Posts Tagged ‘music’

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Escape Pod 1019: Baron Quits The Payloaders


Baron Quits The Payloaders

By Renan Bernardo

This story starts with a gig. Half a million people from all corners of the galaxy, hands in the air, heads banging to our vibrant noise. You probably saw the venue on some feed already. It’s the Amplitude, our spaceship, stage #3, the one with an enormous radiation-shielding dome over our heads. Right now, the glass glistens with Marzanna’s tannish and gaseous massiveness outside.

This is also how the story ends for me. How I want it to end. With a blast and nothing more. (Continue Reading…)

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Escape Pod 925: The Ballad of Starburst Smith


The Ballad of Starburst Smith

by David Marino

“Did you read the terms and conditions?”

“Fuck you, I read the terms and conditions!” Does this bearded receptionist not know she’s Starburst Smith? Does he not know she’s the Rock Prophet who will herald in a new era of music that will soon sweep her into fame and fortune, that will soon have her selling out Dodgers Stadium and Madison Square Garden?

Even if soon has been soon for fifteen years

(Continue Reading…)

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Escape Pod 891: Wanderlust


Wanderlust

by L. P. Kindred

When he first approached me in the train station, I batted him away. I thought he was homeless. The weird, ellipsoidal neck tattoos creeping into view from his collar didn’t help. He persisted, and I took an actual look at him. Not homeless, just rough around the edges. When he talked, it was like he picked up a conversation I was having with myself. And staring into those ebony eyes of his didn’t hurt his chances either.

Coffee lasted hours. So did bedtime. When I asked him why he’d walked up to me, he said he liked the magenta scent of my locs.
With his accent, I thought he administered paralytics or worked in artificial intelligence, until he wrote out the word “synesthetic.” I didn’t really need all that. Just more kisses.

(Continue Reading…)

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Escape Pod 802: Sentient Being Blues


Sentient Being Blues

by Christopher Rose

I got a pickaxe for a left hand,
I got a churn drill for a brain,
I got a pickaxe for a left hand,
I got a churn drill for a brain,
I got miles of tunnel behind me,
just to stand out in the rain.

[guitar solo 36 bars]
[2x chorus]
[long outro – guitar vamp harmonica over]

“ASIMOV WAS A BIGOT.” The graffiti, sprayed across the bucket of a soviet ore hopper car, one of a long train of them. Then a slash of Cyrillic, the same message probably, obscured by a crust of snow and mud and grit. Not clear from the lettering if it was a human hand that wrote it.

An icy wind picked up my tie and flapped it until I smoothed it back down under my parka. I shivered.

“I own your steps, Thom,” Freddie had said. “Every step from here to Siberia and back. Don’t come back empty-handed. Go get it, boy.”

Barking mad endeavor. Yet here I was.
(Continue Reading…)

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Escape Pod 784: Annotated Setlist of the Mikaela Cole Jazz Quintet


Annotated Setlist of the Mikaela Cole Jazz Quintet

by Catherine George

Tight Squeeze
That solo! Art blowing so hard and so hot, jumping out like a solar flare. Art, the only one of us with a real instrument, a beat-up old brass thing with the spit of two hundred years of play in it—and, well, sometimes we thought you could hear the difference. Oh, people said the three-d printers could make horns that sounded just as good, blew just as pure, and Mikaela said it was worth it to have anti-grav, so she could tow the piano behind her wheelchair—but still, there was something about knowing the horn had been on Earth, that there might be red clay or Terran bacteria gummed up under the keys. Every note heavy with the weight of time.

We never asked Art where he’d gotten a real Earth tenor sax, but there must have been a doozy of a story there.
(Continue Reading…)

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Escape Pod 710: Requiem Without Sound


Requiem Without Sound

by Izzy Wasserstein

Introit
Evie is born into cold and silence. They know this, though they have only now gained consciousness, because their sensors report it. The memory of the station’s computer, which now forms part of Evie’s brain, tells them that their environment is very wrong. There should be movement. Sound. Life.

Interior scans of the station reveal the cause. A chunk of rock, 9 cm in diameter, has punctured the station’s control room. Chavez was in her chair when the debris broke through, crushing her head. There was no time for her to seek the safety of the living compartment, no time for decompression or cold to kill her.

Evie has been programed with a full suite of emotions, including empathy, and feels that a quick death was a small mercy.

Chavez died before Evie’s mind had finished growing on the neural-lattice, before they became conscious.

A rigorous technician, Chavez left notes in Evie’s code, though there was no one to read it besides Chavez, and now Evie themself. The annotations are clear: she was growing Evie because she was lonely. Evie considered one particular notation at length: I’m tired of singing to myself.

(Continue Reading…)

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Escape Pod 697: The Last Stellar Death Metal Opera


The Last Stellar Death Metal Opera

By Elly Bangs

Raya eases power into the singularity engine and all her senses sharpen with the glorious, brutal reality of the moment: dead ahead there’s the blacklight-purple disk of Wolf-Rayet 104, twenty-eight subjective minutes before it goes core-collapse supernova. In her rear view there’s the brown dwarf she’s dragging on a graviton leash. She aims to hurl it down that deep purple star’s gravity well fast and hard enough to nudge it a degree off its axis just before it blows, in turn tilting the jet of its impending gamma ray burst away from an ocean planet and sparing a half-billion bronze-age octopodes from a gruesome flash-boiled apocalypse.

