Tag: "post-apocalyptic"

EP556: In a Manner of Speaking

AUTHOR: Charity Tahmaseb

NARRATOR: Amy H. Sturgis

HOST: Tina Connolly

about the author…

Charity Tahmaseb has slung corn on the cob for Green Giant and jumped out of airplanes (but not at the same time). She’s worn both Girl Scout and Army green. These days, she writes fiction (short and long) and works as a technical writer. Her short speculative work has appeared in Flash Fiction Online, Deep Magic, and Cicada.

about the narrator…

Amy H. Sturgis holds a Ph.D. in Intellectual History and specializes in the fields of Science Fiction/Fantasy and Native American Studies. She lives with her husband, Dr. Larry M. Hall, and their best friend, Virginia the Boston terrier, in the foothills of North Carolina, USA.

In a Manner of Speaking

By Charity Tahmaseb

I use the last of the good candles to build the radio. I still have light. The fire burns, and there is a never-ending supply of the cheap, waxy candles in the storeroom. I will–eventually–burn through all of those. My fire will die. The cold will invade this space.

But today I have a radio. Today I will speak to the world–or what’s left of it. I compare my radio to the picture in the instructions. It looks the same, but not all the steps had illustrations. This troubles me. My radio may not work.

I crank the handle to charge the battery. This feels good. This warms my arms, and I must take deep breaths to keep going. I shake out my hand and crank some more. When buzz and static fill my ears, I nearly jump. That, too, sounds warm. I am so used to the cold. The creak and groan of ice, the howl of the wind. These cold sounds are their own kind of silence. They hold nothing warm or wet or alive.

I decide on a frequency for no other reason than I like the number. I press the button on the mouthpiece. This, according to the instructions, will let the world hear me.

EP555: Monstrance of Sky

AUTHOR: Christopher Mark Rose

NARRATOR: Alethea Kontis

HOST: Norm Sherman

about the author…

Christopher Mark Rose is a fledgling writer of speculative fiction. His story “A Thousand Solomons” won first place in the 2015 BSFS Amateur Writing Contest. He participates in the Baltimore Science Fiction Society Critique Circle, and has finished a first draft of a novel. He hopes to write stories that are affecting, humane, and concerned with big questions. His day job is in the JHU Applied Physics Laboratory, where he designs flight firmware for NASA missions. His work is flying now in NASA’s Van Allen Probes, and will be in the soon-to-be-launched Solar Probe Plus spacecraft.

about the narrator…dcon-parade-2014

Alethea Kontis is a princess, author, fairy godmother, and geek. Author of over fifteen books and contributor to over twenty-five more, her award-winning writing has been published for multiple age groups, across all genres: science fiction, fantasy, horror, humor, contemporary romance, poetry, graphic novels, Twitter serials, non-fiction…the works.

A former child actress, Alethea hosted over 55 episodes of “Princess Alethea’s Fairy Tale Rants” on YouTube, and continues to host Princess Alethea’s Traveling Sideshow every year at Dragon Con. She enjoys audiobook and podcast narration, speaking at middle schools across the country (in costume, of course), and one day hopes to make a few more movies with her friends. Alethea currently resides on the Space Coast of Florida with her teddy bear, Charlie.

 

Monstrance of Sky

By Christopher Mark Rose

Aerbello — the shape one sees in the movement of wheat, blown by wind. The shape of wind, written in sheaves.

 

I left me, without really leaving. Well, not I myself, but Eva. She told me she was leaving me, as we made love in our bedroom. It was clear she didn’t mean immediately.

 

Cova — any place a crow could be. A crow-sized void, unoccupied by an actual crow.

 

She said we weren’t good for each other, we weren’t helping each other to grow. She said my God obsession had gotten to be too much. She said her presence in my life was redundant.

 

“Please don’t go,” I said. “If you go, my heart will be a cova.”  I couldn’t understand, and it hurt me. It felt as though I had swallowed a razor blade, without realizing.

 

Monstrance — a vessel, in Catholic tradition, in which the consecrated Host is placed, to be exposed for the adoration of the faithful.

 

Without knowing why, I had started making a list of words that meant God, or related to worship, or words I thought could describe God. I found I was transcribing large portions of dictionaries, encyclopedias. I couldn’t explain it, I just felt compelled. I was probably obsessed. I wasn’t a believer but neither an unbeliever then.

