Posts Tagged ‘Alasdair Stuart’

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Escape Pod 471: Shared Faces


Shared Faces

by Anaea Lay

Dora’s favorite thing about Justin was that he liked to talk during sex. A good conversation turned him on, and he’d keep it up until the breathless, incoherent stage right before the end. They weren’t at that stage quite yet. Soon. At the moment she was nibbling the flesh at the very top of his thigh.

What’s the spot for the sexbot to spot the spot of the plot damn spot

You’ll never get it out

The music fell from the speakers in a manic rush and Dora shifted her pace to match it. Her skin tingled in response to his arousal, her body automatically configuring itself to comply with the program they’d designed together before starting.

“Ugh, I hate this song,” Justin said.

Dora tightened her hand around him as she let go with her teeth. The conversation kept her mind engaged, prevented her from slipping completely into brain-dead-Bot mode. “Really? I like it. It’s catchy.”

“It’s awful,” Justin said. “Haven’t you seen the video?”

She had, and he was right, it was awful. A Sex Bot got jealous of her primary client’s human lover and attacked her. As if the heart-break of watching the client defend the lover weren’t enough, the video went on to lovingly depict the brutal punishment and dismantling of the offending bot. Dora’s skin went clammy-cold when she’d watched it.

“Yeah, but the nastiness isn’t in the actual lyrics, and it is really catchy.” (Continue Reading…)

Escape Pod 470: The Transdimensional Horsemaster Rabbis of Mpumalanga Province


The Transdimensional Horsemaster Rabbis of Mpumalanga Province

by Sarah Pinsker

I. Options for an Imagined Pictorial Eulogy of Oliver Haifetz-Perec

IMAGE 1: The photograph depicts an unmade bed covered in gear and clothing. A military-style duffel, half filled, dominates the shot. A camera bag sits next to it, cameras and lenses and lens cleaners laid out neatly alongside.

IMAGE 2: Shot from the center of the bed. A shirtless man reaches for something high in the closet. He has the too-thin build of an endurance runner, his bare back lanky and muscled. There is a permanent notch in his left shoulder, from where his camera bag rests. A furrow across his back tells of a bullet graze in Afghanistan. The contrast of his skin and his faded jeans plays well in black and white. A mirror on the dresser catches Yona Haifetz-Perec in the act of snapping the picture, her face obscured but her inclusion clearly deliberate. Multiple subjects, multiple stories.

IMAGE 3: This photograph does not actually exist. A third person in the room might have taken an intimate portrait of the two alone in their Tel Aviv apartment, photographers once again becoming subjects. A third person might have depicted the way her freckled arms wrapped around his torso, tender but not possessive. It might have shown the serious looks on both of their faces, the way each tried to mask anxiety, showing concern to the room, but not each other. They have the same career. They accept the inherent risks. They don’t look into each other’s faces, but merely press closer. It would have been the last photograph of the two together. Eleven days later, he is beaten to death in Uganda. His press credentials, his passport, his cameras, his memory cards, and cash are all found with his body; it isn’t a robbery. Since the third option doesn’t exist, the last picture of Yona and Oliver is the one that she took from the bed: his strong back, her camera’s eye.

IMAGE 4: A Ugandan journalist sent Yona a clipping about Oliver’s death. A photo accompanies the article. It shows a body, Oliver’s body, lying in the street. Yona doesn’t know why anyone would think she would want to see that photograph. She does; she doesn’t. She could include it, make people face his death head on.

Instead she opts for

IMAGE 5: in which Oliver plays football with some children in Kampala, his dreadlocks flying, his smile unguarded (photographer unknown), and IMAGE 6.

(Continue Reading…)

Escape Pod 462: Women of Our Occupation

Show Notes

Recorded live at LonCon3.


Women of Our Occupation

by Kameron Hurley

[EDITOR: We don’t have the rights to post the text of this story.]

Escape Pod 460: The Ink Readers of Doi Saket

Show Notes

This story has been nominated for a Hugo Award.

Please, also remember our friend P.G. Holyfield and donate to his fund if at all possible.


The Ink Readers of Doi Saket

by Thomas Olde Heuvelt

[EDITOR: We don’t have the rights to post the text of this story.]

Escape Pod 459: The Water That Falls On You From Nowhere

Show Notes

This story has been nominated for a Hugo Award. (Edited to add: Winner of the 2014 Hugo Award for best short story!)

