Posts Tagged ‘ya’

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Escape Pod 630: Midnight Blue (Flashback Friday)


Midnight Blue

By Will McIntosh

He’d never seen a burgundy before.  Kim held it in her lap, tapped it with her finger.  She was probably tapping it to bring attention to it, and Jeff didn’t want to give her the satisfaction of asking to see it, but he really wanted to see it.  Burgundy (Kim had insisted on calling it burgundy red when she showed it at show and tell) was a rare one.  Not as rare as a hot pink Flyer or a viridian Better Looking, but still rare.

A bus roared up, spitting black smoke.  It was the seven bus–the Linden Court bus, not his.  Kids rushed to line up in front of the big yellow doors as the bus hissed to a stop.  A second-grader squealed, shoved a bigger kid with her Partridge Family lunch box because he’d stepped on her foot.  All the younger kids seemed to have Partridge Family lunch boxes this year.

“What did you say it did when you’ve got all three pieces of the charm together?”  Jeff asked Kim.  He said it casually, like he was just making conversation until his bus came.

“It relaxes time,” Kim said.  “When you’re bored you can make time pass quickly, and when you’re having fun you can make time stretch out.”

Jeff nodded, tried to look just interested enough to be polite, but no more.  What must that be like, to make the hour at church fly by?  Or make the school day (except for lunch and recess) pass in an eyeblink?  Jeff wondered how fast or slow you could move things along.  Could you make it seem like you were eating an ice cream sandwich for six hours?  That would be sparkling fine.

“Want to see it?” Kim asked.

“Okay,” Jeff said, holding out his hands too eagerly before he remembered himself.  Kim handed it to him, looking pleased with herself, the dimples on her round face getting a little deeper.

It was smooth as marble, perfectly round, big as a grapefruit and heavy as a bowling ball.  It made Jeff’s heart hammer to hold it.  The rich red, which hinted at purple while still being certainly red, was so beautiful it seemed impossible, so vivid it made his blue shirt seem like a Polaroid photo left in the sun too long. (Continue Reading…)

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Escape Pod 629: An Advanced Reader’s Picture Book of Comparative Cognition

Show Notes

Author’s Notes:

For more on consciousness as compression, see:

Maguire, Phil, et al. “Is Consciousness Computable? Quantifying Integrated Information Using Algorithmic Information Theory.” arXiv preprint arXiv:1405.0126 (2014) (available at http://arxiv.org/pdf/1405.0126).

For more on natural nuclear reactor piles, see:

Teper, Igor. “Inconstants of Nature”, Nautilus, January 23, 2014 (available at http://nautil.us/issue/9/time/inconstants-of-nature).

Davis, E. D., C. R. Gould, and E. I. Sharapov. “Oklo reactors and implications for nuclear science.” International Journal of Modern Physics E 23.04 (2014) (available at http://arxiv.org/pdf/1404.4948).

For more on SETI and the Sun’s gravitational lens, see:

Maccone, Claudio. “Interstellar radio links enhanced by exploiting the Sun as a gravitational lens.” Acta Astronautica 68.1 (2011): 76–84 (available at http://www.snolab.ca/public/JournalClub/alex1.pdf).]


An Advanced Reader’s Picture Book of Comparative Cognition

By Ken Liu

My darling, my child, my connoisseur of sesquipedalian words and convoluted ideas and meandering sentences and baroque images, while the sun is asleep and the moon somnambulant, while the stars bathe us in their glow from eons ago and light-years away, while you are comfortably nestled in your blankets and I am hunched over in my chair by your bed, while we are warm and safe and still for the moment in this bubble of incandescent light cast by the pearl held up by the mermaid lamp, you and I, on this planet spinning and hurtling through the frigid darkness of space at dozens of miles per second, let’s read. (Continue Reading…)

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Escape Pod 615: Lonely Robot on a Rocket Ship in Space

Show Notes

 

Audio production note: Christopher Cornell has done an amazing and creative job of adapting the visual and formatting elements of Lonely Robot on a Rocket Ship in Space to the audio medium.

That said, there are simply some elements that do not lend themselves to a one-to-one equivalent.

I strongly encourage Escape Pod listeners, then, to not only listen, but also to see the full written story on our website.

In the text, I have changed the section breaks from a hashtag (#) to our logo icon and have taken out the paragraph indents to match our style. Otherwise, however, I have left the unique font and visual elements as A. Merc Rustad sent them to us.

Keep in mind, however, that because this is the Internet, your particular browser may interpret that formatting in myriad ways.

