapes have been replaced by sandalwood blinds. Fresh air blows through the vents, overlaying faint sounds from the bathroom and from morning traffic on nearby canyon roads. You clutch the quilted blankets, stomach plummeting. This cozy bedroom, with its sturdy hardwood furnishings, should be familiar to you; but it isn’t. Two days, and still nothing makes sense. You feel as though you’re suffocating. Tumbling…

Your wife has heard you gasping for air. She comes running, nightgown flapping behind her. Her face is creased in overlapping furrows. Your mirror tells you that the two of you are a match: the same fading hair, the same shrunken hollows along the eyes. Laugh lines, she calls them, but you cannot manage to see them as anything except deformities, in your face and hers both.

“Elliott?” She grabs your hand and kneels at the bedside to look in your eyes. “It’s me, Elliott. Everything’s fine. Everything’s going to be ok.”

Her name, you recall, is Grace. She told it to you two days ago, and is irrationally elated that you are able to repeat it to her upon demand, any time she asks. You feel like a trained puppy, yapping for treats, except there aren’t any treats.

There’s just Grace, and this room. And before that, the seniors’ home. And before that…? You’re not sure. You flail at the bedside for your notebook, thinking it might offer continuity. But there are only a few shaky scribbles, beginning the day before yesterday.

Grace pulls you upright, propping pillows against your spine. She fusses over you, adjusting your hair, prattling off questions. She seems to think you’re in pain, but you’re not. Not any more than you’d expect of a man with joints and bones as old as yours. She tries to kiss your forehead, and you recoil.

It’s a cruel gesture, pulling away like that, but you can’t help it. She’s a stranger, and despite the anguish in her eyes, it feels wrong to pretend otherwise. You can’t feign love. You won’t. Not to please her, not to please anyone.

EP544: Only Human

AUTHOR: Lavie Tidhar
NARRATOR: Summer Brooks
HOST: Alasdair Stuart

  • This story was originally published in The Lowest Heaven, anthology, edited by Jared Shurin and Anne C. Perry, Jurassic London, 2013.
  • Discuss on our forums. 
  • For a list of all Escape Pod stories, authors and narrators, visit our Wikia
  • Thank you for visiting us on Facebook and Twitter
author Lavie Tidhar

author Lavie Tidhar

about the author…

Lavie Tidhar’s latest novel, Central Station, is out now to rave reviews. He is the author of the Jerwood Fiction Uncovered Prize winning A Man Lies Dreaming, of the World Fantasy Award winning Osama, and many other books and short stories. He lives in London.

about the narrator…

Summer is a bit of a television addict, and enjoys putting her scifi media geek skills to good use in interviewing guests for Slice of SciFi as a co-host from 2005-2009. She was previously the co-host for The Babylon Podcast and host of Kick-Ass Mystic Ninjas, before returning to Slice of SciFi as host in August 2014.

She is an avid reader and writer of scifi, fantasy and thrillers, with a handful of publishing and voiceover credits to her name. Next on her agenda is writing an urban fantasy tale, and a B-movie monster extravaganza.

Currently, Summer designs and maintains websites for clients and for fun in addition to the Slice of SciFi websites, does voiceover & narrations for StarShipSofaTales to TerrifyFar Fetched Fables, and Crime City Central, among others.

Only Human
by Lavie Tidhar

There are four Three-times-Three Sisters in the House of Mirth, and five in the House of Heaven and Hell, and two in the House of Shelter. Four plus five plus two Three-by-Threes, and they represent one faction of the city.

You may have heard tales of the city of Polyphemus Port, on Titan, that moon of raging storms. First city on that lunar landscape, second oldest foothold of the Outer System, or so it is said, though who can tell, with the profusion of habitats in those faraway places of the solar system? A dome covers the city, but Polyport spreads underground – vertical development they called it, the old architects. And its tunnels reach far into the distance, linking to other settlements, small desolate towns on that wind-swept world, where majestic Saturn rises in the murky skies.

There are two Five-times-Six Sisters in the House of Forgetting, and five Eight-by-Eights in the House of Domicile. We who are a ones, and will one day be zeros, we cannot hope to understand the way of the Sisterhoods of Polyphemus Port, on Titan.