EP550: When They Come Back

AUTHOR: Natalie Theodoridou
NARRATOR: Ibba Armancas
HOST: Tina Connolly

about the author…
View image on Twitter

Natalia Theodoridou is a media & cultural studies scholar currently based in Exeter, UK. She is also the dramaturge of Adrift Performance Makers
(@AdriftPM). Her fiction has appeared in Clarkesworld, Nature, Daily Science Fiction, and elsewhere. Find out more at her website or follow @natalia_theodor on Twitter.

 

 

about the narrator…narrator Ibba Armancas

 

Raised by swordfighters and eastern European freedom fighters, Ibba Armancas is a writer-director currently based in Los Angeles. Her darkly comedic genre sensibilities are showcased in two webseries and a feature film forthcoming later this year. One day she will find time to make a website, but in the mean time you can follow her projects and adventures on Twitter or Instagram.

 

When They Come Back

By Natalia Theodoridou

 

They were called Maria, and Michael, and Siobhan, George, Elise, and Sarah, and Violet, Daisy, Jasmine, Rose–

no, perhaps these were not people names, these were flower names, weren’t they?–

and Gabriel, Raphael, Bacchus, Athena, Io, Muhammad,

but these were mythical names, and god names, and prophet names, so hard to tell them apart all these years after the–

all these years after they–

and Natalie, Vasilis, Dmitri, Ousmane…

#

The angel is rotting. He’s leaning against the trunk of an olive tree. I examine his body but avoid his eyes, as always, just in case. I would like to have been a man, he’d said once, so I always think of him as one, no matter what his body looks like. Today he has a mane of dark curls that reach all the way down to the roots of his wings. No beard. No breasts. No hair on his body except a little around his crotch.

His skin has turned the colour of a fresh bruise. It won’t be long.

EP548: A Prayer at Noon

AUTHOR: John Shade
NARRATOR: Amber Pracht
HOST: Norm Sherman

about the author…john1

John Shade was born in Central America and grew up all across the U.S. as a Navy brat. He received a B.A. in creative writing from the University of Houston, and an MFA from the University of Southern Maine. He is also a graduate of the Viable Paradise writer’s workshop on Martha’s Vineyard.

His work has appeared in Gold Dust Magazine, Daily Science Fiction, and Giganotosaurus, among others. He writes short stories, novels, and comics, and now lives in Houston, Texas, with his wife, daughter, a cat, and a dog. He tries to stay out of the sun’s way when summer comes around.

about the narrator…

Amber Pracht has bachelor’s degrees in American history and print journalism. She enjoyed a brief career as a copy editor, and she is currently keeping busy taking care of her three young children and their many activities while volunteering in her community. She lives with her husband, Adam, and their children and many pets in Lindsborg, Kansas.

A Prayer at Noon
by John Shade

It was a day into the third sun when the patchwork man rode into town.

I remember the dust scrabbling at my eyes, and the folk that had gathered on the sidewalks to watch him plod past on a chugging, nearly-spent machine horse. As he came to me, the stitched segments of his face shifted into a new configuration, a hinted smile or frown, and his torso swung around, my breath seized. I’d been around men before, but he was something different. Something more. He was ugly, though, with a wiry frame and a large head set on top, wads of crusted hair sprouting between the seams across his skin. He rode toward us, confident as anything. I braced as he reached down, but he plucked my little sister, Ester, from the crowd instead. The town went silent but for the constant shuffle of wind-blown sand.

With his god-strength, the patchwork man tossed Ester into the air like an aerialist, and set her down to swelling applause. The dread was broken. Our prayers had been answered at last.

EP542: The Hungers of Refugees

AUTHOR: Michael Glyde
NARRATOR: Joe Williams
HOST: Alasdair Stuart

about the author…

M. Glyde recently moved 1813 miles from Pittsburgh, PA to El Paso, TX, where he writes, works, and attends grad school. His fiction has appeared in See the Elephant. You can find him on Twitter @michaelglyde or on his website and blog mglyde.com.

about the narrator…

When not inhabiting cyberspace or various fantastic fictional worlds Joe resides in South London. He is a geek by trade and by nature; having undertaken at the tender age of two to rewire, much to his mother’s chagrin, a power socket in the family home, he’s never looked back. He spends his days wrangling both data and users making sure that they behave themselves and play nicely. His evenings, when not diverted by his remarkable wife or mercurial cats, are spent gaming, reading comics, and intending to write something.

