I’ve always enjoyed superhero stories — I’ve written a superhero novel and a couple of short-stories, and I’ve seen a lot of superhero TV shows and films. I recently saw Man of Steel, and I have to say that I may actually have enjoyed Chronicle — the story of three friends who gain superpowers — more than that huge-budget film.
This review contains spoilers for the first 21 Anita Blake novels.
You’d think after 22 books, most of which made the New York Times bestseller list, that editors would swoop in and get a very popular author to fix some of the stuff that’s… let’s say “not optimal”… about her writing.
You’d be wrong.
I just recently finished Affliction, the latest Anita Blake novel by Laurell K. Hamilton, and while it had a lot of really good action sequences, some of the problems that plague the other tales are just as evident in this one.
Terry Pratchett is well-known in the world of genre writing mostly for his Discworld series. However, in the decades he’s been active, Pratchett has written several different stories outside of the Discworld. The latest is Dodger, a historical fantasy with all the charm of Discworld and none of the thousands of pages of background a new Discworld reader might need.
Neil Gaiman’s new novel The Ocean at the End of the Lane is ostensibly his first novel for adults in eight years. Though, to my mind, I don’t classify it strictly as such. I think the point of view was the issue — told through the eyes of a man remembering what life was like when he was a seven-year-old boy. Never let it be said that Gaiman makes things easy for his readers. (And that’s a good thing.)
It was a good book. Just, hard to explain in one short teaser paragraph. Here — read on.
Superman is arguably the American superhero: an immigrant from another land (in this case, another planet), raised in a small town by honest people with a strong value system, eventually grows up, moves to the big city, and makes a difference while succeeding in his career and never forgetting where he came from.
So, to tell the story of Superman, you need a big movie. And with Man of Steel, we certainly got that.
It’s just… maybe there’s such a thing as too big.
This review contains spoilers for Monsters, Inc.
I’ve seen Monsters, Inc. exactly once. I wouldn’t say it’s my favorite Pixar film — that honor lies with The Incredibles, but, with the exception of what I felt was somewhat overly-action-oriented storytelling in the climax, I did like MI.
Now, twelve years later, I have a six-year-old daughter who’s just the right age to be seeing Monsters University. So I did what any parent who doesn’t want to be trapped in the house on a Friday night and doesn’t want to pay a babysitter should do: take my kid to the movies and end up spending…
…well, actually, probably more money than my babysitter would’ve charged.
Her rates are very reasonable.
Anyway, Monsters University.
In this age of smartphones, tablets, personal electronic devices, and connected TV, it’s nice to see children reading a book or two every now and then. Maybe the book is on an electronic device, but at least it’s a book, right?
My daughter is six. She’s very bright. I determined that she was old enough for me to read her one of my very favorite books growing up, The Phantom Tollbooth by Norton Juster. We finally finished it last week.
Despite the furor over the reboot universe and the sci-fi landscape’s love for the later iterations of Star Trek, there’s still something about The Original Series that keeps bringing people back. And one way they come back is with fan films.
One such venture is Star Trek Continues, produced by Farragut Films and DracoGen Strategic Investments. It aims to pick up, in their words, “right where the original left off” with their first episode, “Pilgrim of Eternity”.
Ask people to name the first Edgar Allan Poe reference off the top of their heads and they’ll probably quoth The Raven and say “nevermore”. Poe was a well-known American poet and writer, but it’s still not known exactly what caused his death in 1849 at age 40.
The film The Raven attempts to explain that. Whether it succeeds or not depends upon just how much of your disbelief you’re willing to suspend.