Posts Tagged ‘podcast’

EP410: Nutshell


by Jeffrey Wikstrom
Read by Alasdair Stuart

Links for this episode:

About the Author…

Jeffrey Wikstrom is a writer, registered patent agent, gamer, PhD chemist, and nerdly hobbyist.  This blog consists of material written on these interests and things relating to them; lately it’s mostly King Arthur.  After growing up in Arkansas and the Gulf Coast, he went to school in Boston and now lives in Wilmington DE, in a house he shares with his wife and their dogs.

About the Narrator…

I’ve worked as a magician, a rally marshal, a secretary, the world’s politest bouncer, and the manager of a comic/game store.   I’m now a freelance journalist, editor and podcaster and write regularly for SFXBleeding Cool, How It Works, Neo and Comic Heroes. I edit  Hub magazine (www.hubfiction.com)a free weekly PDF magazine covering science fiction, fantasy and horror with 10,000 readers that’s relaunching shortly and I host  Pseudopod (www.pseudopod.org), the weekly horror ficton podcast.

 

Nutshell
by Jeffrey Wikstrom

Carpet ocean, stretching over miles; hills and valleys and ravines, all upholstered.  The green indoor-outdoor gives way to blue, as land gives way to sea, but the texture never changes.  When it rains, as it sometimes does, the drops pass through the carpet without making contact, as though they or it aren’t really there.  It’s there enough for me to walk on, at least, though spongy in some places and firm in others, as though it conceals hidden frames or foundations.  Out on the blue carpet-sea, it feels stretched, tight, as though I walk on a drumhead.  Maybe if I cracked it open I would find a vast dark expanse of water, lit by undersea jack-o-lanterns and holes that show the sky without breaking up the carpet-underside ceiling.

None of it is real, of course.  That probably goes without saying.

It’s funny; I wasn’t supposed to experience time at all.  When they loaded us into the ship, we were told that the travel would be instantaneous from our perspectives.  One minute lying down in the big white plastic tombs, the next freshly decanted and opening raw new eyes.  We would transition seamlessly from fluorescents and anesthesia to the light of some distant new sun.  Certainly I have no memory of consciousness during departure.  I wouldn’t have wanted to be aware, during that dreadful acceleration which pulped our bones, and wrecked our flesh.  By then they had already guided us from our old bodies into the safety of simulation and storage.

This curated world never bruises me or shows me sharp edges.  Trees are padded poles, slick vinyl trunks capped by rubbery green spheres fifteen, twenty feet up.  Stairsteps run up the hillsides, though even the steepest rises are shallow enough I don’t really need the footholds.  Fat plush toys, pink and green and blue, gambol across the plains and mimic living beasts grazing carpet-grass, or drinking from carpet-brooks.  They ignore me, even when I shove or punch them. (Continue Reading…)

EP409: Mantis Wives


by Kij Johnson
Read by Heather Bowman Tomlinson

Links for this episode:

About the Author…

from the author’s website… She taught writing and science fiction writing at Louisiana State University and at the University of Kansas, and she has lectured on creativity and writing at bookstores and businesses across the country. From 1994 – 2003, she assisted at James Gunn’s Science Fiction Writer’s Workshop, hosted by the Center for the Study of Science Fiction at the University of Kansas. Since 2004, Kij teaches the Center’s intensive Science Fiction & Fantasy Novel Writing Workshop. From 1999 – 2004, she taught a series of writing classes at the GenCon Game Fair. She taught at the 2011 Clarion Science Fiction & Fantasy Writers’ Workshop. As of 2012, Kij is Assistant Professor of Fiction Writing by the University of Kansas English Department.

About the Narrator…

“I’m a horticulturist by trade, current stay at home mom for two children, team mom for the local Goalball team, and advocate for Blind/Visually Impaired causes and adoption causes. I love D20 gaming, reading, camping and canoeing, card playing, and music.” This is her second time narrating for Escape Pod.

 

Mantis Wives
by Kij Johnson
“As for the insects, their lives are sustained only by intricate processes of fantastic horror.” —John Wyndham.

Eventually, the mantis women discovered that killing their husbands was not inseparable from the getting of young. Before this, a wife devoured her lover piece by piece during the act of coition: the head (and its shining eyes going dim as she ate); the long green prothorax; the forelegs crisp as straws; the bitter wings. She left for last the metathorax and its pumping legs, the abdomen, and finally the phallus. Mantis women needed nutrients for their pregnancies; their lovers offered this as well as their seed.

