Tag: "time travel"

EP545: Murder or a Duck

AUTHOR: Beth Goder
NARRATOR: Amy H. Sturgis
HOST: Alasdair Stuart

about the author…

Beth Goder worked as an archivist at Stanford before becoming a full-time mom to wonderful twin girls. Now she enjoys writing speculative fiction stories about archives, memory, records, and the relationship between the past and present. She has a degree in information science from the University of Michigan and lives in the San Francisco Bay Area.

about the narrator…ahsshotfour2

AHS holds a Ph.D. in Intellectual History and specializes in the fields of Science Fiction/Fantasy and Native American Studies. She lives with her husband, Dr. Larry M. Hall, and their best friend, Virginia the Boston terrier, in the foothills of North Carolina, USA.

Murder or a Duck
by Beth Goder

George called out, “Mrs. Whitman, you have a visitor.”

Mrs. Whitman strode from her workroom, her white hair skipping out of its hairpins. She straightened her work skirt, massaged her bad knee, then hurried down the hall.

“George, what’s happened to the lamp with the blue shade?”

“To which lamp are you referring?” George smoothed down a cravat embroidered with tiny trombones. Improper attire for a butler, but George had never been entirely proper.

Mrs. Whitman examined the sitting room in further depth. The blue lamp was gone, as were the doilies, thank goodness. An elegant table sat between the armchair and green sofa, which was infused with the stuffy smell of potpourri. Behind the sofa hung The Roses of Wiltshire, a painting that Mrs. Whitman had never cared for, despite its lush purples and pinks and reds. And the ficus was there, too, of course.

Mrs. Whitman pulled out a battered notebook. George’s trombone cravat indicated she was in a timeline where he was courting Sonia. A good sign, indeed. Perhaps, after six hundred and two tries, she’d finally landed in a timeline where Mr. Whitman would return home safely.

Consulting her charts, she circled some continuities and crossed out others, referring often to an appendix at the back. The notebook was worn, its blue cover faded. And it was the twelfth one she’d had since starting the project.

George cleared his throat. Mrs. Whitman didn’t even glance up. “You have a visitor,” he said.

“George, I need to ask you a few questions.”

George sighed, but made no comment.

“Has Mr. Whitman returned from his trip?” She always asked this question first, in the hope that George would direct her to the study, where she’d find Mr. Whitman reading a book or knitting socks.

“He’s due back sometime today.”

That was what George always said. Mrs. Whitman had been through it over and over again; she knew it was useless to organize a search until the evening, when everyone else would begin to worry.

Undeterred, Mrs. Whitman asked her control question. “Did you wear your navy suit anywhere this year?”

George raised an eyebrow, but said, “I wore my suit once to the Lacklustres’ evening ball, and again at the horse show for troubled teens.”

If the Lacklustres were holding a ball, then they hadn’t gone bankrupt yet, which meant she was in a timeline where Winston Tuppers hadn’t revealed Mr. Lacklustre’s banking fraud. And the horse show for troubled teens never appeared without a corresponding tea party later in June. Mrs. Whitman flipped busily through her charts.

“Which tea cakes are they selling at the market on Quill Lane? Chocolate? Lavender? Orange and cream?” she asked.

“There is no market on Quill Lane. It was torn down last year,” George said, a rare look of concern on his face. “Are you sure you’re feeling quite all right?”

“Just one more question,” said Mrs. Whitman, making a mark in her notebook. “Is it Sir Henry waiting in the foyer?”

“No,” he said. “Mrs. Lane requests your attention.”

Mrs. Whitman snapped the notebook closed. If Mrs. Lane was visiting, it could only mean one thing. She was either there to kill Mrs. Whitman or sell her a duck.

