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A House of Her Own
By B. Balder
Aoife was only eleven when she caught the little house in the forest. She surprised it as it drank from a puddle, half-hidden under a writhing tree root as large as her own body. Fast as an eel, she snaked her hand around it and held on tight. It was no bigger than a strawberry, all soft and furry and yellow. Even in the gloom of the giant, bad-tempered trees, it shone like a candle flame.
They brought you back because they want something from you. Maybe one day they will bring people back because they can or because it’s the right thing to do — but for now there’s you and there’s them and there’s the unspoken obligations that lie between you both.
The IED blew your body into pieces: bone and brain and blood, sprayed in the sand with the twisted shell of your tank.
Maybe you weren’t always happy with your body; maybe your breasts were smaller than you would have liked and your toes reminded you of tree roots and there was that one mole right in the middle of your back that you always managed to catch with the hook of your bra; but it was your body. Your history was written in scars and tattoos. And you knew it, inside and out.
You made it yours over the years — the shaved sides of your head accenting the bright shock of magenta hair spilling over the top, the solid black contact lenses that made pupil and iris indistinguishable, the ornate scrolling ink that wrapped your ribcage.
This hunk of flesh you now inhabit is foreign. It is devoid of scar and ink and memory. It bulges or dips in all the wrong places. What it is is wrong, just as what it isn’t is wrong. It’s ten kinds of not you and you’re helpless under this skin.(Continue Reading…)
The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself
By Matt Dovey
–then scooted her chair over to the microscope. Amira only needed a glance at the holographic zoom floating over the scope. The viral cells were replicating rapidly, budding and splitting at a phenomenal rate.
“Hey, Mariana, look at this.” Amira indicated the hologram, then was struck, at once, with an overwhelming sense of déjà vu: something beyond the familiarity of her lab and its clean white surfaces, or the flat icy plains of Europa beyond the carbonglass windows. And more than the déjà vu, there was a feeling of _instantaneousness_, that this moment had arisen out of nothing, that nothing was all that had been there before, that everything had just–_appeared_. (Continue Reading…)
Abby was in control of the body the first time a glitch occurred. She was “home from college for the long weekend”—that’s what the imprinted memories showed, at least—and her mother was pouring dollops of blueberry pancake batter onto the sizzling cast-iron griddle.
Her father had found an excuse to go into work on a Saturday morning, as he often did ever since Abby “went off to college.” She assumed this was her father’s strategy for coping with empty nest syndrome and tried not to feel hurt by his avoidance. Her interpretation wasn’t entirely incorrect, but of course she did not comprehend exactly how empty the nest was.
When Abby stopped living with them full time, the body stopped being Abby full time. Leasing the body was quite expensive, so this was the only logical decision. But Abby’s father could not reconcile himself to the idea that Abby only existed on the weekends when they rented the body, never mind that the techs would fabricate memories for her so that she believed she had experienced all the intervening days.
The body shouldn’t have known this. The body should only know what Abby knew.
Sam Ferree grew up in what Neal Stephenson called a Midwestern American College Town (MACT) and has never really left. That, and being surrounded by lawyers for most of his life, has made him somewhat obsessive-compulsive about supporting his comments with citations and factual evidence.
In 2010, Sam graduated from the University of Iowa with a BA in English after spending a year abroad in Freiburg, Germany. He spent most of his college career haunting the Mill and Java House, producing short plays with Free Association Student Theatre, agonizing through writing workshops, and pestering the college and English department into making a undergraduate creative writing program.
After graduating, he did that cliche post-English-BA-thing and worked in a coffee shop and bookstore before signing up for AmeriCorps. He moved to New Orleans and wrote grants and copy for a housing rehabilitation nonprofit. In June, he moved to St. Paul and now works as a communications associate at another small nonprofit.
In the summer of 2011, Sam published his first short story with the great Sybil’s Garage, and his work has since appeared in Andromeda Spaceways Inflight Magainze, Deimos eZine, and Daily Science Fiction. His play, “The News is Next,” won the Nicholas Meyer Scholarship for Dramatic Writing and he is a alumnus from Young Playwrights’ Incorporated from 2006. Mostly he writes speculative fiction, personal essays, and plays and takes a perverse pleasure in copy and grant writing.