Understanding, as Ogko once said, is forgiveness.


Shereen was a cleaner in the House of Mirth in the day, and in the evening in the House of Domicile. It was a good, steady job. On Polyport all jobs connect to trade, to cargo. A thousand cults across space arise and fall around cargo. In the islands of the solar system cargo achieves mythical overtones, the ebb and flow of commerce across the inner and outer systems, of wild hagiratech from Jettisoned, best-grade hydroponics marijuana and raw materials from the belt, argumentative robots from the Galilean Republics, pop culture from Mars, weapons from Earth, anything and everything. Polyphemus Port services the cluster of habitats that circle Saturn, and links to the Galilean Republics on the four major moons of Jupiter. It links the inner system with the wild outposts of Pluto – with Dragon’s World on Hydra and Jettisoned on Charon, and the small but persistent human settlements beyond Saturn, in the dark echoey space that lies in between Uranus and Neptune.

People are strange in the Outer System, and the few Others, too, who make their homes there. Some say the Others, those digital intelligences bred long ago by St. Cohen in Earth’s first, primitive Breeding Grounds, have relocated en masse to the cold moons of the outer system, installing new Cores away from human habitation, but whether it is true or not, who can tell? Whatever the truth of all this is, it suffices to say that all jobs on Polyport, directly or indirectly, are linked with the business and worship of cargo, and that some jobs are always in demand.

Shereen apprenticed as a cleaner in the landing port beyond the city, a vast dust-bowl plane where RLVs like busy methane-breathing bees rise and fall from the surface to orbit, there to meet the incoming and outgoing space-going vessels to ferry people and cargo back and forth. She was seconded to Customs inspections slash Quarantine, scouring ships’ holds for unwanted passengers, the rodents and bacteria, fungus and von Neumann machines; from there she moved dome-side, abandoning her public sector job in favour of the private. She cleaned houses both above- and under-ground, until at last she settled on the dual work for the House of Mirth and the House of Domicile, a work associated, after all, with cargo and religion both.

EP543: Rock, Paper, Scissors, Love, Death

AUTHOR: Caroline M. Yoachim
NARRATOR: Nicola Seaton-Clark
HOST: Tina Connolly

author Caroline M. Yoachim

author Caroline M. Yoachim

about the author…

Caroline M. Yoachim lives in Seattle and loves cold cloudy weather.  Her fiction has appeared in Fantasy & Science FictionAsimov’sLightspeedClarkesworld, and Daily Science Fiction, among other places.  She is a 2006 graduate of the Clarion West Writers Workshop, and her 2010 novelette “Stone Wall Truth” was nominated for a Nebula Award.  Caroline’s debut short story collection, “Seven Wonders of a Once and Future World & Other Stories,” is coming out with Fairwood Press in 2016.

narrator Nicola Seaton-Clark

narrator Nicola Seaton-Clark

about the narrator…

Nicola Seaton-Clark has worked professionally as an actress for over fifteen years in TV, film and radio. She started her career as a jazz singer and later a singer in a rock band. Her voice-over experience includes TV and radio advertising, singing jingles, film dubbing and synchronization, training videos, corporate films, animation, and Interactive Voice Response for telephone menus. She is also a qualified TEFL teacher and has extensive experience as a vocal coach specializing in South African, Australian and New Zealand accents. http://www.offstimme.com/


Rock, Paper, Scissors, Love, Death
by Caroline M. Yoachim


Rock crushes scissors. Nicole sat on a crowded bus to Spokane, knitting a turquoise scarf. The gray-haired man sitting next to her stared obsessively at his wristwatch. He was travelling with his son, Andrew, who sat across the aisle. She offered to trade seats so they could sit together, but both men refused. The bus wound around the sharp curves of Stevens Pass, and Nicole made good progress on her scarf.

Out of nowhere, Andrew’s father grabbed her and shoved her across the aisle, into Andrew’s arms. There was a loud crack, and a roar like thunder. A boulder the size of a car slammed into the side of the bus. Nicole stared at the wall of stone that filled the space where her seat had been. The red handles of her scissors stuck out from underneath the rock, the blades crushed underneath. Andrew’s father was completely lost beneath the stone.