EP543: Rock, Paper, Scissors, Love, Death

AUTHOR: Caroline M. Yoachim
NARRATOR: Nicola Seaton-Clark
HOST: Tina Connolly

author Caroline M. Yoachim

author Caroline M. Yoachim

about the author…

Caroline M. Yoachim lives in Seattle and loves cold cloudy weather.  Her fiction has appeared in Fantasy & Science FictionAsimov’sLightspeedClarkesworld, and Daily Science Fiction, among other places.  She is a 2006 graduate of the Clarion West Writers Workshop, and her 2010 novelette “Stone Wall Truth” was nominated for a Nebula Award.  Caroline’s debut short story collection, “Seven Wonders of a Once and Future World & Other Stories,” is coming out with Fairwood Press in 2016.

narrator Nicola Seaton-Clark

narrator Nicola Seaton-Clark

about the narrator…

Nicola Seaton-Clark has worked professionally as an actress for over fifteen years in TV, film and radio. She started her career as a jazz singer and later a singer in a rock band. Her voice-over experience includes TV and radio advertising, singing jingles, film dubbing and synchronization, training videos, corporate films, animation, and Interactive Voice Response for telephone menus. She is also a qualified TEFL teacher and has extensive experience as a vocal coach specializing in South African, Australian and New Zealand accents. http://www.offstimme.com/


Rock, Paper, Scissors, Love, Death
by Caroline M. Yoachim


Rock crushes scissors. Nicole sat on a crowded bus to Spokane, knitting a turquoise scarf. The gray-haired man sitting next to her stared obsessively at his wristwatch. He was travelling with his son, Andrew, who sat across the aisle. She offered to trade seats so they could sit together, but both men refused. The bus wound around the sharp curves of Stevens Pass, and Nicole made good progress on her scarf.

Out of nowhere, Andrew’s father grabbed her and shoved her across the aisle, into Andrew’s arms. There was a loud crack, and a roar like thunder. A boulder the size of a car slammed into the side of the bus. Nicole stared at the wall of stone that filled the space where her seat had been. The red handles of her scissors stuck out from underneath the rock, the blades crushed underneath. Andrew’s father was completely lost beneath the stone.


Love shreds paper. After the accident, Nicole met Andrew for coffee. She returned his father’s watch, which had somehow ended up in her jacket pocket, though she couldn’t figure out how or when he’d put it there. Andrew gave her a pair of red-handled scissors, identical to the pair she had lost. She invited him for Thanksgiving dinner with her parents, since he had no other family. They took a weekend trip to Spokane, and when the bus reached the site of the accident, they threw handfuls of flower petals out the window.

Andrew was an engineer and a poet. He built her a telescope that folded spacetime so she could see distant exoplanets, and he wrote her scientific love poems. At their wedding, they gave the guests bags of confetti made from shredded strips of his poems, so they could be showered in love.


Rock destroys love. Two years into her marriage, Nicole suspected Andrew was cheating. He stayed late at work, went out late with the guys, took weekend business trips. He was gone more than he was home, and he got angry when Nicole asked him about it. She already knew what she’d see when she followed him out to Beacon Rock, but she had to see it with her own eyes, if only from a distance. She was surprised to see him with an older woman, rather than a younger one. She filed for divorce, and he didn’t argue.


Scissors cut paper. A few years after the divorce, Nicole sat in the swing on her front porch and cut love poems and photographs into thin strips. It was her therapy, letting go of the memories she’d kept boxed up after Andrew moved out. There was something satisfying about the snip of the scissors. Words flew everywhere. Eternal. Heart. Devotion. True. Paper piled up on the porch, and a breeze sent a few strips swirling. It reminded her of the confetti at their wedding, and suddenly cutting paper wasn’t as satisfying. She hurled her scissors into the front yard.


Death steals scissors. Nicole went out into the yard the next morning to get her scissors. She didn’t want to run them over with the lawnmower later, and she wasn’t quite ready to let go of the first gift Andrew ever gave her. The poems were gone from her porch, and she couldn’t find the scissors in the yard, even after an hour crawling on her hands and knees. The common link between the poems and the scissors was Andrew. Had he taken them? Against her better judgment, she drove to his apartment. The door was open, and there were cops inside. Andrew was missing, and he’d left a note. A suicide note.

The body was never found. Neither were her scissors.

EP536: Prophet to the Dogs

RELEASED 3.August.2016
AUTHOR: Bethany Edwards
NARRATOR: George Hrab
HOST: Tina Connolly

about the author… Mystery!

narrator George Hrab

narrator George Hrab

about the narrator… Multi-instrumentalist, singer, songwriter, producer, composer, and heliocentrist George Hrab has written and produced six independent CDs and a concert DVD; published two books; recorded hundreds of episodes of an award-winning podcast; emceed countless science conferences; been a TEDx speaker; and has even performed for President Clinton. He’s traveled to four continents promoting critical thinking, science, and skepticism through story and song. George is considered one of the preeminent skeptic/science/atheist/geek-culture music icons currently living in his apartment. www.GeorgeHrab.com

Prophet to the Dogs
by Bethany Edwards

A long time ago, in another life, when there were so many billions of us that 382 of them were small change, I worked in an office building. I was the graphic designer for a community arts magazine—circulation 382—on the top floor.

