March 2020 Metacast


Transcript

(Alasdair) Hi everyone, Alasdair here.

We’re not going to ask how you are right now, because we have a pretty good idea. You’re fine. You’re FINE. You’re the same version of fine as everyone right now, the one Aerosmith sang about. The one where you’re alternately anxious, terrified, furious and calm.

We empathise. We’re the same. (Continue Reading…)

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Escape Pod 725: Falling Through


Falling Through

by Steen Comer

Woke up again. Checked the news feeds. Everything seems to be about the same, though there is news of a presidential candidate who I don’t remember dropping out of the race. It’s really hard for someone in my position to take an interest in politics, so that’s not really a strong indication. Maybe I just wasn’t paying attention.

I went to work and the office was still there. My memory tells me I’ve had this job for a few months now, which is helpful. One of the most traumatic shifts I had, because it was one of the first, was showing up at my office job and finding that it was an auto body shop. Luckily I had a faint memory of another location and was able to get there only half an hour late. My boss didn’t even notice.

That was when I first started really thinking about the shifts. I had been seeing the small ones for a long time, but that was the first incontrovertible one, the first that I couldn’t explain away as an error of memory. I thought I was going crazy, of course. Spent a while like that. And, in a case like this, it’s impossible to be sure that I’m not crazy. But I’ve found a Practical Operational Paradigm, as Jonas was fond of saying.

Oh Jonas. First shifter other than myself I ever met. Last one I ever saw. I should get back to work. I don’t know why today I need to write this down again. Maybe it’s the sky. It’s a flat grey that could be anywhere. It’s the color of Claire’s eyes.

(Continue Reading…)

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Escape Pod 724: The Season of the Storm


The Season of the Storm

by Jonathan Edelstein

Twenty kilometers outside Nkoloso Station, we stopped for gas.

The Titan rover turned and Misozi steered for a group of outcroppings; there were more of those now that we were getting to the uplands north of Kraken Mare. She slowed and stopped beside one of them, a cairn of ice-rocks fused into a column half again my height.

“Elias!” she said. “Let’s cut some.”

My eyes flicked to the dashboard display. “We’re not low.”

“Never hurts to top it off, and we’ll be up there a couple of days.”

Misozi was like that. She liked her margins of error large, and she’d never be satisfied with the gauges at eighty percent when they could be one hundred. She wasn’t going to change, and her habits had saved our lives a time or two, so I didn’t argue. Instead, I opened the door and jumped down.

There was a toolbox on the rover’s flatbed with the word “Banda” scrawled on it in an ancient marker; Misozi opened it and took out an ice pick and hammer, and I did the same with the box labeled “Yaluma.”

A breeze was blowing and stirring the dust and ice particles on the ground, raising even more of a burnt-orange haze than was usual in Titan’s sky. Enough dust was in the air that I had to wipe the face-plate of my suit, and I had the sensation of being in a cloud. I leapt into it; a single bound, in gravity one-seventh of what I’d been born under, took me to the middle of the cairns.

(Continue Reading…)

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Escape Pod 723: How Did it Feel to be Eaten?


How Did it Feel to be Eaten?

By Amit Gupta

“I was an elderberry,” I announced, glowing with pride.

“How did it feel to be eaten?” he asked.

It seemed an odd question, but a response came unbidden, so I voiced it, “It was an honor.” My words surprised me, but they felt true.

“The Queen of England ate me,” I added. How did I know this? Who was he? My cheeks flushed with embarrassment. I didn’t feel like a berry. Did berries feel embarrassed?

“I didn’t know she was the Queen at the time,” I admitted.

“Yes,” agreed the man who I could not see and did not know. “Let’s try another.”

I was in again and felt immensely powerful. I sparkled in the sun. The land beneath me rose, I stood, and I felt a caress on my shoulder. A child. We danced. I rolled, crested, and rumbled; she banked and cut on her board, gliding gracefully along me, her speed blowing droplets of me right off her wetsuit. We became one.

We reached the shore, and I crumbled, making room for others like me, and others like her.

That was a short one.
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Escape Pod 722: His Stainless-Steel Heart


His Stainless-Steel Heart

by Jeffery Reynolds

It was at the rest stop in Tali that Viktor ran into trouble. His fault, really. He’d been driving along all swoon, meditating in an isolationist haze that provided him a good feeling, kept his thoughts clear. Didn’t even have to get high, it was a natural vibe for a motoring king. The ancient Buick purred like an avalanche of love, eating the miles. Better outcome than a warmonger could hope for. The rest were all perished. Peacetime no peace for warriors.

