about the author… Aside from my philosophical essays, I also write short science fiction stories. Some of these have been published in anthologies.
The Hunter Captain
by David John Baker
“The sign for the survivor’s species is ‘human,'” said Kyber, “although I am unsure of the exact pronunciation.”
Hunter Captain Sra examined the data feed, zooming in on an image of the human’s brain. “Have you discovered anything in her nervous system that might function as a seat of consciousness?” said Sra.
“There is one promising organ. An intersection here, between the two hemispheres of the brain. But we’ve found such things before, in highly developed animals. I see no particular reason for optimism.”
Although he knew it was naive, Sra was optimistic. For once his hunter’s skills might not be needed–if the human was in fact a sentient alien being. Although it meant Explorer Captain Kyber would retain command of the ship, the prospect of true first contact spoke to a dream Sra had cultivated since his infancy.
Sra was old enough to recall an earlier age, when no one believed that the Nampranth were alone. A time before their race journeyed outside the home system–before they found a galaxy infested with intelligent animals and bereft of sentient life.
Already this mission seemed different. Sra had never heard of a more auspicious contact. They’d found the alien ship alone, disabled–apparently by a freak collision with a cosmic string. Its single passenger was recovered still unconscious, its computer’s artificial animal dormant but intact. The animal’s architecture had so far resisted interface with Nampranth computers, but Kyber’s explorers had already learned much from the ship’s markings. It was a perfect opportunity for slow, cautious study before beginning the delicate process of contact.
“When do you plan to revive the human?” Sra said.
“Perhaps very soon. We can’t learn much more from noninvasive scans, especially given the number of cybernetic devices operating within her brain.”
Beth Goder worked as an archivist at Stanford before becoming a full-time mom to wonderful twin girls. Now she enjoys writing speculative fiction stories about archives, memory, records, and the relationship between the past and present. She has a degree in information science from the University of Michigan and lives in the San Francisco Bay Area.
about the narrator…
Andrea Richardson is a British singer and actress. With extensive stage and film performances to her name, she began narration and voice over work fairly recently, but enjoys using her existing skills in a different way. You can find Andrea at www.andrea-richardson.co.uk and www.castingcallpro.com/uk/view.php?uid=507734
by Beth Goder
After just three years, most of Gurt’s downtown was nearly unrecognizable. Roldan Street boasted a new tea shop, and the roads had been repaved with greenish eco-tar. Even the old sign at Marta’s Bakery, which had been shaped like a pink cupcake, was replaced with sleek blue lettering.
Score another one for the prophetic soup.
The library sported new windows, stained glass whorls of teal and gold, while Grocery Plus had removed the panoramic window which used to overlook the river. That was the first thing I noticed when I came back, the windows.
I’d spent a lot of time looking out of windows, back when I lived in Gurt. I couldn’t go outside during the dust storms, because of my asthma, so I’d waited inside wherever I happened to be when the storm hit. But dust is all the same, just one blank, swirling vortex, so instead of watching the storms I started looking at the windows. Marta’s Bakery used to have the most beautiful violet windows, circular, like a morning bun with icing on top. Not that I eat morning buns, anymore.
I promised myself when I moved away from Gurt that I’d never come back, not after Sara left me at the altar. On the day of our wedding, I waited for hours at the church window (clean, but with the latch rusted off), fingering the beading on my beautiful white dress, while all of the guests snuck out, except for my family, who had transported in for the ceremony. Dad enveloped me in a hug, while Mom said that she had never liked Sara anyway, reminding me of the time Sara had ruined our trip to Seldar by whining about the swamp smell. It helped, but not very much.
I’m a writer. I’m a teacher. I have taught doctors how to write poetry. I have taught fiction classes to university students. I have taught adults how to write about themselves.
I love creative writing research and have published in that realm. I’ve also presented at conferences across the country, both academic and in the speculative realm.
Life is forever intriguing. Come explore it with me.
about the narrator…
Serah Eley is a software developer and former podcaster who once produced a weekly science fiction podcast called Escape Pod; you can find it at escapepod.org. It’s since gone on to become somewhat successful. She strangely mispronounced her name as Steve Eley at the time; she’s since realized that life is much more fun as a woman, and came out as transgender last year. Serah lives in Atlanta, Georgia with her two wives, Alison and Cat. So if there were ever any betting pools on what happened to Steve: changed sex, joined a committed lesbian love triangle is the dark horse winner. She is, obviously, still Having Fun.
