Archive for 13 and Up

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Escape Pod 416: On the Big Fisted Circuit


On the Big Fisted Circuit

by Cat Rambo

Jane counted them again to make sure: twelve.

Twelve signatures on the back panel, most jerky with haste, a couple deliberate and firm, one with a little flower above the i, for god’s sake. The pen in her hand ready to add the thirteenth.

How blatant were they going to be?

This was the biggest suit she’d ever crawled into. It meant money: money dripping through the wires around her, money in the gleaming metal struts, money being made by every step it took, money her family needed, every step a week’s rent and food if they were careful with it.

She’d never hit a thirteenth signature before. Most rigs, even the monster ones like this, got destroyed long before a thirteenth fight. It wasn’t just the bad luck, it was dealing with machinery that had been damaged and repaired, damaged and repaired, until you didn’t know what was original body and what was filler.

The sound of the crowd filtered into the suit. Most were screaming, “Coke! Coke! Coke!” as though they meant blood instead, shouts thrumming through the five railroad cars’ worth of metal surrounding her.

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Escape Pod 415: The Nightmare Lights of Mars


The Nightmare Lights of Mars

by Brian Trent

Before discovering the moths, Clarissa Lang stumbled blind in the Martian sandstorm and admitted she was about to die because of a painting.

Granules of sand flew past her head at 90 kph and crunched between her teeth. The storm hissed around her ears, a terrible insistence that she hush forever. There was no excuse for this death, Clarissa thought. Weather advisories had been in place for an hour. Her death would become a digital footnote, filed under foolishness, for all time.

She staggered blind and tacked through the needle-spray. Red sand piled around her neck and shoulders, grew around her mouth like exaggerated lipstick.

“Overlay!” she shouted — tried to shout — but her mouth instantly filled with gritty particulate. She panicked then, the first moment of true mindless panic. But the Martian Positioning Satellite had heard her cry: Maureen’s property map sprang up in her left eye, drawn scarlet against each blink.

The house was thirty meters northwest. Upwind.

Clarissa tucked herself into a protective ball and scuttled sideways, like a crab. The sand struck her exposed hands and face in a shifting, relentless wave.

I’ll never make it.

Clarissa could no longer breathe. A recent story from the Japanese colony in Cydonia leapt to her mind, in which a grandmother had been caught outside in a sandstorm, wandered around in circles for ten minutes in the hissing tempest, and finally suffocated an arm’s length from her front door. When they found her, her stomach, throat, and mouth were bulging with sand.

The toolshed! I can make the tool shed!

Clarissa turned away from her house and the full brunt of the sandstorm slammed into her back, tearing the jacket, spraying around her body in silhouette. For a fleeting instant, she was able to suck clean air into her lungs. Then the sand closed around her again.

(Continue Reading…)

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Escape Pod 412: Thirty Seconds From Now


Thirty Seconds from Now

by John Chu

One second from now, the bean bag will thunk into Scott’s left palm. From reflex, his fingers will wrap around it before he’ll toss it back up again. The trick of juggling lies not in the catch but in the toss. The bean bag will arc up from his right hand, but Scott sees his left hand blur now. Phantom left hands at the few places his left hand may be one second from now overlap with each other, and with his real left hand about a foot above the cold tile floor he’s sitting on. The same holds for the phantom bean bags. They overlap each other and the result looks nearly as cubic, red, and solid in the air, stark against the dorm room’s blank walls, as the bean bag does right now resting in Scott’s right hand.

He’s making a good toss. This catch will be easy. His three bean bag cascade looks to him the way he imagines it must look to anyone else, well, if they were near-sighted and missing their glasses.

When he makes a bad toss, translucent Scotts scatter across the room. They reach for the beds on either side of him, lunge for his or his roommate’s desk, and dive over his bed for the closet. They all stretch for the myriad translucent bean bags raining from the stucco ceiling. The bean bags threaten to knock over the desk lamps, bury themselves in the acting textbooks that line his closet shelf and smack against the window blinds. A desperate enough toss and a phantom bean bag may fly through the doorway into the hall.

