Archive for 10 and Up

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Escape Pod 486: Blight


Blight

by Bonnie Jo Stufflebeam

There are three thousand people in the world, and we are all the same.

I don’t mean equal, for The Book makes clear we are not in any way equal. Some of us are blessed, others unblessed, as some live in the temple and others live on the charred black surface. And I do not mean we are similar, like sheep – the term once used, I believe, for a world of people with different genetic coding but the same ideas. No, we are not “sheep.” We are the same, from our hair to our DNA.

The Book tells us that once there was The First, long ago, before the war. It tells us that She was not strong but lucky. Hospitalized for a broken leg before the bombs were released, all at once, across the world, or so The Book proclaims. The hospital was underground, hidden from the fallout’s worst. Most of the building caved in with the force of incessant blasts, everything destroyed but one wing: Hers. Our temple.

Inside the room with Her, Her sister Marna had been visiting. Sister Marna, a scientist skilled in genetic replication, was older than The First, who had seen only twenty years. Sister Marna nursed The First back to health in that room, mended Her wounded bones. They ate Jello from sealed plastic containers and cans of beans and the petals of roses left by loved ones they learned to forget. They did not know they were the last.

But they knew they should not leave the hospital wing, for the one time Sister Marna pushed open the door to the surface, she found the way blocked by rubble, saw a hazy light falling from the cracked concrete above. She and The First remained inside until the food ran out.

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Escape Pod 481: Temporary Friends


Temporary Friends

by Caroline M. Yoachim

The second week of kindergarten, Mimi came home with a rabbit. Despite numerous mentions of the Temporary Friends project in the parent newsletter, I wasn’t prepared to see my five-year-old girl cuddling a honey-colored fluffball that was genetically engineered to have fatally high cholesterol and die of a heart attack later in the school year.

“I named him Mr. Flufferbottom.” Mimi told me. I glared at Great-Grandpa John, who’d been watching her while I finished up my shift at the clinic. He shrugged. My gruff maternal grandfather wasn’t my first choice of babysitter, but he needed a place to stay and I needed someone to watch Mimi after school.

“Are you sure it’s a good idea to name him, honey?” I knelt down and put my hand on Mimi’s shoulder. “He’s a completely biological rabbit, and this kind doesn’t tend to live very long.”

“Teacher said to pick good names for our rabbits,” Mimi said. “Besides, you put new parts on people, so if Mr. Flufferbottom breaks you can fix him.”

Replacement pet parts were readily available online, and the self-installing models could be put in by anyone who could afford the hefty price tag and follow simple instructions. But replacement parts defeated the purpose of the lesson — research showed that children needed to experience death in order to achieve normal emotional development. Aside from the occasional suicide or tragic accident, there weren’t many occasions to deal with loss. Schools were required to incorporate Temporary Friends into their kindergarten curriculum in order to get government funding.

The school couldn’t control what parents did, of course, but the parent newsletter strongly discouraged tampering with the damned death pets in any way.

“Mimi, sweetie, that’s not how it works this time — I know we get a lot of extra parts for Graycat, but your Temporary Friend is only until…” I tried to remember from the newsletter how long the rabbits were engineered to live. Six months? “Only until March, and then we’ll say goodbye.”

I expected Mimi to put up a big fuss, but she didn’t. She took Mr. Flufferbottom to the cage we’d set up in her room and got him some food and water.

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Escape Pod 478: People of the Shell


People of the Shell

by Brian Trent

Egypt’s rolling ice-dunes were suddenly peppered by a new ashstorm, as if a bowl of soot had overturned in the heavens. King Cyrus held up his fist and the war drummer ceased his rhythmic pounding, the oarsmen relaxed, and the sandship ground to a halt in the slush. The ash sprinkled Cyrus’ cloak and collected in his beard. He leaned against the deck rails and stared.

“Do you see that?” Cyrus asked his daughter, lowering his facemask around his smile. “Look!”

The girl squinted. “Are those the pyramids, father?”

“As I promised you.”

Three fires danced high in the darkness. In a world of never-ending night, the Egyptians alone had devised a brilliant defiance. The Giza pyramids were like magical lighthouses, capstones removed, their vast bodies filled with pitch, and red fires lit to smolder like desperate offerings to the vanished sun.