Please, also remember our friend P.G. Holyfield and donate to his fund if at all possible.


The Water That Falls On You From Nowhere

by John Chu

[EDITOR: We don’t have the rights to post the text of this story.]

SPECIAL EDITION: PG Holyfield Fundraiser


Announcement: specficmedia.com/2014/08/17/pg-holyfield-announcement

GoFundMe Page: http://www.gofundme.com/pgfund

Want to give people who don’t know PG’s work a chance to donate AND get an audio version of his book at the same time? Point them here: http://podiobooks.com/title/murder-at-avedon-hill/

 

Music in this episode:
http://freemusicarchive.org/music/Lee_Rosevere/All_These_Simple_Things/09_-_The_Idea_of_Space

Escape Pod 458: If You Were a Dinosaur, My Love


If You Were a Dinosaur, My Love

by Rachel Swirsky

If you were a dinosaur, my love, then you would be a T-Rex. You’d be a small one, only five feet, ten inches, the same height as human-you. You’d be fragile-boned and you’d walk with as delicate and polite a gait as you could manage on massive talons. Your eyes would gaze gently from beneath your bony brow-ridge.

If you were a T-Rex, then I would become a zookeeper so that I could spend all my time with you. I’d bring you raw chickens and live goats. I’d watch the gore shining on your teeth. I’d make my bed on the floor of your cage, in the moist dirt, cushioned by leaves. When you couldn’t sleep, I’d sing you lullabies.

If I sang you lullabies, I’d soon notice how quickly you picked up music. You’d harmonize with me, your rough, vibrating voice a strange counterpoint to mine. When you thought I was asleep, you’d cry unrequited love songs into the night.

If you sang unrequited love songs, I’d take you on tour. We’d go to Broadway. You’d stand onstage, talons digging into the floorboards. Audiences would weep at the melancholic beauty of your singing.

(Continue Reading…)

Escape Pod 457: A Struggle Between Rivals Ends Surprisingly

Show Notes

Mentioned in this episode: Bobby Lombardi fundraiser


A Struggle Between Rivals Ends Surprisingly

by Oliver Buckram

While the harbormaster fidgeted at his desk, Treya checked her pipes. They were, of course, in perfect condition: the leather supple and the drones polished. She’d brought her double-chantered smallpipes today, in case the negotiations grew complex.

The harbormaster snapped shut his pocket watch. “That damned beetle is already ten minutes late.”

Treya walked to the window. On the street below, a fishmonger pushed his wheelbarrow through a group of green-skinned Cantharan peddlers while a Glanite hoverjar floated by. But there was no sign of the beetle. If he didn’t show up, Treya wouldn’t get paid.

She scrutinized the hoverjar as it wafted through an intersection. Inside its murky interior, there must be a Glanite. The squid-like creatures seldom visited Port Raskol. What was it doing here? Might it want to hire a translator?

At last Treya spotted the beetle’s top hat bobbing above the heads of other pedestrians. His fringed leather vest marked him as a servant of the beetle Baroness.

After a few moments, the beetle was ushered into the office. Treya and the harbormaster bowed and the beetle spread his stubby hindwings in greeting. After Treya piped a welcome, he responded with a cacophony of wails, whines, and groans from his spiracles.

She translated in a low voice. “He’s doing the Lamentation on Congestion…apologies for being late…greetings from the Baroness. He’s going off on a tangent. Could be an extended monologue. No…He’s back on track. We’re definitely doing the first scene of A Routine Mercantile Transaction. It’s a one-act, so this shouldn’t take long.”

When the beetle finished his lines, Treya glanced at the harbormaster.

“Ask him why the Baroness is behind on her docking fees,” he said. The Baroness owned a fleet of fishing vessels currently in the harbor.

Treya shook her head. “That will serve no purpose. At best, he’ll give us a discourse on unavoidable delays, and at worst, he’ll push us into a convoluted subplot. No, at this point in A Routine Mercantile Transaction, you need to state your demands.”

“I want those fees paid. Right now.”   (Continue Reading…)

Escape Pod 453: The Grotto of the Dancing Deer

Show Notes

This story won the 1980 Nebula Award for Best Short Story and the 1981 Hugo Award for Best Short Story.