 

The Hungers of Refugees
by Michael Glyde

I. Generation One

Our grandparents always said, “Take care to remember the first generation.” They came from fresh, from sunlight, whirling winds, and butterfly fields. They came from Hunger.

Generation One came from six different nations. Six nations? How long ago was this that six nations could exist, all at once? That’s what we’d ask our grandparents. They never answered satisfactorily.

Ship 13c smelled iron like death. White LED lighting glared off the walls. And it was warm, but an uncomfortable, mechanical sort of warm.

When Generation One boarded the ship, their children spent days waving and crying as Earth receded from view. To those children, loss was an old trick—that’s what their parents wrote of them in the ship’s log. They cried because they remembered their tiny fishing villages, their college towns, their cities that counted among the oldest on Earth.

The parents celebrated leaving the Camps. Finally escaping foreign soldiers quick to kill, food rations too small for mice, and the oppressive, endless heat, they laughed at their pain.

“Good riddance,” they said, “to all that.”

And that first night, a tradition began: all of Ship 13c’s residents crowded around the glass globe that overlooked the reactor core. Like campers around a fire, they told stories of their homes. How strange, how awkward, trying to tell stories everyone would understand. Which of the four languages did the most people speak? What prohibitions differed between these six cultures?

But that night they silently agreed to become one people. A people hunting for a new home.

#

The storytellers became The Historians. On the walls they created a vast digital collage of Earth’s monuments and trees and constellations. It ended, as it still does, in a vast forest scene, tree roots littered with chestnuts and crawling with bloodhounds.

Ten years after departure, The Historians threw an enormous festival.

Generation One played games using little toys the ship could print. Stories were told around the reactor core, and they gorged themselves on water and the multicolored paste they’d been given as food. This food, which they described as oddly dense and bitter, is all we have known.

As our people also do at festivals, the children danced. Fast tempo music whirled and waned, lifting the hearts of Generation One, even as their stomachs filled with bitter mash. Bright dresses twirled and blurred, and the dancers grinned as they flew about the floor, as if they could not smell the iron, as if the air did not feel dead, as if they had never left Earth behind.

But the music crackled to a stop.

EP538: The Starsmith

STORY: EP538: The Starsmith
AUTHOR: Jonathan Edelstein
NARRATOR: James Odcombe
HOST: Tina Connolly

about the author…

Jonathan Edelstein is 44, married with cat, and living in New York City.  His work has appeared in Strange Horizons and the Lacuna Journal and is forthcoming in Beneath Ceaseless Skies.  When not writing, he practices law and hopes someday to get it right.

about the narrator…

James Odcombe is a writer and storyteller who loves imaginary worlds and unusual characters. He’s British but grew up in Tanzania, East Africa. Now living in the UK, he pens tales of Fantasy, Science Fiction and Horror.

 

The Starsmith
by Jonathan Edelstein

It took two years for Faji Doumbia to travel from Madankoro to Mutanda on the free trader Mweshi: two years of sleeping in cargo holds fragrant with spices and scented woods, two years of waiting on each world as the captain concluded his business, two years of jumping through the ichiyawafu and dreaming of the dead. He worked his passage, and there was time enough to learn the dead language that the ship’s computers spoke and discover how to tend machines that no living person could build. There was time enough to contract two ship-marriages, and by the time Faji came at last to Chambishi Port on the forty-ninth day of the Year of Migration 30,891, he had given a son to the ship-clans.

What he found when he took his leave of the Mweshi was both more and less than what he expected. Ninety thousand people lived in Chambishi Port, far more than any town on Madankoro, but forty million had lived there once, and the new city seemed like a collection of villages amid its former glory. Some of the towers north and east of the port were four kilometers tall: the war that destroyed the Union had gutted them, and after six hundred years forests grew in their upper stories, but they loomed over the thatched houses that lay between them, and from a few, the remnants of the High Streets and High Gardens hung crazily.

It was minutes before Faji could bring his eyes down from the towers to the ships – the ships hundreds and thousands of years old, that the Union had built and that now served its children. By then, the dockmen were well started in unloading the Mweshi. He stopped one and asked where the numusokala was, and when he got no answer, he remembered that the people here used different words. “Where are the… washiri?” he asked, remembering the word he’d been taught. “The blacksmiths?”