Standing on the sandship deck alongside his king, the Magus Jamshid said, “May they welcome us warmly. We are in no condition to fight.”

“I did not need a fight to take Babylon,” Cyrus reminded him.

“That was before the Hammerstrike, my lord.”

But the king waved his hand dismissively. “I will go to them and look in their eyes, and speak to them as friends, and trust that generosity has not perished with the trees.”

The withered magus grunted derisively. He was bearded and ancient, his skin like the patina of old scrolls. Jamshid wore a dark blue turban, facemask, and a scintillating black robe the same color as his pitched eyebrows. His gaze smoked like hot iron.

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Escape Pod 476: In Loco Parentis


In Loco Parentis

by Andrea Phillips

The video stutters at the eighteen-second mark. Yakova knows by heart precisely when it happens. As she watches, she mouths the words along with Autumn. “So this girl just, like, opens up her bag, right?”

And here is where it happens: Autumn elbows her and knocks her glasses off. Yakova knows she should edit it out, those few seconds of skewed and jarring footage as her glasses skitter across the lunch table. Instead, she studies each frame carefully.

Jad is there, nearly off-frame and out of focus, light gleaming off the angled planes of his cheekbones, dark hair curled over his eyes. He starts from his recline, and he looks at her (looks at her!), eyes widening. His hand reaches up, and —

She cuts it off here, before she has to hear her own brassy laugh, before she can hear herself telling Autumn to be more careful. If she doesn’t hear it, she can pretend HE didn’t hear it, either.

She bites her lip, studying Jad’s expression of… concern? It must be concern. Probably. But is it the aloof concern of a bystander, or a more significant concern, floating atop a deep ocean of unspoken feeling?

At the base of Yakova’s skull, her minder, Seraph, uncoils and stretches. “You have homework to do,” Seraph says. When she speaks, it is a warm vibration behind Yakova’s ear, all thought and no real sound. Her voice is the same as Yakova’s mother.

Yakova zooms in on Jad’s inscrutable degree of concern. “Do you think he likes me?” she asks.

The video panel winks out. “Homework,” Seraph says. If she has arrived at any conclusions regarding the boy’s feelings, she keeps them to herself.

Yakova shouldn’t have glasses at all, of course. Not anymore, not at her age. The last two years have seen her friends blossoming into adulthood — one by one peripherals have fallen away, leaving their eyes clear, their faces open and unguarded. Yakova is left behind with a goggle-eyed wall between her and her newly coltish, beautiful peers.

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Escape Pod 475: Homegrown Tomatoes

Show Notes

Mentioned in Alisdair’s commentary: KT Tunstall “Black Horse”


Homegrown Tomatoes

by Lara Elena Donnelly

When I pick Louisa up from school, All Things Considered is on the radio, playing a round table discussion about the virus. One person believes that the disease ravaging the corn belt is a government experiment gone awry. The reporter reminds the audience: botanists speculate it was brought to the U.S. by an invasive species of beetle. I recognize a few of the interviewees—I studied their research back when I was still pursuing my doctorate. Before I met Ann, before we had Louisa. It’s strange, thinking I could have been on NPR some day, if I had finished my degree.

I turn the radio off before Louisa is buckled in. The virus has been the only thing on the news for a week. Louisa’s teacher talked about it with her class a little bit, but I don’t want Louisa to get worried, so Ann and I don’t mention it much at home.

“Daddy,” she says, buckling herself in. “Can we plant my tomatoes when we get home?”

Louisa’s tomatoes started out as a kindergarten project last spring, but quickly escalated into a backyard plot sized right for a small-town farmers’ market. Ann and I thought she would forget about them this year, but in February she asked if we could plant tomatoes again.

“Sure, cookie. But you have to do your homework first.”

She shakes her head. “Mommy said she would help with my homework.”

I sigh. Ann won’t be home until Louisa is in bed. She called at lunch today and said her boss wanted a story on the virus before she left the office—it’s starting to appear outside the Midwest now, affecting fields in New England. There are signs that it might be spreading to wheat and other grasses.