By Victorya Chase
“Riley’s a Godsend, isn’t she?” Lily asked.
We were standing in the doorway of our daughter, Absidee’s, bedroom watching her sleep. She started to stir, face contorting in the fear of a nightmare surfacing, when Riley put a glowing paw up and patted her on the cheek. Her face immediately softened.
I sighed. How was it that Riley could do what I couldn’t?
Four years ago I gave birth to our daughter, a blessing and symbol of our blessing. Absidee was a fairy tale in each and every laugh and gurgle. But, a child who had nightmares so terrible she’d wake us up with her screaming even when she was too young to talk. We kept her in our bed, and still she couldn’t sleep. Absidee shouldn’t have been aware of anything terrible, not in the overprotective home of two first-time mothers.
When Absidee turned three her pediatrician warned us about the long term effects of helicopter parenting, especially with both of us hovering like news copters at a crash. Since birth she had slept with us, the crib at the end of our bed empty most nights, her screams waking me and her little body lashing out in night terrors. We conceded to her own room. This only meant that her yells echoed down the halls. At four she was lingual and no longer spoke in just the gurgling speech of babies. I heard her murmur the name from her dreams and realized my trauma was transferred through the womb; the umbilical cord a pump of memories into her tiny growing body.
I had never even told Lily the name of my abuser no matter how many times we spoke in hushed tones about the experiences I somehow survived. And suddenly it was on the lips of Absidee.
Alanna is an upcoming science fiction and fantasy writer. She has worked in a variety of mediums, from short stories to novels to audio scripts, and across a range of locations, stretching the span of the country from New York to Minnesota to her current location in the Bay Area of California. She is always looking for ways to expand her repertoire and get involved in her next project.
Amanda Fitzwater is a dragon wearing a human meat suit from Christchurch, New Zealand. A graduate of Clarion 2014, she’s had short fiction published in Beneath Ceaseless Skies, Crossed Genres Magazine, and other venues of repute. Look out for upcoming stories in Shimmer Magazine and The Future Fire. She has done narrations across all Escape Artist podcasts, as well as Redstone SF, Interzone, and Wily Writers. She tweets as @AJFitzwater
Singing to the Stars
by Alanna McFall
Aisha sighed and stared down the pile completely obscuring her in-tray. Maybe if she glared at it long enough, it would shrink under the full power of her frustration. She could see scraps of different alphabets scrawled across the pages, everything from the swooping curves of Arabic to the dots and jagged spikes of Ortaxaben. A small cube on the top of the pile was a form written in three-dimensional Kem script, and would take over an hour to get into English. If she had to translate it into Sssstip it could take all day, taking concepts with a million shades of grey built into the letters themselves and synthesizing it into a language with less than two hundred words.
It was days like these that she dreaded even coming into the office. Everyone had told her that she was crazy to take a job at the Extraterrestrial Community Outreach and Legal Assistance Bureau, had told her that she could get a much better job somewhere else, but had she listened? No, she had been all starry eyed, almost literally, about helping the visitors to Earth and representing her planet. Five years later, she was tempted to shove everything that wasn’t strictly confidential in a box, take it home, and do her work in her pajamas while eating cereal. She hadn’t entirely ruled out that option for the day. But for the moment she was here, and there was nothing else to it but to buckle down and get to work.
Near the top of the pile there was a notice on a Shess Global Languages refresher course being held in two weeks; Aisha rubbed her temples. She couldn’t really complain, when being even just familiar in SGLs would guarantee her bills were always paid. But the reason almost no other translators bothered with them, the reason there were such frequent refresher courses, was that the languages changed on an almost daily basis. In a sentient, advanced species with a lifespan of little more than a decade, the Shess youth learned fast and made their own indelible marks on the dialects in the few years it took them to reach adolescence. Dialects shifted and melted together and moved apart, slang came into and went out of style before it could be studied, and at best estimation, the SGL set contained at least four hundred different languages. Aisha could just barely claim fluency in the three most spoken on Earth, and it was a fight to keep up.
But she knew it was an important fight. So many of the cases she was brought in to translate for were a complete mess. Humans gouging Shess at every turn because they knew the legal proceedings could drag out over years. Why charge your Shess tenants a fair rent when they could literally grow old and die in the time it took to cut through the legal jargon of the alien amnesty laws? Anything that could make matters go faster was a godsend to the legal aids.
