Posts Tagged ‘robot’

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Escape Pod 624: Fandom for Robots


Fandom for Robots

By Vina Jie-Min Prasad

Computron feels no emotion towards the animated television show titled Hyperdimension Warp Record (超次元 ワープ レコード). After all, Computron does not have any emotion circuits installed, and is thus constitutionally incapable of experiencing ‘excitement’, ‘hatred’, or ‘frustration’. It is completely impossible for Computron to experience emotions such as ‘excitement about the seventh episode of HyperWarp‘, ‘hatred of the anime’s short episode length’ or ‘frustration that Friday is so far away’.

Computron checks his internal chronometer, as well as the countdown page on the streaming website. There are twenty-two hours, five minutes, forty-six seconds, and twelve milliseconds until 2 am on Friday (Japanese Standard Time). Logically, he is aware that time is most likely passing at a normal rate. The Simak Robotics Museum is not within close proximity of a black hole, and there is close to no possibility that time is being dilated. His constant checking of the chronometer to compare it with the countdown page serves no scientific purpose whatsoever.

After fifty milliseconds, Computron checks the countdown page again.

(Continue Reading…)

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Escape Pod 621: Assistance (Artemis Rising)


Assistance

By Kathryn DeFazio

“Would you like to discuss your coping plan?”

Astor did not want to discuss their coping plan. They didn’t want to think about their coping plan, or the trip itself, or the airport, or the subway, or— “No, thank you.”

“Do you think it would be—”

“Manual override.” Astor sat heavily in the armchair.

“Hmm.” The little android tilted its head slightly. “I’m sorry, Astor, I don’t understand the command. Could you rephrase?”

It had been worth a shot. “Never mind.”

“The value of coping in advance allows you to prepare for the most likely scenario and therefore decrease feelings of helplessness and fear. Would you like to discuss your coping plans?” (Continue Reading…)

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Escape Pod 619: A Study in Symmetry, or the Chance Encounter of an Android and a Painter (Artemis Rising)


A Study in Symmetry, or the Chance Encounter of an Android and a Painter

By Jamie Lackey

HK-812 stepped out of her charging pod and gazed out the single narrow window that her 8×14 living space boasted. The brick wall outside was a whole eight inches away from the glass, and the morning sunshine gave the red-brown a cheery tone. As she watched, a single moth fluttered past, its wings white and delicate and brilliant in the light.

HK hummed a happy tune as she pulled on her regulation gray uniform. It was going to be a good day.


Lawrence stared at the empty hook by his front door. “Where are my keys?” he demanded.

“They are in the sink in your painting studio,” his house replied. “However, the car is not in the driveway. Would you like me to ping the GPS?”

Lawrence sighed. “Yeah.” He vaguely remembered getting a self-driving car home last night after he’d drunk one (or two, or seven) too many toasts to the happy couple. He didn’t really remember painting anything. He just hoped he hadn’t left the studio a complete disaster area.

“Your car is parked in the lot at 124 Lake St.”

Outside the reception hall. Which was about twenty miles from his lakefront house. And now he was supposed to pick them up and drive them to the airport for their honeymoon. His college best friend and high school sweetheart—they were sickeningly perfect together. They’d fought over whose side he’d be on in the bridal party.

They told him that they could get to the airport on their own, but he’d insisted. He was happy to do it, he wanted to see them off, he was so happy for them.

His head hurt.

It was going to be a rough day. (Continue Reading…)

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Escape Pod 615: Lonely Robot on a Rocket Ship in Space

Show Notes

 

Audio production note: Christopher Cornell has done an amazing and creative job of adapting the visual and formatting elements of Lonely Robot on a Rocket Ship in Space to the audio medium.

That said, there are simply some elements that do not lend themselves to a one-to-one equivalent.

I strongly encourage Escape Pod listeners, then, to not only listen, but also to see the full written story on our website.

In the text, I have changed the section breaks from a hashtag (#) to our logo icon and have taken out the paragraph indents to match our style. Otherwise, however, I have left the unique font and visual elements as A. Merc Rustad sent them to us.

Keep in mind, however, that because this is the Internet, your particular browser may interpret that formatting in myriad ways.

TL;DR: Read the text, too. Your mileage may vary.

-Adam Pracht, Escape Pod audio producer


Lonely Robot on a Rocket Ship in Space

By A. Merc Rustad

Byron scribbled crib notes on his wrist the night before he planned to come out to his dads.

He’d told all his friends he was sick so he would have an excuse to stay home Friday night. It wasn’t like he was lying. His stomach was so knotted he thought he’d puke. But he couldn’t sleep, either. The words burned like he’d used acid instead of a Sharpie.

I’m not scared or confused. It’s who I am.

In the tiniest he could write legibly, he added, Please don’t be mad. (Continue Reading…)

Escape Pod 609: Wasps Make Honey


Wasps Make Honey

By Penelope Evans

The scrap heaps at the edge of the settlement are taller than the average colony building. They offer up next to nothing good. But the factory doesn’t want either of us anymore. Power cells don’t come cheap now. In fact, they barely come at all. “Sometimes I think we should give up on this,” Jax tells me, leaning on a big busted-up engine piece—an oscillator from a collector class ship or something of equal size. This is her half of the argument, where she begs me to give up. She has a lot of arguments, and they are all at least mildly convincing and a little hurtful. I’m getting old (true), she’s getting old (also true), sooner or later her drivers will fail and I could be doing better things with my time (true and true).