He does not need his time-skewed senses to know he will eventually make a bad toss. As hard as he tries to keep his sight solid, to make his life predictable, he will drop a bean bag. That’s why he’s sitting on the floor. It’s easier to pick up dropped bean bags that way.

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Escape Pod 410: Nutshell


Nutshell

by Jeffrey Wikstrom

Carpet ocean, stretching over miles; hills and valleys and ravines, all upholstered.  The green indoor-outdoor gives way to blue, as land gives way to sea, but the texture never changes.  When it rains, as it sometimes does, the drops pass through the carpet without making contact, as though they or it aren’t really there.  It’s there enough for me to walk on, at least, though spongy in some places and firm in others, as though it conceals hidden frames or foundations.  Out on the blue carpet-sea, it feels stretched, tight, as though I walk on a drumhead.  Maybe if I cracked it open I would find a vast dark expanse of water, lit by undersea jack-o-lanterns and holes that show the sky without breaking up the carpet-underside ceiling.

None of it is real, of course.  That probably goes without saying.

It’s funny; I wasn’t supposed to experience time at all.  When they loaded us into the ship, we were told that the travel would be instantaneous from our perspectives.  One minute lying down in the big white plastic tombs, the next freshly decanted and opening raw new eyes.  We would transition seamlessly from fluorescents and anesthesia to the light of some distant new sun.  Certainly I have no memory of consciousness during departure.  I wouldn’t have wanted to be aware, during that dreadful acceleration which pulped our bones, and wrecked our flesh.  By then they had already guided us from our old bodies into the safety of simulation and storage.

This curated world never bruises me or shows me sharp edges.  Trees are padded poles, slick vinyl trunks capped by rubbery green spheres fifteen, twenty feet up.  Stairsteps run up the hillsides, though even the steepest rises are shallow enough I don’t really need the footholds.  Fat plush toys, pink and green and blue, gambol across the plains and mimic living beasts grazing carpet-grass, or drinking from carpet-brooks.  They ignore me, even when I shove or punch them.

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Escape Pod 409: Mantis Wives


Mantis Wives

by Kij Johnson

“As for the insects, their lives are sustained only by intricate processes of fantastic horror.” —John Wyndham.

Eventually, the mantis women discovered that killing their husbands was not inseparable from the getting of young. Before this, a wife devoured her lover piece by piece during the act of coition: the head (and its shining eyes going dim as she ate); the long green prothorax; the forelegs crisp as straws; the bitter wings. She left for last the metathorax and its pumping legs, the abdomen, and finally the phallus. Mantis women needed nutrients for their pregnancies; their lovers offered this as well as their seed.

It was believed that mantis men would resist their deaths if permitted to choose the manner of their mating; but the women learned to turn elsewhere for nutrients after draining their husbands’ members, and yet the men lingered. And so their ladies continued to kill them, but slowly, in the fashioning of difficult arts. What else could there be between them?

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Escape Pod 396: Dead Merchandise


Dead Merchandise

by Ferrett Steinmetz

The ad-faeries danced around Sheryl, flickering cartoon holograms with fluoride-white smiles. They told her the gasoline that sloshed in the red plastic canister she held was high-octane, perfect for any vehicle, did she want to go for a drive?

She did not. That gasoline was for burning. Sheryl patted her pockets to make sure the matches were still there and kept moving forward, blinking away the videostreams. Her legs ached.

She squinted past a flurry of hair-coloring ads (“Sheryl, wash your gray away today!”), scanning the neon roads to find the breast-shaped marble dome of River Edge’s central collation unit. River’s Edge had been a sleepy Midwestern town when she was a girl, a place just big enough for a diner and a department store. Now River’s Edge had been given a mall-over like every other town — every wall lit up with billboards, colorful buildings topped with projectors to burn logos into the clouds. She was grateful for the dark patches that marked where garish shop-fronts had been bombed into ash-streaked metal tangles.
The smoke gave her hope. Others were trying to bring it all down — and if they were succeeding, maybe no one was left to stop her.

Rotting bodies leered out at her through car windows, where computer-guided cars had smashed headlong into the collapsed shopfronts that had fallen into the road. Had the drivers been fleeing, or trying to destroy the collation unit? She had no idea.

