Tag: "space"

EP580: Nozizwe and Almahdi

AUTHOR: J. R. Dawson

NARRATOR: Eric Luke

HOST: Divya Breed

about the author…

Dawson is a graduate from the MFA program at Stonecoast. Her stories have been seen in Mothership Zeta, The Omnibus of Dr. Bil Shakes and the Magnificent Ionic Pentatetrameter, and Silk Road Review. She was recently a writer in residence at Kimmel Harding Nelson Center for the Arts and a CSArtist through Omaha Creative Institute. Dawson loves science fiction and fantasy, and sometimes she allows it to be funny. Only sometimes.

about the narrator…Displaying Portrait.jpg

Eric Luke is the screenwriter of the Joe Dante film EXPLORERS, which is currently in development as a remake, the comic books GHOST and WONDER WOMAN, and wrote and directed the NOT QUITE HUMAN films for Disney TV.  His current project INTERFERENCE, a meta horror audiobook about an audiobook… that kills, is a Best Seller on Audible.com


Nozizwe and Almahdi

By J. R. Dawson

She was a princess and he was a prince, and they had been genetically made for each other. The science had been precise down to their anatomical make-up, the blood and the speed in which that blood pulsed through their perfectly symmetrical hearts.
His name was Almahdi. He had been named this because of the way the consonants and vowels hit the shape of her ear. Her name was Nozizwe, because she would indeed be the mother of nations. They would meet at a grand ball on the space station, in the neutral zone between their two new colony kingdoms, in their eighteenth year. So that meant, while other children got to spend their first eighteen years enjoying their robo-dogs and trying to set their parents’ fireproof space suits aflame and going to camp on the moon, the prince and the princess did nothing fun. In fact, their daily activities were about as far from fun as daily activities could get.
“You were made out of love,” Nozizwe’s father, the King, instructed her — age three — from his throne. “Therefore, you must love. Now, what does it mean to love, Nozizwe?”
Nozizwe, sitting in an uncomfortable chair, farted loudly.

EP578: Cherry Squid

AUTHOR: Celeste Hollister

NARRATOR: Amy H. Sturgis

HOST: Mur Lafferty

about the author…

Celeste Hollister is a novelist, a mom, a travel writer, and a teacher. She writes characters who struggle with racial identity and LGBT+ representation. She graduated from Texas State with a degree in writing, taught in the public school system for a decade, and lived in Korea for a year. She loves wine, cats, cookies, and fanfiction. She currently lives in San Marcos, Texas, with her lovely boyfriend and fabulous daughter.

 

about the narrator…
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Amy H. Sturgis holds a Ph.D. in Intellectual History from Vanderbilt University and specializes in both Science Fiction and Indigenous American Studies. She is regular staff with the StarShipSofa podcast, editor in chief of Hocus Pocus Comics, and faculty at Lenoir-Rhyne University. She lives with her husband in the foothills of the Blue Ridge Mountains in North Carolina.
Cherry Squid

By Celeste Hollister

It was the cherry squid that did him in.

Outside his window, seventy stories up, the advertisement bloomed, melon yellow, racecar red. A shoal of squid rippled across the holo, a tangram pattern that morphed into a human face. Almost human, but with a Vrellan’s ruby eyes. Then a blush of shimmer-pink as the slogan scrolled onscreen: “Let’s All Share a Cherry Squid” in all caps like a scream.

Fresh cherry scent wafted on the air. Then the ad faded to black before replaying, an endless loop of fragrance and light.

“A stupid, looping nonsense,” Adam called it.

The Mobius-strip of cherry squid peeled out from its backlit blue. I said, “I think it’s pretty.”

“They try too hard to be like us,” Adam said.

I edged onto the oval of his windowsill and watched the sun plait silver into the spillways. I said, “They are like us. The scientists say we share a common ancestor. We just evolved differently.”

Adam crooked a three-pod stool against his vid-wall. He popped open a can of Dr Pepper, one from his dwindling cache of Earthly goods. He said, “You don’t believe that crap, do you? The whole Selkie Evolution thing?”