After aeons of waiting and searching, finally everything is in order, all her conditions met: she’s the only one who can do it, this is the only way it can be done, and there’s no scenario that doesn’t end with her being blasted so effectively to smithereens that no tech in the universe can put her back together again.

She cranks up the music (some ancient pre-Unimind death metal) and cracks her neck. She verifies the integrity of her mohawk, the wicked glint of her spiked bracelets in the cockpit lights, the wings of her void-black eyeliner: She’s going to be the first human being to die in a very, very long time, and she’s damn well going to do in style. She plants a kiss on her fingers and transfers it to the photo of the late, eternal Jex Epsilon-James stuck to the cockpit ceiling.

“This is it, Jex. It’s going down.”
(Continue Reading…)

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Escape Pod 657: The Big So-So


The Big So-So

By Erika Satifka

We’re both sitting on the rotting front porch one muggy July day when Dorcas asks me if I want to break into Paradise with her. I lace up my sneakers and we do the old huff-and-puff up Negley Avenue to the big Cygnian compound on the hill.

It’s dark, which doesn’t mean much. Most of the compound-heads are wired up to the pleasure-juice on a more-or-less constant basis, and who needs light when you’ve got that? Still, it only takes about three minutes until we’re spotted climbing over the semi-permeable barrier that separates the Chosen Ones from the Not There Yet. And it only takes eight minutes until we’re sitting in the bare-bones holding tank, waiting for an attendant to rouse one of the compound-heads from their ecstasy.

I look over at Dorky. She looks over at me. She mouths the words “play along.”

And I mouth the word “what?” because for the life of me I can’t figure out what the hell the point of this little stunt is.

The compound-head enters in a thick bathrobe that hides just how fucking skinny they all are. It picks up its slate and starts to write. The chalk squeaks.

Colorless ideas sleep furiously still.

“We want to stay.”

Sonic results spiral within documentation.

The Cygnians say they’re preparing the compound-heads for life on their homeworld, the real Paradise. For three weeks all of us were jacked up on pleasure-juice dialed to Max Effect, while the Cygnians ran tests to decide which of us got to live in the compounds. They shepherded their lucky few into one of the many squat nanofoam villages that dot the entire globe. Then they turned off the tap.

What happened next… well, at least some of us survived.
(Continue Reading…)

Escape Pod 602: Trash Talk


Trash Talk

By Holly Schofield

I’m not a complainer, not me. I roll with the punches. I’ll be just another dead trash collector in about ten minutes but, hey, that’s okay. My son won’t die and, here’s a bonus, my life insurance policy will pay out.

Unless they consider it suicide.

Here we are, hugging in the middle of my living room, me in my robo-assist, my fists locked behind Ricky’s head, up high, like a boxer’s. Ricky, that’s my son, he’s pinned right against my chest.

I can’t see much now, things are blurry; must be sweat that’s in my eyes. Maybe that’ll save me ’cause it’ll short out the servos sooner or later. That was a joke. I’m hanging tough. By the way, guys, before you do anything down at the cop shop with this voice record, edit out all the emotional crap Ricky and I said earlier at the beginning, like right when it started recording, okay? Kinda embarrassing.
(Continue Reading…)

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Escape Pod 381: Elias Smith and Jones

Show Notes

Special thanks to user Tomlija at FreeSound.org who created and/or recorded the sound effect used in this episode!


Elias Smith and Jones

by Mark English

Every space in the four thousand seat lecture theatre was taken. Additional folk had snuck in to sit on the dark steps at the back. With everyone whispering discretely, the noise was deafening to the grizzled old-timer who stood leaning on the lecturn at the front—or it would have been except for the myPod player earbuds delivering their tinny frantic bluegrass tunes into his head. He chuckled to himself as he looked up at the wall of people in front of him. Political leaders, military leaders, space systems engineers; all desperate to hear the words of an aged ship’s monkey from the Frontier. All because he and his co-conspirators had blackmailed the solar system.

Elias chuckled to himself again. Who would have figured things would have turned out so? He plucked the ear buds out. Instant silence. The university had scored a coup in convincing one of the Sundance gang to tell their tale since any spaceway robbers were generally executed. However the Sundance gang had a thirty year old secret, one that everyone wanted. With the removal of the first earbud old Elias had indicated he was ready to start; all the spectators held their breath.

Elias turned his face up to the watchers, felt the bright lights warming his face, and smiled a toothy grin. “Howdy folks, I’m good an’ pleased to be here today, to see so many notables amongst you. Some I have met before.” A five star general shuffled uncomfortably in his seat as if the warm smile made him sweat—which it did. Elias continued in his soft southern-states patois. “We are gathered here today to hear a story, so let’s go back thirty years, back to when I was even more good lookin’. My partners and I had just obtained a large cargo of rare earth metals from an asteroid cargo waggon, and this had been mistak’n for a robbery. I guess after these years I gotta ‘fess up and say that it sure as hell was a robbery!” Elias leaned forward and grinned at the Sheriff-Admiral in the front row like he was about to lay a golden egg—which as history showed he had (in a manner of speaking). The Sheriff-Admiral returned a tight grimace filled with thirty years of difficult restraint.

(Continue Reading…)

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