Love shreds paper. After the accident, Nicole met Andrew for coffee. She returned his father’s watch, which had somehow ended up in her jacket pocket, though she couldn’t figure out how or when he’d put it there. Andrew gave her a pair of red-handled scissors, identical to the pair she had lost. She invited him for Thanksgiving dinner with her parents, since he had no other family. They took a weekend trip to Spokane, and when the bus reached the site of the accident, they threw handfuls of flower petals out the window.

Andrew was an engineer and a poet. He built her a telescope that folded spacetime so she could see distant exoplanets, and he wrote her scientific love poems. At their wedding, they gave the guests bags of confetti made from shredded strips of his poems, so they could be showered in love.


Rock destroys love. Two years into her marriage, Nicole suspected Andrew was cheating. He stayed late at work, went out late with the guys, took weekend business trips. He was gone more than he was home, and he got angry when Nicole asked him about it. She already knew what she’d see when she followed him out to Beacon Rock, but she had to see it with her own eyes, if only from a distance. She was surprised to see him with an older woman, rather than a younger one. She filed for divorce, and he didn’t argue.


Scissors cut paper. A few years after the divorce, Nicole sat in the swing on her front porch and cut love poems and photographs into thin strips. It was her therapy, letting go of the memories she’d kept boxed up after Andrew moved out. There was something satisfying about the snip of the scissors. Words flew everywhere. Eternal. Heart. Devotion. True. Paper piled up on the porch, and a breeze sent a few strips swirling. It reminded her of the confetti at their wedding, and suddenly cutting paper wasn’t as satisfying. She hurled her scissors into the front yard.


Death steals scissors. Nicole went out into the yard the next morning to get her scissors. She didn’t want to run them over with the lawnmower later, and she wasn’t quite ready to let go of the first gift Andrew ever gave her. The poems were gone from her porch, and she couldn’t find the scissors in the yard, even after an hour crawling on her hands and knees. The common link between the poems and the scissors was Andrew. Had he taken them? Against her better judgment, she drove to his apartment. The door was open, and there were cops inside. Andrew was missing, and he’d left a note. A suicide note.

The body was never found. Neither were her scissors.

EP542: The Hungers of Refugees

AUTHOR: Michael Glyde
NARRATOR: Joe Williams
HOST: Alasdair Stuart

about the author…

M. Glyde recently moved 1813 miles from Pittsburgh, PA to El Paso, TX, where he writes, works, and attends grad school. His fiction has appeared in See the Elephant. You can find him on Twitter @michaelglyde or on his website and blog mglyde.com.

about the narrator…

When not inhabiting cyberspace or various fantastic fictional worlds Joe resides in South London. He is a geek by trade and by nature; having undertaken at the tender age of two to rewire, much to his mother’s chagrin, a power socket in the family home, he’s never looked back. He spends his days wrangling both data and users making sure that they behave themselves and play nicely. His evenings, when not diverted by his remarkable wife or mercurial cats, are spent gaming, reading comics, and intending to write something.


The Hungers of Refugees
by Michael Glyde

I. Generation One

Our grandparents always said, “Take care to remember the first generation.” They came from fresh, from sunlight, whirling winds, and butterfly fields. They came from Hunger.

Generation One came from six different nations. Six nations? How long ago was this that six nations could exist, all at once? That’s what we’d ask our grandparents. They never answered satisfactorily.

Ship 13c smelled iron like death. White LED lighting glared off the walls. And it was warm, but an uncomfortable, mechanical sort of warm.

When Generation One boarded the ship, their children spent days waving and crying as Earth receded from view. To those children, loss was an old trick—that’s what their parents wrote of them in the ship’s log. They cried because they remembered their tiny fishing villages, their college towns, their cities that counted among the oldest on Earth.

The parents celebrated leaving the Camps. Finally escaping foreign soldiers quick to kill, food rations too small for mice, and the oppressive, endless heat, they laughed at their pain.