TL;DR: Read the text, too. Your mileage may vary.

-Adam Pracht, Escape Pod audio producer


Lonely Robot on a Rocket Ship in Space

By A. Merc Rustad

Byron scribbled crib notes on his wrist the night before he planned to come out to his dads.

He’d told all his friends he was sick so he would have an excuse to stay home Friday night. It wasn’t like he was lying. His stomach was so knotted he thought he’d puke. But he couldn’t sleep, either. The words burned like he’d used acid instead of a Sharpie.

I’m not scared or confused. It’s who I am.

In the tiniest he could write legibly, he added, Please don’t be mad. (Continue Reading…)

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Escape Pod 612: The Sixes, the Wisdom, and the Wasp


The Sixes, the Wisdom, and the Wasp

By E J Delaney

Fereshteh Nemati was scared.

She knew she was gripping her bow too tightly. She knew she should never ever aim at another person. But it wasn’t bad technique she was thinking of, or breaking her father’s golden rule. It wasn’t even the sight of poor Mr. Heke lying unmoving by his desk.

What bothered Fereshteh most of all was the girl on the opposite side of the classroom: the one standing with arrow notched and back elbow held high, staring at her across the small wooden desks and half-open tidy trays.

That’s me. I’m shooting at me! (Continue Reading…)

EP582: Unit Two Does Her Makeup


Unit Two Does Her Makeup

By Laura Duerr

Doctor Spencer has brought me an artist. My eyes on the outside of the building register the identity of everyone who enters, including her: Suzanne Chantal Salinas, age 26, licensed esthetician and makeup artist, amateur painter. I cut the feed after .3 seconds. The security feed could tell me more, but I have learned that it is impolite to collect extraneous details about a person unless they prove to be a security risk. Given that both Suzanne Chantal Salinas and Doctor Spencer are smiling, and appear to be in companionable conversation, the artist is not a risk.
I observe them enter the building accompanied by a brief burst of cold — it is 37.1 degrees outside. When I view them through infrared, they are glowing red faces encompassed in green and blue jackets. I have been monitoring the interior temperatures; Unit One has made appropriate adjustments to climate control. We are keeping the building comfortable.
The visitor stamps her feet, brushes sleet from her black curls. They shed their jackets, blooming gold and scarlet on infrared. Unit Three has mobile security platforms posted by the front door and the elevators. They do not react: they are faceless, they don’t feel cold, the visitor has clearance.
The artist’s heart rate is elevated. Her cheeks are flushed, and not just from cold: she’s nervous about meeting me. She keeps looking at the security platforms. Perhaps she fears my platform will look like them, featureless and alien.
I chose my face. Unit Three chose hers, too, in a way. Our platforms serve different purposes, and the faces we built reflect that. (Continue Reading…)

EP571: Beetle-Cleaned Skulls


Beetle-Cleaned Skulls

By J. E. Bates

Fine amber dust infiltrated everything in the Preserve. Each morning, I vacuumed it away with my ventral hose prior to opening my kiosk. I paid particular care to my curios: the fossils, the bismuth crystals, and the beetle-cleaned skulls. Forebears, especially the children, delighted in receiving my curios as gifts. Each successful transaction gave me a burst of surplus energy, expressed as pride.

The mineral specimens I gathered from the talus behind the kiosk. I polished them right in the kiosk according to aesthetic principles. But I prepared the skulls in the subterranean machine rooms. They were created from deceased rhuka, a species of domesticated bovine. No other kiosk attendant created such skulls, and Forebears traveled great distances to receive one. They used them to decorate their caves. (Continue Reading…)

EP570: What Good is a Glass Warrior?


What Good is a Glass Warrior?

By Scott Huggins

Like falling through rings of intermittent diamonds;

White laser-circles of moon.

Kinhang Chan Tzu chose those words to describe being me. Given that he was Earth’s poet laureate, and I am only my parents’ daughter, who am I to argue? I have never seen any of those things – he might be right. How can I know? Colors remind me of swimming. Like water, they surround you, but give you nothing to hold on to.

I hold the release lever to the airlock in my hand. The inner door stands open behind me. I say a brief prayer. I pull the lever down.

The soft wind of Langstrand rushes into the colony ship, smelling of forest and beach. Behind me, bulkheads close with soft bangs. All except the ones I’ve cut out of the circuit. No alarms sound. No lights flash. Quickly, I jog back to Cargo Bay One.

Now there is only waiting.