The Vrellan face floated into view, its mouth wide as it chased the squid across the screen.

“How can you not?” I asked. “His face is like ours. The eyes are the same shape. Even his teeth–”

“–One,” he said. “You don’t even know if he’s a He. And two. They don’t have bones, Barbara. It’s all cartilage. Like a cuttlefish.”

“So?” I said.

“Really?” he deadpanned. “That’s your grand rebuttal? So?”

I said, “I still think they’re pretty.”

Adam sipped from his soda can. He said, “You think everything is pretty. Besides, you’re near the uptake land, tree-lined parks and all the quiet you can stand.”

“Yep,” I said. “My neighborhood wins, and you know the reason why.”

Adam’s nose twitched. “’Cause of Mercy,” he said.

“They put families in the Sheon-ho,” I said. “You could’ve joined us. Mercy and me get the hive dome. You get the pod-apartment.”

“For now,” Adam said. “We’ve been through this. Once they sort your daughter’s visa and she finally gets here, she’s gonna have to acclimatize to a whole new culture. Us all living together — major complications.”

“Mercy’s 17,” I reminded him. “After moving to another planet, the living together thing is not that big a deal.”

The ad splashed us yellow-white. Adam ground out a sigh.

I said, “I did not ride all this way to hear you bitch about your view again.”

Adam crushed his empty soda can. “Yeah,” he said. “Whatever.”

EP577: The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself

AUTHOR: Matt Dovey

NARRATOR: Tina Connolly

HOST: Divya Breed

about the author…
Matt Dovey is very tall and very English and most likely drinking a cup of tea right now. He has a scar on his arm where the ice of Europa cut through his suit and left him gasping for air on a Jovian moon that he can’t remember leaving. He now lives in a quiet market town in rural England with his wife & three children, and despite being a writer, he still hasn’t found the right words to properly express the delight and joy he finds in this wonderful arrangement.

His surname might rhyme with “Dopey”, but any other similarities to the dwarf are purely coincidental. He was the Golden Pen winner for Writers of the Future in 2016, was shortlisted for the James White Award the same year, and is an associate editor over at the best fantasy fiction podcast in this world and the next, PodCastle. He has fiction out and forthcoming all over the place; you can keep up with it at mattdovey.com, or follow along on Facebook and Twitter both as @mattdoveywriter.

about the narrator…Tina Connolly

Tina Connolly is the author of the Ironskin fantasy trilogy from Tor Books, and the Seriously Wicked YA series from Tor Teen. Her novels have been finalists for the Nebula and the Norton.

Her stories have appeared in Tor.com, Lightspeed, Analog, Strange Horizons, Beneath Ceaseless Skies, Daily SF, and many more. Her first collection, On the Eyeball Floor and Other Stories, is now out from Fairwood Press.

Her narrations have appeared in Podcastle, Pseudopod, Beneath Ceaseless Skies, John Joseph Adams’ The End is Nigh series, and more. She co-hosts Escape Pod and runs the Parsec-winning flash fiction podcast Toasted Cake.

The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself

By Matt Dovey

–then scooted her chair over to the microscope. Amira only needed a glance at the holographic zoom floating over the scope. The viral cells were replicating rapidly, budding and splitting at a phenomenal rate.

“Hey, Mariana, look at this.” Amira indicated the hologram, then was struck, at once, with an overwhelming sense of déjà vu: something beyond the familiarity of her lab and its clean white surfaces, or the flat icy plains of Europa beyond the carbonglass windows. And more than the déjà vu, there was a feeling of _instantaneousness_, that this moment had arisen out of nothing, that nothing was all that had been there before, that everything had just–_appeared_.

