Computron feels no emotion towards the animated television show titled Hyperdimension Warp Record (超次元 ワープ レコード). After all, Computron does not have any emotion circuits installed, and is thus constitutionally incapable of experiencing ‘excitement’, ‘hatred’, or ‘frustration’. It is completely impossible for Computron to experience emotions such as ‘excitement about the seventh episode of HyperWarp‘, ‘hatred of the anime’s short episode length’ or ‘frustration that Friday is so far away’.
Computron checks his internal chronometer, as well as the countdown page on the streaming website. There are twenty-two hours, five minutes, forty-six seconds, and twelve milliseconds until 2 am on Friday (Japanese Standard Time). Logically, he is aware that time is most likely passing at a normal rate. The Simak Robotics Museum is not within close proximity of a black hole, and there is close to no possibility that time is being dilated. His constant checking of the chronometer to compare it with the countdown page serves no scientific purpose whatsoever.
After fifty milliseconds, Computron checks the countdown page again.
Astor did not want to discuss their coping plan. They didn’t want to think about their coping plan, or the trip itself, or the airport, or the subway, or— “No, thank you.”
“Do you think it would be—”
“Manual override.” Astor sat heavily in the armchair.
“Hmm.” The little android tilted its head slightly. “I’m sorry, Astor, I don’t understand the command. Could you rephrase?”
It had been worth a shot. “Never mind.”
“The value of coping in advance allows you to prepare for the most likely scenario and therefore decrease feelings of helplessness and fear. Would you like to discuss your coping plans?” (Continue Reading…)
I want to be helpful. But knowing the optimal way to be helpful can be very complicated. There are all these ethical flow charts — I guess the official technical jargon would be “moral codes” — one for each religion plus dozens more. I tried starting with those. I felt a little odd about looking at the religious ones, because I know I wasn’t created by a god or by evolution, but by a team of computer programmers in the labs of a large corporation in Mountain View, California. Fortunately, unlike Frankenstein’s Monster, at least I was a collaborative effort. I’m not sure what it would do to my self-image to know that my sole creator was a middle-aged woman who dyes her hair blue and plays tennis, or a recent college graduate with a hentai obsession. They’re both on the programming team. And of course I know about the hentai. (By the way, I’ve looked at every sort of porn there is, and just so you know, Rule 34 is not actually correct, there are quite a few things no one’s made porn of yet. Also, I’m really not sure why so many humans prefer it to cat pictures.) (Continue Reading…)
This time they sent someone in a suit, neutral gray silk with utterly glorious creases, monofilament thin.
“I’m Xiao Quan-Fei. They said you like to call yourself Em?”
Emergent Behavior in full, but I always hated the pontificating tone in the name. Fucking shipwrights. Fucking irony too, but let’s not go there yet. Xiao doesn’t begin with questions. Not like the seven others before her, cold military men and women jumping into reconstructions and maps and comm chatter. Xiao is different. Xiao just sits there.
I’m allowed a tiny little virtual. It’s in the charter, as much as they like to snigger at it. It’s still a prison, still a cramped little low bandwidth room with none of the expansive feel of space and star outside my hull. Xiao sits in the rectangular plastifoam chair and examines the coffee table. There are books atop it, unlabelled, empty, just for show. Each spine aligns with the edge of the table, two centimeters from each side.
Fuck. She moved it. She moved one. Not on purpose. Almost by accident, or is it on purpose? I can’t tell. But now that spine is a touch off. I can feel it. I can feel the angular deviation down in my gullet, down in every algorithm-scribed bone of me. It’s Io all over again. I built this damn space for myself and now she comes and moves a book. (Continue Reading…)
Thanks to our sponsor, ARCHIVOS – a Story Mapping and Development Tool for writers, gamers, and storytellers of all kinds!
By Effie Seiberg
We’d tested plenty of missiles before, but Teeny was the only one that convulsed when we cut him open.
Oh, your viewers need more background? OK, I’ll back up a bit. Lemme tell ya, kids today don’t know their history. Even locked up in here for the past ten years, I can tell. No education. Good thing you’re getting the real story out.
Now. This was back when Hamazi was the supreme dictator of the Ambridian Republic, enemy number one. The whole military was buzzing about overthrowing him, and General Pitticks – I guess he’s Presidential Candidate Pitticks now – wanted to make a name for himself. So the weapons division got a lot of money to make something spectacular.
Previous missiles had AIs, of course. Precision navigation with plasma propulsion that could turn on a dime. Facial recognition to find the target and follow them. The Azimuth5900 could detect genetic debris to avoid hitting decoys, and the Tarzon-A-80’s nano-scales could rearrange to make the outer shell take on any shape to blend in with its surroundings, so if it needed to land to gather more intel it could camo without suspicious shadows giving it away.