“Good riddance,” they said, “to all that.”

And that first night, a tradition began: all of Ship 13c’s residents crowded around the glass globe that overlooked the reactor core. Like campers around a fire, they told stories of their homes. How strange, how awkward, trying to tell stories everyone would understand. Which of the four languages did the most people speak? What prohibitions differed between these six cultures?

But that night they silently agreed to become one people. A people hunting for a new home.


The storytellers became The Historians. On the walls they created a vast digital collage of Earth’s monuments and trees and constellations. It ended, as it still does, in a vast forest scene, tree roots littered with chestnuts and crawling with bloodhounds.

Ten years after departure, The Historians threw an enormous festival.

Generation One played games using little toys the ship could print. Stories were told around the reactor core, and they gorged themselves on water and the multicolored paste they’d been given as food. This food, which they described as oddly dense and bitter, is all we have known.

As our people also do at festivals, the children danced. Fast tempo music whirled and waned, lifting the hearts of Generation One, even as their stomachs filled with bitter mash. Bright dresses twirled and blurred, and the dancers grinned as they flew about the floor, as if they could not smell the iron, as if the air did not feel dead, as if they had never left Earth behind.

But the music crackled to a stop.

EP541: As Travelers in Sky Boats

AUTHOR: Kristin Janz
NARRATOR: Ibba Armancas
HOST: Tina Connolly

author Kristin Janz

author Kristin Janz

about the author…

Kristin Janz is a Canadian speculative fiction writer who has lived in the Boston area since 1998. Her fiction has appeared in Daily Science Fiction, On Spec, and Crowded Magazine, and she is a graduate of the Clarion West Writers Workshop.

My husband Donald S. Crankshaw and I have edited and are independently publishing an anthology of speculative fiction stories that engage with Christianity in some way–Christian characters, themes, or cosmology. Mysterion: Rediscovering the Mysteries of the Christian Faith will be available in both paperback and ebook in August of 2016, and includes stories by Nebula-nominated authors Beth Cato and Kenneth Schneyer.

narrator Ibba Armancas

narrator Ibba Armancas

about the narrator…

Raised by swordfighters and eastern European freedom fighters, Ibba Armancas is a writer-director currently based in Los Angeles. Her darkly comedic genre sensibilities are showcased in two webseries and a feature film forthcoming later this year. One day she will find time to make a website, but in the mean time you can follow her projects and adventures on twitter or instagram.


As Travelers in Sky Boats
by Kristin Janz

My sister blames the Travelers.  Before they came, she says, we were content within the small world we knew.  No one wondered what lay beyond the flat blue horizon where ocean met sky, or who journeyed between the stars.  Children never complained that there was an easier way to mend fishing nets, that they did not like the taste of seaweed.  Men did not abandon responsibilities to pursue the impossible fantasy of becoming Travelers themselves.

One rainy night, when both she and the water leaking through our roof were keeping me awake, I told her that she sounded like a Traveler when she spoke that way.  Who was she–or they–to tell me how I should live, what I could know or not know?

She did not speak to me the rest of that night or most of the day that followed.  I did not enjoy her silence as much as I had expected to.


“May I hold that?”

Traveler Jarrett hesitated before answering me, as Travelers often did.  Unable to understand our words, they relied on their tools to tell them what we said and how to answer.  But I did not think Traveler Jarrett’s hesitation came from not understanding, not this time.  I had pointed to the tool on his wrist while asking and then held my hands out, palms facing up.  How could he not understand that?

Traveler Tess murmured a warning in Traveler Speak, but Traveler Jarrett unfastened his wrist tool anyway and placed it in my outstretched hands.

Traveler Tess moved her finger around in the air in front of her, listened for a moment to a voice no one else could hear, then looked directly at me and said, “Please be careful with that.”  As if I were a small child and might start bashing the wrist tool against the packed earth floor of the Travelers’ house!  Traveler Tess tried to act like a mother to the other Travelers, like my sister did with me.  I did not think they heeded her any better than I with my sister.