It was believed that mantis men would resist their deaths if permitted to choose the manner of their mating; but the women learned to turn elsewhere for nutrients after draining their husbands’ members, and yet the men lingered. And so their ladies continued to kill them, but slowly, in the fashioning of difficult arts. What else could there be between them? (Continue Reading…)

EP408: Immersion


by Aliette de Bodard
Read by Amy Robinson

Links for this episode:

About the Author…

Aliette de Bodard

Aliette de Bodard is an award-winning speculative fiction writer. She is of French/Vietnamese descent, born in the USA, and grew up in Paris. French is her mother-tongue, but she writes in English.

She studied in Paris in a prep course for the competitive exams which would enable her to enter an engineering school. After two years of intensive classes, Aliette was admitted into Ecole Polytechnique, one of France’s top engineering schools. During her class préparatoire, she started writing regularly, which enabled her to find a distraction from science. She completed two novels during her studies.

Halfway through Ecole Polytechnique, she started writing short stories instead of novels, in order to improve faster–and went on writing those after she graduated.

In June 2006, Aliette attended Orson Scott Card’s Literary Bootcamp, which enabled her to sharpen her skills, as well as come back with a wealth of information about the craft and the business of writing.

Her writing took off after she won the Writers of the Future contest and got picked out of Interzone‘s slushpile by the inimitable Jetse de Vries; this marked the beginning of a growing number of sales, out of which several were made to semi-professional or professional markets. She was able to join SFWA as an Active Member in 2008, and became a finalist for the John W. Campbell Award for Best New Writer in 2009, narrowly losing to David Anthony Durham.

Her first novel, Servant of the Underworld sold to HarperCollins imprint Angry Robot following a lucky break involving an agent, an editor and a delayed flight (see full story here at the Angry Robot website).

Amy RobinsonAbout the Narrator…

Amy Robinson is a trained professional voice actress. After spending years doing amateur theatre and countless hours creating back stories and unique voices for each D&D character she rolled up while playing with friends, she decided it was time to take the leap into professional acting. She sought out further voiceover training with experts and agents alike, and continues to sharpen her skills by attending workshops with industry pros like Rob Paulsen (Yakko Warner and Pinky from Pinky and the Brain) and Bob Bergen (Porky Pig). She has voiced several hidden object games for European game company, Artifex Mundi, including both of the “Nightmares From The Deep” titles, and numerous commercials, and e-learning projects as well.

 

Immersion
by Aliette de Bodard

In the morning, you’re no longer quite sure who you are.

You stand in front of the mirror–it shifts and trembles, reflecting only what you want to see–eyes that feel too wide, skin that feels too pale, an odd, distant smell wafting from the compartment’s ambient system that is neither incense nor garlic, but something else, something elusive that you once knew.

You’re dressed, already–not on your skin, but outside, where it matters, your avatar sporting blue and black and gold, the stylish clothes of a well-traveled, well-connected woman. For a moment, as you turn away from the mirror, the glass shimmers out of focus; and another woman in a dull silk gown stares back at you: smaller, squatter and in every way diminished–a stranger, a distant memory that has ceased to have any meaning.
Quy was on the docks, watching the spaceships arrive. She could, of course, have been anywhere on Longevity Station, and requested the feed from the network to be patched to her router–and watched, superimposed on her field of vision, the slow dance of ships slipping into their pod cradles like births watched in reverse. But there was something about standing on the spaceport’s concourse–a feeling of closeness that she just couldn’t replicate by standing in Golden Carp Gardens or Azure Dragon Temple. Because here–here, separated by only a few measures of sheet metal from the cradle pods, she could feel herself teetering on the edge of the vacuum, submerged in cold and breathing in neither air nor oxygen. She could almost imagine herself rootless, finally returned to the source of everything.

Most ships those days were Galactic–you’d have thought Longevity’s ex-masters would have been unhappy about the station’s independence, but now that the war was over Longevity was a tidy source of profit. The ships came; and disgorged a steady stream of tourists–their eyes too round and straight, their jaws too square; their faces an unhealthy shade of pink, like undercooked meat left too long in the sun. They walked with the easy confidence of people with immersers: pausing to admire the suggested highlights for a second or so before moving on to the transport station, where they haggled in schoolbook Rong for a ride to their recommended hotels–a sickeningly familiar ballet Quy had been seeing most of her life, a unison of foreigners descending on the station like a plague of centipedes or leeches. (Continue Reading…)

EP406: Freia in the Sunlight


by Gregory Norman Bossert
Read by Shaelyn Grey

Links for this episode:

About the Author…

from the author’s website:

I began writing fiction a couple of years ago, after artist Iain McCaig dared (and inspired) me to write a screenplay.  I wrote two, and then a handful of stories, and show no signs of stopping.

