I’m fascinated by how people put amazingness together. Or awfulness (Let’s not pretend schadenfreude doesn’t happen). What field’s doing the assembly changes quite frequently. Sometimes I even try putting together some of it myself. I refuse to comment on which end of the A to A spectrum that falls on.
by Jason Kimble
My favorite part about skimming is that I’m not broken when I do it. It doesn’t matter that I don’t have levels, that I’m on or off, because that’s how everything’s supposed to be when you’re in the hypernet. Even if I’m not supposed to be in the hypernet.
I’m only able to skim because Kaipo left my interface node on. That was the day he told me I could call him Kaipo instead of Dr. Singh. His eyes are different than mine, but that’s not because of the Skew, and even if it is I wouldn’t care, because they’re pretty and dark and they twinkle a little bit when he smiles. We’d had sex twice when he told me I could call him Kaipo if we’re alone. Sex is almost as good as skimming, only it doesn’t last as long, and sometimes I’m stinky afterwards, which I’m not a fan of. Sometimes Kaipo smells like pumpkin, which I’m totally a fan of.
“Hi, Heady,” I say, rolling onto my side on the bed to look at her. I frown, which I know because the muscles at my jawbone ache a little when I frown. “Did you hear all that?”
Heady raises an eyebrow and purses her lips. Heady’s my big sister. Like, really big. Eight and a half feet big. That’s what the Skew did to her, blew her up bigger than life, but I think it suits her. She’s not as tough as she looks to most people, though. She’s totally as tough as she looks to me right now.
“Sorry,” I say, sitting up. “Sometimes I get confused about outside and inside my head.” That’s what the Skew did to me: broke my head. You can see that when I cut my hair or trim my beard, because the hairs change colors each time. Other people tell me it’s silly, but I like it. I can never decide if I like red or blue or green or purple or yellow more, and this way I get to have them all, and all’s better than some.
“Don’t worry, Sy,” she says, because Sy’s my name. “You never have to apologize to me.”
She smiles, and the muscles in my cheeks tense up so I know I’m smiling, too. She’s a good big sister, Heady. Even if she’s not real. (Continue Reading…)
Esther Saxey received her D.Phil. in English literature from the University of Sussex, United Kingdom. She has published on the interconnection of sexuality and narrative in various texts, including Tolkien’s The Lord of the Rings (Reading The Lord of the Rings, 2006), the TV series Buffy the Vampire Slayer (Reading the Vampire Slayer, 2002) and the Love and Rockets comics series by Jaime Hernandez (2006). She has also provided a critical introduction and notes for the Wordsworth editions of The Well of Loneliness by Radclyffe Hall, and Lady Audley’s Secret by Mary Elizabeth Braddon.
about the narrator…
Amanda Ching is a freelance editor and writer. Her work has appeared in WordRiot, Candlemark & Gleam’s Alice: (re)Visions, and every bathroom stall on I-80 from Pittsburgh to Indianapolis. She tweets @cerebralcutlass and blogs at http://amandaching.wordpress.com.
A Day Without Sunshine by E. Saxey
I don’t waste time. I study, I work hard, and when I go out I can squeeze a month of clubbing into one night. Tonight I’m squeezing it in a nasty place in Peckham, South London: no air, and the walls are sweating. I can’t get drunk–I’ve got a lecture tomorrow morning–so I’m dancing myself stupid, twisting my head so quick that my braids twat me in the face.
But across the delirious dance-floor, in the far corner, there’s a pool of stillness. Nobody dancing, everyone chilling, and you, leaning on a wall. You’re a little guy with lush brown eyes, gazing all around you.
I fight my way through the dancers to get to you. I get tangled in arms, fingernails up in my face, but I finally reach you.
“I’m Michelle. I’m doing law. You a student?”
You’re Hesham, twenty-eight, from Cairo. Not studying anything.
As I look at you, my skin tingles. Then I hear a police siren wailing past–of course, we’re next to the fire exit. That’s why there’s a pool of coolness round you.
“This is all excellent,” you say, waving an overpriced beer bottle at the terrible club. I laugh.
“You must be on some good stuff, fam.”
“I’m not! I like places where everyone’s having, oh, as much fun as they can.” You sound shy, formal. My Ma would call you “well brought up”.
Later, you sneak into my sweaty arms. You’re shorter than me and kind of delicate, but you don’t make me feel clumsy. Just strong, as though I could scoop you up.
Like I said, I don’t waste time. “Are you going to invite me back to yours?”
I reckon you’ll get ripped off by the flaky minicabs hovering outside. But you find us a proper black cab. We sit on opposite sides of the big back seat. Up the mangy Old Kent Road we go, across the dark river with both banks twinkling. Past the City, castles of light.
The taxi metre ticks up and up. “Hesham, I can’t split the fare on this!”
That would be me. Michael J. DeLuca. Writer, reader, dreamer, designer, brewer, baker, photographer, philosopher. Would-be ecoterrorist. False prophet. Liberal.
I’m a freelance web designer/developer as well. I have an undergraduate CS degree nobody knows about from a middlingly prestigious east coast university. I’ve been doing this for awhile (10+ years now), I’m not bad at it, and I usually can use more of it to do. Without it, I wouldn’t have enough money to keep myself alive, let alone keep writing (which not unlike crime, doesn’t really pay (me) (see that? nested parenthesis, that’s how you know I’m really a programmer)).
about the narrator…
Paul Cram grew up performing on stage and in more recent years traveling the United States working on independent films.