EP576: Karma Among the Cloud Kings

AUTHOR: Brian Trent

NARRATOR: Ellora Sen-Gupta

HOST: Mur Lafferty

about the author…
Brian Trent’s speculative fiction appears in Escape Pod, Pseudopod, ANALOG, Fantasy & Science Fiction, Orson Scott Card’s Intergalactic Medicine Show, Great Jones Street, Daily Science Fiction, Apex (winning the Story of the Year Reader’s Poll), COSMOS, Galaxy’s Edge, Nature, and numerous year’s best anthologies. The author of the historical fantasy series RAHOTEP, he is also a 2015 Baen Fantasy Adventure Award finalist and Writers of the Future winner. Trent lives in New England, where he works as a novelist, screenwriter, and poet.

 

 

about the narrator…

Ellora Sen-Gupta is a (currently Boston-based) biomedical engineer who often disguises herself as a voice over narrator and photographer among other roles. She has a great love of animals, miniatures, miniature animals, books and comics, exploring, tv cartoons, etc. Ellora is happiest when she is traveling the world with her family or friends but can also be delighted to sit home with her pets and some arts and crafts and/or Netflix.

Karma Among the Cloud Kings

By Brian Trent

I.

Fifty thousand feet above Tempest’s highest clouds, Antarag Vel-heth invites me to sit beside him in the lobby of Lindorm Refueling Station. It’s a desolate, littered expanse of tables, party-streamers, and plastic people with unceasingly flapping jaws.

What… what are they doing?” I whisper, sweating despite the room’s merciless air conditioner.

Eating,” Antarag winks. “Talking.” His pitted skin stretches like a weather-beaten tarp across a knobby skeleton and skull of aquiline protrusions.

The plastic people have no food that I can see. One of them leaps up from its chair, arms raised in silent declaration while the others applaud with rubbery hands. Discolored mouths swing open and shut on cheap hinges.

Antarag grins at me with pained, frank interest—I wonder when the last time he’s had a real, flesh-and-blood female visitor up here with him. He knows I’m from Bellcap 51. He knows we’re all Jains there, with our shaved heads, monastic robes, and vows of celibacy. Still, my eyes dart nervously to his holstered pistol.

EP575: Red Kelly Owns the Moon

AUTHOR: Shaenon K. Garrity

NARRATOR: Cheyenne Wright

HOST: Alasdair Stuart

about the author…
Shaenon K. Garrity is a cartoonist best known for the webcomics Narbonic and Skin Horse. Her prose fiction has appeared in publications including Strange Horizons, Lightspeed, Drabblecast, and the Unidentified Funny Objects anthologies. She lives in Berkeley with a cat and two men of varying sizes.

 

 

 

 

about the narrator…Cheyenne Wright

Cheyenne Wright is a freelance illustrator and concept artist

He is the color artist on the three-time Hugo Award winning steampunk graphic novel series Girl Genius, and co-creator of many other fine works; Including 50 Fathoms and the Ennie award winning Deadlands Noir for the Savage Worlds RPG.

He has also produced graphics for Star Trek Online, the Champions MMO, and T-shirt designs for TV’s Alton Brown.

Cheyenne lives in Seattle with his wife, their daughter, and an ever growing stack of unpainted miniatures.

In his spare time he is teaching himself animation, and narrates short stories for a variety of audio anthologies where he is known as Podcasting’s Mr. Buttery ManVoice ™

 

Red Kelly Owns the Moon

By Shaenon Garrity

Nobody remembered how Red Kelly got his hands on the moon. He picked up a lot of things back then. You had to, working at the Westinghouse on a brazier’s pay. Red played cards, ran numbers around town, and, every other year, warmed hands for the Democratic machine in Pittsburgh. It wasn’t unknown for him to come home with an acquisition of mysterious provenance. Once he got the Kellys an entire patio table and chairs, with an umbrella and that. The umbrella was printed with the name of a restaurant whose owner had bet a bundle down at Duquesne Gardens.

So it wasn’t surprising Red had the deed to the moon. It didn’t even come up until, well, must have been 1968 of course, when the two men in the tailored suits showed up at the Kellys’ doorstep in North Versailles. You don’t forget a thing like that, the whole neighborhood watching through their lace curtains. Red was still at work, so Blanche Kelly sat the men down in the living room, introduced them to the girls, and set up boilermakers. They were from the military, it turned out, which was a good opening since Blanche had been a WAC. She cut a deck of cards.