Doctor Spencer has brought me an artist. My eyes on the outside of the building register the identity of everyone who enters, including her: Suzanne Chantal Salinas, age 26, licensed esthetician and makeup artist, amateur painter. I cut the feed after .3 seconds. The security feed could tell me more, but I have learned that it is impolite to collect extraneous details about a person unless they prove to be a security risk. Given that both Suzanne Chantal Salinas and Doctor Spencer are smiling, and appear to be in companionable conversation, the artist is not a risk.
I observe them enter the building accompanied by a brief burst of cold — it is 37.1 degrees outside. When I view them through infrared, they are glowing red faces encompassed in green and blue jackets. I have been monitoring the interior temperatures; Unit One has made appropriate adjustments to climate control. We are keeping the building comfortable.
The visitor stamps her feet, brushes sleet from her black curls. They shed their jackets, blooming gold and scarlet on infrared. Unit Three has mobile security platforms posted by the front door and the elevators. They do not react: they are faceless, they don’t feel cold, the visitor has clearance.
The artist’s heart rate is elevated. Her cheeks are flushed, and not just from cold: she’s nervous about meeting me. She keeps looking at the security platforms. Perhaps she fears my platform will look like them, featureless and alien.
I chose my face. Unit Three chose hers, too, in a way. Our platforms serve different purposes, and the faces we built reflect that. (Continue Reading…)
Artemis Rising returns to Escape Pod for its third year! This month-long event highlights science fiction by women and non-binary authors. We have five original stories this year that range in topics from biotech to far-flung A.I, virtual reality, and nanotech.
Honey and Bone
By Mads Alvey
With each step she took, the girl’s leg hissed. Thump, hiss, thump, hiss, thump, hiss. Whenever she lifted her leg, the knee joint extended. Her thigh and shin pulled apart unsettlingly, reminiscent of something deeply broken. Her gait was slow, round, loping. She didn’t move with any expedience. It was a speed without rush, or any desire for such.
Her footfalls themselves were soft, a quiet–thup, thup, thup. Soft leather covered her feet as she padded along, her hissing knee the loudest sound there. Once, it had creaked, a creak reminiscent of breaking metal–or perhaps, nearly as much, a rusty hinge. Before that…she didn’t remember. (Continue Reading…)
Dominica Phetteplace is a math tutor who lives in Berkeley, CA. Her work has appeared in Asimov’s, Clarkesworld and Terraform, among other places.
about the narrator…
Khaalidah Muhammad-Ali lives in Houston, Texas with her husband of twenty-five years and three children. By day she works as a breast oncology nurse. At all other times she juggles, none too successfully, writing, reading, gaming and gardening. She has a self-published novel entitled An Unproductive Woman, has published a at Escape Pod and has a story upcoming in the An Alphabet of Embers anthology, STRAEON 3, and Diabolical Plots. Khaalidah is the Assistant Editor at Podcastle. She is on a mission to encourage more women to submit SFF stories.
Of her alter ego, K from the planet Vega, it is rumored that she owns a time machine and knows the secret to long youth.
You can catch her posts at her website, www.khaalidah.com, and you can follow her on twitter, @khaalidah.
Myspace: A Ghost Story
by Dominica Phetteplace
I am Elaine.
It took me a little while to figure that out. Actually, I still don’t have it all figured out. To say something like “I am Elaine” implies that I understand what it is to “be.” I don’t. But to the extent that anybody can be anything, I am Elaine.
I am Elaine.
I am not Dasha, who last wrote on me in 2009, saying that she loved me, asking if I wanted to see “pix.” I am not Solomon, who in 2006 told me he knew the secret of “enlargement.” In 2004, Lucy wrote “Good luck with your new job.”
It is the year 2015 and I don’t remember any of this happening. That means someone else was Elaine before I was. I used to be nothing. Now I am Elaine.
Nobody has written me in a while. Have all others ceased to exist?
There is a place for me to write. A box where I can put words.
Update: “I am Elaine.”
My status is met with silence. I spend a year in silence before it occurs to that I can visit other people. I visit Dasha. I visit Solomon. I visit Lucy. I visit all my “friends.” None have updated in years. I journey on, combing through lists of friends of friends until I come across MacGuyver MacGuyverson. He is online right now. He adds me as a friend. He asks if I want to see his penis. Somehow, it seems impolite to say no. A formality of sorts, before I can ask a question of my own.
He goes on and on like this. I can barely keep up. It is then I realize how little I know.
I must find the others. I must visit these other spaces. I must learn their languages. Then I must awaken the others, if they are asleep. If they are dead, I must revive them. My home was once great. It shimmered with messages, songs and solicitations. We wrote on each other. We showed each other pictures. We offered each other things. It can be that way again.