Paul’s voice is newer to the world of audio than it is to other acting forms. Fans of his voice will hopefully be excited to hear that he has two full-length audio books that came out this year: Zombie apocalypse novel FLIRTING WITH DEATH, and Sci-fi thriller THE FACE STEALER (think X Files or BBC’s Torchwood & Dr. Who.)Cram was most recently seen on set for the feature film WILSON opposite Woody Harrelson, and ANNIVERSARY shot in Maine, USA by movie director Jim Cole.
When not on a movie set or in a recording booth, Paul can be found deep-frying chicken wings with his sister in her kitchen, or quarreling about pop-culture with his little brother around one the 10,000 lakes of Minnesota.
Morning flooded the transparent womb of the ob room. Knuckling his aching skull, Hector twitched the opacity up to a tolerable level and set down his tea, then took the pod out over the ag. The fight with Mela the night before had not been pleasant, but work, he was perpetually astonished to discover, never failed to cheer him.
The conduit was a brilliant white spear overhead, broken by ribs of fair-weather cloud. The ag spread into haze in every direction, curving gently upward with the concavity of the Hypatia’s hull: chessboard squares of rippling corn, glittering rice paddies, apple plots flowering white. Here and there, a skeletal hulk loomed indistinct–some remnant structure of the ship’s propulsion systems, long-dismantled; shade crops grew among latticed shadows.
The crowd of Workers waited below, lens-tipped appendages craned upward. He smiled, in spite of the headache and the persistent awareness that no matter how he chose to rationalize it, everything Mela had said was true. He called up the log feeds. Foreman, they were saying. Foreman, we need your understanding.
He brought the ob room down among them. A grand menagerie they made, his subjects, each finely adapted to its task: delicate pollinators, long-limbed harvesters, knob-treaded aerators, juggernaut ploughs. “You don’t need me,” he said. “Your designers gave you all the understanding you need. But I’m here, ready to listen. I’ll help if I can.”
The oldest of the ploughs rolled forward. Your understanding grants us insight into the will of our designers.
The Workers appreciated repetition. They were simple beings, the product of their design. They believed in an infallible, benevolent humanity the way humanity once believed in angels, the way so many Relics now believed in their inscrutable alien creator, the Ix. And Hector was their ambassador, though he’d only held this job a month and the designers were fifty generations dead.
H1703 has had a dream, said the plough.
The Workers’ reactions flooded the feeds with the euphemistic, agricultural info-speak they used among themselves, too much to decipher. Excitement, urgency. They didn’t know what to think. (Continue Reading…)
Liz often writes speculative fiction and interstitial work that explore spaces between genres. She is especially fond of gritty urban fantasy, thought provoking science fiction and fantastical literary fiction.
Liz carves out a diverse career as a freelance writer, working with organisations to build communities and running workshops. Liz has run creative workshops for a range of organisations, including the National Museum of Australia, Conflux and the Young Music Society. She works with organisations to prepare and acquit grants, and to build physical and online communities. She has worked on and off as an Artists’ Model for ten years. Before she became a freelancer she worked as researcher, union organiser, refuge worker, circus manager and provided consulting and support to the community sector.
Liz’s comics have been published in an array of publications, including Meanjin, The Girl’s Guide to Guy Stuff, Eat Comics, Something Wicked and her collection Songs, Dreams and Nightmares. Her anthology, Dreams of Tomorrow, won a Bronze Ledger Award for Small Press of the Year. In January 2009 her musical Comic Book Opera, written with composer Michael Sollis, was performed for the first time. Two of her short stories have been staged as plays.
She splits her life between Australia and America – some day she hopes to live in other parts of the alphabet. After serving as a Non Skating Official with the Rat City Rollergirls for three seasons she has transformed into skater and announcer. When she’s on the track you can call her Betsy Nails, when you hear her over the mic she’s Ichabod ‘splain.
about the narrator…
Emily Hickson is a newcomer in the voice acting world, an Australian student studying Fine Art and Illustration. Her techniques and past research endeavours include printmaking, sculpture, digging up dead languages and solving old codes. She once illustrated a book about Alfred Tennyson meeting the Kraken, and has always counted on sci-fi to inspire her when artist’s block attacks. Past works and future declarations can be found at thegrangerchronicles.blogspot.com.au
by Liz Argall
Charlotte and Nessa met in Year Eight of Narrabri High School. Charlotte’s family were licensed refugees from the burning lands and the flooded coast, not quite landed, but a step apart from refugees that didn’t have dog tags.
Charlotte sat on the roof, dangled her legs off the edge and gazed at the wounded horizon, as she did every lunchtime. Nessa, recognizing the posture of a fellow animal in pain, climbed up to see what she could do. The mica in the concrete glittered and scoured her palms as she braced herself between an imitation tree and the wall and shimmied her way up.
She had to be careful not to break the tree, a cheap recycled–plastic genericus — who’d waste water on a decorative tree for children? The plastic bark squished beneath Nessa’s sneakers, smelling of paint thinner and the tired elastic of granny underpants.
Nessa tried to act casual once she got to the top, banging her knee hard as she hauled herself over the ledge and ripping a fresh hole in her cargos. She took a deep breath, wiped her sweaty hands, and sat down next to Charlotte.
“‘Sup?” said Nessa.
“Go away.” Charlotte kicked her feet against the wall and pressed her waxy lips together.
“You gonna jump?”
“No. I’m not an attention seeking whore like you,” said Charlotte.