Across the street from this office building was a tiny, nameless park. It contained a few trees, some scraggly bushes, four benches, and just enough grass so that people thought they could hide their cigarette butts in it. I would always put my butts in the trashcan on the corner like a civilized person, but no one else ever took after my good example.

Despite being small, the park attracted a very diverse crowd. People in my building took their lunch break there, college students read or tapped away on their devices, teenage skateboarders attempted to skid across the backs of benches, moms let their young kids burn off some energy, and homeless people curled up with their dogs in the evening.

But by far the most interesting people in the park were the protestors. There were no huge corporate or political headquarters in that part of town, so we didn’t get organized protestors. We got lone Don Quixotes, tilting solo at the windmills of modern evils. They were usually spreading the message that the end was nigh if we didn’t stop global warming or come to Jesus. I got a big kick out of them when I first started my job, but over time they all faded into the background of my everyday life.

Until the day I noticed the “YOU ARE ALL F&@^%D” girl.

EP517: Budo

by Tade Thompson
narrated by Suyi Davies Okungbowa

author Tade Thompson

author Tade Thompson

about the author… Tade Thompson lives and works in the UK. He writes crime, speculative fiction and general fiction. He is an occasional artist, enjoys jazz, but cannot play the guitar to save his own life.

about the narrator… Suyi Davies Okungbowa lives in Lagos, Nigeria and loves stories in all forms. When he’s not at the day job or goofing around on the PS4, he writes suspense and speculative fiction (sometimes when he is at the day job). His work has been published or is forthcoming in Lightspeed Magazine, Mothership Zeta, Jungle Jim, Omenana and other spaces. Suyi also narrates fiction when the mood kicks. He lives on the web at suyidavies.com and on Twitter at @IAmSuyiDavies.

narrator Suyi Davies Okungbowa

narrator Suyi Davies Okungbowa

By Tade Thompson

“Being desirous, on the other hand, to obviate the misunderstanding and disputes which might in future arise from new acts of occupation (prises de possession) on the coast of Africa; and concerned, at the same time, as to the means of furthering the moral and material well-being of the native populations;”

General Act of the Berlin Conference on West Africa,
26 February 1885


There is a story told in my village about the man who fell from the sky. The British also tell this tale in their history books, but it is a mere paragraph, and they invert the details.

In October 1884 I was a Yoruba translator for a British trading outpost. This man from the sky, we called him Budo. He was in the custody of the English, who questioned him. They tortured him with heat and with cold and with the blade, but they did not know what answers would satisfy. I know this because I carried their words to him, and his silence back to them. His manner was mild and deferent at all times, but they held him in isolation. For good reason they considered him dangerous. I will explain this later.

One afternoon while most of the English were sleeping a white man arrived at the gate demanding admission. One of the Sikh sentries told me he was a scout, and appeared bruised, half-naked and exhausted. He was too out of breath to speak, although he seemed keen to give his report. Kenton, the NCO of the military contingent, asked one of my brothers to bring water while he soothed the scout. The man took two gulps, splashed some on his face, then looked up at Kenton. He said one word.


The scout vomited over the floor.

EP448: Paprika

by Jason Sanford
read by Heather Bowman-Tomlinson

Links for this episode:

about the author…

Jason Sanford is the award-winning author of a number of short stories, essays, and articles, and an active member of the Science Fiction and Fantasy Writers of America. Born and raised in the American South, he currently lives in the Midwestern U.S. with his wife and sons. His life’s adventures include work as an archeologist and as a Peace Corps Volunteer.

Jason has published more than a dozen of his short stories in the British SF magazine Interzone, which once devoted a special issue to his fiction. His fiction has also been published in Asimov’s Science Fiction, Analog: Science Fiction and Fact, InterGalactic Medicine Show, Tales of the Unanticipated, The Mississippi Review, Diagram, The Beloit Fiction Journal, Pindeldyboz, and other places. Book anthologies containing his stories include Year’s Best SF 14Bless Your Mechanical Heart, and Beyond the Sun.