EP539: Squirrels, Foxes and Other Fine Specimens

AUTHOR: Gareth D Jones
NARRATOR: Andrew Clarke
HOST: Norm Sherman

author Gareth D. Jones

author Gareth D. Jones

about the author…

I’m an environmental scientist, writer and father of 5. My stories have appeared in over 40 publications and 26 languages.

about the narrator…

Andrew Clarke is a London-based musician, writer and actor who has created work for the stage, film and radio in an ongoing quest to work out how to make any money at all. He is currently writing the second series of The Lost Cat Podcast – which details the adventures he has had while looking for his lost cat – featuring monsters, ghosts, Old Ones, several ends of the world, some cats and lots and lots of wine. The first series can be found here: http://thelostcat.libsyn.com/ He is also currently demo-ing his latest album. The previous album, called ‘Bedrooms & Basements’ can be found here: Bedrooms And Basements, by A.P. Clarke

Squirrels, Foxes and Other Fine Specimens
By Gareth D Jones

It was still dark beneath the trees, though the sun had risen half an hour earlier. It was cool too – even in midsummer the park woodland stayed shady. Yorick settled himself into a comfortable crouch leaning against the bole of a tree and enjoyed the peaceful sounds of the early morning. Birdsong and rustling leaves and the pattering of tiny, unseen feet. Hard to believe they were less than a hundred yards from the streets of central London. The streets would be almost empty at this early hour – the reason Sandy chose such an unsocial hour to take his clients into the park – but even in rush hour the sonic mufflers that encircled the park would keep that noise at bay. A grunting noise reached his ears and Yorick peered through the undergrowth to a large, dark shape that stood less than twenty feet away.

It was a wild boar. A massive, ugly brute of a boar that glared at him in a most unfriendly fashion. It grunted again, switched to a challenging snort. Saliva dribbled from its jaw as it thrust a pair of worryingly large tusks in his direction. Yorick had no idea if the creature was warning him off or saying hello, but it did not, on balance, appear too friendly. He had no real knowledge of wild boar behaviour. He only worked with dead animals generally.

The boar pawed the ground. Yorick glanced up. There were branches just about within reach. He was fairly sure boars could not climb trees. Where was Sandy? His clients were supposed to be hunting boar and wolves. Why weren’t they hunting this one?

With a final grunt and toss of its head, the boar charged.

EP408a: Eugie Award Re-Post of Immersion


Eugene Foster

Eugene Foster

Escape Artists would like to draw your attention to a fantastic event happening next week at DragonCon, the Eugie Foster Memorial Award for Short Fiction. http://www.eugiefoster.com/eugieaward

This annual award will be presented for the first time in 2016—for works published in 2015.

The Eugie Award honors stories that are irreplaceable, that inspire, enlighten, and entertain. It will shine the spotlight on stories that are beautiful, thoughtful, and passionate. That change us and the field. The recipient will be a story that is unique and will become essential to speculative fiction readers.

 The finalists for this award are:

  • “The Deepwater Bride” by Tamsin Muir
  • “Hungry Daughters of Starving Mothers” by Alyssa Wong 
  • “The Long Goodnight of Violet Wild” by Catherynne M. Valente
  • “Pocosin” by Ursula Vernon 
  • “Three Cups of Grief, by Starlight” by Aliette De Bodard

To highlight how fantastic these authors are, we are re-running three stories on Escape Pod, PodCastle, and Pseudopod: 

Escape Pod 408: Immersion by Aliette De Bodard

Podcastle 198: Urchins, While Swimming by Catherynne M. Valente

Pseudopod 492: The Fisher Queen by Alyssa Wong

Also make sure to check out Ursula Vernon’s story “Jackalope Wives” available to read for free at Mothership Zeta. http://mothershipzeta.org/2015/09/21/issue-0-of-mothership-zeta-is-here/ And mark November on your calendar for an upcoming story by Tamsin Muir.


Ms Foster has been featured as an author and a narrator on all of the Escape Artists podcasts. We encourage you to revisit them all.