I crouch in a swirl of blue and black wind, and my polyfiber spear is a shaft of warmth in the ocean of air, heated by my fingers. Wind flaps against my father’s too-big combat jacket, making listening difficult. The only breathing is Uncle Jimmy’s, strapped in the gurney.

“You there, Unk?” I whisper.

“Lass? Where are you? It’s dark.”

“Yes, Unk, it’s dark. What do you see? Anything?”

“Too dark to see. Too dark for the Glass Lass. You should be in bed. Where are Don and Amy?”

“They’re safe, Unk.” As safe as sickbay can make them, anyway. (Continue Reading…)

Escape Pod 560: Run


Run

By C.R. Hodges

The claxon blares three times: all clear. We file out of the underground shelter and up the serpentine lava tube. Our semi-annual hibernation drill, bureaucratic gibberish for run down to the emergency shelter and hide, is now monthly. I’m all for avoiding nuclear annihilation, but I wish the drills weren’t scheduled so close to lunar sunset.

I jostle my way toward the front of the long line headed for the surface modules. It’s been fourteen Earth days since I’ve talked to my best friend. Sure we could have emailed or texted, even from two-hundred and thirty-nine thousand miles away, but that would be cheating. We’re the Interplanetary Morse Code Club. Sally is President, Earth District; I’m Vice President of Lunar Operations. It’s a small club. (Continue Reading…)

EP552: RedChip BlueChip


AUTHOR: Effie Seiberg
HOST & NARRATOR: Tina Connolly

about the author…

Effie Seiberg is a science fiction and fantasy writer living in San Francisco. Her short stories have previously appeared in PodCastle, Analog, and Lightspeed, among others. By day she’s a marketing and strategy consultant in Silicon Valley. She likes to make sculpted cakes and bad puns. You can read many of her stories at effieseiberg.com, or follow her on twitter at @effies.

 

 

about the narrator…Tina Connolly

Tina Connolly is the author of the Ironskin fantasy trilogy from Tor Books, and the Seriously Wicked YA series from Tor Teen. Her novels have been finalists for the Nebula and the Norton.

Her stories have appeared in Tor.com, Lightspeed, Analog, Strange Horizons, Beneath Ceaseless Skies, Daily SF, and many more. Her first collection, On the Eyeball Floor and Other Stories, is now out from Fairwood Press.

Her narrations have appeared in Podcastle, Pseudopod, Beneath Ceaseless Skies, John Joseph Adams’ The End is Nigh series, and more. She co-hosts Escape Pod and runs the Parsec-winning flash fiction podcast Toasted Cake.

 

 

RedChip BlueChip

By Effie Seiberg

The AdChip technician’s rubber-gloved hand was cold on my chin. “Now hold still, Mi-kay-la.”

“It’s Mi-KEE-la,” I grumbled. My mother, leaning on the beige metal door, didn’t look up from her smartpad.

“Right.” He nodded, uncaring. “This is going to sting a bit, but don’t you worry. It’ll be over before you know it.”

He didn’t know how right he was – it would be over soon, once Sivvy found out.

He pushed my chin to the side, exposing my left ear, then swiped an alcohol-infused gauze in the soft area behind the star-shaped earring I’d bent from a paper clip the other day.

“Now, do you want to be BlueChip or RedChip?” He busied himself with the metal tray of instruments sitting next to me on the ugly green table. An enormous syringe-like tool lay there next to two tiny Chips and a graft gun. Both Chips were black – I guess the color names weren’t literal.

“Shouldn’t my papers already tell you that? Haven’t you already decided everything for me?” There were posters on the walls advertising Coke and Pepsi and IBM and Apple and Honda and Toyota. Stuff for each Chip.

My mother finally glanced up. “Mikila, be nice.”

“Oh it’s fine,” he said with plastered-on cheer. “The papers are only for backup, in case you don’t choose. We just want you to be happy!”

“OK, fine. I’ll choose not to have a Chip at all – that’ll make me happy. Can I go now?” I hopped off the green metal table and moved to grab my worn messenger bag.

He moved to block. “Ha ha.” His smile stiffened on his face. “A funny one!” (Continue Reading…)

Book Review: Libertaria: Genesis by Sabrina Peña Young


It takes a lot of work to create an opera or musical: you need a cohesive plot that can be sung, you need actors, you need costumes, and you need musicians. Award-winning composer went a different way, sourcing the entire world and putting out her opera, Libertaria, virtually. (She talks about the process a bit more in a TedX Buffalo talk.)

But Young has also taken her opera one step further, converting the show into a novel, Libertaria: Genesis, and that’s what I’m going to talk about now.

(Continue Reading…)