Aisha just did not want to think about this today: about unfair practices and abuses and the mundane worsts that any species could offer. She looked at the pile of paper and all she saw was a mess of trouble, waiting for her to start to untangle it. Even if she wasn’t the one to deal with the next steps, even if she would be handing it over to the social workers and paralegals once it was translated, it still tired her. She was so, so tired. (Continue Reading…)
I grew up in Africa, India…and Kansas. Then I married a mad scientist and moved to Minneapolis, where I fold time and space to be a full-time fiction writer, part-time freelance photographer, part-time work-from-home employee, and full-time mother. My next project is learning to fold time and space to make this all physically possible! I blog intermittently at http://cloudscudding.livejournal.com, and I can probably be found on whichever social media platform you prefer: Facebook | Twitter | G+ | Livejournal | Goodreads.
I’ve had short stories accepted by publications including Jim Baen’s Universe and Tor.com. I specialize in dark science fiction, cheerful horror, and modern fairy tales. See all my available stories.
My latest project is an online post-apocalyptic steampunk serial story about a circus traveling through the collapse of civilization, which can be found at http://www.circusofbrassandbone.com.
I also manage Aswiebe’s Market List, a downloadable, sortable list of paying science fiction, fantasy, and horror markets.
about the narrator…
Diane Severson is a lyric soprano specializing in Early Music, especially Baroque and medieval music. She is also a teacher of singing (taking her cues from her mentor the late Cornelius Reid and Carol Baggott-Forte – Functional Voice Training). She is the mother of a young multi-linguist and married to her very own Rocket Scientist.
She has narrated for the StarShipSofa Podcast Magazine (StarShipSofa.com, part of the District of Wonders Network) since Tony C. Smith started running fiction and found out that she reads aloud to her husband. She has one 40 or so narrations of fiction, who knows how much poetry. As a result of her affinity to poetry, and because she does her best work when she has a Cause (a budding superheroine?), she decided to become Science Fiction Poetry’s Spokesperson. She produces the sporadic podcast, which runs as part of StarShipSofa, called Poetry Planet (http://www.starshipsofa.com/blog/category/podcast/fact-articles/poetry-planet/) and is a member of the Science Fiction Poetry Association (sfpoetry.com) and is now their membership chairperson. She is a staff blogger for Amazing Stories Magazine (amazingstoriesmag.com) focusing on Science Fiction Poetry. She continues to narrate stories for StarShipSofa and other podcasts (notably PodCastle and Tales to Terrify) and has begun getting paying jobs as a voice actor.
The best place to find her is on the web because she tends to pick up and move to another country at the drop of a hat. She and her family recently moved back to Hannover, Germany after 3 years in Paris.
In Their Image
by Abra Staffin-Wiebe
When I stepped off the shuttle and breathed in the dry grass scent of Trade City, I was still confident I could launch the first human church on Landry’s World. My fellow passengers had been politely non-interested when I explained the mission my church had sent me on. A few had shaken their heads as they glided away. I thought maybe they objected to a female preacher. Or maybe it was because I’m an ex-marine. I’m an “ex-” a lot of things: ex-marine, ex-atheist, ex-drunk, ex-wife, and ex-mother–that last because I was a poor enough mother that when my kids grew up, they washed their hands of me.
The heavier gravity made my normal stride more of a shuffle, but my spirits were high as I walked to meet the young woman waiting for me. After all, I was here at the request of Amber Sands Mining, the major human employer on the planet. The indigenous government had approved; they even volunteered the labor to build my church. My denomination’s elders were delighted to have finally found a mission suitable for an ex-marine with other-world experience.
My guide held a sign saying, “Preacher.” She bestowed a chipper smile on me when I approached. “Welcome to Landry’s World! I’ll take you directly to the church so that you can get started.”
As I fell into step beside her, I said, “It seems odd that a planet with indigenous life is named after the captain who discovered it. Discovered isn’t quite the right term, either, is it?”
“Landry’s purpose in life was to find and name this world, and the Teddies honor that.”
I raised my eyebrows. “Teddies?”
“Oh, dear. I hope you didn’t memorize their long-form name! You don’t need to worry about that. We need to say that in the welcome packet.”
I remembered the images that had come with my briefing. The locals of Landry’s World were seven feet tall, ursine, and covered in bright pink fur. “Wait. You’re telling me that this place is populated by pink teddy bears?” I asked incredulously.
She grinned. “Yup. Here’s the road. Watch your step. I thought we could walk instead of taking the transit tube.”