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Escape Pod 474: In Coppelius’s Toyshop


In Coppelius’s Toyshop

by Connie Willis

[EDITOR: We don’t have the rights to post the text of this story.]

Escape Pod 473: Soft Currency


Soft Currency

by Seth Gordon

When Cassie Levine was nine years old, her family lived in the center of Boston, Lyndon B. Johnson was President, and Cassie learned that her mother was a criminal.

The two of them sat in a parked car on Blue Hill Avenue, outside Ethel Glick’s grocery store. While Cassie ate an ice-cream sandwich, her mother smoked a cigarette. The sandwich, the cigarettes, and three bags of groceries had come from Mrs. Glick’s store. When the ice cream sandwich was half gone, Cassie asked, “Why did you change Dad’s money at Mrs. Glick’s? Why not go to the bank?”

Cassie’s mother had passed Mrs. Glick a twenty-dollar bill; the older woman had tucked the bill under the counter and handed back a stack of coupons; then, her mother had used some of those coupons to pay Mrs. Glick. Each twenty-coupon note showed a picture of Margaret Mitchell, holding a copy of Gone With the Wind. Cassie’s little brother called coupons “cootie money,” because only women and girls could use them.

“The exchange rate at the banks is twenty-seven coupons for a dollar,” Cassie’s mother said, “and Mrs. Glick is paying thirty-one.”

“Why don’t the banks pay thirty-one?”

“The government won’t let them.”

“Does the government let Mrs. Glick?”

Cassie’s mother drew on her cigarette and exhaled out the half-open window into the drizzle. Cassie licked vanilla ice cream all around the edge of her sandwich, feeling smug and virtuous and full of sugar. “You’re doing something il-le-gal,” she said, stretching out the last word.

“Don’t tell your father about this.”

Cassie raised her eyebrows. Her mother’s expression was solemn. Through the blur of rain over the windshield, Cassie could see the delicatessen on the opposite corner; the G&G sign was suspended over the sidewalk, round and vertical like a ketchup bottle. Some nights, Cassie’s father would take the family out to dinner there.

“He’s an idealist, and I love him for that, but… he doesn’t understand how much things cost.”

“Is it really illegal, changing money at Mrs. Glick’s? Could you get arrested for it?”

Her mother shook her head. “It’s like jaywalking, honey. It doesn’t hurt anyone, and the police have better things to do than go after it.”

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Escape Pod 470: The Transdimensional Horsemaster Rabbis of Mpumalanga Province


The Transdimensional Horsemaster Rabbis of Mpumalanga Province

by Sarah Pinsker

I. Options for an Imagined Pictorial Eulogy of Oliver Haifetz-Perec

IMAGE 1: The photograph depicts an unmade bed covered in gear and clothing. A military-style duffel, half filled, dominates the shot. A camera bag sits next to it, cameras and lenses and lens cleaners laid out neatly alongside.

IMAGE 2: Shot from the center of the bed. A shirtless man reaches for something high in the closet. He has the too-thin build of an endurance runner, his bare back lanky and muscled. There is a permanent notch in his left shoulder, from where his camera bag rests. A furrow across his back tells of a bullet graze in Afghanistan. The contrast of his skin and his faded jeans plays well in black and white. A mirror on the dresser catches Yona Haifetz-Perec in the act of snapping the picture, her face obscured but her inclusion clearly deliberate. Multiple subjects, multiple stories.

IMAGE 3: This photograph does not actually exist. A third person in the room might have taken an intimate portrait of the two alone in their Tel Aviv apartment, photographers once again becoming subjects. A third person might have depicted the way her freckled arms wrapped around his torso, tender but not possessive. It might have shown the serious looks on both of their faces, the way each tried to mask anxiety, showing concern to the room, but not each other. They have the same career. They accept the inherent risks. They don’t look into each other’s faces, but merely press closer. It would have been the last photograph of the two together. Eleven days later, he is beaten to death in Uganda. His press credentials, his passport, his cameras, his memory cards, and cash are all found with his body; it isn’t a robbery. Since the third option doesn’t exist, the last picture of Yona and Oliver is the one that she took from the bed: his strong back, her camera’s eye.