The dockman turned to the north. “You’re one of them?” he said. “Yes, you’ve got the look of one. That way, through the old city. You’ll hear the place, and even before that, you’ll smell it.”

There was a hint of distaste in the dockman’s voice, and he walked away as if he couldn’t leave quickly enough. That, too, wasn’t what Faji had expected.

EP537: Honeycomb Girls

RELEASED 10.August.2016
AUTHOR: Erin Cashier
NARRATOR: Johnathan Danz
HOST: Norm Sherman

author Erin Cashier

author Erin Cashier

about the author…

Erin Cashier is fond of the unreliable narrator.

I’m dying to leave things at that, but —

I grew up in Texas but I live/work/play in Northern California, like all writers my cat loves me particularly much, and my husband is a fantastic man. I work as a registered nurse at a Burn Ward, which is amazing and challenging in equal measure.

The things that interest me most are Disneyland (not kidding), esoteric philosophy books, alchemy as it relates to Jungian theories, William Blake, and Super Paper Mario.

Things you should know about me: I made a special side trip to that Snake Farm between San Antonio and Austin on a recent trip to Texas, I have quite a lot of tattoos — the peacock feather images featured on this website are all actually from my backpiece — and I can eat my weight in sushi.

narrator Jonathan Danz

narrator Jonathan Danz

about the narrator… Jonathan Danz is a writer currently working on his next novel about the daughter of a coal miner who embarks on a journey across parallel dimensions to find her father who disappeared under mysterious circumstances two years ago. Jonathan lives in West Virginia with his wife, daughter, two cats and his mountain bike. jonathandanz.com

Honeycomb Girls
by Erin Cashier

Those were the days Geo couldn’t walk through the market without stepping on someone else’s shoe. If money wasn’t tied to waist it was zipped, and anything dropped — paper, panks, crumbs — zipped too. Geo sold junk there: stripped wires, sharp green-squares, transistors like pills. “Someone junk, someone treasure!” Geo call. Men come over to see what Geo had, comb over findings, and Geo with stick, ready to slap at zippers. Stand all day, stand half night, then walk home to hard mat shared on second floor. Kick junk man out, eat food, sleep, till day begin again.
Geo hunt for junk at old places when junk run low. Sometimes old posters hidden from rain. Posters show things that not there. Happy men, metal cages. Men touching screens. Men smiling. Like said, old posters. No smiles now.
And sometimes, girls. Some cut out, but see where shape was left. Cut here, tear there. Reach out and feel where maybe curve had been. Hold nothing in hand. Imagine, if no one watching. Geo knew girls. There, but not there, like the sun, Never touch the sun, and never touch the girls, neither.

#

Jon yell, “Junk, junk!” Geo with stick, watching men come by. Man comes to table. Leans over. Clothing new. Business man? Tinker man? Jon’s boy watches man’s back. Makes sure no one else steal his money before Geo can.
Geo sees glint in man’s eye. He like something he see. Geo step forward. Geo like what Geo see. “You like?”
Man’s head bows. “No, no, nothing.”
Geo knows glint. Geo knows lie.
Man scans table, sniffs. “There’s nothing here. None of this is worth anything to me.”
Geo grunts.
“I’m an artist. I can maybe use this.” Man picks up three metal bits.
Geo grunts again, waits. Watches man’s hand reach for first thing he like. Glint-thing.
“And maybe this too. How much?”
Geo point to first pile. “Four panks.” Geo look at man clothing, hair, naked chin. Points to hand. “That, too expensive for you. Put down.”
“But –”
Geo hold up zip-stick. “Too pricey! Put down!”
Man’s eyes narrow. Geo offend him. He think he can afford all junk here, all table, all tent. But he do what Geo say, sets glint-thing down. Geo pick it up: round, metal, cold. Geo ask for most expensive thing Geo can think of. “Worth one night.”
Man’s eyes widen. Anger blaze. But he cannot steal from Geo here. Whole tent junk men watching. Under table, Jon step on Geo’s shoe.
Man lean over table, snatch ball from hand. “Done.”
Geo blinks.
“Go to the third tower two days from now. I’ll let them know you’re coming.” Holds up metal thing from pocket. Light flashes. Geo is blind.
When sight come back, man gone. Geo works, goes back home, lays on mat. Feels junk man’s fear. Should Geo have bargained harder?