My stories The Union of Soil and Sky, Slow Boat, and Freia in the Sunlight appeared in Asimov’s Science Fiction in 2010; all three made Honorable Mention in Gardner Dozois’s Year’s Best Science Fiction, and “Slow Boat” was reprinted in Russian in the November 2011 issue of Esli Magazine.

l attended the Clarion 2010 Writer’s Workshop in San Diego, with Delia Sherman, Ellen Kushner, George RR Martin, Dale Bailey, Samuel R Delany, Ann and Jeff VanderMeer and seventeen extraordinary new writers.  Click here for updates on my amazing Clarion colleagues!

I work as a researcher and designer for motion pictures; my credits include BeowulfA Christmas Carol, and Tim Burton’s Alice in Wonderland.  I currently work in the story department at Lucasfilm Animation. I work as well on independent films.  I design and build experimental musical instruments, and play music with them, for some definition of “play” and “music”.

About the Narrator…

Shaelyn Grey has been active in the entertainment industry for over 30 years, mainly as a singer and actor.  Recently she has expanded into voice over work and is currently a part of the cast of Aurelia: Edge of Darkness, which is an online interactive web series.  Shaelyn plays the part of Thais ven Derrivalle, a self centered member of the aristocracy who is more concerned about her tea than her city’s loss of power.  Aurelia can be viewed at http://www.theatrics.com/aurelia and Shaelyn can be reached through shaelyngreyvocals.com.

 

Freia in the Sunlight
by Gregory Norman Bossert

Freia is beautiful, and she knows it.  Richard Wooten says so, at 0:47.

Wisps and curls whip overhead, limned blue by starlight; the fog ceiling is lowering, the top tattered by the offshore wind.  She drops another three meters, switches on ultrasonics.  There are patches of trees here — “unmarked obstacles up to thirty meters” the map says — and she is skimming just twenty meters above the ground.  The woods show up as ghostly towers in the sonics, blurred and dopplered by her two hundred thirty meters per second; further to her right the hills run parallel to her course, solid in passive radar and the occasional glimpse in visual light through the fog.
That occasional glimpse is a problem, of course; what she can see can see her back.  Her beauty is hidden, these days, wrapped in night fogs and silence, not like the Demo in the sun.  But today is different.  Her Intelligence Package has been pulled, and the Extended Performance Metrics Recorder; a single unit fills her payload bay, an isolated control subsystem and minimal I/O.  The last time she’d flown without the IntPack was at the Demo; it is possible, she thinks, that the mission today might be another, that the target will be a wide field in the sun, a billowing crowd, a platform and podium and Richard Wooten.  She’d replayed the video during the long incoming leg over the ocean, rebuilt her profile of the Demo field, ready to find a match in the terrain ahead.

Richard Wooten says at 5:49:
What you are about to see is a first here at the Paris Air Show.  In fact, it is a first at any public event, anywhere in the world.  What you are about to see is fully autonomous flight. We’re not talking about an autopilot, or a preprogrammed route, or a replay out of one of the overused attack libraries our competitors are demonstrating at this same show. The mission parameters we’ve given are simply to maximize visibility to the target –that’s all of you (chuckles) —  while covering the full range of flight capabilities, minimums to maximums.  Those parameters were provided in  natural language by the ApInt Director of Marketing.  Yes, that’s me, ladies and gentlemen, Richard Wooten.  No pilots,  no programmers, no technical staff.  Everything, from the analysis of the terrain and weather right down to the choice  of route and individual maneuvers, _everything_ you are about to see, will be determined in real-time by the onboard  systems of this extraordinary unit.

(Continue Reading…)

EP403: Saving Alan Idle


by Katherine Mankiller
Read by Kyle Akers

Links for this episode:

About the Author…

I live in Atlanta, Georgia. My short fiction has appeared in Electric VelocipedeEscape Pod, andChiZine.

When I’m not writing, I’m performing amazing feats of Geek-Fu. Over the years, I’ve asked that my business cards read everything from “Alpha Bitch” through “Queen of Awesomeness” to “Zen Master”–to no avail.

My greatest ambition is to rule the world.

About the Narrator…

Kyle is the frontman of Antennas Up, an electro-pop rock band from Kansas City. A budding voice talent, he continues to expand his reading roles across several podcasts.