IMAGE 4: A Ugandan journalist sent Yona a clipping about Oliver’s death. A photo accompanies the article. It shows a body, Oliver’s body, lying in the street. Yona doesn’t know why anyone would think she would want to see that photograph. She does; she doesn’t. She could include it, make people face his death head on.

Instead she opts for

IMAGE 5: in which Oliver plays football with some children in Kampala, his dreadlocks flying, his smile unguarded (photographer unknown), and IMAGE 6.

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Escape Pod 464: Red Dust and Dancing Horses


Red Dust and Dancing Horses

by Beth Cato

No horses existed on Mars. Nara could change that.She stared out the thick-paned window. Tinted dirt sprawled to a horizon, mesas and rock-lipped craters cutting the mottled sky. It almost looked like a scene from somewhere out of the Old West on Earth, like in the two-dimensional movies she studied on her tablet. Mama thought that 20th-century films were the ultimate brain-rotting waste of time, so Nara made sure to see at least two a week. Silver, Trigger, Buttermilk, Rex, Champion—she knew them all. She had spent months picturing just how their hooves would sink into that soft dirt, how their manes would lash in the wind. How her feet needed to rest in the stirrups, heels down, and how the hot curve of a muzzle would fit between her cupped hands.The terraforming process had come a long way in the two hundred years since mechs established the Martian colonies. Nara didn’t need a pressure suit to walk outside, but in her lifetime she’d never breathe on her own outside of her house or the Corcoran Dome. There would never be real horses here, not for hundreds of years, if ever. But a mechanical horse could find its way home in a dust storm, or handle the boggy sand without breaking a leg. She could ride it. Explore. It would be better than nothing. Her forehead bumped against the glass. But to have a real horse with hot skin and silky mane…

“Nara, you’re moping again.” Mama held a monitor to each window, following the seal along the glass. “No matter how long you stare out the window and sulk, we can’t afford to fly you back to Earth just to see horses. They’re hard to find as it is. Besides, you know what happened when that simulator came through last year.” (Continue Reading…)

Escape Pod 457: A Struggle Between Rivals Ends Surprisingly

Show Notes

Mentioned in this episode: Bobby Lombardi fundraiser


A Struggle Between Rivals Ends Surprisingly

by Oliver Buckram

While the harbormaster fidgeted at his desk, Treya checked her pipes. They were, of course, in perfect condition: the leather supple and the drones polished. She’d brought her double-chantered smallpipes today, in case the negotiations grew complex.

The harbormaster snapped shut his pocket watch. “That damned beetle is already ten minutes late.”

Treya walked to the window. On the street below, a fishmonger pushed his wheelbarrow through a group of green-skinned Cantharan peddlers while a Glanite hoverjar floated by. But there was no sign of the beetle. If he didn’t show up, Treya wouldn’t get paid.

She scrutinized the hoverjar as it wafted through an intersection. Inside its murky interior, there must be a Glanite. The squid-like creatures seldom visited Port Raskol. What was it doing here? Might it want to hire a translator?

At last Treya spotted the beetle’s top hat bobbing above the heads of other pedestrians. His fringed leather vest marked him as a servant of the beetle Baroness.

After a few moments, the beetle was ushered into the office. Treya and the harbormaster bowed and the beetle spread his stubby hindwings in greeting. After Treya piped a welcome, he responded with a cacophony of wails, whines, and groans from his spiracles.

She translated in a low voice. “He’s doing the Lamentation on Congestion…apologies for being late…greetings from the Baroness. He’s going off on a tangent. Could be an extended monologue. No…He’s back on track. We’re definitely doing the first scene of A Routine Mercantile Transaction. It’s a one-act, so this shouldn’t take long.”

When the beetle finished his lines, Treya glanced at the harbormaster.

“Ask him why the Baroness is behind on her docking fees,” he said. The Baroness owned a fleet of fishing vessels currently in the harbor.

Treya shook her head. “That will serve no purpose. At best, he’ll give us a discourse on unavoidable delays, and at worst, he’ll push us into a convoluted subplot. No, at this point in A Routine Mercantile Transaction, you need to state your demands.”

“I want those fees paid. Right now.”   (Continue Reading…)

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