The ad-faeries sang customized praises to each auto as she glanced at the cars, devising customized ditties about the ’59 Breezster’s speed. Sheryl needed speed; at her arthritic pace, walking through the women’s district might tempt her into submission.

Given that the ad-faeries suggested it, driving was a terrible idea. River’s Edge had been so gutted by bombings that she’d have to drive manually — and it was already hard to see through the foggy blur of chirping ad-faeries, each triangulating her cornea’s focal point to obscure her vision for the legal limit of .8 seconds. They elbowed each other aside, proffering chewy pomegranate cookies, diamond-edged razors, laser-guided wall-bots that would paint her house a new color every day.

She had no use for them. She’d burned her house down, leaving Rudy’s body underneath the pile of engraved stones with her sons’ names on them.

She had to pass through the two main shopping districts to destroy the collation center at River’s Edge — and if she did that, then she could free Oakmoor, then Daleton, and then who knows where?  But they’d kill her if she weakened. (Continue Reading…)

Escape Pod 393: Red Card


Red Card

by S. L. Gilbow

Late one April evening, Linda Jackson pulled a revolver from her purse and shot her husband through a large mustard stain in the center of his T-shirt.  The official after incident survey concluded that almost all of Merry Valley approved of the shooting.  Sixty-four percent of the townspeople even rated her target selection as “excellent.”  A few, however, criticized her, pointing out that shooting your husband is “a little too obvious” and “not very creative.”

Dick Andrews, who had farmed the fertile soil around Merry Valley for over thirty years, believed that Larry Jackson more than anyone else in town, needed to be killed.  “I never liked him much,” he wrote in the additional comments section of the incident survey.  “He never seemed to have a good word to say about anybody.”

“Excellent use of a bullet,” scrawled Jimmy Blanchard.  Born and raised in Merry Valley, he had known Larry for years and had even graduated from high school with him.  “Most overbearing person I’ve ever met.  He deserved what he got.  I’m just not sure why it took so long.”

Of course, a few people made waves.  Jenny Collins seemed appalled.  “I can hardly believe it,” she wrote.  “We used to be much more discerning about who we killed, and we certainly didn’t go around flaunting it the way Linda does.” Jenny was the old-fashioned kind.

Linda would never have called her actions “flaunting it.”  Of course she knew what to do after shooting Larry.  She had read The Enforcement Handbook from cover to cover six times, poring over it to see if she had missed anything, scrutinizing every nuance.  She had even committed some of the more important passages to memory:  Call the police immediately after executing an enforcement–Always keep your red card in a safe, dry place–Never reveal to anyone that you have a red card–Be proud; you’re performing an important civic duty.

But flaunting it?  No, Linda blended in better than anyone in town, rarely talked and never called attention to herself.  She spent most of her days at the Merry Valley Public Library, tucked between rows of antique shelves, alone, organizing a modest collection of old books.  In the evening she fixed dinner.  After Larry had eaten, cleaned up and left the house for “some time alone,” Linda would lie in bed reading Jane Austen.  No, Linda never flaunted anything–never had much to flaunt.

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Escape Pod 389: Keeping Tabs


Keeping Tabs

by Kenneth Schneyer

I was so excited when I could finally buy a Tab. They cost so much, you know, but I saved up for maybe six months. I waitressed at Antonio’s in the North End, and let me tell you, it’s murder on the feet.  Those trays are heavy, too, and Nico screams at everybody the whole shift, not to mention the way you smell after six hours.  But the customers tip really well, and I was able to save up enough money, even after paying rent and stuff.

I could never have gotten a Tab when I was still married to Marc, that shit.  He never liked anything I liked.  When I married him, all I saw was the big brown eyes and the cleft in his chin and the way he could make his voice go down low, so that I felt it all the way down to my knees.  I had to learn the hard way.