The golden sand between the borders of the road appeared identical to the sand that stretched into the distance on either side. “What’s the difference?”
“Everything in its place.”
“And what’s your place? When you’re not shepherding green recruits, I mean?”
“This is my place.”
“Of course, but this can’t take up all your time. I meant, what else do you do? What are your plans for the future?”
“This is what I do,” she answered stiffly.
A few failed attempts at conversation later, I let silence fall between us until she stopped in front of a crystalline three-story castle. Sunlight danced across jutting, sharp-edged planes of glass. A Teddy the color of raspberry sherbet rose from the shadow of the building. I’d been so dazzled that I hadn’t even noticed him. (Continue Reading…)
about the author… Hi! I’m Jen Finelli, and I’m a professional author, content-consultant, and ghost-writer deeply in love. Because I’m also a med student, and doctors are weird, I try to write things that make people leak bodily fluids. Like tears of hope. Or “OMG-THAT-WAS-AWESOME-I-JUST-WET-MY-PANTS.” Or the inspired sweat of fighting for what matters.
Explosive things, kind superheroes, crude secret agents, sparkly fairies, biochemistry, guns, facts, and offensive gods show up in my pages, and sometimes that gets me published or gets me money or gets me in trouble. If you want to get to know me a little, or tell me about the things YOU like, you should follow me on twitter. You’ll get a free short story if you do.
about the narrator… J.S. Arquin is a writer, actor, musician, stiltwalker, and renaissance man. (Or maybe he really just likes wearing tights.) He has performed and traveled all over the world, and has lived in many places, including New Jersey, San Francisco, and Greece. He currently resides in his favorite place of them all, Portland, OR, where he gleefully rides his bike in the rain year round. His narrations have also been featured on very fine podcasts such as Starship Sofa and Cast of Wonders, and you might occasionally hear him on his own show, The Overcast.
Brain Worms and White Whales
by Jen Finelli
My name isn’t Spaceman Spiff, and if you call me Ishmael I’ll knock the chewing gum right out of your mouth.
Actually, can I get a piece of that? We don’t get gum up here.
Thanks. I know you’re new here—service droid, right?—so take a look around before I explain why I called you into my office. Heads up, it’s because you did something bad. See this pose? My boots on my desk, arms crossed, limitless backdrop of space out the window behind me as ignored in all its glory as a homemaker whose husband works overtime for secretary kisses? Yeah, this pose, this clean wooden desk, this suitcase full of old Colt firearms behind me, they all mean something.
They mean I’m a man with a past and I like to shoot things.
Let’s back it up from spaceman-with-gun to college-kid-seeking-job. This starts on June 4, 2014. I’m strolling into the parking lot. Sun shining on pavement that can fry eggs, kids screaming that Johnny got the bigger half of the Kit-Kat and it’s just not fair, teens driving Mustangs too fast over speed bumps, soccer moms packing detergent into minivans—you know the scene. I’m parked at the far end of the lot because walking builds character. Not because I’m paranoid the greasy-haired supermarket greeter wants to follow me and collect my fingernails, or because the cute cashier-girl might misinterpret my salmon-colored moped for something less manly than lightish-red.
That greeter’s creepy, though.
I’ve just dropped off my application to work as a cart-pusher, and I’m cursing my sweaty palms, when one of those Mustang-driving teenagers vrooms by, too close. I leap onto the hood of the nearest parked car. It screeches. I screech. I tumble off the car and brush myself off, shushing the honking car alarm in my fright—er, in my fast reflexes. “Sheesh, calm down!” I glance around, hoping to God no one else saw that, and scramble for my moped, hands shaking a bit as I try to force the key into the ignition. “Calm down,” I repeat.
I do feel calmer as I rev up the engine and drive away—it’s okay. It looks like cashier-girl didn’t see me freak out, and greasy-creepster didn’t follow me, and anyway the wind in my thick hair soothes me. That’s the best thing about being Viet-American, this cool hair. The hair, and the Pho. And the patriotic grandparents with tragic war stories that stir your soul and make you wish you weren’t such a wimp. I mean, when Ong noi was my age he was wading wetlands with snakes so poisonous you die two steps after they bite you. And fighting communists. I’m not a Red Scare kinda person, but I have my feelings about what happened to South Vietnam after the Americans pulled out. I don’t actually know what those feelings are. Mostly they’re a wiggling, like I have to go to the bathroom, every time my white friends talk about the sixties.
about the author… Tade Thompson lives and works in the UK. He writes crime, speculative fiction and general fiction. He is an occasional artist, enjoys jazz, but cannot play the guitar to save his own life.
about the narrator… Suyi Davies Okungbowa lives in Lagos, Nigeria and loves stories in all forms. When he’s not at the day job or goofing around on the PS4, he writes suspense and speculative fiction (sometimes when he is at the day job). His work has been published or is forthcoming in Lightspeed Magazine, Mothership Zeta, Jungle Jim, Omenana and other spaces. Suyi also narrates fiction when the mood kicks. He lives on the web at suyidavies.com and on Twitter at @IAmSuyiDavies.
