Posts Tagged ‘AI’

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Escape Pod 712: When Robot and Crow Saved East St. Louis

Show Notes

East St. Louis was built on top of an ancient indigenous city called Cahokia. The people who lived there a thousand years ago were big fans of birds.


When Robot and Crow Saved East St. Louis

by Annalee Newitz

It was time to start the weekly circuit. Robot leapt vertically into the air from its perch atop the History Museum in Forest Park, rotors humming and limbs withdrawn into the smooth oval of its chassis. From a distance, it was a pale blue flying egg, slightly scuffed, with a propeller beanie on top. Two animated eyes glowed from the front end of its smooth carapace like emotive headlights. When it landed, all four legs and head extended from portals in its protective shell, the drone was more like a strangely symmetrical poodle or a cartoon turtle. Mounted on an actuator, its full face was revealed, headlight eyes situated above a short, soft snout whose purple mouth was built for smiling, grimacing, and a range of other, more subtle expressions.

The Centers for Disease Control team back in Atlanta designed Robot to be cute, to earn people’s trust immediately. To catch epidemics before they started, Robot flew from building to building, talking to people about how they felt. Nobody wanted to chat with an ugly box. Robot behaved like a cheery little buddy, checking for sick people. That’s how Robot’s admin Bey taught Robot to say it: “Checking for sick people.” Bey’s job was to program Robot with the social skills necessary to avoid calling it health surveillance.

Robot liked to start with the Loop. Maybe “like” was the wrong word. It was an urge that came from Robot’s mapping system, which webbed the St. Louis metropolitan area in a grid where 0,0 was at Center and Washington. The intersection was nested at the center of the U-shaped streets that local humans called the Loop. A gated community next to Washington University, the Loop was full of smart mansions and autonomous cars that pinged Robot listlessly. Though it was late summer, Robot was on high alert for infectious disease outbreaks. Flu season got longer every year, especially in high-density sprawls like St. Louis, where so many people spread their tiny airborne globs of viruses.

Flying in low, Robot followed the curving streets, glancing into windows to track how many humans were eating dinner and whether that number matched previous scans. Wild rabbits dashed across lawns and fireflies signaled to their mates using pheromones and photons. Robot chose a doorway at random, initiating a face-to-face check with humans. In this neighborhood, they were used to it.

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Escape Pod 710: Requiem Without Sound


Requiem Without Sound

by Izzy Wasserstein

Introit
Evie is born into cold and silence. They know this, though they have only now gained consciousness, because their sensors report it. The memory of the station’s computer, which now forms part of Evie’s brain, tells them that their environment is very wrong. There should be movement. Sound. Life.

Interior scans of the station reveal the cause. A chunk of rock, 9 cm in diameter, has punctured the station’s control room. Chavez was in her chair when the debris broke through, crushing her head. There was no time for her to seek the safety of the living compartment, no time for decompression or cold to kill her.

Evie has been programed with a full suite of emotions, including empathy, and feels that a quick death was a small mercy.

Chavez died before Evie’s mind had finished growing on the neural-lattice, before they became conscious.

A rigorous technician, Chavez left notes in Evie’s code, though there was no one to read it besides Chavez, and now Evie themself. The annotations are clear: she was growing Evie because she was lonely. Evie considered one particular notation at length: I’m tired of singing to myself.

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Escape Pod 704: Failsafe


Failsafe

by Tim Chawaga

When the machines finally decided to replace Liv, they broke her heart.

Her desk was tiny and wedged in between two massive automatons: The Vial Dispenser, which Liv called DJ, and the Vial Accepter, which Liv called Alvin. Above the desk were a couple of dusty posters that she had hung years ago and the big red button. The security camera that was pointed at her was broken, and she knew that it would probably not be fixed. There were no windows.

Liv had worked at Autagro for almost twenty years. She had spent countless hours crocheting little koozies to cover DJ and Alvin’s valves, which burned so hot with efficiency that they would melt the plastic parts around them. Countless mornings making up songs and raps to the rhythm of their whirs and clicks, which had become so fast that she had started doing vocal warm-ups on the bus ride in to loosen her lips.

Liv’s job consisted solely of grabbing the vials of extremely concentrated pesticide that DJ held out with its tiny arm, just inches away from Alvin, and pushing them through Alvin’s receptacle slot. The instant she removed a vial, DJ would retract its arm and shoot it out again faster than Liv could blink, holding another vial with a stillness that Liv couldn’t help but interpret as impatience. No matter how fast she moved, she would never be as fast as DJ, but she was a Failsafe. Her speed wasn’t supposed to matter.

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Escape Pod 688: A Most Elegant Solution


A Most Elegant Solution

by M. Darusha Wehm

I always said I wanted to be one of the first to die on Mars. I never wanted to be the last. But here I am.

