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Book Review: “Libertaria: Genesis” by Sabrina Peña Young


It takes a lot of work to create an opera or musical: you need a cohesive plot that can be sung, you need actors, you need costumes, and you need musicians. Award-winning composer went a different way, sourcing the entire world and putting out her opera, Libertaria, virtually. (She talks about the process a bit more in a TedX Buffalo talk.)

But Young has also taken her opera one step further, converting the show into a novel, Libertaria: Genesis, and that’s what I’m going to talk about now.

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Escape Pod 511: The Lone and Level Sands


The Lone and Level Sands

By Marco Panessa

I don’t know how they found us. Beneath this eternal torrent of dust, our dulled marble shells should be hidden forever; and furthermore, it occurs to me to wonder how they even found this planet. But as the shining ship descends from the stars, my brother and sister and I look on in amazement before turning to one another.

Saphida’s voice is a hoarse whisper, her words echoing down my empty corridors and fading away in the false treasure chambers and dead ends full of traps. She says, “Why do they bother us? We have so much to do.”

“They should bow down in our presence!” Kalesh’s voice shakes dust from my ceilings. “Unworthy, lowly creatures–”

“We never reached other stars.” My voice silences his rage at once. “Whoever they are, they achieved far more than we managed to do. Be quiet. Reserve judgment.”

Beneath a sky of sand and a million years of silence, we await our visitors tall and proud. To my left, Saphida rears in defiance of the stars, her gargantuan funeral runes weathered to illegibility in the constant blast of grit. Her tomb faces the wind in death like she did in life, and she breathes sand as she once breathed the hot foundry air. Every so often a windstorm deposits a pebble or two at her golden gates. Enough time has passed that fifty men could not tunnel their way through to her sealed doors.

To my right, Kalesh broods. A column in his neoclassical portico has fallen down, taking a corniced chunk of marble with it. The lost marble weathered into dust a long time ago. His outlying temples and shrines are all worn away now, like mine and our sister’s. Behind the crumbling façades, the wind has whittled us all down to hemispheres with radii equal to the range of our repair nanorobots. Within this range, they’ve expunged every trace of erosion with fanatical precision. Beyond, there is only the sand. I can hardly see my siblings, a few hundred meters away through the grit.
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Escape Pod 510: Them Ships


Them Ships

by Silvia Moreno-Garcia

Leonardo says that the Americans are going to fire some rockets and free us from the tyranny of the aliens and I say: who gives a shit. Lemme tell you something: It wasn’t super-awesome around here before the aliens. At least we get three meals every day now.

I used to live in a cardboard house with a tin roof and collected garbage for a living. They called my home a ‘lost city’ but they should’ve called it ‘fucked city.’

Leonardo talks about regaining our freedom, ‘bout fighting and shit. What damn freedom? You think I had freedom in the slums? Leonardo can talk freedom out his ass because he had money before this thing started and he saw too many American movies where they kill the monsters with big guns.

I’m not an idiot. The cops used to do their little “operations” in our neighborhood. They’d come in and arrest everyone, take everything. They weren’t Hollywood heroes out to help people. They were fucking assholes and I don’t see why they would have changed. As for American soldiers saving the day: You think they give a rat’s ass ‘bout Mexico City? You think they’re going to fly here in their helicopters and save us?

I say fuck that shit. I never had no freedom. Leonardo can go piss himself.
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Escape Pod 509: Broken


Broken

by Jason Kimble

My favorite part about skimming is that I’m not broken when I do it. It doesn’t matter that I don’t have levels, that I’m on or off, because that’s how everything’s supposed to be when you’re in the hypernet. Even if I’m not supposed to be in the hypernet.

I’m only able to skim because Kaipo left my interface node on. That was the day he told me I could call him Kaipo instead of Dr. Singh. His eyes are different than mine, but that’s not because of the Skew, and even if it is I wouldn’t care, because they’re pretty and dark and they twinkle a little bit when he smiles. We’d had sex twice when he told me I could call him Kaipo if we’re alone. Sex is almost as good as skimming, only it doesn’t last as long, and sometimes I’m stinky afterwards, which I’m not a fan of. Sometimes Kaipo smells like pumpkin, which I’m totally a fan of.

“Overshare.”

“Hi, Heady,” I say, rolling onto my side on the bed to look at her. I frown, which I know because the muscles at my jawbone ache a little when I frown. “Did you hear all that?”

Heady raises an eyebrow and purses her lips. Heady’s my big sister. Like, really big. Eight and a half feet big. That’s what the Skew did to her, blew her up bigger than life, but I think it suits her. She’s not as tough as she looks to most people, though. She’s totally as tough as she looks to me right now.

“Sorry,” I say, sitting up. “Sometimes I get confused about outside and inside my head.” That’s what the Skew did to me: broke my head. You can see that when I cut my hair or trim my beard, because the hairs change colors each time. Other people tell me it’s silly, but I like it. I can never decide if I like red or blue or green or purple or yellow more, and this way I get to have them all, and all’s better than some.