Into the stop he pulled, needing a stretch and a piss, maybe a hit of Somnup or a sip of caffeine. There were only a couple of vehicles there, so he thought sweet, no one to bust in on my mood. Two drone trucks; a couple three sedans, all electric and shiny new; a lone RV — first one he’d seen in about six years to be fair, so that made it coolness, and it clearly guzzled rich diez. Getting so he didn’t see gassers any more, which was opaque for the lungs, but always a bit low on the sadness scale. Made that RV something special, sitting there all proud on its rubber soles.

He walked through the swinging glass doors, into the cool of interior dusk, with the hum of an old AC unit buzzing like a hive through the ducts overhead. And there she came, out of the facilities, a Valkyrie with bleached blonde mohawk and electric green irises from the finest graft shop, her right arm one big circuit board, bio-gened and soldered with immaculate chromium threads. Perfect teeth when she smiled. Preggers as all heck, like she carried twinsies. She had that thing preggers get. He remembered that glow they had.

Green eyes.

(Continue Reading…)

Flash Fiction Contest 2020


It’s no joke: Escape Pod’s Flash Fiction contest returns on April 1, 2020!

Submissions will be open from April 1-15, 2020, via a dedicated portal on Moksha.

To be a valid submission to the contest, each story must adhere to the following rules:

  1. The story must be no more than 500 words long, not including its title. Do not use the title to skirt around the word count. Word count will be determined using Scrivener.
  2. Each author may submit only ONE story.
  3. The story must adhere to the general Escape Pod submission guidelines. Most importantly, it needs to be a science fiction story; other genres, including horror and fantasy, are discouraged. As a general rule, we will take a very liberal view of what constitutes science fiction, but authors should note that experience shows that stories that attempt to skirt the genre restriction tend to fare badly in the voting.
  4. The story must be original and previously unpublished. If your story was published on your public blog or your Patreon or in your newsletter, it is considered previously published and is ineligible. If it has been posted only to a private critique group, it has not been previously published and is eligible. If you have a question, send a query to darusha@escapeartists.net with the subject line “QUERY” and ask before submitting. Please do not submit stories that have been entries in any previous Escape Artists contest. Note that contest stories will be posted on a members-only portion of the forum, so first publication rights will not be spent by entering.
  5. The person submitting the story must be the story’s author (or acting for the author with express permission) and hold full publishing rights to the story.
  6. The story must be submitted in its final form, as the author intends it to be read by the voting public. We will not allow authors to submit changes to stories.
  7. The title, byline, and text should be included in the submission. Any byline will be stripped when the stories are posted in the contest, and will be revealed when the story does not advance, or at the close of the contest. Feel free to use a pseudonym for the byline, but we will need a legal name if you win for the contract.
  8. Authors under 18 are welcome. By submitting, any author under 18 asserts they have obtained the permission of a parent or guardian with whom Escape Artists, Inc. can enter into a contract on behalf of the author.

The three stories with the highest votes will be published on Escape Pod. Authors will be paid $40 USD, making this a pro sale of at least eight cents a word.

Please share widely and loudly!

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Escape Pod 721: Hustle


Hustle

By Derrick Boden

I’m all stims and grins as I kick open the door to West Precinct, strung-out bounty dangling from my headlock like a slab of vat beef with a fauxhawk. Inside, it’s the regular bullshit: a row of five tellers–one for each of the bounty app networks–a half-dozen grime-streaked auto-cuff stations, four janitors, one cop. Everyone’s hustling, of course–cobbling gig-shifts to cover backlogged tuition payments and overdue streaming services, eyes glazed and fingers flensed to bone. Everyone except the cop, who’s there to lock up after everyone bails for the evening rideshare rush. She’s a loophole, a salaried ultra-minority, a relic of pre-privatization. She gives me the creeps.

I wrangle my mark to the EpicBounty desk. “Payday, y’all.”

The teller stares at me with soulless eyes. “Name and ID.”

Her DMV monotone is the stuff of legend. Of course she recognizes me–I’m not sporting a latex halter top and violet-tuned contax to blend in. But I’m still riding the post-gig high, so I play along.