A collection of Jason’s short stories, titled Never Never Stories, was published by a small press in 2011.

Jason’s awards and honors include being a finalist for the 2009 Nebula Award for Best Novella, winning both the 2008 and 2009 Interzone Readers’ Polls for best story of the year (and being a co-winner of the 2010 Poll), receiving a Minnesota State Arts Board Fellowship, being nominated for the BSFA Award, and being longlisted for the British Fantasy Award. His stories have also been named to the 2012 and 2013 Locus Recommended Reading Lists along with being translated into a number of languages including Chinese, French, Russian, Polish, and Czech.

Jason co-founded the literary journal storySouth, through which he ran the annual Million Writers Award for best online fiction. His critical essays and book reviews have been published in a number of places including SF Signal, The New York Review of Science Fiction, and The Pedestal Magazine. He also writes a regular column for the Czech SF magazine XB-1.

about the narrator…

“I may not be perfectly wise, perfectly witty, or perfectly wonderful, but I am always perfectly me.” -Anonymous

I’m a horticulturist by trade, current stay at home mom for two children, team mom for the local Goalball team, and advocate for Blind/Visually Impaired causes and adoption causes. I love D20 gaming, reading, camping and canoeing, card playing, and music.

by Jason Sanford

“Ah Paprika, you dance so well,” Satoshi exclaimed each bright-sun morning, his praise always pleasing no matter how many times Paprika heard it. And Paprika could dance, she really could. Not like some of the olds, who’d spent millennia shaping their locked-down bodies through graceful movements. But still she could dance. Ballet. The Twist. The Bhangra.

Sometimes she’d make herself as tiny as Satoshi’s hand and pirouette for hours on his workbench while he reformed nano into exciting, long-lost toys. Other times she’d dance full sized–child sized as Satoshi would say, although Paprika knew to never speak that depressing word to customers. Paprika would create a full-flowing lehengas skirt–always the brightest of greens–and she’d dance in the store window, spinning and spinning until she was so overcome with happiness she’d dance through the window into the outside world, leaping and spinning to imaginary partners, bowing and smiling to the boys and girls who never came, flying across the deserted streets and passing in and out of the empty but perfectly preserved buildings surrounding Satoshi’s shop.

But whenever any of the few olds left in the city visited, Paprika restrained herself by simply sitting at her table in the window display. Not that she was for sell–Satoshi always made that clear to any customer who mistook her for other than what she was. With her young girl’s body and innocent happiness, Paprika knew she helped Satoshi sell more than merely the bright toys which populated his store. She sold nostalgia. Happy memories of long-vanished childhoods.

And if nostalgia helped keep Satoshi alive, that was fine with Paprika.

EP443: This Is As I Wish To Be Restored

by Christie Yant
read by Mr. Lee

Links for this episode:

Author Christie Yant

about the author…

from the author’s website… Christie Yant is a science fiction and fantasy writer, and Assistant Editor for Lightspeed Magazine. Her fiction has appeared in anthologies and magazines including Year’s Best Science Fiction & Fantasy 2011(Horton), Armored, Analog Science Fiction & Fact, Beneath Ceaseless Skies, io9, Wired.com, and China’s Science Fiction World. Her work has received honorable mentions inYear’s Best Science Fiction(Dozois) andBest Horror of the Year (Datlow), and has been long-listed for Story South’s Million Writers Award. She lives on the central coast of California with two writers, an editor, and assorted four-legged nuisances. Follow her on Twitter @christieyant.

our narrator for this fine chunk of literature is Mr. Lee, who’s spiffy.
This Is As I Wish To Be Restored
by Christie Yant


Every night I come home and I drink. I trade away the hope, the guilt, the fear, even the love–I think it’s love, crazy as it seems. I trade them for oblivion, because otherwise I won’t sleep at all. I drink until there’s no life left in me, until I’m able to forget for just a little while the chrome vessel in the corner and what’s at stake. Sometimes I hope that I’ll dream of her. Sometimes I’m afraid that I will.