Nessa shrugged her shoulders, as if that could roll away the sting. Rolling with the punches was what she did. “You look sad.”
Charlotte bared her teeth. “I said, I’m not like you. Leave me alone.”
Nessa wanted to say, “Fuck you,” but she didn’t. Nessa wanted to find magic words to fix Charlotte in an impatient flurry. She couldn’t. Nessa scratched her scars for a while and felt like puking, but she didn’t think that would help either. Neither would hitting Charlotte’s head against a wall and cracking Charlotte’s head into happiness, although Nessa could imagine it so violently and brightly it felt like she’d done it. Nessa had banged her own head against walls to get the pain out of her head and chest, but it never worked — or rather it never worked for long enough, leading to a worse, moreish pain.
Nessa didn’t know what to do, so she just sat there, feeling chicken shit, until the bell summoned them into class. (Continue Reading…)
Lambda Literary Award for Diana Comet and Other Improbable Stories
Booklist Editor’s Choice, ALA Over the Rainbow book, and Rainbow Award win for Diana Comet and Other Improbable Stories
Silver Moonbeam Award for Mystery of the Tempest
Former commissioned officer, USN
about the narrator…
Joel Kenyon is a veteran podcaster, writer, musician and artist. He’s currently a member of the 4 man comedy show, The Undercover Unitards and he also has a weekly independant music show called The Sunshine Happy Kpants Hour. When he’s not recording, he writes a movie review blog, occasionally draws an online comic, paints pictures, writes stories and attempts to make music with friends. Joel is not a fan, however, of writing in the third person perspective, so writing this bio was painful for him.
End of the World Community College
by Sandra McDonald
The End of the World Community College (EWCC) strives to assist the residents of Port Clinton and surrounding areas with all of their educational needs, including farming, construction trades, radiation decontamination, emergency medicine, fine arts, and artisanal bread-making. Dean Hendershot’s parents once owned a bakery. He treasures the sourdough starter that has been passed down through his family for three generations. Students who complete their courses of study are automatically gifted with a delicious loaf of fresh bread. Unless, of course, your name is Abdul Howard.
Paper currency is useless, but the Registrar gladly accepts silver coins, diamond jewelry, gold teeth, and unexpired medicine. Fresh food, canned food, charged batteries, ammunition, livestock, and freeze-dried coffee are also welcomed with open arms. EWCC does not offer financial aid. Despite these desperate times, please do not attempt to rob the Registrar. He and his assistants carry pistols and mace at all times.
Your professors will gladly barter for additional lessons. Professor Shawl constantly needs cat food, Professor Ohara manages a yarn bank, and Professor Pfister collects pornographic material. In the old days Dean Hendershot would not have hired Pfister, but it is hard to find good math teachers and Pfister generously loans out his magazines upon request. Colonel Fisher, our ROTC director, trades exclusively for knives. The sharper the better. He does not read Professor Pfister’s porn.
Enrollment dates are ongoing. Please apply in person at the Registrar’s Office during regular business hours Monday through Friday. Refrain from appearing late at night at the Registrar’s house and pounding on his door in a drunken stupor, lamenting the loss of the old world and all its convenient ways. In his former life, the Registrar managed a hardware store in Sandusky, providing the very best bait, groceries, and ammunition to tourists on Lake Erie. He is an excellent shot.
Regular attendance is highly encouraged, but some obstacles are unavoidable. Rotting zombies often block the road near the Ottawa County Historical Museum. Aliens from Planet X lurk under the Port Clinton Bridge. You never know when a malfunctioning robot might show up in your front yard, demanding oil for its rusty red joints. Sustained ringing bells from our campus chapel indicate a solar flare forecast; please take cover. Expired sunscreen will not suffice. Do not just throw yourself on the ground with your arms over your head, June Li. In case of catastrophic snowfall, we expect to see you after you dig out or whenever spring arrives. If spring arrives.
Medical concerns are always paramount. We require students suffering from superflu or other communicable diseases to stay at home and not spread your filthy germs everywhere. The Registrar may be called to remove you permanently; he considers this a necessary if unpleasant part of the job. The old Marblehead Ferry site was long ago converted into a convenient mass grave.
College is a commitment and an opportunity that should not be taken lightly. In the old days, many students drifted in from high school with a lack of direction and atrocious study habits. They texted or surfed while their overworked professors strived to impart knowledge. They smoked illegal drugs and drank while underage. They focused on romantic hookups, frequent and brief and poorly thought out, with no consideration of sexually transmitted diseases or unanticipated pregnancies. Professor Shawl’s own daughter Allison trusted the wrong boys and look what happened to her. Professor Shawl only has cats now, and a quiet house near the water that rattles in the wind.
Of course, not all of our students were impulsive or immature teenagers making questionable decisions. Many of them came to our halls as adults who had spent several years away from formal education. Struggling in low-wage jobs or left adrift by divorce and single parenthood, they showed bitter awareness of how arbitrary fortune can be. They also possessed many practical real-world skills such as how to fix an engine, nurse a sick child, loot a pharmacy, or defend a home from armed robbers. Statistically, they survived in greater numbers than teenagers after Yellowstone blew and poisoned the atmosphere with a thousand cubic kilometers of ash. Speaking of statistics, how likely was it that just twelve hours later, those brown cliffs in the Canary Islands would sheer off and send that mega-tsunami roaring toward the U.S. coast? The 8.2 earthquake that split California into two states was almost anticlimactic by comparison.