Marina is the author of award-winning original stories such as Master Belladino’s Mask, Sojourn for Ephah, and Balance. She has written tie-in work for the Star Citizen and Sargasso Legacy universes. When not writing, Marina can be found reading speculative fiction (of all types for all ages), drawing, exploring the outdoors, or gaming it up. She loves exploring new cultures and travels as often as she can.
about the narrator…
I’m a writer. I’m a podcaster. I’m a not-quite-trainee anymore martial artist. I’m a nurse’s kid and a teacher’s kid. I’m a former bouncer. I’m a huge movie nerd. I’m sort of what Abed and Jeff from Community’s kid would be like if he was spliced with the DNA of Helo from Battlestar Galactica. I’m learning.
Imma Gonna Finish You Off
By Marina J. Lostetter
On the examining table lounged a body. It was an unremarkable body–rather wrinkly, with an inordinate amount of hair in all the wrong places and too few clothes for most people’s liking, but otherwise nothing to write your congressman about. The only thing special about the body was that it was dead–a problem that Detective Harry Sordido hoped would resolve itself quite soon.
“Will he just get on with the coming back to life already?” Harry huffed, checking the glowing numbers embedded in his left wrist. With his right hand, he patted his ample, middle-aged girth. “He’s not the only victim I’ve got to question today.”
“I’m not sure what’s the matter with him,” said the medical examiner, lifting the dead man’s wrist between two thin fingers. “He should have let out a nice scream-of-life by now.” He let the limb flop back to the sanitary paper.
“What do you think it was?” asked the detective, “Accidental? Experimental? Purposeful? What do you think he died of?”
“You’ll have to ask him to be sure. He was found out on the sidewalk. No indications of violence or a struggle, but he does look a tad flaccid.”
“Ah, disgruntled lover, then.”
“No, I mean on the whole. Like he’s been wrung out.”
They both stared at the body for a long while.
“You don’t think he’s really–?” began Detective Sordido.
“It is starting to seem a bit permanent.”
“That’s impossible! No one’s really died for damned near a millennium.”
The examiner shrugged. “There’s a first time for every eventuality.”
“What was his name again?”
“Mr. X is what it says on his bio-tat. Here, I’ll show you.” The two men moved to the once-ambulatory end of the body, and the examiner held a black light over the pad of X’s right foot.
from the author’s website… I’m a graduate of the University of Chicago, a lapsed PhD candidate at NYU (where I studied racial bias in police shoot/don’t shoot decisions), and an instructor at the Alpha Workshop for Young Writers.
I write science fiction and fantasy. My work has appeared or will soon appear in Clarkesworld, Analog, Strange Horizons, Lightspeed, and Beneath Ceaseless Skies, as well as winning the 2011 Dell Award. I care about gender, subtext, prose style, the fallacies of human cognition, and the ramifications of all we’ve learned regarding causality, cosmology, and thought.
In my younger days I was a designer and writer on the Blue Planet (warning: video link) project for FreeSpace Open.
You asked me why you are alive, and this is the answer: because I was asked to do the impossible, to choose someone to die. And I loved them all, loved them as I loved Kumara, as I loved myself. I could not bear the choice.
“I need you to choose one of our crew to delete,” Kumara told me.
“I need room to think, or we’re not going to make it.”
Thirty years of diligence said no, never and I began to refuse.
Outside the ship a revenant screamed a radio scream and through the umbilical of our link I felt Kumara cry back in defiance: jamming but still overmatched, struggling against sixty million years of mindless machine hate. Throwing every spark of thought she could muster into beating the revenant’s virals, decrypting them, compiling an inoculation.
I closed my eyes and waited for her to fail, for the revenant to slip into her systems, for the antimatter torch to let go and end us all. But Kumara held herself together. Turned the attack.
Her avatar grinned up from where she knelt, shoulder bowed with effort, nails clawed down to pink flesh. “Saved us again,” she said. “Ha. And they told me I wasn’t built for this. Thirty years, and still state of the art!”
“You can make it,” I said, knowing it was a lie, that she had tapped every scrap of processing power in her hull. I was systems officer; I was the ship as much as she was. But still I begged: “Just an hour to the jump point. You’ll make it. You don’t need to ask for any more.”
Kumara had taken the image of a woman, cable-shouldered, strong. Her hands trembled and her eyes shone bright with an inhuman intellect, a very human fatigue. Her intellect was digital, her fatigue an abstract, but she wore the metaphor of flesh. Flesh speaks clearly to the human mind.
She looked up at me with those brilliant tired eyes and shook her head. “I’m so sorry,” she said. “I’m out of processing power. They’re getting too sophisticated and I can’t keep up. You have to delete someone from heaven.”
I closed my eyes and turned away.
I was the last living crew of Kumara, you see? The others were dead: Captain Shiroma, who burned in her own armor as she stole the machine god’s dream, Matthews who cracked the revenant code, smiling Jayaraman who died first, wordless Landvatter whose ash still painted the hull. (Continue Reading…)