The Grotto of the Dancing Deer

by Clifford D. Simak

[EDITOR: We don’t have the rights to post the text of this story.]

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Escape Pod 452: Repo


Repo

by Aaron Gallagher

It took concentration to perform delicate work in the cumbersome gloves of the suit. The rounded fingers were metal-tipped, and bulky. Elise painted the tips of her gloves with luminous paint for ease when working outside.

The octopus found the wires and shorted the alarm. The device glowed green and she triggered the manual release. The door popped, expelling a breath or two of oxygen.

Elise slipped into the airlock and closed it behind her, shutting the door on the endless black of space. The inside porthole looked into the cargo hold. She glided through the cargo room with three kicks.

The head-up on her helmet showed schematics in blue. She found the environmental control room.

She flipped open the airtight seal on a container holding a large slab of green gel. She snapped open a metal vial sprayed dark liquid onto the slab. She sealed the container, turned the machinery to full, and crouched by the door out of sight.

At thirty minutes, Elise headed upstairs for the cockpit. Empty. She looked for the captain’s cabin. In the cabin’s refresher, she found his body slumped in a large rubber bag.

Great. He passed out in the shower.

Elise wrestled the naked man out of the rubber shower. Round globules of water drifted around them. She pulled a sedative pad out of her bag and slapped it onto Holland’s arm. The chemicals seeped into his bloodstream.

He’d sleep twenty-four hours in a chemical coma. She left him in his bunk pouch, cinch closed around his neck. His balding head bobbed in the breeze from the vent.

Back in the environmental control room, she worked the o2 scrubbers at full blast for thirty minutes. She broke seal on her helmet and sniffed the air, ready to clamp the helmet down the moment she felt dizzy.

Clean.

The ship was hers.

Elise floated through the ship to familiarize herself. It didn’t take long. It was a small Beech Skimmer, cargo capacity of around five metric tons. The craft was cylindrical, with two floors. Cargo, environmental, and engine room below. Main floor above was one long corridor, sixty meters long, with the cockpit at the fore, two staterooms to each side, a combination kitchen, dining room, and recreation area at the other end. The ship was roomy for one, comfortable with eight, rated for a maximum of sixteen.

Down below she examined the engines, because no pilot she knew ran a ship within recommended specs. The big Beech was tuned up to 122% efficiency. She studied the specs to learn what he had done. She shook her head. Sure, he’d managed to coax more power from the big engine, but it would need an overhaul twice as often. She shut off the display with a shrug. They never thought of the bottom line.

She finished her inspection and sealed her helmet. As she kicked out of the airlock, she paused to admire the view. It was worth admiring. Pluto, with her single, sickly colony. The dock in orbit, half-full of ships in port, lit like Vegas, and shining like diamonds on velvet.
She slipped under Adage to where her Betty was Remora’d to the hull and went inside. She plopped into the pilot’s couch. All her controls were custom, larger than normal. She spent a lot of time in her suit. Only two hours had passed since she used thrusters to come alongside the bigger ship. She watched the displays as she worked the controls by feel. Her deft touch meant hardly a small thump when she triggered the electromagnet and sealed to the hull of the bigger ship.

She looked around the small cabin, dingy with use. The Betty was a work-ship and looked it. She kept it neat, but it was still messy in that lived-in way.

After a last look around, she grabbed her bag and thumbed the power-down sequence, keeping the power plant only alive enough to keep the electromagnet on and her wine unfrozen.

In the cockpit, she entered her flight plan and engaged, then she removed her suit. She shook herself out, tugged the simple grey shipsuit straight. It was a relief to scratch. She scrubbed her fingers through her brown free-fall short hair. Her eyes itched from the low-humidity atmosphere of her suit.

Twenty days from Pluto dock to Lunar orbit. It took one hundred forty minutes to get to full thrust.

Elise rooted through Holland’s stores. Among his other qualities, Efram Holland had surprisingly excellent taste in both wine and coffee. While the plastic didn’t improve the flavor of either, it wasn’t intrusive.

She opened a box of 2105 Chateau d’Yquem. She put a clip in the reader and stuck herself to the wall. She squeezed a globe of wine into the air and leaned forward to sip from the bubble. The reader displayed the text of Jane Eyre.

“Chapter nine,” she said, and the reader skipped ahead. She crossed her legs and arms and got comfortable.

(Continue Reading…)

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