Archive for Flashback Fridays

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Escape Pod 767: Shadowboxer (Flashback Friday)


Shadowboxer (Excerpt)

By Paul Di Filippo

Generally speaking, I need only three minutes of concentrated attention to kill someone by staring at them. If I’m feeling under the weather, or my mind is preoccupied with other matters–you know how your mind can obsess about trivial things sometimes–it might take five minutes for my power to have its effect. On the other hand, if I focus intensely on my victim I can get the job done in as little as ninety seconds.

…Now the nation is at war. Or so we’re told. I guess that changes everything. A person like me becomes much more important.

Host Commentary by Alasdair Stuart

The thing I love about this is, honestly, everything, Di Fillippo does such a fantastic job of parking us inside the head of the protagonist that we wake up to the drip feed of information, and the theft of temporal awareness at the same time. That rising awareness is in turn mapped onto the gradual realization of what the lead can do. This is Scanners without the grand guignol, the assassin’s dream. Tireless, effortless, painless, invisible.

But not unaware.

That’s the single chink in the armour of dystopia and the author does such fascinating things with it. This is the slow moral awakening of a gun mixed with the gradual realization that he is far from alone and far from indispensable. There is always another target and there is always another gun.

That sort of cold, machine calculus lies at the heart of a lot of great espionage fiction alongside the simple, brutal certainty of survival, physical, rather moral. A spy may not leave a story with their mission intact but they’ll usually leave it with their body and mind intact. Whether that’s entirely true of the most famous spy in the world depends on when that latest Bond movie will finally be released but even Commander Bond, he of the bad knee and possible brain damage, still works in a position of moral certainty. He gets to live. His target does not.

This character is denied even that. The ending, for me, reads one of two ways. The personal one is arguably the more horrifying, where his lack of memory dovetails with the mirror and his latest target to ensure this particular cannon is fixed directly towards self slaughter. That, especially when he’s viewed as nothing more than a weapon, is terrifying. He’s ordered to decommission himself and seems minded to do so.

The second option is cold but almost more reassuring. That the President as his final target is an exhausted road to Damascus for the conspiracy that has him; they’re pushed to the limit, they have no further plays, so it’s time for a decapitation strike. Worse still, they’re winning and this is the last move. Regardless, the story ends with us, and the lead, aware that the chessboard is there but with no idea who is playing what side or what piece our lead is. Check is always a single move away. Choose wisely.

This is expertly handled genre fiction and for 5 bucks a month at Patreon, you can not only help us keep making it but get access to our vault. For more you get access to surveys, merch, the whole bit. For 5 bucks a month at PseudoPod, it’s the vault. Either option works for us. Both are needed. Please help out if you can. And if not with money, why not time? Help us raise our profile by leaving a review, on apple podcasts or google or whatever your podcatcher of choice is. Tweet a link to an episode, write a blog. Trust me it all helps. And on behalf of all of us, thank you.

Escape Pod is a production of Escape Artists Inc and released under a creative commons attribution non commercial no derivatives license. It will return next week with Balancing the Equation by Justin C Key, hosted by Jay Bhat with audio by Summer and narration by Laurice White. I leave you with this quote from The Iron Giant: “I Am NOT A Gun.”

Take care folks, see you next time.

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Escape Pod 699: A Stretch of Highway Two Lanes Wide (Flashback Friday)


A Stretch of Highway Two Lanes Wide

By Sarah Pinsker

Andy tattooed his left forearm with Lori’s name on a drunken night in his seventeenth year. “Lori & Andy Forever and Ever” was the full text, all in capital letters, done by his best friend Susan with her homemade tattoo rig. Susan was proud as anything of that machine. She’d made it out of nine-volt batteries and some parts pulled from an old DVD player and a ballpoint pen. The tattoo was ugly and hurt like hell, and it turned out Lori didn’t appreciate it at all. She dumped him two weeks later, just before she headed off to university.

Four years later, Andy’s other arm was the one that got mangled in the combine. The entire arm, up to and including his shoulder and right collarbone and everything attached. His parents made the decision while he was still unconscious. He woke in a hospital room in Saskatoon with a robot arm and an implant in his head.

“Brain-Computer Interface,” his mother said, as if that explained everything. She used the same voice she had used when he was five to tell him where the cattle went when they were loaded onto trucks. She stood at the side of his hospital bed, her arms crossed and her fingers tapping her strong biceps as if she were impatient to get back to the farm. The lines in her forehead and the set of her jaw told Andy she was concerned, even if her words hid it.