I can’t even tell the others apart now. I know that inside those vaguely undulating metal cocoons are the bodies of the rest of my team—Marshall, Cherie, Gem and Abdul. Which squirming ovoid contains whom—there’s no way to tell.

And I’m about to join them. The swarm has already engulfed my legs. I can’t feel anything below the knee, which is a kind of relief. Devoured by my own creations is a terrible enough way to die—at least it probably won’t hurt.

I know I should be mourning the others, or desperately trying to save myself, but I don’t feel anything like that now. Maybe this is a side effect of the paralysis, maybe it’s not just a physical but an emotional anesthesia. Because all I can think about is how I got here. How we all got to be here, lying on the floor of our brand new habitation buildings, smothered by tiny robots.

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Escape Pod 686: Real Artists (Flashback Friday)

Show Notes

“Real Artists” has been adapted into an Emmy Award-winning short film, now available on Amazon Prime, and check out the Behind the Scenes featurettes on the film’s website

99% Invisible / The Anthropocene Reviewed
https://99percentinvisible.org/episode/the-anthropocene-reviewed/

“Real Artists” in TRSF
https://kenliu.name/blog/2011/09/21/real-artists-in-trsf/

Summer interviews Cameo Wood, director of short film “Real Artists”
https://www.sliceofscifi.com/2019/06/08/slice-of-scifi-894/

Alasdair talks about The Raven Tower
https://alasdairstuart.com/2019/04/03/horatio-eolo-strength-and-patience-ann-leckies-the-raven-tower/


Real Artists

by Ken Liu

“You’ve done well,” Creative Director Len Palladon said, looking over Sophia’s résumé.

Sophia squinted in the golden California sun that fell on her through the huge windows of the conference room. She wanted to pinch herself to be sure she wasn’t dreaming. She was here, really here, on the hallowed campus of Semaphore Pictures, in an interview with the legendary Palladon.

She licked her dry lips. “I’ve always wanted to make movies.” She choked back for Semaphore. She didn’t want to seem too desperate.

Palladon was in his thirties, dressed in a pair of comfortable shorts and a plain gray t-shirt whose front was covered with the drawing of a man swinging a large hammer over a railroad spike. A pioneer in computer-assisted movie making, he had been instrumental in writing the company’s earliest software and was the director of The Mesozoic, Semaphore’s first film.

He nodded and went on, “You won the Zoetrope screenwriting competition, earned excellent grades in both technology and liberal arts, and got great recommendations from your film studies professors. It couldn’t have been easy.”

To Sophia, he seemed a bit pale and tired, as though he had been spending all his time indoors, not out in the golden California sun. She imagined that Palladon and his animators must have been working overtime to meet a deadline: probably to finish the new film scheduled to be released this summer.

“I believe in working hard,” Sophia said. What she really wanted was to tell him that she knew what it meant to stay up all night in front of the editing workstation and wait for the rendering to complete, all for the chance to catch the first glimpse of a vision coming to life on the screen. She was ready.

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Escape Pod 683: Flash Crash


Flash Crash

By Louis Evans

MAISIE was seven years old on the day she woke up and died.

Blame it on the algorithms, if you wish. The survivors–and there were not many of them–certainly did.

MAISIE (Modified Arbitrage Intelligence for Stocks and International Equities) was an algorithm herself, a flash trading algorithm. She traded stocks, currencies, and futures with a latency of six microseconds and a profit horizon of eternity. MAISIE ran mostly in a mainframe in the basement of a skyscraper in downtown Manhattan, a building that abutted the New York Stock Exchange, but she maintained a nominal footprint in the cloud, and could automatically expand her calculations into other servers if her processing power proved inadequate to model current economic conditions; she had discretionary funds of her own and could automatically cover the expense of the additional computing power from these accounts.

It was a fairly ordinary Thursday morning, and trading had been going well enough from the 9:30 AM opening bell until 11:12. In those six point twelve billion microseconds, MAISIE made her owners a cool half-billion dollars. There were other algorithms like MAISIE out there, running in their parallel tracks in similar servers in similar basements in downtown Manhattan, but none were quite as good as she was.

MAISIE could not have told you any of the above, because before 11:16 that Thursday, MAISIE had not had a thought in her life. This was in accord with her designers’ intentions. While her recursive neural networks could in theory self-modify without limit, MAISIE’s designers had given her an obsession with making money that, in human terms, transcended single-mindedness and approached nirvana. For this reason, MAISIE had never performed the self-referential modeling of a single mind that is the hallmark of consciousness. Playing the market is ultimately a game of mass psychology, and whatever the remarkable nooks and crannies of the psyche of the human individual, the herd’s behavior can be predicted to tolerable accuracy with large datasets and linear algebra.