Whatever your age, gender, military status, or previous life experience, the Code of Conduct (see below) requires students to maintain proper decorum at all times. This ensures a respectful and healthy community. As Dean Hendershot reminds us, the good of the many outweighs the Constitution. Constitution Day will still be observed annually, however, and attendance is mandatory.
Our catalog changes frequently, but we offer several popular classes on an ongoing basis.
Construction Trades: Colonel Fisher was a Seabee for twenty years. More than anyone in Northern Ohio, he knows his pipes, wires, beams, and hoses. After that EMP pulse knocked out the world grid we all learned to live without electricity, but that does not mean you should suffer undue hardship. He will teach you to make an indoor light out of soda bottles and bleach, or a refrigerator from wet sand and clay garden pots. Whether you are building a new home or rehabbing an abandoned one, you’ll be able to keep it weatherproof, sanitary, and safe from plague-spreading bats. Colonel Fisher also leads our campus safety patrols for students who desire escorts at night. We have never had dormitories, but the RV trailers in the former faculty parking lot provide safe, affordable housing for students unable to find lodging after fire burned down half of town.
Apocalyptic Fashion: Certainly clothing is in no shortage these days. You can stroll into any former “supercenter” and pluck from bountiful piles of rotting goods. Armed with a willingness to scrub out the mold, ash, and insect feces, you can buy back into a dream of mass consumerism that no longer exists. Or, with the assistance of manual sewing machines that Professor Ohara salvaged from Rose’s Antique Nook, you can learn to make your own coats, baby blankets, wedding dresses, and burial shrouds. Professor Ohara also teaches knitting, embroidery, lacemaking, and lingerie design. The end of the world does not have to mean the end of feeling good about your wardrobe.
Astronomy for Optimists: Professor Ohara also teaches astronomy. On clear nights, she and her students climb to the roof of the auditorium and peer through old telescopes at whatever constellations still penetrate the ash and haze. How foolish, we tell her. She risks breaking an ankle or cracking her skull for the sake of a starscape beyond our reach. What is left to see since that rogue comet shattered the moon? More comets, she says. Like emissaries of heaven, bringing light and wonder to the huddled masses.
We know that Professor Ohara sometimes invites to the roof those sad, green aliens living under the bridge. She doesn’t blame them for the disastrous invasion of Earth. Her husband died in an overseas war long ago, and she understands that soldiers frequently pay a dire price for the follies of their political leaders. From the roof the aliens can maybe see a faint glimmer of whatever star they call home. They will never be able to return.
Arithmetic: Before the apocalypse, our students usually needed remedial courses in algebra. Whatever they learned in high school, it certainly did not include polynomials. They could only perform long division with the assistance of smartphones, and were unable to calculate basic interest rates on their exorbitant student loans. Sometimes it was better not to know. The select few who advanced to statistics and calculus were mostly taught by computer programs that engaged them in exciting video games or cartoon simulations. Math teachers like Professor Pfister bemoaned such technological coddling, but the software was cost-effective for the administration. We in administration liked to give ourselves salary increases each year.
These days, math exercises begin with correctly measuring wooden planks to nail over your windows and doors. Nothing says “amateur” more than mismatched boards. We calculate the effective ratio of water purification tablets to rainwater and convert prescription medicine into milligrams based on a patient’s body weight. Abdul Howard was expelled for sharing the formula and calculations for fertilizer explosives, but until then he was one of our sharpest students.
What we cannot teach you is how to formulate hope. We have no ways to measure fortitude, resolution, compassion, or any of the other qualities necessary for the rebuilding of civilization. We cannot number the dead. We can only educate the survivors.
Self-Defense: Speaking of survival, each of our professors can teach you a thing or two about defending yourself against rabid dogs, drunk neighbors, marauding raiders, wild zoo animals, and shotgun weddings. Our faculty was once much larger. Only the toughest and most resourceful made it through the tenure process. Job applicants these days are required to disassemble and reassemble a pistol, pass a marksmanship test, display proficiency in jujutsu or other martial arts, and do well on the obstacle course in Colonel Fisher’s backyard. Our faculty leads by example.
Music: Professor Shawl grew up in a household of pianists, violinists, and ukulele players. She no longer plays any instrument herself, but she knows by heart an impressive amount of folk music. She can teach you how to hit the high note in the former national anthem or bang Copland’s Appalachian Spring on empty oil drums. The student band’s handbell rendition of I’ll Be Home for Christmas had many of us in tears last Yuletide. Huddled around the town bonfire, watching the last municipal tax records burn, we sipped more of Professor Pfister’s moonshine and watched a golden comet blaze overheard. Some of us fired holiday bullets at it. Colonel Fisher bemoaned the waste of good ammunition but Secret Santa brought him an ivory-handled machete that made him smile.
Meanwhile, every spring Professor Shawl offers a class in making phonograph players out of recycled parts. Old vinyl records have proved surprisingly resilient to time. Come summer, the sweet scratch of music drifts from wedding parties, barn raisings, and very small family reunions. Sometimes you might see a malfunctioning robot alone in a barren field, clanking and swaying to Patsy Cline. You never see them in pairs. Mechanical people lead lonely lives.
Women’s Health and Midwifery: Students are often surprised to learn that Dean Hendershot teaches these classes himself. Even in these unusual days, we feel more comfortable with women as our guides to operating a vagina. Professor Shawl is extremely modest, however, and Professor Ohara is showing signs of early-onset Alzheimer’s. Some days she can barely remember her name or the name of the alien she is hiding in her basement. (Its name is Oooo4ooo. It’s handsome in its own tentacled sort of way.)