“They put electrodes and a chip in your motor cortex,” she continued. “You’re bionic.” (Continue Reading…)

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Escape Pod 695: This Is As I Wish To Be Restored (Flashback Friday)


This Is As I Wish To Be Restored

By Christie Yant

Every night I come home and I drink. I trade away the hope, the guilt, the fear, even the love–I think it’s love, crazy as it seems. I trade them for oblivion, because otherwise I won’t sleep at all. I drink until there’s no life left in me, until I’m able to forget for just a little while the chrome vessel in the corner and what’s at stake. Sometimes I hope that I’ll dream of her. Sometimes I’m afraid that I will.

I have two things that belonged to her. The first is a photograph, taken at a party in what looks like a hotel. Her hair is dyed red—it doesn’t quite suit her, so you know it isn’t hers, like an unexpected note in a melody where you thought you knew where it was going and then it went sharp. She’s holding a glass of something pink and bubbly. Maybe it’s her birthday. If so, it’s probably her twenty-eighth. She’s laughing.

She was really young to be a client. Especially back then, most of the people who thought about life extension were retirees. Mortality was very much on their minds, and they’d had a lifetime to accumulate their savings—suspension was expensive. I wonder where she got the money. Her file doesn’t say. (Continue Reading…)

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Escape Pod 690: The Things (Flashback Friday)

Show Notes

2011 Hugo Award Nominee
2010 BSFA Award Finalist
2010 Shirley Jackson Award Winner
2011 Finalist: the Locus Award for Best Short Story
2011 Theodore Sturgeon Award Nominee

Kate Baker Homepage: https://www.anaedream.com

Kate Baker Twitter: @Kate_Baker

Cast of Wonders: Old Tea Cups and Kitchen Witches by Kate Baker

Peter Watts Homepage: https://www.rifters.com

Wikipedia: John W. Campbell

Wikipedia: Who Goes There?

American SF and the Other by Ursula K. LeGuin

Village Voice: The Men Who Were The Thing


The Things

by Peter Watts

I am being Blair. I escape out the back as the world comes in through the front.

I am being Copper. I am rising from the dead.

I am being Childs. I am guarding the main entrance.

The names don’t matter. They are placeholders, nothing more; all biomass is interchangeable. What matters is that these are all that is left of me. The world has burned everything else.

I see myself through the window, loping through the storm, wearing Blair. MacReady has told me to burn Blair if he comes back alone, but MacReady still thinks I am one of him. I am not: I am being Blair, and I am at the door. I am being Childs, and I let myself in. I take brief communion, tendrils writhing forth from my faces, intertwining: I am BlairChilds, exchanging news of the world.

The world has found me out. It has discovered my burrow beneath the tool shed, the half-finished lifeboat cannibalized from the viscera of dead helicopters. The world is busy destroying my means of escape. Then it will come back for me.

There is only one option left. I disintegrate. Being Blair, I go to share the plan with Copper and to feed on the rotting biomass once called Clarke; so many changes in so short a time have dangerously depleted my reserves. Being Childs, I have already consumed what was left of Fuchs and am replenished for the next phase. I sling the flamethrower onto my back and head outside, into the long Antarctic night.

I will go into the storm, and never come back.

(Continue Reading…)

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Escape Pod 686: Real Artists (Flashback Friday)

Show Notes

“Real Artists” has been adapted into an Emmy Award-winning short film, now available on Amazon Prime, and check out the Behind the Scenes featurettes on the film’s website

99% Invisible / The Anthropocene Reviewed
https://99percentinvisible.org/episode/the-anthropocene-reviewed/

“Real Artists” in TRSF
https://kenliu.name/blog/2011/09/21/real-artists-in-trsf/

Summer interviews Cameo Wood, director of short film “Real Artists”
https://www.sliceofscifi.com/2019/06/08/slice-of-scifi-894/

Alasdair talks about The Raven Tower
https://alasdairstuart.com/2019/04/03/horatio-eolo-strength-and-patience-ann-leckies-the-raven-tower/


Real Artists

by Ken Liu

“You’ve done well,” Creative Director Len Palladon said, looking over Sophia’s résumé.

Sophia squinted in the golden California sun that fell on her through the huge windows of the conference room. She wanted to pinch herself to be sure she wasn’t dreaming. She was here, really here, on the hallowed campus of Semaphore Pictures, in an interview with the legendary Palladon.

She licked her dry lips. “I’ve always wanted to make movies.” She choked back for Semaphore. She didn’t want to seem too desperate.