At 4:30, Blanche pocketed her winnings, got in the car, and drove to the bottom of the hill to pick Red up from the bus stop. She left the girls to keep an eye on the men.

EP574: Yosemite

AUTHOR: D. S. McNab

NARRATOR: Erik Luke

HOST: Divya Breed

about the author…

D. S. McNab, who previously worked in the creatively challenged world of finance, is a lover of all writing genres. However, sci-fi and fantasy hold a special place in her heart. When she’s not writing about magic and aliens, she’s working as a freelance editor or cuddling with her husband and two dogs in sunny Florida. Her work has appeared in Youth Imagination Magazine.

 

 

 

 

about the narrator…Displaying Portrait.jpg

Eric Luke is the screenwriter of the Joe Dante film EXPLORERS, which is currently in development as a remake, the comic books GHOST and WONDER WOMAN, and wrote and directed the NOT QUITE HUMAN films for Disney TV.  His current project INTERFERENCE, a meta horror audiobook about an audiobook… that kills, is a Best Seller on Audible.com

Yosemite

By D.S. McNab

Have you ever wondered why park rangers are so deliriously happy with their job despite the crap pay? The easy answer is that they just really dig nature. But pull back that mossy curtain, and you’ll find a slightly less pleasant explanation. Here’s a hint: It has a tentacle tongue, about three feet on Shaq, and sometimes leads to the early and unfortunate demise of hikers.

Okay, you might need a more terrestrial hint for this one, so in the words of my idol, John Muir: “The clearest way into the Universe is through a forest wilderness.” You see, during a trip I took to Yosemite National Park in my mid-twenties, I discovered that the opposite also holds true—that the forest wilderness is the clearest way out of the Universe. So let me pick up where my boy Muir left off and tell you exactly what I came to find out about the forest and its rangers on that fateful trip.

EP572: Nothing to See Here

AUTHOR: Arthur Doweyko

NARRATOR: Patrick Bazile

HOST: Alasdair Stuart

about the author…Picture

As a scientist, Arthur has authored over 100 publications, invented novel 3D drug design software, and shares the 2008 Thomas Alva Edison Patent Award for the discovery of Sprycel, a new anti-cancer drug. He writes hard science fiction, fantasy and horror. His debut novel, Algorithm, is a story about DNA and the purpose of humanity. It garnered a 2010 Royal Palm Literary Award (RPLA) and was published by E-Lit Books in 2014. Angela’s Apple won 1st place as best pre-published science fiction novel of 2014 (RPLA) and will be published by Red Adept Publications (July 19, 2016) as As Wings Unfurl. His short stories, P’sall Senji, The Last, and Nothing to See Here garnered Honorable Mentions in the L. Ron Hubbard Writers of the Future Contest. He lives in Florida with his wife Lidia, teaches college chemistry and happily wanders the beaches when not jousting with aliens.

about the narrator…

Patrick is an American Actor/Voice Over Talent born and raised in Chicago, Illinois. Patrick has voiced everything from PSAs to major product brands, with a deep, commanding voice often referred to as “The Voice of God.”

Nothing to See Here

By Arthur Doweyko

There is a comfort in the strength of love;
‘Twill make a thing endurable, which else
Would overset the brain, or break the heart.

William Wordsworth

I heard a squawk—kind of like the goose call that comes out of a police cruiser. Blinking red and blue lights danced on the window shade, so I figured they must have nabbed somebody. The trouble was, they were behind my house, in my cornfield.

I peeled back the shade, and what did I see but a crap-load of state police parked sort of in a big circle. The ground mist was so thick, I barely made out the cut corn stalks. The rows led to the police who looked like scarecrows poking up out of the fog—all facing in, staring at the same something. Whoever they got cornered was out-of-luck, that’s for sure.

Funny thing though—nobody was moving. They just stood at their cruisers. My eye drifted back over the rows. Something itched up the back of my mind, and then the sun peeped up over the tree line on the far side.