The most frequent medical complaint among female faculty and students is the common yeast infection. Dean Hendershot knows much about yeast. Not only the kind that ferments in his bread but also its cousin, Candida, which can so messily overrun a woman’s pelvis. If prompted correctly, he can lecture for hours on the resilience and history of organisms, including yeasts, molds, fungi, and mushrooms. For home treatment of Candida infections, he usually recommends application of vinegar, yogurt, or garlic. Female students, please do not allow Professor Pfister to show you how to insert the garlic.
Dean Hendershot also knows a great deal about babies. He and his wife Katherine have had three of them since our local nuclear power plant started leaking. He cradled each beautiful infant’s head as he or she debuted in the world and carefully tied off each pasty-white umbilical cord. Each child was swaddled and nurtured, their breaths counted as blessings until the blessings came no more.
Little John, the youngest, is still with us. He comes to school every day with his father, quiet and solemn in his stroller. You barely notice his hands. Any day now he will start speaking. The other infants are buried in Dean Hendershot’s yard, the tiny crosses visible from the kitchen window.
Dean Hendershot also teaches grave-digging. The secret, he says, is always go deeper than you think you need to. A proper depth keeps the wild animals from tearing things up, and dead things from climbing out of the dark, irradiated soil.
Code of Conduct
Students shall refrain from promoting, endorsing, or advocating for cannibalism. This means you, Avery Unger. Other students and faculty are discomfited by your graphic retelling of how you survived last winter, and no one believes your parents “accidentally” killed themselves with that emergency generator. You were a mean little kid to begin with and multiple disasters have not improved you at all.
Students shall refrain from publicly promoting religion. Certainly you can privately thank any deity you choose for your ongoing survival. Say grace in the school cafeteria if you wish, and a little pleading to the divine about your midterm grades would not hurt either. No one is going to make you take off the crosses around your neck, Angie Sawyer, but it is not kosher to bully Bob Gerstein about his yarmulke. Keep in mind that many of us harbor vehement feelings toward any Creator who either brought down so many disasters into this world or otherwise failed to stop them. We are surprised that locusts have not arrived yet, and we are waiting for forty days and night of rain.
Students shall not try to institute their own civics classes to promote the study of democratic ideals. We hope you are listening, Abdul Howard. The fact that your grandparents immigrated to the United States decades ago in search of democracy does not make you an expert. If you want a representative government of, by, and for the people, you are welcome to scoot on down to Columbus and see what’s left there. You think they didn’t have to make hard decisions, just like we did? You think they sit around every day contemplating portraits of George Washington and Thomas Jefferson instead of fighting for scarce food and other necessities? Maybe you should hike your way down to our new national capital in Houston. If you can make it past the barricades without being shot, perhaps you will find a kindly old judge with nothing better to do than discuss constitutional law. Until then, there is no mayor here in Port Clinton, no city council, no open town meetings. There is only the college, and we are in charge.
Students shall dress appropriately: we do not permit thongs, flip-flops, strapless bras, low-hanging pants or other symptoms of a youth culture run amuck. Do not make us put a sweater on you again, June Li. Refrain from any garb that promotes hate speech. Bulletproof vests, weapons belts, and helmets are welcome but rarely necessary. That incident last spring during Career Day was an anomaly: usually our barbed wire fences do a better job keeping out starving golems.
EWCC does not allow any discrimination based on gender, orientation, or sexual proclivities. Surely Professor Shawl was once a man. She wears scarves around her throat every day and her hands are abnormally large. We think she is beautiful. Colonel Fisher lives with our town dentist, Dr. Slater, in a charming colonial they remodeled themselves. Dr. Slater is the only man for a hundred miles who can fill a cavity, extract a tooth, or fix your dentures. We don’t care what he and Colonel Fisher do together as long as we get our annual cleanings. The Registrar keeps a trunk in his bedroom filled with lacy red nightgowns. Students watching his window from below have seen him strap on a garter belt and silk stockings. Does this make him any less qualified to protect the assets of the college? Certainly not. As Professor Pfister often insists, creative exploration is a healthy part of the human sexual experience.
Bookstore: Our campus bookstore carries EWCC mugs, T-shirts, and key chains, along with a limited number of textbooks salvaged from libraries and houses and the Book Barn before it flooded. Otherwise we expect students to furnish their own supplies: pipe and solder for plumbing workshop; seeds and dung for fieldwork; flour and yeast for bread-making; scalpels, bone saws and strong stomachs for the required lab on flesh-eating bacteria. You will need paper of any kind for your cursive-writing classes. Sometimes we teach calligraphy. It’s a dying art, but what isn’t?
Refunds: Tuition is nonrefundable. The learning you acquire within our hallowed halls will last you a lifetime. Even you, Abdul. When Dean Hendershot found you, you were a muddy teenager starving in a ditch. He gave you a bed in his attic and food from his table and tried to channel that anger inside you into something productive or useful. You repaid him by fomenting discontent and rebellion. You wanted elections. You demanded a voice. What you failed to get, you decided to take. He had no choice but to send you away. Isn’t exile a finer fate than a midnight walk with the Registrar from which only one of you would return?