Palladon was in his thirties, dressed in a pair of comfortable shorts and a plain gray t-shirt whose front was covered with the drawing of a man swinging a large hammer over a railroad spike. A pioneer in computer-assisted movie making, he had been instrumental in writing the company’s earliest software and was the director of The Mesozoic, Semaphore’s first film.

He nodded and went on, “You won the Zoetrope screenwriting competition, earned excellent grades in both technology and liberal arts, and got great recommendations from your film studies professors. It couldn’t have been easy.”

To Sophia, he seemed a bit pale and tired, as though he had been spending all his time indoors, not out in the golden California sun. She imagined that Palladon and his animators must have been working overtime to meet a deadline: probably to finish the new film scheduled to be released this summer.

“I believe in working hard,” Sophia said. What she really wanted was to tell him that she knew what it meant to stay up all night in front of the editing workstation and wait for the rendering to complete, all for the chance to catch the first glimpse of a vision coming to life on the screen. She was ready.

(Continue Reading…)

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Escape Pod 677: Valedictorian (Flashback Friday)


Valedictorian

by N. K. Jemisin

There are three things Zinhle decides, when she is old enough to understand. The first is that she will never, ever, give less than her best to anything she tries to do. The second is that she will not live in fear. The third, which is perhaps meaningless given the first two and yet comes to define her existence most powerfully, is this: she will be herself. No matter what.

For however brief a time.


“Have you considered getting pregnant?” her mother blurts one morning, over breakfast.

Zinhle’s father drops his fork, though he recovers and picks it up again quickly. This is how Zinhle knows that what her mother has said is not a spontaneous burst of insanity. They have discussed the matter, her parents. They are in agreement. Her father was just caught off-guard by the timing. (Continue Reading…)

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Escape Pod 669: Craphound (Flashback Friday)


Craphound

By Cory Doctorow

(Excerpt)

Craphound beat me out the door, as usual. His exoskeleton is programmable, so he
can record little scripts for it like: move left arm to door handle, pop it,
swing legs out to running-board, jump to ground, close door, move forward.
Meanwhile, I’m still making sure I’ve switched off the headlights and that I’ve
got my wallet.

Genres: ,

Escape Pod 665: The Man Who Lost the Sea (Flashback Friday)


The Man Who Lost the Sea

By Theodore Sturgeon

[EDITOR: This was originally released as audio-only, and we don’t have the rights to post the text of this story. It’s widely available online by searching.]

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Escape Pod 656: Into the Breach (Flashback Friday)


Into the Breach

By Malon Edwards

I’m off my bunk and into my jodhpurs, knee-high leather boots and flight jacket the moment the long range air attack klaxons seep into my nightly dream about Caracara.

Muscle memory and Secret Service training kick in; I’m on auto-pilot (no pun intended) and a good ways down the hall buttoning up both sides of my leather jacket to the shoulder a full thirty seconds before I’m awake.

And just so you know, the ever so slight tremble in my hands and fingers is not fear. It’s adrenaline. I’m cranked and ready to put my foot all up in it.

A door to the right opens and Pierre-Alexandre falls in on my right flank, his steps brisk like mine. Our boots echo down the long hallway as we make our way from the underground bunker at Soldier Field to the bunker at Meigs Field.

What you think we got? he asks.

My reptile mind—that wonderful, hedonistic thing of mine—notices how lovely his make-me-jump-up-and-dance-like-I-just-caught-the-Holy-Ghost-in-church dark skin looks in the red emergency scramble lighting.

And yeah, I know. I’m going to hell for that.

(Continue Reading…)

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Escape Pod 651: Impossible Dreams (Flashback Friday)


Impossible Dreams

By Tim Pratt

(Excerpt)

He went to the Sci-Fi shelf‚ and had another shock. I, Robot was there, but not the forgettable action movie with Will Smith‚ this was older, and the credits said “written by Harlan Ellison.” But Ellison’s adaptation of the Isaac Asimov book had never been produced, though it had been published in book form. “Must be some bootleg student production,” he muttered, and he didn’t recognize the name of the production company. But‚ but‚ it said “winner of the Academy Award for Best Adapted Screenplay.” That had to be a student director’s little joke, straight-facedly absurd box copy, as if this were a film from some alternate reality. Worth watching, certainly, though again, he couldn’t imagine how he’d never heard of this. Maybe it had been done by someone local. He took it to the counter and offered his credit card.

She looked at the card dubiously. “Visa? Sorry, we only take Weber and FosterCard.”