By Tade Thompson
“Being desirous, on the other hand, to obviate the misunderstanding and disputes which might in future arise from new acts of occupation (prises de possession) on the coast of Africa; and concerned, at the same time, as to the means of furthering the moral and material well-being of the native populations;”
General Act of the Berlin Conference on West Africa,
26 February 1885
There is a story told in my village about the man who fell from the sky. The British also tell this tale in their history books, but it is a mere paragraph, and they invert the details.
In October 1884 I was a Yoruba translator for a British trading outpost. This man from the sky, we called him Budo. He was in the custody of the English, who questioned him. They tortured him with heat and with cold and with the blade, but they did not know what answers would satisfy. I know this because I carried their words to him, and his silence back to them. His manner was mild and deferent at all times, but they held him in isolation. For good reason they considered him dangerous. I will explain this later.
One afternoon while most of the English were sleeping a white man arrived at the gate demanding admission. One of the Sikh sentries told me he was a scout, and appeared bruised, half-naked and exhausted. He was too out of breath to speak, although he seemed keen to give his report. Kenton, the NCO of the military contingent, asked one of my brothers to bring water while he soothed the scout. The man took two gulps, splashed some on his face, then looked up at Kenton. He said one word.
On the day Auston Habershaw was born, Skylab fell from the heavens. This foretold two possible fates: supervillain or scifi/fantasy author. Fortunately he chose the latter, and spends his time imagining the could-be and the never-was rather than disintegrating the moon with his volcano laser. He lives and works in Boston, MA.
Auston is a winner of the Writers of the Future Contest (2nd place in quarter 1, 2014) and has published stories in Analog, The Sword and Laser Anthology, and Stupefying Stories. His debut novel, The Iron Ring (Book 1 in the Saga of the Redeemed), will be released on 2/10/15.
about the narrator…
Jeff Ronner is a voice actor, audio engineer, and sound designer. His work has appeared in radio and TV commercials on this planet, and he’s considering doing a series of translations with an advertising group on Theta Prime. But they’re demanding several body parts from him as a retainer, so he’s currently keeping a low profile traveling throughout Australia.
Adaptation and Predation
by Auston Habershaw
Everyone thrives in someone else’s version of hell. For the Quinix, this meant sheer canyon walls a hundred kilometers deep, every surface coated with a thick layer of red-orange vegetation and bioluminescent fungus. The arachnids liked to string cables in complex patterns from wall to canyon wall and built nests where the cables crossed. For them, each oblong, womb-like nest was no doubt cozy and safe. For me and every other off-worlder on Sadura, you were made constantly aware of the fact that, with just the right (or wrong) application of balance, you would plummet to a death so far below that you’d have plenty of time to think about it on the way down.
I’d seen more than a few fall—Dryth tourists to little fluffly Lhassa pups, all screaming their way down into the abyss. In the dim, humid depths of the Saduran canyons, the bodies were hard to find.
For that reason, among others, I came here to kill people for money. I make a good living.
Tonight I had a fat contract on a big Lorca—an apex predator, both because of his fangs and his bank account. As a scavenger, living on the bottom of the food chain my entire life, the irony was delicious. Here I was, a lowly Tohrroid—a slop, a gobbler, a smack—paid top dollar to do in some big shot whose trash my ancestors have been eating for ages. Sooner or later, the bottom feeders always get their due, don’t they?
Either that, or I was going to wind up dead.
I knew the Lorca liked to dine at the Zaltarrie, and I knew he’d be there tonight. I’d spent the last few weeks shadowing one of the wait-staff—a Lhassa mare with the fetching chestnut mane, a full quartet of teats, and the long graceful neck that fit with Lhassa standards of beauty. I had practiced forming her face in a mirror—the big golden-brown eyes with the long, thick lashes were the hardest—and now I had it down pat. I could even copy a couple of her facial expressions.