Heady sighs.

“Don’t worry, Sy,” she says, because Sy’s my name. “You never have to apologize to me.”

She smiles, and the muscles in my cheeks tense up so I know I’m smiling, too. She’s a good big sister, Heady. Even if she’s not real.
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Book Review: Murder with Monsters by KT Katzmann


Is the act of writing a book where you subvert genre tropes itself a trope? Because that seems to be happening a lot lately, in both short fiction and longer works.

I guess a lot of authors are doing it because it works, and because it can be funny. But there’s a lot to be said for putting your own spin on the tropes themselves — not quite subverting them, but being aware of their power and using them for good, instead of evil. That’s what author KT Katzmann has done in his debut novel, Murder with Monsters.

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Special art print for Artemis Rising 2


By now, you’re sure to have heard about Artemis Rising 2! It’s a special month-long event featuring stories by some of the best female and non-binary authors in genre fiction, airing across all the Escape Artists podcasts in February 2016.

We’re very pleased to announce that EA has commissioned a special art print for Artemis Rising 2 by none other than Galen Dara!

Galen likes monsters, mystics, and dead things. She has created art for Uncanny Magazine, 47North publishing, Skyscape Publishing, Fantasy Flight Games, Tyche Books, Fireside Magazine, Lightspeed, Lackington’s, and Resurrection House. She has been nominated for the Hugo, the World Fantasy Award, and the Chesley Award. When Galen is not working on a project you can find her on the edge of the Sonoran Desert, climbing mountains and hanging out with an assortment of human and animal companions. Her website is www.galendara.com plus you can find her on Facebook and Twitter @galendara.

Here’s an example of her wonderfully thoughtful pieces, included in the 2015 Spectrum Fantastic Art annual.

Picture by Galen Dara: "A City On It's Tentacles"
Picture by Galen Dara: “A City On It’s Tentacles”

Escape Pod 508: A Day Without Sunshine


A Day Without Sunshine

by E. Saxey

I don’t waste time. I study, I work hard, and when I go out I can squeeze a month of clubbing into one night. Tonight I’m squeezing it in a nasty place in Peckham, South London: no air, and the walls are sweating. I can’t get drunk–I’ve got a lecture tomorrow morning–so I’m dancing myself stupid, twisting my head so quick that my braids twat me in the face.

But across the delirious dance-floor, in the far corner, there’s a pool of stillness. Nobody dancing, everyone chilling, and you, leaning on a wall. You’re a little guy with lush brown eyes, gazing all around you.

I fight my way through the dancers to get to you. I get tangled in arms, fingernails up in my face, but I finally reach you.

“I’m Michelle. I’m doing law. You a student?”

You’re Hesham, twenty-eight, from Cairo. Not studying anything.

As I look at you, my skin tingles. Then I hear a police siren wailing past–of course, we’re next to the fire exit. That’s why there’s a pool of coolness round you.

“This is all excellent,” you say, waving an overpriced beer bottle at the terrible club. I laugh.

“You must be on some good stuff, fam.”

“I’m not! I like places where everyone’s having, oh, as much fun as they can.” You sound shy, formal. My Ma would call you “well brought up”.

Later, you sneak into my sweaty arms. You’re shorter than me and kind of delicate, but you don’t make me feel clumsy. Just strong, as though I could scoop you up.

Like I said, I don’t waste time. “Are you going to invite me back to yours?”

I reckon you’ll get ripped off by the flaky minicabs hovering outside. But you find us a proper black cab. We sit on opposite sides of the big back seat. Up the mangy Old Kent Road we go, across the dark river with both banks twinkling. Past the City, castles of light.

The taxi metre ticks up and up. “Hesham, I can’t split the fare on this!”

“Oh! I should have said. I’ll get it.”

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Escape Pod 507: The Call of the Sky


The Call of the Sky

by Cliff Winnig

The army hospital’s underground floors reminded me of Pluto Base, a place I’d never actually been. I’d never even been off-world, but I remembered those claustrophobic beige corridors. Two years before, I’d synced with a bunch of my alts home on leave after basic training. Today for the first time I’d be meeting one who’d seen combat. More than that, one who’d become a hero, the only Teri Kang to survive the Battle of Charon.

We wouldn’t be syncing, though. Not this time. Not ever. Before she’d escaped the doomed moon — the moon she’d given the order to destroy — she’d been bitten. That’s what the G.I.s called it when Hive nanobots infected you: being bitten. Like it was a zombie plague or something.

Hell, it might as well be. Soon the only other Teri Kang in the universe would lose her fight with that infection, and the army docs would euthanize her. Under the circumstances, even coming home had been an act of courage. A lot of G.I.s who got bitten went AWOL rather than face the certain death of returning to base. Not for the first time, I wondered if I had such courage lying latent within me.

Flanked by MPs, I followed a nurse down hallway after hallway till we arrived at my alt’s room. Well, the room next to it, since she was quarantined. A smartglass wall separated me from the sterile chamber where the other Teri Kang would live out her last few hours.

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