“Violetta Yamamoto–”

“Into the lens, ma’am. You know the drill.”

Of course I know the drill. I’m a five-star double elite EpicBounty hunter, two tiers shy of max. Max elites qualify for fucking health insurance. No one in King County’s amassed more rep than me since I made parole five years ago–seventy-four thousand points and counting.

But who’s counting?
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“Escape Pod: The Science Fiction Anthology” From Titan Books


Attention Escape Pod fans! We are so happy to announce our first ever print anthology, coming in October, 2020, from Titan Books, to honor our 15 years of podcasting. Please spread the word and get ready to pre-order!


Escape Artists and Titan Books are delighted to announce the upcoming publication of Escape Pod: The Science Fiction Anthology to celebrate the fifteenth anniversary of the hit podcast of the same name. Featuring new and exclusive stories from today’s bestselling writers, the collection will publish October 2020 and is the latest addition to Titan Books’ award winning anthology list that includes editors such as George R.R. Martin and Gardner Dozois, Mark Morris, Christopher Golden and Rachel Autumn Deering, & Paul Kane and Marie O’Regan.

Escape Pod has been bringing the finest short fiction to millions all over the world, at the forefront of a new fiction revolution. Founded in 2005 by Serah Eley, Escape Pod is the world’s oldest audio fiction podcast and was a Hugo Award finalist in 2017. Specializing in science fiction, the podcast gives its audience a different story each week that’s fun and engaging, with thought-provoking afterwords from its episode hosts.

This anthology gathers together stories from writers such as Cory Doctorow, Ken Liu, Mary Robinette Kowal, John Scalzi, and more, including nine works of original fiction. Editors Mur Lafferty and S.B. Divya have produced the science fiction collection of the year, bringing together bestselling authors in celebration of the publishing phenomenon that is Escape Pod.


ESCAPE POD: THE SCIENCE FICTION ANTHOLOGY
9781789095012 | October 20 2020 | Paperback | £8.99/$14.95 | 368pp

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Escape Pod 720: Child and Orb


Child and Orb

by James Dunham

The child spent most of her time watching the empty stars from the pod window. They were always nothing but distant, dead glitter–not a planet, cloud, or rock, not a fleck of wreckage from the explosion. With only one window, she often wondered whether, if there had been another vista at the rear of the two-room pod, she might still be able to see the spinning pieces of hull and conduit, see that glove someone hadn’t gotten a hand into in time.

Even though the stars ahead never grew closer, she knew the pod kept moving. A display in a lean-to showed speed, fuel, and probably a destination, though none of the numbers meant much to her. The windowed orb that had carried her onto the pod told her what she needed to know–the pod was heading to meet another ship, still weeks distant. She appreciated that the orb hadn’t lied to her the way adults sometimes did, to make her feel better or to give her time to adjust. Instead it told only the truth.

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Escape Pod 719: A Hench Helps Her Villain, No Matter What


A Hench Helps Her Villain, No Matter What

By Izzy Wasserstein

The Lair’s intercom buzzes. “Hench, report to the interrogation room at once. Bring the restraints,” Night Mistress demands. For a moment I allow myself to hope, but when I get down to the deepest level, she’s got Patriotess drugged at her feet, and I know I’m a fool.

Hope isn’t the place of a henchperson. Hope will get you killed. Or, worse, out of a job.

I help Night Mistress restrain Patriotess in the center of the lead-walled room. I secure the heroine’s arms above her head. She’s still out of it, her body limp and her head hanging low, completely in Night Mistress’s power. My knees feel unsteady just thinking about it.

I check Patriotess for weapons. She has that whole thin-with-curves thing that only heroines seem to manage, but even that body can’t save her spandex blue-and-red onesie from looking ridiculous. Heroes will wear almost anything. They’ve got no real flair or sense of grandeur. I guess that’s why they’re not villains. Night Mistress practically radiates power in her black tux with silver trim, complete with a tight waistcoat and a daringly low-cut top. An operatic mask completes the perfectly-tailored look.

I feel stuffed into a glittering sequined gown. It’s a look designed for stage assistants with long legs and slim lines. My ex liked to call me “thick,” but I’m actually fat. This isn’t the costume I’d have chosen, but it’s the look Mistress wants in her henchwoman, which is good enough for me. I still remember her tone when she first ordered me to put it on. That memory keeps me warm at night.
(Continue Reading…)