EP538: The Starsmith

STORY: EP538: The Starsmith
AUTHOR: Jonathan Edelstein
NARRATOR: James Odcombe
HOST: Tina Connolly

about the author…

Jonathan Edelstein is 44, married with cat, and living in New York City.  His work has appeared in Strange Horizons and the Lacuna Journal and is forthcoming in Beneath Ceaseless Skies.  When not writing, he practices law and hopes someday to get it right.

about the narrator…

James Odcombe is a writer and storyteller who loves imaginary worlds and unusual characters. He’s British but grew up in Tanzania, East Africa. Now living in the UK, he pens tales of Fantasy, Science Fiction and Horror.


The Starsmith
by Jonathan Edelstein

It took two years for Faji Doumbia to travel from Madankoro to Mutanda on the free trader Mweshi: two years of sleeping in cargo holds fragrant with spices and scented woods, two years of waiting on each world as the captain concluded his business, two years of jumping through the ichiyawafu and dreaming of the dead. He worked his passage, and there was time enough to learn the dead language that the ship’s computers spoke and discover how to tend machines that no living person could build. There was time enough to contract two ship-marriages, and by the time Faji came at last to Chambishi Port on the forty-ninth day of the Year of Migration 30,891, he had given a son to the ship-clans.

What he found when he took his leave of the Mweshi was both more and less than what he expected. Ninety thousand people lived in Chambishi Port, far more than any town on Madankoro, but forty million had lived there once, and the new city seemed like a collection of villages amid its former glory. Some of the towers north and east of the port were four kilometers tall: the war that destroyed the Union had gutted them, and after six hundred years forests grew in their upper stories, but they loomed over the thatched houses that lay between them, and from a few, the remnants of the High Streets and High Gardens hung crazily.

It was minutes before Faji could bring his eyes down from the towers to the ships – the ships hundreds and thousands of years old, that the Union had built and that now served its children. By then, the dockmen were well started in unloading the Mweshi. He stopped one and asked where the numusokala was, and when he got no answer, he remembered that the people here used different words. “Where are the… washiri?” he asked, remembering the word he’d been taught. “The blacksmiths?”

The dockman turned to the north. “You’re one of them?” he said. “Yes, you’ve got the look of one. That way, through the old city. You’ll hear the place, and even before that, you’ll smell it.”

There was a hint of distaste in the dockman’s voice, and he walked away as if he couldn’t leave quickly enough. That, too, wasn’t what Faji had expected.

EP537: Honeycomb Girls

RELEASED 10.August.2016
AUTHOR: Erin Cashier
NARRATOR: Johnathan Danz
HOST: Norm Sherman

author Erin Cashier

author Erin Cashier

about the author…

Erin Cashier is fond of the unreliable narrator.

I’m dying to leave things at that, but —

I grew up in Texas but I live/work/play in Northern California, like all writers my cat loves me particularly much, and my husband is a fantastic man. I work as a registered nurse at a Burn Ward, which is amazing and challenging in equal measure.

The things that interest me most are Disneyland (not kidding), esoteric philosophy books, alchemy as it relates to Jungian theories, William Blake, and Super Paper Mario.

Things you should know about me: I made a special side trip to that Snake Farm between San Antonio and Austin on a recent trip to Texas, I have quite a lot of tattoos — the peacock feather images featured on this website are all actually from my backpiece — and I can eat my weight in sushi.

narrator Jonathan Danz

narrator Jonathan Danz

about the narrator… Jonathan Danz is a writer currently working on his next novel about the daughter of a coal miner who embarks on a journey across parallel dimensions to find her father who disappeared under mysterious circumstances two years ago. Jonathan lives in West Virginia with his wife, daughter, two cats and his mountain bike. jonathandanz.com

Honeycomb Girls
by Erin Cashier

Those were the days Geo couldn’t walk through the market without stepping on someone else’s shoe. If money wasn’t tied to waist it was zipped, and anything dropped — paper, panks, crumbs — zipped too. Geo sold junk there: stripped wires, sharp green-squares, transistors like pills. “Someone junk, someone treasure!” Geo call. Men come over to see what Geo had, comb over findings, and Geo with stick, ready to slap at zippers. Stand all day, stand half night, then walk home to hard mat shared on second floor. Kick junk man out, eat food, sleep, till day begin again.
Geo hunt for junk at old places when junk run low. Sometimes old posters hidden from rain. Posters show things that not there. Happy men, metal cages. Men touching screens. Men smiling. Like said, old posters. No smiles now.
And sometimes, girls. Some cut out, but see where shape was left. Cut here, tear there. Reach out and feel where maybe curve had been. Hold nothing in hand. Imagine, if no one watching. Geo knew girls. There, but not there, like the sun, Never touch the sun, and never touch the girls, neither.