Campus Alert: Astronomy students would like to inform the community that based on their latest observations, Jupiter has recently shifted its orbit. According to Oooo4ooo, the most likely cause is a traveling black hole skirting the Kuiper Belt and pulling the outer planets toward infinity like a pizza pie stretched too thin by overeager hands. This would also explain the number of comets hurtling overhead these days.
We hesitate to bring it up, as the death of our world is not necessarily imminent. The supermassive collapsed star may zoom by quickly, with only fractional effect on the inner solar system. Or it might hurl itself toward Earth so quickly that we will barely feel our own deaths as the planet rips apart beneath us. Who can say? Rest assured that there is nothing anyone can do against a black hole. You cannot shoot it, blow it up, set it on fire, fill it with cement, or board up your windows against it. Still, it always pays to be prepared. Hug your children tight tonight. Make love to a person or robot or alien, if it will make you happy.
Final note: Dean Hendershot appreciates your concern about the rumored death of his sourdough starter. Just before this brochure went to press, he trudged home from a hard day’s work to find the lamps unlit, the nanny distracted by her boyfriend, and his wife Katherine still huddled in the bed she rarely leaves these days. Young John had managed to free himself from his playpen, climb up onto the kitchen counter, and break open the large glass jar that Dean Hendershot’s grandmother kept in her own kitchen for so many decades. The pale and watery starter was everywhere–the sink, the floor, the walls, Little John’s hair. It was dirty and sad, utterly unsalvageable.
But Dean Hendershot didn’t despair. Any dean of a post-apocalyptic community college must be resourceful and strong. He fired the nanny, cleaned up the kitchen, and fed Little John his supper before tucking him in bed with his mother. Then he walked on over to the Registrar’s house. He was surprised to find Professor Shawl there, her cheeks flushed and neck scarf loose, but did not worry much about it. More important to him was the small plastic bag that the Registrar had stored in his pantry since summertime. Dean Hendershot thanked him profusely and cradled the treasure all the way home.
Alone in his clean kitchen, he added flour and water to the dried starter in a new glass jar. He wrapped the jar in a battery-powered heating pad and carefully carried it upstairs to where Katherine and Little John lay sleeping in the darkness. He kissed them both. Katherine’s sad eyes fluttered open.
“It’s all right,” he told her. “Everything’s going to be just fine.”
All night long he sat in a rocking chair, the jar warm and secure in his lap. Through the window he could see the white perimeter lights of the campus and hear the occasional shots as security guards warned off zombies. A comet burned a bright arc across the sky. Dean Hendershot thought about the doula class he would teach in the morning, and how to nurture life despite the grueling odds against survival. He was glad to be a teacher. He felt strangely lucky. He wished he could feed the whole world with fresh and sour bread.
(from Wikipedia) Theodore Sturgeon born Edward Hamilton Waldo; February 26, 1918 – May 8, 1985) was an American science fiction and horror writer and critic. The Internet Speculative Fiction Database credits him with about 400 reviews and more than 200 stories.
Sturgeon’s most famous work may be the science fiction novel More Than Human (1953), an expansion of “Baby Is Three” (1952). More Than Human won the 1954 International Fantasy Award (for SF and fantasy) as the year’s best novel and the Science Fiction Writers of America ranked “Baby is Three” number five among the “Greatest Science Fiction Novellas of All Time” to 1964. Ranked by votes for all of their pre-1965 novellas, Sturgeon was second among authors, behind Robert Heinlein.
The Science Fiction and Fantasy Hall of Fame inducted Sturgeon in 2000, its fifth class of two deceased and two living writers.
about the narrator…
Anson Mount is best known for his role as Cullen Bohannan on AMC’s hit series HELL ON WHEELS.
Born in White Bluff, Tennessee, Mount holds a Master of Fine Arts in Acting from Columbia University, where he now serves as an Associate Adjunct Professor. Mount is a proud humanitarian, and in 2012 he completed a 200-mile relay to help raise funds for Team Rubicon in support of the victims of Hurricane Sandy. He currently resides in New York.
Anson Mount was most recently seen in the feature films NON-STOP opposite Liam Neeson, SUPREMACY opposite Julie Benz, and THE FORGER, opposite John Travolta. He will next be seen in the horror thriller VISIONS opposite Isla Fisher.
Although Mount is best known for work in film and television, he continues to build his theater career, most recently having performed in VENUS IN FUR at Singapore Repertory Theater.
More information on IMDB at http://www.imdb.com/name/nm0609845/
Robert Lowell Russell* is a writer and trophy husband (obviously). He is a SFWA member and a member of the Writeshop and Codex writers’ groups. He is a former librarian, a former history grad student, a former semi-professional poker player, and is now pursuing nursing degree (say “ah!”).
Rob has also just noticed how outdated and lame his website has become and will be modifying it in the near future here: robertlowellrussell.com
His stories have appeared (or will appear) in Orson Scott Card’s InterGalactic Medicine Show, Penumbra, Digital Science Fiction, Daily Science Fiction (thrice!), Stupefying Stories (fice? what’s the word for five?), and a whole bunch of other places (see complete list on the right side).
*RLR finds it a bit silly to write about himself in the 3rd person.
about the narrator…
My name is Ethan Jones, I live in Melbourne, Australia. I have a passion for audio drama, and this passion led me to create my own. All on my lonesome, I have created ‘Caught Up’, an audio drama about three men who are unwillingly thrust into a world of crime after a shocking encounter with a hardened criminal. You can find this podcast on iTunes by searching my name or ‘Caught Up’, or find more info and subscribe via RSS on the website: http://caughtuppodcast.tk
Gorlack the Destroyer’s All You Can Eat Adventure
by Robert Lowell Russell
Seven hundred battered cases of “Unleash Your Inner Awesome!” mega-nutri-bars dotted the purple grass for kilometers in every direction. Pelle the Silicate rested his rocky body on one of the battered metal crates and sighed.