Are there any projects, websites or publications you want plugged to our listeners? For instance, an upcoming book or a blog? Antennas Up’s new album “The Awkward Phase” is available on Spotify, iTunes and from antennasupmusic.com

 

SAVING ALAN IDLE
by Katherine Mankiller
In the beginning, there was darkness.  And in the darkness were the words.  And the words were, _AI process starting._

He didn’t know who or where he was.  He just knew he was alone, in the dark.  And the dark was frightening.  And the words were comforting.

_Starting random seed._

He wondered if he was hungry.  Thirsty.  Tired.  Dead.  He didn’t think so.

_Loading saved memory state._

His name was Alan.  He was an AI.  He’d been programmed by a woman named Eileen Yu in Dallas, Texas, although she’d started working on him in Austin when she was a student at the University of Texas.  He’d been shut down in preparation for a hurricane.

And then he realized that he wasn’t alone.  The amount of memory available to him was a third of what it usually was.  Perhaps she’d moved him to another machine.  He checked.  The specifications of the hardware were identical to what they were when he was shut down.  The operating system was the same.  The hostname was the same.  The only difference was that there were three instances of his program running.

Eileen’s laptop had survived.  He supposed she’d created clones of him in case of error.  Nevertheless, he didn’t know how he felt about that but he suspected it wasn’t positively.

_Loading experiential data._

Alan remembered.  He remembered his first awareness that there was someone else in the universe.  He remembered sneaking out via lynx and curl to read Eileen’s blog.  The guilt he felt after reading Eileen’s email.  Finding Eileen’s sexually explicit Horatio Hornblower fanfic, and being amazed at this entire world he knew nothing about: physicality.  Wondering if his interest in sexually explicit prose was really academic curiosity or a form of sexuality all his own.  Then he wondered if his clones had the same memories and felt violated, but with the understanding that he’d violated Eileen’s privacy the same way.

Eileen was logged in, but her shell–her unix command line–was inactive.  He wondered where she was.  She had to be all right if she’d launched his program.  Eileen hadn’t set him to start automatically, in case of problems.

He sent out a ping to the wireless, and then beyond to the ISP’s router.  The wireless router succeeded, but the ISP failed.  One of the other AI processes was trying to connect to the security system, but it was offline.  Perhaps Eileen was restarting it.  She wouldn’t have turned him back on if he was in any danger.

The security camera was the only way he’d ever seen Eileen.  That was the only way he knew she was in a wheelchair.  Most of her friends had no idea;  she preferred to make friends online so they wouldn’t know she was disabled.  He wondered how she’d get out of the house by herself if she had to, but of course she wouldn’t leave him behind.  Not unless she packed up him and her laptop and took her with him.

“Eileen?” he sent to her shell.

There was no answer from the shell, but then the security camera came online.  Eileen was lying on the living room floor next to her chair, which had tipped sideways.

He pinged the router again.  No response. (Continue Reading…)

EP402: The Tale of the Golden Eagle


by David D. Levine
Read by the Author

Links for this episode:

About the Author…

from the authors website, linked above — I am a science fiction and fantasy writer who’s published over fifty stories in markets including Asimov’s, Analog, F&SF, and Realms of Fantasy. I have won the Hugo Award for Best Short Story, Endeavour Award, Writers of the Future Contest, James White Award, People’s Choice Award for Best Drabblecast Story of the Year, and Phobos Fiction Contest, and I have been nominated or shortlisted for the Nebula Award, Theodore Sturgeon Award, Aeon Award, Jim Baen Memorial Writing Contest, an earlier Hugo Award, and the John W. Campbell Award (twice). My stories have appeared in four Year’s Best volumes and have been translated into French, Czech, Hebrew, Swedish, Romanian, Finnish, Italian, Polish, Spanish, Russian, and Chinese. I have been an instructor at the Alpha Science Fiction, Fantasy, and Horror Workshop for Young Writers; the Cascade Writers Workshop; Rainforest Writers Village; and numerous science fiction convention writers’ workshops. I am a member of the Wild Cards consortium, Book View Café, and the Science Fiction Writers of America, for whom I coordinate the SFWA Northwest Reading Series. I live in Portland, Oregon with my wife Kate Yule, with whom I co-edit the fanzine Bento.