Also, Sam reads a lot, and drinks too much coffee. He wears sports coats for the pockets and has a habit of ending his sentences with “so…” He is estranged from reality and divorced from practicality. Driving instructors have said he is a master at parallel parking.
about the narrator…
As an undergraduate at Georgia Tech, I was very involved with the campus radio station, WREK 91.1 FM. I’m back doing some things for them now, including an airshift (that I no longer do but I’m leaving the page up.) That page has some of my play lists from when I was doing the shift – jazz, baby! WREK is a very good and very different station, so follow the links and learn more about it. I rebuilt their automation system, revamped their database and did the CGI scripts that show you (limited) playlists, recent additions to programming and the music database search.
I now have online a project that I did in some AI courses in grad school. It is a digit recognition neural network and if I say so myself, I think it is pretty cool. It was one of the first things I did in Java, so it isn’t as elegant in design and execution as it could have been, but it does the trick.
The Law of Gravity
by Sam Ferree
That sunrise was the best they had made yet. The air was cool, not cold, and the Termination was just the right shade of pomegranate red around the sun. The light breeze smelled like oranges. It reminded me of candy, not real fruit, just that imitation flavor that somehow tastes better than the real thing.
“I think Lauren’s dead,” Lukas repeated, his avatar’s young face contorted in disgust. Lukas had chosen a runner’s physique, because, out there, he’d been a track star in college; why that mattered to him was beyond me.
“What do you mean you think she’s dead?” I asked. We were sitting at Reel Café — a not-so clever pun, I thought — at the edge of the patio. We had met there every Monday morning for years.
My coffee was cold and my cigarette spent. Lukas had ordered his usual Earl Grey and a grapefruit, but he hadn’t touched either one.
Lukas shook his head. “Her avatar is in Smith Field. Just standing there, staring off at nothing. It’s been doing that for weeks. I spoke with a friend of mine, an administrator. They’re shutting down her account because her fees are overdue. She hasn’t been away from the Flat for more than two days in decades. She’s dead, Noah.”
“So she’s been away for a few weeks. That doesn’t mean anything.”
“But it’s a pretty good sign she isn’t coming back.”
The orange scent was fading and Lukas was silent. I said, “Well, what do we do?”
“What?” Lukas looked up. Eventually, he shrugged. “I suppose we arrange a funeral.”
I nodded, but said, “I don’t actually think she’s dead.”
“She is,” Lukas muttered. His twenty-something avatar wore an old man’s bitterness.
I picked up my coffee. The mug looked like it had been made by a five year old. Everything about the Reel Café had that hokey-imperfection. When you sat in the chairs, you half-expected a distinguished looking gentleman to walk up and ask you to please not sit on the dadist art.
I dropped the mug. It shattered with a disappointing crack. A nearby waiter started toward me, glowering and brandishing a towel like a gladiatorial weapon.
“Why did you do that?” Lukas asked.
“Just testing,” I said, knowing that Lauren would have been less than amused. (Continue Reading…)
Okay, I’m not going to lie to you: I got myself a copy of Death’s Daughter by Amber Benson because, hey, Tara wrote a book.
Yes, I know, I know, the actor is not the character. And yes, I’ve seen other work Benson has written, performed, and directed. I was kind of expecting a certain type of novel, and to a certain extent, I did get it.
I also apparently stumbled into chick-lit. How did that happen?
Feedback for Episode 261: Only Springtime When She’s Gone
Next week… The future of corporate America
By K. Tempest Bradford
The few minutes I had to spend in the Institute’s waiting room were my least favorite part of coming up to visit my mother. It felt more like a dialysis room, the visitors sunk into the overly-soft couches and not speaking, just drinking orange juice and recovering. There were no magazines and no television, just cold air blowing from the vents and generic music flowing with it. I’d finished my juice and was beginning to brood on my dislike for overly air-conditioned buildings when my mother arrived attended by a nurse.
I kissed and hugged her, automatically asking how she was, mouthing the answer she always gave as she gave it again.