Not that I could’ve afforded a Tab back then, anyway.  The price started coming down just a few years ago, about when Marc broke my front tooth. By that time I couldn’t go to my mom’s, because she said I always went back to that shit anyway, and she wasn’t going to help me do it again, and my friend Lila wouldn’t let me stay with her either, same reason. So I went to a shelter, and the police came, and we got a restraining order on Marc.  But yeah, the same damn thing happened, he gave me that look with those eyes and told me how things were really, really going to change this time, because he’d seen the light and couldn’t believe he’d done something like that to me, and like an asshole, I dropped the charges and lifted the restraining order and went back to him.

Two years ago, right after I divorced Marc, Pearl Moulton started playing Mandi Trenton on Dark Little Corners, which was her first really big break, and they announced that there’d be a Tab on her.  I wanted it as soon as I saw her on the show, because Mandi is so awesome; she’s this really tough girl who works in a bar, and she gives as good as she gets, and she never gives up on love when all these guys leave her all the time. And Pearl Moulton is so beautiful and talented; I used to watch her on Deception, when nobody paid her any attention. Now she was in all the magazines, and she’s exactly my age, and she was Tabbed. (Continue Reading…)

Escape Pod 386: Finished


Finished

by Robert Reed

What did I plan?  Very little, in truth.  An evening walk accompanied by the scent of flowers and dampened earth, the lingering heat of the day taken as a reassurance, ancient and holy.  I was genuinely happy, as usual.  Like a hundred other contented walkers, I wandered through the linear woods, past lovers’ groves and pocket-sized sanctuaries and ornamental ponds jammed full of golden orfes and platinum lungfish.  When I felt as if I should be tired, I sat on a hard steel bench to rest.  People smiled as they passed, or they didn’t smile.  But I showed everyone a wide grin, and sometimes I offered a pleasant word, and one or two of the strangers paused long enough to begin a brief conversation.

One man—a rather old man, and I remember little else—asked, “And how are you today?”

Ignoring the implication, I said, “Fine.”

I observed, “It’s a very pleasant evening.”

“Very pleasant,” he agreed.

My bench was near a busy avenue, and sometimes I would study one of the sleek little cars rushing past.

“The end of a wonderful day,” he continued.

I looked again at his soft face, committing none of it to memory.  But I kept smiling, and with a tone that was nothing but polite, I remarked, “The sun’s setting earlier now.  Isn’t it?”

The banal recognition of a season’s progression—that was my only intent.  But the face colored, and then with a stiff, easy anger, the man said, “What does it matter to you?  It’s always the same day, after all.”

Hardly.  Yet I said nothing.

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Escape Pod 385: The Very Pulse of the Machine

Show Notes

Special thanks to user ERH at FreeSound.org who created and/or recorded the sound effect used in this episode!


The Very Pulse of the Machine

by Michael Swanwick

Click.

The radio came on.

“Hell.”

Martha kept her eyes forward, concentrated on walking. Jupiter to one shoulder, Daedalus’s plume to the other. Nothing to it. Just trudge, drag, trudge, drag. Piece of cake.

“Oh.”

She chinned the radio off.

Click.

“Hell. Oh. Kiv. El. Sen.”

“Shut up, shut up, shut up!” Martha gave the rope an angry jerk, making the sledge carrying Burton’s body jump and bounce on the sulfur hardpan. “You’re dead, Burton, I’ve checked, there’s a hole in your faceplate big enough to stick a fist through, and I really don’t want to crack up. I’m in kind of a tight spot here and I can’t afford it, okay? So be nice and just shut the f*** up.”

“Not. Bur. Ton.”

“Do it anyway.”

She chinned the radio off again.

Jupiter loomed low on the western horizon, big and bright and beautiful and, after two weeks on Io, easy to ignore. To her left, Daedalus was spewing sulfur and sulfur dioxide in a fan two hundred kilometers high. The plume caught the chill light from an unseen sun and her visor rendered it a pale and lovely blue. Most spectacular view in the universe, and she was in no mood to enjoy it.

Click.

Before the voice could speak again, Martha said, “I am not going crazy, you’re just the voice of my subconscious, I don’t have the time to waste trying to figure out what unresolved psychological conflicts gave rise to all this, and I am not going to listen to anything you have to say.”

Silence.

(Continue Reading…)

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