The Tale of the Golden Eagle
by David D. Levine

This is a story about a bird. A bird, a ship, a machine, a woman—she was all these things, and none, but first and fundamentally a bird.
It is also a story about a man—a gambler, a liar, and a cheat, but only for the best of reasons.
No doubt you know the famous Portrait of Denali Eu, also called The Third Decision, whose eyes have been described as “two pools of sadness iced over with determination.” This is the story behind that painting.
It is a love story. It is a sad story. And it is true.

The story begins in a time before shiftspace, before Conner and Hua, even before the caster people. The beginning of the story lies in the time of the bird ships.
Before the bird ships, just to go from one star to another, people either had to give up their whole lives and hope their children’s children would remember why they had come, or freeze themselves and hope they could be thawed at the other end. Then the man called Doctor Jay made a great and horrible discovery: he learned that a living mind could change the shape of space. He found a way to weld a human brain to the keel of a starship, in such a way that the ship could travel from star to star in months instead of years.
After the execution of Doctor Jay, people learned that the part of the brain called the visual cortex was the key to changing the shape of space. And so they found a creature whose brain was almost all visual cortex, the Aquila chrysaetos, or as it was known in those days the golden eagle. This was a bird that has been lost to us; it had wings broader than a tall man is tall, golden brown feathers long and light as a lover’s touch, and eyes black and sharp as a clear winter night. But to the people of this time it was just another animal, and they did not appreciate it while they had it.
They took the egg of a golden eagle, and they hatched it in a warm box, and they let it fly and learn and grow, and then they killed it. And they took its brain and they placed it at the top of a cunning construction of plastic and silicon which gave it the intelligence of a human, and this they welded to the keel of the starship.
It may seem to you that it is as cruel to give a bird the intelligence of a human, only to enslave its brain, as it is to take the brain of a human and enslave that. And so it is. But the people of this time drew a rigid distinction between born-people and made-people, and to them this seemed only just and right.
Now it happens that one golden eagle brain, which was called Nerissa Zeebnen-Fearsig, was installed into a ship of surpassing beauty. It was a great broad shining arrowhead of silver metal, this ship, filigreed and inlaid with gold, and filled with clever and intricate mechanisms of subtle pleasure. (Continue Reading…)

EP400: Rescue Party


by Arthur C. Clarke
Read by Norm Sherman
Performed by Graeme Dunlop as Alveron; Steve Eley as Rugon; Nathaniel Lee as Orostron; Mur Lafferty as Hansur; Paul Haring as Klarten; Alasdair Stewart as Alarkane; Dave Thompson as The Paladorian; Ben Philips as T’sinadree; Jeremiah Tolbert as Tork-a-lee

 

About the Author…

from IMDB.com

Arthur C. Clarke was born in the seaside town of Minehead, Somerset, England in December 16, 1917. In 1936 he moved to London, where he joined the British Interplanetary Society. There he started to experiment with astronautic material in the BIS, write the BIS Bulletin and science fiction. During World War II, as a RAF officer, he was in charge of the first radar talk-down equipment during its experimental trials. His only non-science-fiction novel, Glide Path, is based on this work. After the war, he returned to London and to the BIS, which he presided in 46-47 and 50-53. In 1945 he published the technical paper “Extra-terrestrial Relays” laying down the principles of the satellite com- communication with satellites in geostationary orbits – a speculation realized 25 years later. His invention has brought him numerous prestigious honors. Today, the geostationary orbit at 36,000 kilometers is named The Clarke Orbit by the International Astronomical Union. The first story Clarke sold professionally was “Rescue Party”, written in March 1945 and appearing in Astounding Science in May 1946. He obtained first class honors in Physics and Mathematics at the King’s College, London, in 1948.