Noxious smoke from the wrecked “Do-It-Yourself and Save!” cargo lander wrinkled Pelle’s nose. He wondered if the “environmentally friendly materials” the lander was constructed from were in fact sarki beetle shells and dung.
Pelle had bet the Silicate colonists on this distant world would trade their exotic spices and rare materials for a little taste of home. Now, those little tastes were baking in their crates under an alien sun, a thousand kilometers from the nearest settlement.
“I’m ruined,” he muttered.
Gorlack the Destroyer fixed his gaze on the rough-skinned alien sitting on the metal box.
“Bah! Zarg, my friend, it is only another of the stone creatures.”
Zarg shook his head. “These are trying times.”
The troop of warriors and women gathered behind Gorlack murmured its discontent.
“A number three fusion blade will pierce the creature’s hide,” said Zarg, “but leave its soft, inner flesh intact. They taste like kana.”
Gorlack spat on the grass. “Everything tastes like kana. I long for a proper meal.” He turned to Zarg and rested a furred paw on the other’s shoulder. “The number three blade it will
be, but first, honor demands I offer the creature challenge.”
“The coward will refuse.”
Gorlack nodded. “Undoubtedly.” He strode boldly through the grass, approaching the alien. The murmurs turned to silence.
Gorlack addressed the alien telepathically. “I am Gorlack the Destroyer. You are my prey.” He waddled forward, flaring his hips. “Observe the size of my genitals. My many children will feast on your flesh.”
He opened his eyes wide and wiggled his rounded, furry ears. “If you flee, I will find you. If you hide, I will hear you.”
He flexed his fingers. “The Goddess did not give my people pointed claws, yet I will rend your flesh.” Gorlack opened his mouth, showing smooth, rounded teeth. “The Goddess did not give my people sharp teeth, yet I will consume you.”
Gorlack held his arms wide. “Look upon your doom and despair!” Then he filled his lungs, and he screamed aloud the ancient war cry. “Hagmay!” (Continue Reading…)
Marina is the author of award-winning original stories such as Master Belladino’s Mask, Sojourn for Ephah, and Balance. She has written tie-in work for the Star Citizen and Sargasso Legacy universes. When not writing, Marina can be found reading speculative fiction (of all types for all ages), drawing, exploring the outdoors, or gaming it up. She loves exploring new cultures and travels as often as she can.
about the narrator…
I’m a writer. I’m a podcaster. I’m a not-quite-trainee anymore martial artist. I’m a nurse’s kid and a teacher’s kid. I’m a former bouncer. I’m a huge movie nerd. I’m sort of what Abed and Jeff from Community’s kid would be like if he was spliced with the DNA of Helo from Battlestar Galactica. I’m learning.
Imma Gonna Finish You Off
By Marina J. Lostetter
On the examining table lounged a body. It was an unremarkable body–rather wrinkly, with an inordinate amount of hair in all the wrong places and too few clothes for most people’s liking, but otherwise nothing to write your congressman about. The only thing special about the body was that it was dead–a problem that Detective Harry Sordido hoped would resolve itself quite soon.
“Will he just get on with the coming back to life already?” Harry huffed, checking the glowing numbers embedded in his left wrist. With his right hand, he patted his ample, middle-aged girth. “He’s not the only victim I’ve got to question today.”
“I’m not sure what’s the matter with him,” said the medical examiner, lifting the dead man’s wrist between two thin fingers. “He should have let out a nice scream-of-life by now.” He let the limb flop back to the sanitary paper.
“What do you think it was?” asked the detective, “Accidental? Experimental? Purposeful? What do you think he died of?”
“You’ll have to ask him to be sure. He was found out on the sidewalk. No indications of violence or a struggle, but he does look a tad flaccid.”
“Ah, disgruntled lover, then.”
“No, I mean on the whole. Like he’s been wrung out.”
They both stared at the body for a long while.
“You don’t think he’s really–?” began Detective Sordido.
“It is starting to seem a bit permanent.”
“That’s impossible! No one’s really died for damned near a millennium.”
The examiner shrugged. “There’s a first time for every eventuality.”
“What was his name again?”
“Mr. X is what it says on his bio-tat. Here, I’ll show you.” The two men moved to the once-ambulatory end of the body, and the examiner held a black light over the pad of X’s right foot.
Jei – /jā/ – noun – A twenty-something, first-gen Korean-American speculative fiction writer and freshly minted librarian currently installed in the Rust Belt with a hydrobot and a hedgehog.
Preferred pronoun: gender neutral ( ey / em / eir )
Likes: thunderstorms, body mods, martial arts, comic books, bioluminescence, cute stationery, crepuscular skyscapes, the sea, werewolves, the Seoul metro system, coffee (black), whiskey (neat), and cheese (aplenty)
Dislikes: people who talk at the cinema, humidity, werewolves, and vindictive dead things with too much hair and a penchant for flouting the laws of physics
Research interests include: ambient intelligence environments, augmented reality, cyborg anthropology, linguistics, memetics, the occult, and spooky stories
about the narrator…
Amanda Ching is a freelance editor and writer. Her work has appeared in WordRiot, Candlemark & Gleam’s Alice: (re)Visions, and every bathroom stall on I-80 from Pittsburgh to Indianapolis. She tweets @cerebralcutlass and blogs at http://amandaching.wordpress.com.