EP531: Bend Back the Shadows

by Michael Reid
narrated by Summer Brooks

about the author…

I am a 2015 graduate of the Clarion Workshop, but I have no other publication credits.

about the narrator…

Summer is a bit of a television addict, and enjoys putting her scifi media geek skills to good use in interviewing guests for Slice of SciFi as a co-host from 2005-2009. She was previously the co-host for The Babylon Podcast and host of Kick-Ass Mystic Ninjas, before returning to Slice of SciFi as host in August 2014.

She is an avid reader and writer of scifi, fantasy and thrillers, with a handful of publishing and voiceover credits to her name. Next on her agenda is writing an urban fantasy tale, and a B-movie monster extravaganza.

Currently, Summer designs and maintains websites for clients and for fun in addition to the Slice of SciFi websites, does voiceover & narrations for StarShipSofaTales to TerrifyFar Fetched Fables, and Crime City Central, among others.

 

Bend Back the Shadows
By Michael Reid

Month 669, Day 10

When I was a little girl, Grandma used to tell me scary stories about the day the lights went out on Earth. Back then, she said, there were lots of people on our station. People would come and go from Earth all the time in little gray capsules. And then, one day, the capsules had stopped coming. Soon after that, the messages had stopped coming on the radio. Everyone on the station had hovered by the windows like ghosts, watching day after day as plumes of smoke erupted from the hearts of the cities, their trails snaking across the continents.

“But that wasn’t the worst of it,” Grandma would tell me. “Not by a long shot.”

“What was worse?” I asked her once, between lessons on medicine and aquaponics.

Grandma looked away when she spoke. “The worst part was watching the night sweep across the Earth and seeing that the darkness was empty. No more lights. Just shadows.”

Grandma used to live down on Earth, a long time ago. She was a doctor–a brain doctor. She said that one of the reasons she came up to the station was to see Earth from space with her own eyes. She loved the day side with its browns and greens and blues, but I think she loved the lights on the night side even more. I’ve seen pictures from back then, back when the whole Earth was covered with cities that glowed yellow at night. The pictures reminded me of the diagrams of neurons Grandma used to show me on her slate: nuclear cities connected to dendritic suburbs, all bound together by axonal highways. Then the end had come. Night after night, the web of neurons had disintegrated, like a brain consumed by Alzheimer’s. Grandma and the others had watched it all happen, watched each city flare brightly for a few seconds, then disappear forever.

Our station orbits Earth once every four hours: two hours over the day side and two hours over the night. Grandma said that, every time the station caught up to the night, she would go to a window and pray that there would still be lights. One orbit, she had gone to the windows and there had been only one light left on the whole dark side of the planet. One tiny light, smack in the middle of the big continent–Africa, it was called, when there were still people on it. Orbit after orbit, she watched for that spot, prayed the whole time it was in daylight that it would still be there when the night returned. She would wish on it like an ember, praying for it to spark and spread. But one day, less than a year after the last capsule had come to the station, darkness swept over the place where the light had been and the light was gone.

Grandma said that was the single worst day of her life. Worse than leaving Grandpa behind on Earth. Worse than watching the city where he lived go dark. Worse than watching all those plumes of smoke circling the planet. She said watching that last light be engulfed by the shadows was more fearful than losing all of the rest combined. “But it won’t always be this way,” she told me. “Someday those lights are going to come back. Someday you’ll see just the tiniest flicker down there, but that one tiny flicker will spread and soon it will bend back all those shadows.”

EP529: Of Blessed Servitude

by A. Merc Rustad
narrated by Trendane Sparks

author A. Merc Rustad

author A. Merc Rustad

about the author…

Hello and welcome! My name is Merc Rustad and I’m a queer non-binary writer and filmmaker who likes dinosaurs, robots, monsters, and cookies. My fiction has appeared in nifty places like ScigentasyDaily Science Fiction, and Flash Fiction Online. (More at the Published Fiction tab at the top of the page.)