EP571: Beetle-Cleaned Skulls

AUTHOR: J. E.Bates

NARRATOR: Trendane Sparks

HOST: Alasdair Stuart

about the author…

J.E. Bates is a lifelong communicant of science fiction, fantasy, horror and other mind sugar and screen candy. He’s lived in California, Finland and many worlds in between.

 

about the narrator…

narrator Trendane Sparks

Originally born in Texas, Tren eventually escaped and wound his way through a mystical series of

jobs in the San Francisco Bay Area where he has worked as a software QA Tester for both graphics drivers and video games, a freelance mascot performer, and several jobs on a PBS kids’ show. For most of his life, people have told him that his voice is a pleasure to listen to. But since being a werewolf phone sex operator can get boring, he decided to use his powers to entertain a broader audience.

Beetle-Cleaned Skulls

By J. E. Bates

Fine amber dust infiltrated everything in the Preserve. Each morning, I vacuumed it away with my ventral hose prior to opening my kiosk. I paid particular care to my curios: the fossils, the bismuth crystals, and the beetle-cleaned skulls. Forebears, especially the children, delighted in receiving my curios as gifts. Each successful transaction gave me a burst of surplus energy, expressed as pride.

The mineral specimens I gathered from the talus behind the kiosk. I polished them right in the kiosk according to aesthetic principles. But I prepared the skulls in the subterranean machine rooms. They were created from deceased rhuka, a species of domesticated bovine. No other kiosk attendant created such skulls, and Forebears traveled great distances to receive one. They used them to decorate their caves.

EP564: Trusted Messenger

AUTHOR: Kevin Wabaunsee

NARRATOR: Phillip Lanos

HOST: Norm Sherman

about the author…

Kevin Wabaunsee is a speculative fiction writer living in Chicago. A former newspaper reporter on the health and medical beat, he is currently an editor and communications director for a large medical school. He is a Prairie Band Potawatomi.

 

 

 

 

about the narrator…Displaying Profile-Pic.png

Phillip Lanos is Los Angeles born, hyper-active and yet pensive. An Actor, Singer-Songwriter and currently the host and editor of the Ajax Union Digital Marketing Podcast. Television appearances include MTV’s “Copycat” & “Parental Control” and Telemundo’s “Yo Soy El Artista.
Trusted Messenger

By Kevin Wabaunsee

Dr. Thaddeus Begay had been expecting a dying child in the exam room, but no one had said anything about a woman half-dead from starvation. He stepped inside and muscled the door shut – like the rest of the clinic, it was made from metal reclaimed from the original dropship, and like everything else in the colony, it didn’t quite fit right.

“Good morning,” Thad said.

“Hello there,” the woman said. Her tone was probably meant to be cheerful, but to Thad, it sounded like it took significant effort.

Thad frowned. His nurse must have made a mistake. A woman had burst into the clinic without an appointment, the nurse had said, demanding help for her sick child.

But the woman sitting on the examination table with her child was thin to the point of starvation. Cheeks deeply sunken; the outline of her ribs and collarbone sharp through her tank top. Her hair, like her shirt, was thin and plastered against her flesh with sweat. On her lap sat a little boy of about a year and a half, had jet-black hair and deep brown eyes, and cheeks that were flushed with a painful crimson rash. Still, he looked healthier than his mother.

Thad dragged a stool over to her. It squealed across the faint outlines of the struts and tie-downs and internal dividing walls that had once honeycombed the massive storage container that now served as the colony’s clinic.

He glanced back at the chart – her name was Suzanne Buenaventura. He glanced at her vitals, and nearly gagged when he saw her records from the colony ship. She’d been more than 215 pounds when the dropships had landed. Sitting on the exam table, she didn’t look like she’d top 110. “And what seems to be the problem this morning, Mrs. Buenaventura?”