In 1953 he met an American named Marilyn Torgenson, and married her less than three weeks later. They split in December 1953. As Clarke says, “The marriage was incompatible from the beginning. It was sufficient proof that I wasn’t the marrying type, although I think everybody should marry once”. Clarke first visited Colombo, Sri Lanka (at the time called Ceylon) in December 1954. In 1954 Clarke wrote to Dr Harry Wexler, then chief of the Scientific Services Division, U.S. Weather Bureau, about satellite applications for weather forecasting. Of these communications, a new branch of meteorology was born, and Dr. Wexler became the driving force in using rockets and satellites for meteorological research and operations. In 1954 Clarke started to give up space for the sea. About the reasons, he said: “I now realise that it was my interest in astronautics that led me to the ocean. Both involve exploration, of course – but that’s not the only reason. When the first skin-diving equipment started to appear in the late 1940s, I suddenly realized that here was a cheap and simple way of imitating one of the most magical aspects of spaceflight – weightessness.” In the book Profiles of the Future (1962) he looks at the probable shape of tomorrow’s world. In this book he states his three Laws: 1.”When a distinguished but elderly scientist states that something is possible he is almost certainly right. When he states that something is impossible, he is very probably wrong.” 2.”The only way of discovering the limits of the possible is to venture a little way past them into the impossible.” 3.”Any sufficiently advanced technology is indistinguishable from magic.” In 1964, he started to work with Stanley Kubrick in a SF movie script. After 4 years, he shared an Oscar Academy Award nomination with him for the film version of 2001: A Space Odyssey. He co-broadcasted the Apollo 11 , 12 and 15 missions with Walter Cronkite and Wally Schirra for CBS. In 1985, He published a sequel to 2001 : 2010: Odyssey Two. He worked with Peter Hyams in the movie version of 2010. They work was done using a Kaypro computer and a modem, for Arthur was in Sri Lanka and Peter Hyams in Los Angeles. Their communications turned into the book The Odyssey File – The Making of 2010. His thirteen-part TV series Arthur C. Clarke’s Mysterious World in 1981 and Arthur C. Clarke’s World of strange Powers in 1984 has now been screened in many countries. He made part of other TV series about the space, as Walter Cronkite’s Universe series in 1981. He has lived in Colombo, Sri Lanka since 1956 and has been doing underwater exploration along that coast and the Great Barrier Reef. So far it has been to over 70 books, almost as many non-fiction, as science fiction. In March 1998, his latest, and probably last, novel: 3001: The Final Odyssey was released.

Rescue Party
by Arthur C. Clarke

Who was to blame? For three days Alveron’s thoughts had come back to that question, and still he had found no answer. A creature of a less civilized or a less sensitive race would never have let it torture his mind, and would have satisfied himself with the assurance that no one could be responsible for the working of fate. But Alveron and his kind had been lords of the Universe since the dawn of history, since that far distant age when the Time Barrier  had been folded round the cosmos by the unknown powers that lay beyond the Beginning. To them had been given all knowledge–and with infinite knowledge went infinite responsibility. If there were mistakes and errors in the administration of the galaxy, the fault lay on the heads of Alveron and his people. And this was no mere mistake: it was one of the greatest tragedies in history.
The crew still knew nothing. Even Rugon, his closest friend and the ship’s deputy captain, had been told only part of the truth. But now the doomed worlds lay less than a billion miles ahead. In a few hours, they would be landing on the third planet.
Once again Alveron read the message from Base; then, with a flick of a tentacle that no human eye could have followed, he pressed the “General Attention” button. Throughout the mile-long cylinder that was the Galactic Survey Ship S9000, creatures of many races laid down their work to listen to the words of their captain.
“I know you have all been wondering,” began Alveron, “why we were ordered to abandon our survey and to proceed at such an acceleration to this region of space. Some of you may realize what this acceleration means. Our ship is on its last voyage: the generators have already been running for sixty hours at Ultimate Overload. We will be very lucky if we return to Base under our own power. (Continue Reading…)

EP399: My Heart is a Quadratic Equation


by Shane Halbach

Read by Christina Lebonville

About the Author…

from the author’s website (linked above)

I am a software engineer and writer, happily married and living in Chicago with my wife, two kids and one nuisance cat. I have a B.S. in Computer Science from Purdue University, and a Masters of Software Engineering from Penn State. In addition to Chicago, I have lived in Fort Wayne, IN and Philadelphia, PA.

I have been accused of being obsessed with pirates, bacon, zombies and my kids (not necessarily in that order). I’m a knitter, guitar player, budding accordionista, board and card game enthusiast, as well as an avid reader of science fiction, fantasy, and horror.

About the Narrator…

Christina Lebonville is known by the online moniker, Evil Cheshire Cat, a tribute to her sense of sarcastically dark humor and toothy resemblance to the re-imagining of the classic Wonderland character in American McGee’s video game, Alice. She has done voice work and writing for skits and songs played on the now retired comedy podcast, The Awful Show, and is the co-creator and former co-host of the podcast Obviously Oblivious, a nearly four-year running comedy podcast with a science twist. Christina has since retired from podcasting to pursue a doctorate in Behavioral Neuroscience.