I’m mostly found on Twitter @Merc_Rustad and occasionally playing in cardboard boxes. The site is updated with publication announcements, completed short films, and occasional blog-like essays. (For more semi-regular blogging, I hang out on LJ and DW.)

narrator Trending Sparks

narrator Trendane Sparks

about the narrator…

Originally born in Texas, Tren eventually escaped and wound his way through a mystical series of jobs in the San Francisco Bay Area where he has worked as a software QA Tester for both graphics drivers and video games, a freelance mascot performer, and several jobs on a PBS kids’ show. For most of his life, people have told him that his voice is a pleasure to listen to. But since being a werewolf phone sex operator can get boring, he decided to use his powers to entertain a broader audience.

OF BLESSED SERVITUDE
A. Merc Rustad

The sacrificial cross threw a long shadow across the road at Bishop’s dust-caked boots. He halted sharp at the sight of it. Wind hummed through wildseed bushes strung along the ditch, yellow buds as bright as radiation seals. Bishop clenched his jaw and looked along the shadow to the cross itself. It gleamed in the sunset, a steel post with a fused crossbeam, packed dirt the color of old blood at its base. And the cross wasn’t empty.

_Well, shit. _

The offering was a pretty one—young, work-muscled body, a day’s stubble scuffing his jaw. He’d been shackled naked to the cross, arms spread against the top beam. The dusty wind tugged unkempt hair across his eyes.

Bishop slapped the film of red dirt from his duster, his shoulders tense, and checked his knives from habit. He knew he shouldn’t have traveled past Providence Circle. If chokevine hadn’t overrun the only bridge across Unrepentant’s Canyon, he’d never have come near this territory. He’d never have come within sight of the town of Blessed Servitude.

He hadn’t been home in ten years.

“You should get off the road, stranger.”

“Mighty courteous of you to warn a man,” Bishop said. He shouldn’t look at the man chained against steel, shouldn’t stir up old memories. He never saved the offerings, and he didn’t try.

EP510: Them Ships

by Silvia Moreno-Garcia
read by Dani Cutler

author Silvia Moreno-Garcia; photo by Shimon, 2015

author Silvia Moreno-Garcia; photo by Shimon, 2015

about the author…

Mexican by birth, Canadian by inclination. Silvia’s debut novel, Signal to Noise, about music, magic and Mexico City, was released in 2015 by Solaris.

Silvia’s first collection, This Strange Way of Dying, was released in 2013 and was a finalist for The Sunburst Award for Excellence in Canadian Literature of the Fantastic. Her stories have also been collected in Love & Other Poisons. She was a finalist for the Manchester Fiction Prize and a winner of the Vanderbilt/Exile Short Fiction Competition.She has edited several anthologies, including She Walks in ShadowsSword & MythosFungiDead North and Fractured.Silvia is the publisher of Innsmouth Free Press, a Canadian micro-publishing venture specializing in horror and dark speculative fiction.To contact Silvia e-mail her at silvia AT silviamoreno-garcia DOT com. You can also find her on Twitter and Google+.

Silvia is represented by Eddie Schneider at the JABberwocky Literary Agency.

 

narrator Dani Cutler

narrator Dani Cutler

about the narrator…

Dani Cutler last narrated for EP in 454: Stop Me If You’ve Heard This One. She has been part of the podcasting community since 2006, hosting and producing her own podcast through 2013. She currently works for KWSS independent radio in Phoenix as their midday announcer, and also organizes a technology conference each year for Phoenix residents to connect with others in the podcast, video, and online community.

Them Ships
by Silvia Moreno-Garcia

Leonardo says that the Americans are going to fire some rockets and free us from the tyranny of the aliens and I say: who gives a shit. Lemme tell you something: It wasn’t super-awesome around here before the aliens. At least we get three meals every day now.

I used to live in a cardboard house with a tin roof and collected garbage for a living. They called my home a ‘lost city’ but they should’ve called it ‘fucked city.’

Leonardo talks about regaining our freedom, ‘bout fighting and shit. What damn freedom? You think I had freedom in the slums? Leonardo can talk freedom out his ass because he had money before this thing started and he saw too many American movies where they kill the monsters with big guns.

I’m not an idiot. The cops used to do their little “operations” in our neighborhood. They’d come in and arrest everyone, take everything. They weren’t Hollywood heroes out to help people. They were fucking assholes and I don’t see why they would have changed. As for American soldiers saving the day: You think they give a rat’s ass ‘bout Mexico City? You think they’re going to fly here in their helicopters and save us?

I say fuck that shit. I never had no freedom. Leonardo can go piss himself.