EP562: Meltwater

AUTHOR: Benjamin C. Kinney

NARRATOR: Rajan Khanna

HOST: Tina Connolly

about the author…

Benjamin C. Kinney is a neuroscientist by day, speculative fiction writer by night. Once upon a time, he worked in a glass-walled tower making cyborg monkeys, but he long ago abandoned that business to run electromagnetic fields across human brains. He lives in St. Louis with two cats and his spacefaring wife. His fiction and nonfiction have appeared in Strange Horizons, Clarkesworld, PodCastle, and Flash Fiction Online – and, at last, his beloved Escape Pod, where he sifts through submissions as an Associate Editor.

about the narrator…Rajan Khanna Author Photo

Rajan Khanna is a fiction writer, blogger, reviewer and narrator. His first novel, Falling Sky, a post-apocalyptic adventure with airships, was released in October 2014 from Pyr. A sequel, Rising Tide, came out in October 2015. His short fiction has appeared in Lightspeed Magazine, Beneath Ceaseless Skies, Shimmer, and several anthologies. His articles and reviews have appeared at Tor.com and LitReactor.com and his podcast narrations can be heard at Podcastle, Escape Pod, PseudoPod, Beneath Ceaseless Skies and Lightspeed Magazine. Rajan lives in New York where he’s a member of the Altered Fluid writing group. He is represented by Barry Goldblatt of the Barry Goldblatt Agency.
Meltwater

By Ben Kinney

My beloved waits for me in the flooded church. She’s died one time too many, and I can’t get her back without her help. At least, at last, it gives me a reason to see her again.

The church lies at the edge of the Mediterranean fracture, below cliffs barely eight thousand years old. Glacial melt pours down the precipice, filling the air with a fine frigid mist. Rime ice coats the façade, making the church look like a sharp-clawed hand locked in melting wax. Another fork drops me off in a flier, leaving me alone in the valley with my pack and what few memories I can carry.

Boulders and high water have turned the entrance into a scramble over icy stone. My lungs heave against thin cold air as I catch my breath in the nave atop a half-submerged pile of boulders. There’s just enough dry space for me to stand upright. I wish I’d taken a different body, but for this task–for me–only the traditional shape will do.

I first spot Emlune as a glowing line of blue. Her primary lamp cuts across the chamber, and the air glimmers with frozen mist. She clings to the vaulted ceiling with eight articulated limbs. Smaller lights spangle her teardrop-shaped chassis, as if she had swum in water rich with bioluminescent algae.

I cup my hands in front of my mouth. “Emlune!”

The light swivels toward me, even though she must’ve noticed me already. The artifice lends her attention a charming, primitive touch. I say, “There you are. Six thousand years, and this place hasn’t changed a bit. You’re still maintaining it, yes?”

“Percel.” Her voice sounds calm, but as distant as steeple to pews. “If you’re using that name again?”

“Of course.” I rub my hands together through their gloves, though my flesh is already warm. “Bad news. Your last iteration died without leaving any other forks of herself. No variants, no backups, nothing.” I intend to add she’s gone, but the words never leave my throat.

She scuttles down from ceiling to wall and hops onto a boulder beside me. Her body is glossy with layers of diamond, twice the size of my relic form. She says, “How?”

The question hurts, and I succumb to the temptation to avoid it. “She was in the Cascadia Zone, working on the volcanoes. She must’ve mis-timed an eruption.”

A manipulator swivels, like the shake of a head. “Why didn’t she make any backups?”

“I don’t know.” I want to fidget, to look anywhere else. Beneath her bright-light gaze, I can’t hold back the truth. “But it can’t have been an accident. Unless you think you forked someone careless.”

I wince as the last words escape my mouth. I don’t want her death on my shoulders, but I’d rather blame myself than her. Her beam flickers over my face, and I wonder what my skin and muscles reveal.

She laughs, a sound like the memory of bells. “You’re so transparent in that body. It’s sweet. It’s all right, I know you’re on edge. I’ve missed you too.”

I take a deep breath, filling my lungs with the easy grace of her forgiveness. “It’s good to see you, Emlune. It’s a lonely world out there without your fork. But to be honest, we missed this you.”