I have two things that belonged to her. The first is a photograph, taken at a party in what looks like a hotel. Her hair is dyed red—it doesn’t quite suit her, so you know it isn’t hers, like an unexpected note in a melody where you thought you knew where it was going and then it went sharp. She’s holding a glass of something pink and bubbly. Maybe it’s her birthday. If so, it’s probably her twenty-eighth. She’s laughing.


She was really young to be a client. Especially back then, most of the people who thought about life extension were retirees. Mortality was very much on their minds, and they’d had a lifetime to accumulate their savings—suspension was expensive. I wonder where she got the money. Her file doesn’t say.


So in this picture she’s laughing. She’s seated, supporting herself with one hand braced against the carpeted floor. Her head is thrown back and her back is arched, and she’s just the most beautiful thing I’ve ever seen. There are other people around her, behind her, just smiling blurs holding drinks, but you get the feeling that she’s the reason they’re smiling. She’s the star they’re all in orbit around. Like me. I fell into her orbit years ago and can’t break free.


The picture moves with me through my bleak basement apartment, from room to room—sometimes it turns up on top of the half-size refrigerator, sometimes absent-mindedly left on a shelf in the medicine cabinet where I discover it again later and take it with me to the bedroom. I’ve found it between the sofa cushions at least half a dozen times. She follows me, or I follow her—it’s been a lifetime since she smiled that smile, and I’m still completely, utterly taken.


The one place it never goes is on the dewar in the corner.  That would just be too macabre, considering.


This is the only photograph she left. I often wonder what it was about this moment, this time in her life, that she could have looked ahead and known that this was as good as it gets. In this picture the cancer’s already killing her, she just doesn’t know it.


She died less than a year later. Pancreatic cancer. It’s in her file.


EP397: A Gun for Dinosaur

About the Author…

borrowed from https://en.wikipedia.org/wiki/L._Sprague_de_Camp

Lyon Sprague de Camp (November 27, 1907 – November 6, 2000) was an American writer of science fiction and fantasy, non-fiction and biography. In a career spanning 60 years, he wrote over 100 books, including novels and notable works of non-fiction, including biographies of other important fantasy authors. He “was widely regarded as an imaginative and innovative writer and was an important figure in the heyday of science fiction, from the late 1930s through the late 1940s.”

About the Narrator…

Ayoub Khote is a professional geek, a writer, a photographer, and a man with a voice others seem to like, even though he really can’t stand the sound of it. Ayoub’s début is with HG World, but he is also working on a smaller production, oddly enough also with a Scots accent, even though he’s a born Londoner!

A Gun for Dinosaur
by L. Sprague de Camp

NOTE: Also available is the X-1 production of the story available on YouTube: http://www.youtube.com/watch?v=u7edFWC-120

No, I’m sorry, Mr. Seligman, but I can’t take you hunting Late Mesozoic dinosaur.
Yes, I know what the advertisement says.
Why not? How much d’you weigh? A hundred and thirty? Let’s see; that’s under ten stone, which is my lower limit.
I could take you to other periods, you know. I’ll take you to any period in the Cenozoic. I’ll get you a shot at an entelodont or a uintathere. They’ve got fine heads.
I’ll even stretch a point and take you to the Pleistocene, where you can try for one of the mammoths or the mastodon.
I’ll take you back to the Triassic where you can shoot one of the smaller ancestral dinosaurs. But I will jolly well not take you to the Jurassic or Cretaceous. You’re just too small.
What’s your size got to do with it? Look here, old boy, what did you think you were going to shoot your dinosaur with?
Oh, you hadn’t thought, eh?
Well, sit there a minute . . . Here you are: my own private gun for that work, a Continental .600. Does look like a shotgun, doesn’t it? But it’s rifled, as you can see by looking through the barrels. Shoots a pair of .600 Nitro Express cartridges the size of bananas; weighs fourteen and a half pounds and has a muzzle energy of over seven thousand foot-pounds. Costs fourteen hundred and fifty dollars. Lot of money for a gun, what?
I have some spares I rent to the sahibs. Designed for knocking down elephant. Not just wounding them, knocking them base-over-apex. That’s why they don’t make guns like this in America, though I suppose they will if hunting parties keep going back in time.
Now, I’ve been guiding hunting parties for twenty years. Guided ’em in Africa until the game gave out there except on the preserves. And all that time I’ve never known a man your size who could handle the six-nought-nought. It knocks ’em over, and even when they stay on their feet they get so scared of the bloody cannon after a few shots that they flinch. And they find the gun too heavy to drag around rough Mesozoic country. Wears ’em out.
It’s true that lots of people have killed elephant with lighter guns: the .500, .475, and .465 doubles, for instance, or even the .375 magnum repeaters. The difference is, with a .375 you have to hit something vital, preferably the heart, and can’t depend on simple shock power.
An elephant weighs–let’s see–four to six tons. You’re proposing to shoot reptiles weighing two or three times as much as an elephant and with much greater tenacity of life. That’s why the syndicate decided to take no more people dinosaur hunting unless they could handle the .600. We learned the hard way, as you Americans say. There were some unfortunate incidents . . .
I’ll tell you, Mr. Seligman. It’s after seventeen-hundred. Time I closed the office. Why don’t we stop at the bar on our way out while I tell you the story?
* * *