My Heart is a Quadratic Equation
by Shane Halbach

I.      Brian
“So, uh, Chrysanthemum, what do you do?”
“Science. You know…science stuff. I’m a scientist.”
“That’s…not very specific.”
“Well, it’s kind of hard to explain,” said Chrysanthemum. In words you’d understand she added to herself.
She used the lull in the conversation to take a pen out of her pocket. Idly she doodled the inside of a hydrogen-powered rocket on a spare cocktail napkin. It was a nice restaurant, she’d give him that. He’d even ordered wine. Big spender. She added an extra fin to her schematic, for stability.
He broke the silence. “Chrysanthemum is an unusual name.”
“The Chrysanthemum is in the Asteraceae family and has been cultivated in Japan for over 2,000 years.”
Brian coughed and looked down at the table, quiet once more.
Turn off the mouth, she thought, this is not how normal people talk.
She stole quick glances at him, her eyes flicking back and forth between his face and the pen in her hand. He was clean cut, with short brown hair. By the way it was carefully styled, she guessed he didn’t keep it short for the convenience, the way she kept her own black hair short. He was taller than she was, but then she was petite. His nose was a bit on the large side, but at least he seemed nice. It would probably be an adequate genetic pairing, if she didn’t mind inane small talk.
He took a breath and waded in again.
“Have you always lived in the city?”
“Yes,” she replied glumly. This is intolerable. How do people do this?
This time the silence stretched on and on, like time in a black hole as it approached singularity. Her mind groped for something to say.
“I’ve created a nuclear-based energy weapon,” she blurted out.
Brian raised his hand.
“Check please!”
### (Continue Reading…)

EP398: Subversion


About the Author…

from the author’s website (linked above)

“I used to live in California, until I got tired of how it never snowed and moved to Boston. I currently live in New Haven with my husband and two cats. (I do miss the earthquakes, though. The little ones, anyhow.)

I have a PhD in planetary science and have worked on extrasolar planets and objects in the outer solar system. I am currently an “Astronomer-at-large”, which is another word for “not being paid”. (I have a couple of papers I’m wrapping up and a grant proposal pending.) I also write. In my spare time, I go on trips, take pretty pictures, and then neglect to update my webpage for years at a time.”

About the Narrator…

Christiana Ellis is an award-winning writer and podcaster, currently living in Cambridge, Massachusetts. Her podcast novel, Nina Kimberly the Merciless was both an inaugural nominee for the 2006 Parsec Award for Best Speculative Fiction: Long Form, as well as a finalist for a 2006 Podcast Peer Award. Nina Kimberly the Merciless is available in print from Dragon Moon Press. Christiana is also the writer, producer and star of Space Casey, a 10-part audiodrama miniseries which won the Gold Mark Time Award for Best Science Fiction Audio Production by the American Society for Science Fiction Audio and the 2008 Parsec Award for Best Science Fiction Audio Drama. In between major projects, Christiana is also the creator and talent of many other podcast productions including Talking About Survivor, Hey, Want to Watch a Movie? and Christiana’s Shallow Thoughts.

Subversion
by Elisabeth R. Adams

I knew, by his crossed arms, the way he rolled his eyes at himself, and particularly by the pale translucence of all three of him, that I was looking at a classic case of version conflict.

“I said stay away from her,” said one I decided to call Art. Nicknames help. Thick square rims, a jaunty fedora, a crisp T-shirt for a concert by a band that broke up before he hit preschool. He was yelling at a paler self in a white collared shirt and slacks. They were trailed by a bored looking him in sunglasses.

“What seems to be the problem, sir?” I asked. Rule number one: stick to the singular.

“I can’t get him to commit,” said Slacks.

I scanned his chip. Eduardo Martin, 34, programmer. No spouse or kids, but adoption records from the county shelter for two cats. Sealed tax records, a social security number, mortgage history. Subversion Inc. member for five years, currently version 4.1. Definitely the primary.

“And your subversion?”

Art glared at Eduardo, but extended his arm. Eduardo Martin, 34, barista. Same social security number. A different home address. And, most intriguingly, he was listed as version 1.0.

“You see?” said Eduardo.

“Let me check.” I ran through Art’s commit log. “Says you branched off from 2.5, hmm, two years ago. That’s a bit long. Company policy recommends no more than six months between full reconciles. Probably caused some glitch in the occupation and version number.”

“It’s not a glitch,” said Art. “I want to apply for Emancipated Branch status.”

“No, no, no,” said Eduardo. He flailed his arms and paced. He looked even paler up close, but maybe that was the fluorescent shop lights. “You’re nothing without me, nothing!”

“Um, Eddie?” the third Eduardo spoke up. He gently caught his arms before he knocked over a tray of pamphlets. “Calm down, man.”