Emlune braces four legs beneath her and tilts her spun-diamond body like a sitting dog. “Am I so different from my forks? Or did you change yourselves to love me less?” Her voice gains a bittersweet edge, as if disappointed by the sadness on her tongue. “Probably both. I knew my fork would be different out there. Because of the work. I just can’t… obsess about the old Earth, not like you do.”

Frustration surges inside me. “What’s wrong with the work? At least I’m doing something productive! What have you accomplished these millennia? Thought deep thoughts and kept a church from falling down?”

Blue light strikes my eyes. I squint, but hold my ground. What could be more important than repairing this shattered Earth? I have to make her understand.

She says, “You shouldn’t have come back.”

She slips into the water and vanishes between the boulders. I am alone in the frozen church, hating myself. I haven’t forked into a body like this in millennia, and I’ve forgotten how to manage the emotions. The frustration remains, and I find myself pacing back and forth.

I slip on the ice. I catch myself on my hands, and my bones jar with the impact. I curse with clenched teeth and words that have long since lost their meaning.

I sit up. My body aches, but nothing worse. I’m not going anywhere. I may not remember all nine thousand years, but I know patience.

#

I dig a transmitter out of my pack and pass the time by keeping tabs on the work. I have four other forks currently running: two submarines working the Mid-Atlantic Ridge, a solar array warming the Cocos Plate, and a flyer surveying the Iberian peninsula. I consider envying my other forks. They miss only Emlune’s now-dead fork, with an affection faded by the malignant accumulation of changes. They barely recall Emlune’s frozen source, but I exist for my task: body, mind, and memories. When I finish my mission, when we splice back together, all of us will learn what we’ve been missing. They will remember my minutes and hours with Emlune, and they are the ones who will envy me.

Emlune clambers up onto the rocks. Screenlight reflects off of the camber of her fins, rippling as her limbs narrow themselves into legs.

She says, “I’m sorry, I shouldn’t have have run off like that. I’m not used to company.”

I shift my jacket on my shoulders. “I’m sorry too. I was being nasty. I’d blame this body, but that doesn’t make me any less responsible.” I try a smile. “I hope you’ll forgive me?”

“Always. As long as you will,” she says wistfully. Her light flickers to my face, to my screen, and back. “I’m glad you’re still enjoying your work.”

I nod toward my screen. “Do you remember the old Earth?” I try to recall us walking there together, breathing air rich with nitrogen and oxygen, warm sunlight on our singular face. “But never mind. It’s okay if you don’t. I just need another fork of you that will.”

“It didn’t work out last time. Evidently.”

“It worked for six thousand years. If we have to do this every few millennia, that’s not so bad, is it?”

She sighs, her voice heavy with regret. “My fork must’ve been miserable. To end the way she did. Maybe this isn’t meant to be.” Her tone hardens, but I can hear the crack beneath the plaster. “Learn to adapt, Percel.”

I wince. This isn’t going well. “We will. But we–I–don’t want to do it alone. Won’t you try again?” My pleading tone embarrasses me. This is futile, even if she acquiesces. As long as the idea repels her, she’ll never be able to craft a self that wants this future.

An idea dawns, and I grasp it like a whisper of radio signal in a cave. “Wait. I’ve been greedy, haven’t I? Let’s trade forks. I’ll bring one here to keep you company.”

Emlune’s primary lamp goes dark. The other lights on her carapace twinkle like a cupful of stars. I can still discern her shape, as the light from my screen casts her spangled shadow against the false window-arch of a triforium. She says, “You think a version of you could be happy here?”

“With you? Of course.” I’ve spoken too quickly. Would that fork still be us, the me whom she loves, without its interest in the world beyond?

Maybe not. But maybe she’ll be happy, even if her partner is someone else.

I wonder whether she can see my agony. But I put on a smile and say, “It’s worth a try. I don’t have the hardware to copy from this body, but I’ll have one of my others send the new fork.”

Her light flickers back into life and she reaches out. Her diamond manipulator touches my skin. Not as cold as ice, but as cold as the dead. Still, it’s the only touch I desire.