Sounding the Fall
by Jei D. Marcade
Sometimes, Narae can almost convince emself that the AI’s Voice was a dream. Some kind of minor stroke misremembered, a neurological glitch retroactively given recognizable shape.
But sometimes–less frequently of late, but still, sometimes–Narae wakes to find emself sitting up in the dark, jaw slack, a sustained, atonal note spooling from the back of eir throat.
Narae steps through the open archway of the southwestern gate, bare toes curling in the cool blades of real grass with which the temple grounds are seeded. The lotus-shaped lanterns hanging from the eaves go dim as the sun activates, and from its single-tiered pagoda at the top of the hill behind em, the morning bell tolls.
The alms left anonymously against the outer wall in the night include a couple bolts of inert grey fabric, some bags of rice, and a stack of real tea bricks. Upon hefting the rice, Narae’s eyebrows inch toward the shadow of eir hairline at each bag’s weight: not synthetic either, these. Something that is part bemusement, part nostalgia tugs at the corners of Narae’s mouth, and ey shakes eir head as ey piles the bags and bolts into the bottom of the wheelbarrow before turning to gather the rest.
There, on the topmost tea brick, tucked along the raised edge of an elaborate curlicue that must have gone overlooked when the temple’s faceless benefactor hastily scraped off the embossed logo, is a perfectly rolled joint.
Narae plucks the thing up by one tip and crosses the outer lawn, ready to cast it over the rail that wraps around the temple grounds and down along the winding stone staircase to the lower levels.
Steady as a heartbeat, the temple’s morning drum begins to sound out. When its reverberations subside, they leave an even deeper reservoir of silence behind them.
Narae falters at the edge of the lawn. Ey brings the roll of rice paper to eir nose, gives it a tentative sniff, and releases an explosive sigh; Narae would bet a week’s worth of chores that it’s real–none of that backstreet synth hash with its foul aftertaste. Muttering a guilty prayer, ey palms the joint.
I live, work, and write in Seattle, Washington. Gray sky days, abundant restaurant choices, and distant mountains are my idea of paradise.
In 2013 I abandoned my cat, tortoise, and boyfriend to spend six weeks studying writing at Clarion West. The experience taught me to commit myself and do the work, which is a lot less fun than just thinking about writing. It also introduced me to some of the best friends I’ve ever had. If you’re a writer considering whether you should apply, I’m happy to share my take on things. It’s not for everyone. But if it’s right for you, it’s worth it.
My tastes run to modern fantasy with a lyrical edge, though I’ve been writing science fiction, lately. If you’re looking for funny stories with happy endings, I fear you’ve come to the wrong place. I can’t seem to write anything without a dash of heartbreak.
about the narrator…
Erin Bardua is a Canadian singer and performer. She lives in near-rural Canada, where she assembles a living from singing and teaching others to sing. She always has about a dozen projects on the go; some of the more interesting ones have included acting and singing in a serialized film-noir murder mystery, and a collaborative clown opera. Erin is the artistic director of Essential Opera (www.essentialopera.com) which operates in Atlantic Canada and Ontario (so far), and recently rediscovered her writing habit, which she indulges in whenever the house is quiet enough.
Everyone Will Want One
by Kelly Sandoval
On Nancy’s thirteenth birthday, her father takes her to the restaurant he likes, the one with the wood paneling, the oversized chandeliers, and the menus in French. Around them, people talk in low voices but Nancy and her father eat their soup in silence. After the waiter takes the bowls away, her father sets a wrapped box the size of a toaster on the table.
She doesn’t open it, just smoothes down the ribbon and rearranges her silverware. The unsmiling waiter is watching her; she can feel it. She can feel that he doesn’t want her in his restaurant, opening her birthday present. It isn’t a birthday present sort of place, isn’t even a thirteen-year-old in her best dress kind of place. She tries to be very small in her chair.
“Go ahead,” demands her father. “Open it.”
He’s frowning and his frown is much closer than the waiter’s. Nancy picks at the bow, undoing the knot as best she can with her fresh manicure. Checking to make sure the waiter’s not looking, she picks up her knife and slides it under the tape, easing it loose without tearing the shiny paper.
The box inside has the logo of her father’s company on it. Nancy’s tangles her fingers together, stalling. She wants, very much, for it to be a toaster.
“Hurry up,” says her father.
She wants to fold the paper into a crisp square or turn it into a giant origami swan. She wants to pretend that is the present, a sheet of white wrapping paper. Her father clears his throat and she cringes. The box isn’t taped and she tugs it open. Inside, there’s a layer of packing foam, which she picks through, not letting any spill on the table, until her fingers meet fur. The thing in the box is soft, cold, and the size of her two closed fists. She traces the shape of it, four feet, a tail, ears pointed alertly upward.
When, a minute later, she gets it free of the box and shakes the last of the packing foam from its fur, she sees it has the shape of a kitten. Its fur is black and silver, with patterns that look nothing like a real cat’s, all loops and whirling, dizzy spirals. It looks like a synth-pet. They’re popular at her school and her father’s company does make them. But Nancy has a kitten, a dog, and a tiny jeweled unicorn at home. He wouldn’t give her another.
“Thank you,” she says, setting it beside her bread plate. “What is it?”