Tag: "drone"

EP589: Seb Dreams of Reincarnation

AUTHOR: Aimee Ogden

NARRATOR: Matthew Hamblin

HOST: Mur Lafferty

Thanks to our sponsor, ARCHIVOS – a Story Mapping and Development Tool for writers, gamers, and storytellers of all kinds!

 

 

about the author…

Aimee Ogden is a former science teacher and software tester; now she writes about sad astronauts and angry princesses. She lives in Wisconsin with her husband, three-year-old twins, and a very old dog. You can follow her on Twitter: @Aimee_Ogden.

about the narrator…
Matthew is a writer and videographer from Leeds, England. He has a penchant for good stories and a loose grasp of apostrophes. He owns a very cute dog, named Bruce.


Seb Dreams of Reincarnation

By Aimee Ogden

They unplugged Seb’s neurodes at the end of his ten-year tour of duty. He’d known it was coming, had been told before he ever signed the contract that if they left him in any longer his health would start to deteriorate. What they hadn’t mentioned was that his health would deteriorate anyway. Once, Seb had kept six hundred people alive, responded instantly to their needs, and their wishes too when those fell within his power. He had carried them all in his belly, made them part of himself. He thought he would implode under the emptiness of having lost them.

Today, though, his only job was to leave his apartment: something he hadn’t done since the first week he’d moved in. He had groceries delivered, the occasional takeout, odds and ends as he needed them. Supermarkets and corner stores might as well have been on another planet. If they were, he might have actually cared to visit them. He stared out his ninth-floor window while trying to summon up a reason to go out, let alone the will to do so. His fleet-assigned shrink had given him the task and called it homework. Which was of course the exact opposite of what it actually was. Out-of-home work.

EP406: Freia in the Sunlight

by Gregory Norman Bossert
Read by Shaelyn Grey

Links for this episode:

About the Author…

from the author’s website:

I began writing fiction a couple of years ago, after artist Iain McCaig dared (and inspired) me to write a screenplay.  I wrote two, and then a handful of stories, and show no signs of stopping.

My stories The Union of Soil and Sky, Slow Boat, and Freia in the Sunlight appeared in Asimov’s Science Fiction in 2010; all three made Honorable Mention in Gardner Dozois’s Year’s Best Science Fiction, and “Slow Boat” was reprinted in Russian in the November 2011 issue of Esli Magazine.

l attended the Clarion 2010 Writer’s Workshop in San Diego, with Delia Sherman, Ellen Kushner, George RR Martin, Dale Bailey, Samuel R Delany, Ann and Jeff VanderMeer and seventeen extraordinary new writers.  Click here for updates on my amazing Clarion colleagues!

I work as a researcher and designer for motion pictures; my credits include BeowulfA Christmas Carol, and Tim Burton’s Alice in Wonderland.  I currently work in the story department at Lucasfilm Animation. I work as well on independent films.  I design and build experimental musical instruments, and play music with them, for some definition of “play” and “music”.

About the Narrator…

Shaelyn Grey has been active in the entertainment industry for over 30 years, mainly as a singer and actor.  Recently she has expanded into voice over work and is currently a part of the cast of Aurelia: Edge of Darkness, which is an online interactive web series.  Shaelyn plays the part of Thais ven Derrivalle, a self centered member of the aristocracy who is more concerned about her tea than her city’s loss of power.  Aurelia can be viewed at http://www.theatrics.com/aurelia and Shaelyn can be reached through shaelyngreyvocals.com.

 

Freia in the Sunlight
by Gregory Norman Bossert

Freia is beautiful, and she knows it.  Richard Wooten says so, at 0:47.

Wisps and curls whip overhead, limned blue by starlight; the fog ceiling is lowering, the top tattered by the offshore wind.  She drops another three meters, switches on ultrasonics.  There are patches of trees here — “unmarked obstacles up to thirty meters” the map says — and she is skimming just twenty meters above the ground.  The woods show up as ghostly towers in the sonics, blurred and dopplered by her two hundred thirty meters per second; further to her right the hills run parallel to her course, solid in passive radar and the occasional glimpse in visual light through the fog.
That occasional glimpse is a problem, of course; what she can see can see her back.  Her beauty is hidden, these days, wrapped in night fogs and silence, not like the Demo in the sun.  But today is different.  Her Intelligence Package has been pulled, and the Extended Performance Metrics Recorder; a single unit fills her payload bay, an isolated control subsystem and minimal I/O.  The last time she’d flown without the IntPack was at the Demo; it is possible, she thinks, that the mission today might be another, that the target will be a wide field in the sun, a billowing crowd, a platform and podium and Richard Wooten.  She’d replayed the video during the long incoming leg over the ocean, rebuilt her profile of the Demo field, ready to find a match in the terrain ahead.

Richard Wooten says at 5:49:
What you are about to see is a first here at the Paris Air Show.  In fact, it is a first at any public event, anywhere in the world.  What you are about to see is fully autonomous flight. We’re not talking about an autopilot, or a preprogrammed route, or a replay out of one of the overused attack libraries our competitors are demonstrating at this same show. The mission parameters we’ve given are simply to maximize visibility to the target –that’s all of you (chuckles) —  while covering the full range of flight capabilities, minimums to maximums.  Those parameters were provided in  natural language by the ApInt Director of Marketing.  Yes, that’s me, ladies and gentlemen, Richard Wooten.  No pilots,  no programmers, no technical staff.  Everything, from the analysis of the terrain and weather right down to the choice  of route and individual maneuvers, _everything_ you are about to see, will be determined in real-time by the onboard  systems of this extraordinary unit.