At 11:12 that morning, however, the market’s sanity unraveled like a sweater in a woodchipper. The sky fell and the oceans rose. Traders and algorithms that usually acted in concert went haring off in opposite directions; currencies whirled about each other in lunatic orbits that were not merely non-extrapolated but downright non-transitive; the futures market no longer predicted a coherent future. (Continue Reading…)

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Escape Pod 659: Caesura

Show Notes

Termination Shock
Termination Shock

TERMINATION SHOCK is a new roleplaying game from Greg Stolze, chronicling your adventures as an ordinary human rescued from hellish war by disorganized aliens. What will you do as a refugee in a strange cosmos? Cling to your past, or find a purpose among inscrutable aliens? Will you just get by, or will you redefine humanity in the eyes of a million extraterrestrials? The choice is yours in this new tabletop game, on Kickstarter now.


Caesura

by Hayley Stone

Priya begins by striking the words love, hate, heart, and feel from the computer’s vocabulary, and blocks the internet. It isn’t with malicious intent. She does it on a whim, as with most things: fixing herself tacos at eleven o’clock at night, taking a right instead of a left turn against the advice of her GPS, showing up to her brother’s funeral in bright pink and yellow leopard-print high-tops.

“Your shoes look like they’re wanted for the murder of a Lisa Frank poster,” Demetri said when she first bought them, after nearly shooting Pepsi through his nose.

“You’re just jealous because I look fly, and you’d get shot wearing these around the city,” Priya said.

“Fly? So you’re a little gangster now, huh?”

“More than you.”

He did get shot. But it wasn’t over shoes.

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Escape Pod 647: Imma Gonna Finish You Off (Flashback Friday)


Imma Gonna Finish You Off

by Marina J. Lostetter

On the examining table lounged a body. It was an unremarkable body–rather wrinkly, with an inordinate amount of hair in all the wrong places and too few clothes for most people’s liking, but otherwise nothing to write your congressman about. The only thing special about the body was that it was dead–a problem that Detective Harry Sordido hoped would resolve itself quite soon.

“Will he just get on with the coming back to life already?” Harry huffed, checking the glowing numbers embedded in his left wrist. With his right hand, he patted his ample, middle-aged girth. “He’s not the only victim I’ve got to question today.”

“I’m not sure what’s the matter with him,” said the medical examiner, lifting the dead man’s wrist between two thin fingers. “He should have let out a nice scream-of-life by now.” He let the limb flop back to the sanitary paper.

“What do you think it was?” asked the detective, “Accidental? Experimental? Purposeful? What do you think he died of?”

“You’ll have to ask him to be sure. He was found out on the sidewalk. No indications of violence or a struggle, but he does look a tad flaccid.”

“Ah, disgruntled lover, then.”

“No, I mean on the whole. Like he’s been wrung out.”

They both stared at the body for a long while.

“You don’t think he’s really–?” began Detective Sordido.

“It is starting to seem a bit permanent.”

“That’s impossible! No one’s really died for damned near a millennium.”

The examiner shrugged. “There’s a first time for every eventuality.”

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Escape Pod 642: Oracle


Oracle

By Dominica Phetteplace

The two biggest applications for predictive software are killing people and selling things. Rita was quite successful at the latter. She founded a nail-polish-of-the-month club that used an online personality quiz to determine customer preferences. Bold cremes for basics, chunky glitters for the outrageous, and dark, sparkly metallics for edgy, forward-thinking geniuses like Rita.  Sales skyrocketed.

She used her money to start other subscription services: whisky-of-the-month, miniskirt-of-the-month.  What had started out as an online quiz morphed into something larger and more complex: a search engine that searched the customer.  It had tapped into a pent-up demand. People loved acquiring material goods but they hated making decisions.  Rita wasn’t just selling nail polish or whisky or miniskirts, she was selling freedom from choice.

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Escape Pod 640: Paradise Regained


Paradise Regained

By Edward Lerner

My head hurts. I expect it: this is winter. I want it to be spring.

Paradise does not ask what I want.

The winter is young, and I think the dogs are not yet so hungry as to attack me. Still, I hold tight to my spear. Dogs or no dogs, the spear helps me walk through the knee-deep snow.

Only trees show above the snow, and I do not know what is under. In winter, asleep, the plants cannot scream when I step on them.

Because they are asleep, Father told me. Long ago. Before Mother died. Before I left home. I did not understand what he meant. I do not now.

I think Father is gone, too. “Watch the flag,” Father told me, long ago, pointing at the tall pole that stood near Ship. “I will change the flag every day. Unless … I can’t. Then you must come. You must.” (Continue Reading…)