Movie Review: Safety Not Guaranteed

The problem with working in the media is that I know writers who work for a weekly or bi-weekly magazine — even lead writers — can’t afford a Cadillac Escalade. Jeff, one of the main characters of Safety Not Guaranteed drives an Escalade. That kind of pulled me out of the movie a little.

But other than that, I enjoyed Safety Not Guaranteed, which is a little film about time travel. Supposedly.

EP346: Hawksbill Station

By Robert Silverberg
Read by Paul Tevis
Discuss on our forums.
Originally appeared in Galaxy Magazine
All stories by Robert Silverberg
All stories read by Paul Tevis
Rated 15 and up

Hawksbill Station
by Robert Silverberg

Barrett was the uncrowned King of Hawksbill Station. He had been there the longest; he had suffered the most; he had the deepest inner resources of strength. Before his accident, he had been able to whip any man in the place. Now he was a cripple, but he still had that aura of power that gave him command. When there were problems at the Station, they were brought to Barrett. That was axiomatic. He was the king.

He ruled over quite a kingdom, too. In effect it was the whole world, pole to pole, meridian to meridian. For what it was worth. It wasn’t worth very much.

Now it was raining again. Barrett shrugged himself to his feet in the quick, easy gesture that cost him an infinite amount of carefully concealed agony, and shuffled to the door of his hut. Rain made him impatient:. the pounding of those great greasy drops against the corrugated tin roof was enough even to drive a Jim Barrett loony. He nudged the door open. Standing in the doorway, Barrett looked out over his kingdom.

Barren rock, nearly to the horizon. A shield of raw dolomite going on and on. Raindrops danced and bounced on that continental slab of rock. No trees. No grass. Behind Barrett’s hut lay the sea, gray and vast. The sky was gray too, even when it wasn’t raining.

He hobbled out into the rain. Manipulating his crutch was getting to be a simple matter for him now. He leaned comfortably, letting his crushed left foot dangle. A rockslide had pinned him last year during a trip to the edge of the Inland Sea. Back home, Barrett would have been fitted with prosthetics and that would have been the end of it: a new ankle, a new instep, refurbished ligaments and tendons. But home was a billion years away, and home there’s no returning.

EP334: The Eckener Alternative

By James L. Cambias
Read by Mur Lafferty
Discuss on our forums.
Originally appeared in All-Star Zeppelin Adventure Stories, edited by David Moles, 2004
All stories by James L. Cambias
All stories read by Mur Lafferty
Rated all ages. Zeppelins!

The Eckener Alternative
by James L. Cambias

The Hindenburg swung gently on the mast at Lakehurst as the sky over New Jersey turned to purple twilight.  All the passengers, the reporters, the newsreel men were gone.  A couple of sailors stood guard beneath the big ship to enforce the no-smoking rule.

John Cavalli waited until the watchman below had turned away, then slid down the stern rope to the ground.  He hunkered down next to the big rolling anchor weight for a couple of minutes, then hurried off into the darkness beyond the floodlights.

Once he was clear, Cavalli stopped to peel off the Russian army arctic commando suit he’d been wearing ever since the Zeppelin had lifted off from Frankfurt-am-Main.  It had kept him warm as he hid among the gas cells with his IR goggles and fire extinguisher, but now in the warmth of a spring evening it was stifling.

He hit the RETURN button on his wristband and disappeared.