Jon yell, “Junk, junk!” Geo with stick, watching men come by. Man comes to table. Leans over. Clothing new. Business man? Tinker man? Jon’s boy watches man’s back. Makes sure no one else steal his money before Geo can.
Geo sees glint in man’s eye. He like something he see. Geo step forward. Geo like what Geo see. “You like?”
Man’s head bows. “No, no, nothing.”
Geo knows glint. Geo knows lie.
Man scans table, sniffs. “There’s nothing here. None of this is worth anything to me.”
Geo grunts.
“I’m an artist. I can maybe use this.” Man picks up three metal bits.
Geo grunts again, waits. Watches man’s hand reach for first thing he like. Glint-thing.
“And maybe this too. How much?”
Geo point to first pile. “Four panks.” Geo look at man clothing, hair, naked chin. Points to hand. “That, too expensive for you. Put down.”
“But –”
Geo hold up zip-stick. “Too pricey! Put down!”
Man’s eyes narrow. Geo offend him. He think he can afford all junk here, all table, all tent. But he do what Geo say, sets glint-thing down. Geo pick it up: round, metal, cold. Geo ask for most expensive thing Geo can think of. “Worth one night.”
Man’s eyes widen. Anger blaze. But he cannot steal from Geo here. Whole tent junk men watching. Under table, Jon step on Geo’s shoe.
Man lean over table, snatch ball from hand. “Done.”
Geo blinks.
“Go to the third tower two days from now. I’ll let them know you’re coming.” Holds up metal thing from pocket. Light flashes. Geo is blind.
When sight come back, man gone. Geo works, goes back home, lays on mat. Feels junk man’s fear. Should Geo have bargained harder?

EP536: Prophet to the Dogs

RELEASED 3.August.2016
AUTHOR: Bethany Edwards
NARRATOR: George Hrab
HOST: Tina Connolly

about the author… Mystery!

narrator George Hrab

narrator George Hrab

about the narrator… Multi-instrumentalist, singer, songwriter, producer, composer, and heliocentrist George Hrab has written and produced six independent CDs and a concert DVD; published two books; recorded hundreds of episodes of an award-winning podcast; emceed countless science conferences; been a TEDx speaker; and has even performed for President Clinton. He’s traveled to four continents promoting critical thinking, science, and skepticism through story and song. George is considered one of the preeminent skeptic/science/atheist/geek-culture music icons currently living in his apartment. www.GeorgeHrab.com

Prophet to the Dogs
by Bethany Edwards

A long time ago, in another life, when there were so many billions of us that 382 of them were small change, I worked in an office building. I was the graphic designer for a community arts magazine—circulation 382—on the top floor.

Across the street from this office building was a tiny, nameless park. It contained a few trees, some scraggly bushes, four benches, and just enough grass so that people thought they could hide their cigarette butts in it. I would always put my butts in the trashcan on the corner like a civilized person, but no one else ever took after my good example.

Despite being small, the park attracted a very diverse crowd. People in my building took their lunch break there, college students read or tapped away on their devices, teenage skateboarders attempted to skid across the backs of benches, moms let their young kids burn off some energy, and homeless people curled up with their dogs in the evening.

But by far the most interesting people in the park were the protestors. There were no huge corporate or political headquarters in that part of town, so we didn’t get organized protestors. We got lone Don Quixotes, tilting solo at the windmills of modern evils. They were usually spreading the message that the end was nigh if we didn’t stop global warming or come to Jesus. I got a big kick out of them when I first started my job, but over time they all faded into the background of my everyday life.

Until the day I noticed the “YOU ARE ALL F&@^%D” girl.