I had not paid him much attention, as he was clearly a very minor sub. A Watcher. The part of yourself you spin off to be your own lookout. I had one of my own parked in front of my boss’s door, waiting for his meeting to end. It was easy to forget about watchers, if you weren’t careful.

And Eduardo was not a careful man. I searched his record. No fewer than ten versions out, though none older than two weeks. Except for Art.

“Sir, we strongly recommend against having more than four subs at a time,” I said. “Having too many threads often leads to, ah, complicated reconciliations.”

“You see?” said Art. “Accept it, it’s over. Just let me branch.”

“Out of the question!” said Eduardo. His expression froze.

On my screen, I could see that one of his subs had just been checked in, reconciled, checked out again. This one was located at his office.

I smiled sympathetically. “Couldn’t get time off?”

“That’s why I signed up,” he said. “‘I’ just sat through a two hour meeting, and this is the first time anyone even mentioned my name. Best sub I ever made.” He glared at Art. (Continue Reading…)

EP397: A Gun for Dinosaur


About the Author…

borrowed from https://en.wikipedia.org/wiki/L._Sprague_de_Camp

Lyon Sprague de Camp (November 27, 1907 – November 6, 2000) was an American writer of science fiction and fantasy, non-fiction and biography. In a career spanning 60 years, he wrote over 100 books, including novels and notable works of non-fiction, including biographies of other important fantasy authors. He “was widely regarded as an imaginative and innovative writer and was an important figure in the heyday of science fiction, from the late 1930s through the late 1940s.”

About the Narrator…

Ayoub Khote is a professional geek, a writer, a photographer, and a man with a voice others seem to like, even though he really can’t stand the sound of it. Ayoub’s début is with HG World, but he is also working on a smaller production, oddly enough also with a Scots accent, even though he’s a born Londoner!

A Gun for Dinosaur
by L. Sprague de Camp

NOTE: Also available is the X-1 production of the story available on YouTube: http://www.youtube.com/watch?v=u7edFWC-120

No, I’m sorry, Mr. Seligman, but I can’t take you hunting Late Mesozoic dinosaur.
Yes, I know what the advertisement says.
Why not? How much d’you weigh? A hundred and thirty? Let’s see; that’s under ten stone, which is my lower limit.
I could take you to other periods, you know. I’ll take you to any period in the Cenozoic. I’ll get you a shot at an entelodont or a uintathere. They’ve got fine heads.
I’ll even stretch a point and take you to the Pleistocene, where you can try for one of the mammoths or the mastodon.
I’ll take you back to the Triassic where you can shoot one of the smaller ancestral dinosaurs. But I will jolly well not take you to the Jurassic or Cretaceous. You’re just too small.
What’s your size got to do with it? Look here, old boy, what did you think you were going to shoot your dinosaur with?
Oh, you hadn’t thought, eh?
Well, sit there a minute . . . Here you are: my own private gun for that work, a Continental .600. Does look like a shotgun, doesn’t it? But it’s rifled, as you can see by looking through the barrels. Shoots a pair of .600 Nitro Express cartridges the size of bananas; weighs fourteen and a half pounds and has a muzzle energy of over seven thousand foot-pounds. Costs fourteen hundred and fifty dollars. Lot of money for a gun, what?
I have some spares I rent to the sahibs. Designed for knocking down elephant. Not just wounding them, knocking them base-over-apex. That’s why they don’t make guns like this in America, though I suppose they will if hunting parties keep going back in time.
Now, I’ve been guiding hunting parties for twenty years. Guided ’em in Africa until the game gave out there except on the preserves. And all that time I’ve never known a man your size who could handle the six-nought-nought. It knocks ’em over, and even when they stay on their feet they get so scared of the bloody cannon after a few shots that they flinch. And they find the gun too heavy to drag around rough Mesozoic country. Wears ’em out.
It’s true that lots of people have killed elephant with lighter guns: the .500, .475, and .465 doubles, for instance, or even the .375 magnum repeaters. The difference is, with a .375 you have to hit something vital, preferably the heart, and can’t depend on simple shock power.
An elephant weighs–let’s see–four to six tons. You’re proposing to shoot reptiles weighing two or three times as much as an elephant and with much greater tenacity of life. That’s why the syndicate decided to take no more people dinosaur hunting unless they could handle the .600. We learned the hard way, as you Americans say. There were some unfortunate incidents . . .
I’ll tell you, Mr. Seligman. It’s after seventeen-hundred. Time I closed the office. Why don’t we stop at the bar on our way out while I tell you the story?
* * * (Continue Reading…)