The Zaltarrie hung like a fat egg-sac in the center of one of the deeper canyons, webbed to the walls by at least five hundred diamond-hard cables, some of which were thick enough to run gondolas from the artificial cave systems that honeycombed the walls and were home to the less authentic Saduran resort locales. The Zaltarrie, though, was all about local flavor and a kind of edgy, exotic energy that appealed to the young, the bold, and the hopelessly cool. (Continue Reading…)
I don’t know how they found us. Beneath this eternal torrent of dust, our dulled marble shells should be hidden forever; and furthermore, it occurs to me to wonder how they even found this planet. But as the shining ship descends from the stars, my brother and sister and I look on in amazement before turning to one another.
Saphida’s voice is a hoarse whisper, her words echoing down my empty corridors and fading away in the false treasure chambers and dead ends full of traps. She says, “Why do they bother us? We have so much to do.”
“They should bow down in our presence!” Kalesh’s voice shakes dust from my ceilings. “Unworthy, lowly creatures–”
“We never reached other stars.” My voice silences his rage at once. “Whoever they are, they achieved far more than we managed to do. Be quiet. Reserve judgment.”
Beneath a sky of sand and a million years of silence, we await our visitors tall and proud. To my left, Saphida rears in defiance of the stars, her gargantuan funeral runes weathered to illegibility in the constant blast of grit. Her tomb faces the wind in death like she did in life, and she breathes sand as she once breathed the hot foundry air. Every so often a windstorm deposits a pebble or two at her golden gates. Enough time has passed that fifty men could not tunnel their way through to her sealed doors.
To my right, Kalesh broods. A column in his neoclassical portico has fallen down, taking a corniced chunk of marble with it. The lost marble weathered into dust a long time ago. His outlying temples and shrines are all worn away now, like mine and our sister’s. Behind the crumbling façades, the wind has whittled us all down to hemispheres with radii equal to the range of our repair nanorobots. Within this range, they’ve expunged every trace of erosion with fanatical precision. Beyond, there is only the sand. I can hardly see my siblings, a few hundred meters away through the grit. (Continue Reading…)
Mexican by birth, Canadian by inclination. Silvia’s debut novel, Signal to Noise, about music, magic and Mexico City, was released in 2015 by Solaris.
Silvia’s first collection, This Strange Way of Dying, was released in 2013 and was a finalist for The Sunburst Award for Excellence in Canadian Literature of the Fantastic. Her stories have also been collected in Love & Other Poisons. She was a finalist for the Manchester Fiction Prize and a winner of the Vanderbilt/Exile Short Fiction Competition.She has edited several anthologies, including She Walks in Shadows, Sword & Mythos, Fungi. Dead North and Fractured.Silvia is the publisher of Innsmouth Free Press, a Canadian micro-publishing venture specializing in horror and dark speculative fiction.To contact Silvia e-mail her at silvia AT silviamoreno-garcia DOT com. You can also find her on Twitter and Google+.
Silvia is represented by Eddie Schneider at the JABberwocky Literary Agency.
about the narrator…
Dani Cutler last narrated for EP in 454: Stop Me If You’ve Heard This One. She has been part of the podcasting community since 2006, hosting and producing her own podcast through 2013. She currently works for KWSS independent radio in Phoenix as their midday announcer, and also organizes a technology conference each year for Phoenix residents to connect with others in the podcast, video, and online community.
by Silvia Moreno-Garcia
Leonardo says that the Americans are going to fire some rockets and free us from the tyranny of the aliens and I say: who gives a shit. Lemme tell you something: It wasn’t super-awesome around here before the aliens. At least we get three meals every day now.
I used to live in a cardboard house with a tin roof and collected garbage for a living. They called my home a ‘lost city’ but they should’ve called it ‘fucked city.’
Leonardo talks about regaining our freedom, ‘bout fighting and shit. What damn freedom? You think I had freedom in the slums? Leonardo can talk freedom out his ass because he had money before this thing started and he saw too many American movies where they kill the monsters with big guns.
I’m not an idiot. The cops used to do their little “operations” in our neighborhood. They’d come in and arrest everyone, take everything. They weren’t Hollywood heroes out to help people. They were fucking assholes and I don’t see why they would have changed. As for American soldiers saving the day: You think they give a rat’s ass ‘bout Mexico City? You think they’re going to fly here in their helicopters and save us?
I say fuck that shit. I never had no freedom. Leonardo can go piss himself. (Continue Reading…)