“I’m not giving up on you anytime soon.” This is my half. My half is not an argument, more a refusal to argue. It infuriates Jax. It makes her tv-screen face go fizzy red and yellow. I’ll hike up the closest heap and heft out something funny and wave it at her, and if she’s really sulking, sometimes toss it down at her so she has to dodge on many-times repaired joints. And some days, she’ll chuck something back, so I have to dodge too, even with my bad knee. (Continue Reading…)

Escape Pod 607: Red in Tooth and Cog


Red in Tooth and Cog

By Cat Rambo

A phone can be so much. Your memory, your edge against boredom, your source of inspiration. There’s always an app for whatever you need. Renee valued her phone accordingly, even celebrating it by giving way to the trend for fancy phone-cases. Its edges were bezeled with bling she’d won on a cruise the year before, and she’d had some tiny opals, legacy of her godmother, set into the center.

It was an expensive, new-model phone in a pretty case, and that was probably why it was stolen. (Continue Reading…)

Escape Pod 597: Ms. Figgle-DeBitt‘s Home for Wayward A.I.s


Ms. Figgle-DeBitt’s Home for Wayward A.I.s

By Kurt Pankau

I watch with hope as Ms. Figgle-DeBitt samples a slice of caramelized banana upside-down cake. She takes a nibble and seems pleased. She sweeps cybernetic fingers through the shock of gray hair that sits on the human half of her face, a gesture I’ve learned is contemplative. She takes a larger bite, chews, and grimaces. She spits it out into a trash can.

I’m not upset by this. I do not get upset. I get better.

“This is definitely an improvement, Charlie,” she says. “If I may make a recommendation? Next time, peel the bananas first.” (Continue Reading…)

EP582: Unit Two Does Her Makeup


Unit Two Does Her Makeup

By Laura Duerr

Doctor Spencer has brought me an artist. My eyes on the outside of the building register the identity of everyone who enters, including her: Suzanne Chantal Salinas, age 26, licensed esthetician and makeup artist, amateur painter. I cut the feed after .3 seconds. The security feed could tell me more, but I have learned that it is impolite to collect extraneous details about a person unless they prove to be a security risk. Given that both Suzanne Chantal Salinas and Doctor Spencer are smiling, and appear to be in companionable conversation, the artist is not a risk.
I observe them enter the building accompanied by a brief burst of cold — it is 37.1 degrees outside. When I view them through infrared, they are glowing red faces encompassed in green and blue jackets. I have been monitoring the interior temperatures; Unit One has made appropriate adjustments to climate control. We are keeping the building comfortable.
The visitor stamps her feet, brushes sleet from her black curls. They shed their jackets, blooming gold and scarlet on infrared. Unit Three has mobile security platforms posted by the front door and the elevators. They do not react: they are faceless, they don’t feel cold, the visitor has clearance.
The artist’s heart rate is elevated. Her cheeks are flushed, and not just from cold: she’s nervous about meeting me. She keeps looking at the security platforms. Perhaps she fears my platform will look like them, featureless and alien.
I chose my face. Unit Three chose hers, too, in a way. Our platforms serve different purposes, and the faces we built reflect that. (Continue Reading…)

EP571: Beetle-Cleaned Skulls


Beetle-Cleaned Skulls

By J. E. Bates

Fine amber dust infiltrated everything in the Preserve. Each morning, I vacuumed it away with my ventral hose prior to opening my kiosk. I paid particular care to my curios: the fossils, the bismuth crystals, and the beetle-cleaned skulls. Forebears, especially the children, delighted in receiving my curios as gifts. Each successful transaction gave me a burst of surplus energy, expressed as pride.

The mineral specimens I gathered from the talus behind the kiosk. I polished them right in the kiosk according to aesthetic principles. But I prepared the skulls in the subterranean machine rooms. They were created from deceased rhuka, a species of domesticated bovine. No other kiosk attendant created such skulls, and Forebears traveled great distances to receive one. They used them to decorate their caves. (Continue Reading…)

Escape Pod 563: Two Steps Forward


Two Steps Forward

By Holly Schofield

I eased myself down off the running board of the ’28 Hudson sedan then laid a hand on the hood in mute sympathy for its overheated pistons. A quick buttoning-up of my topcoat and a tug on my fedora and I felt ready to approach the farmhouse.

The old woman on the veranda watched me as I drew close. Fly-away gray hair surrounded a narrow, clever face, faded housedress atop rubber boots, she was as much of a hodgepodge as I used to be. The late model Stewart Warner radio perched on the windowsill shimmied with “The Spell of the Blues”. I hummed along as the saxophones swooped and soared.

The old woman fingered the jumble of items on her lap as if looking for a weapon and I stopped a few feet from the bottom step of the porch. (Continue Reading…)