“It’s worth a try,” she echoes. “And until your fork arrives, we have time to talk.”

#

I receive a message from my fork in the church. Emlune wants us to make a version willing to stay here.

I can make such a fork, and I know her future. The new fork will diverge so far we’ll never achieve a proper splice. She will learn the things I most lack: peace, certainty, trust in permanence. She will ask the hardest questions. She will challenge me.

I will fall in love with her.

Six thousand years have passed since the last time I did this, but I have not forgotten.

#

Dawn light filters through clerestory window holes as Emlune sits on the cold stone beside me, telling tales of her work. Water and ice and time form an ever-changing loom, and every day she weaves the church anew. She doesn’t pause at the sound of turbines, but she falls silent when spun-diamond feet clink against boulders in the entrance.

An eight-limbed teardrop-shaped machine joins us, carrying a box full of gear. With my inchoate senses, the kit looks like nothing more than a tangle of shadow and silver.

I say, “Hello, Percel.”

“And to you, Percel.” The new arrival laughs with my voice, and then swivels toward Emlune. “You must be Emlune? I’m afraid I don’t remember much of you. But I will in a moment.”

The new Percel unspools a pair of leads from the kit, plugs one into her carapace, and offers me the other. “You have the only full instance of our feelings for her. Ready to share?”

More than ready, if it’ll create one more soul who understands me. I slip the lead into the socket where my spine ascends to skull, a concession to modernity in the timeless architecture of my human body. The world stutters as my functions lock down during the copying process, but when I resume, only an instant has passed.

I disconnect, and rub my fingers against the hard rim of the port. I force myself not to glance at Emlune; even if I did, I wouldn’t be able to read the reaction on her carapace. “Do you remember now, Percel?”

My newest fork hesitates, lights cycling beneath her surface as she weighs my gift. For her, it should be no burden. “I do.” The lights fall still, and her main lamp flickers to Emlune, then back to me. “But why Percel? Neither of us should answer to that. Names don’t mean much if we reuse them. I think I’d rather go by Temze. How about you?”

Satisfaction freezes in my veins. “I like Percel.”

Temze’s lamp dims, and she swivels it toward Emlune. Tightbeam communication passes between them. Temze’s dismissal hurts, a spike of disappointment somewhere behind my ribs.

I’m still not sure I understand Temze’s meaning. There’s no reason why I should; she has a long and different life ahead of her. But I want to make her proud of me. I clear my throat. “Call me Arju.”

Emlune and Temze focus on me. A breath of mist eddies across the nave. Emlune says, “It’s been a pleasure meeting you, Arju.”

Meeting. We both know I’m not the same Percel who left her here six thousand years ago. I’m a short-lived fork, and soon I’ll splice back into the others. I will become part of my future selves, to live my manifold lives with Emlune’s copies.

It’s not enough.

This time, I’ll know what I’ve lost. In love but forgotten, as Emlune and Temze build their private world. I can’t imagine a more painful fate. There must be a way out.

There is a way out.

I take the kit from Temze’s manipulators. “Download Emlune’s fork into me.”

Emlune recoils. “Your body barely has room for one personality. I’d overwrite you! If it’s even possible.”

Temze speaks cautiously, her voice deferential. “It’s possible. We designed this kit to create Arju.” I’ve surprised her, and I try to hide my flash of pleasure before her attention swivels toward me. “I don’t understand, but I’ll respect your choice. If you’re certain.”

Emlune scrapes her manipulators along the ice, as if hunting for purchase. “Why are you doing this?”

The wire shakes in my hands. My body feels like glass, strong but brittle. I must not crack. I was made to love this Emlune, solitary and eternal. If I splice, my love would rejoin the stream of my future selves. As long as some part of us pines for Emlune in her sanctuary, we will return here again and again, frozen in our yearning for an impossible love.

I look at them both, two bodies dazzling with diamond and light. “Because without me, we’ll be free.”

I attach the lead and wait for her to flow into me.

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