James Beamon discovered awhile back that if he wrote down some of the stuff he randomly makes up all the time, people might print it. It’s been a semi-charmed life ever since with his stories popping up at F&SF, Apex Magazine, Daily Science Fiction and a slew, or maybe a half slew, of others. An Air Force veteran who’s deployed to Iraq and Afghanistan, James now lives in Virginia with his wife, son and a cat who thinks his part-time job is alarm clock, even on weekends. Especially on weekends.
about the narrator…
Dom is an artist living in Silver Spring, Maryland. He also runs a show online called Dom’s Sketch Cast where he makes art while listening to music and interviewing creative people.
The Wind You Touch When You Run
By James Beamon
This pursuit starts as they all start, going after the Underground Railroad. It will end as it always ends, with us feeding the Minotaur. The in-between is where I tell tales.
I wipe sweat from my eyes while my son Langston squints under the blue-white light of this alien sun, scanning the swollen green and purple foliage for signs of recent human passage. He points his machete at a fresh boot print obscured by dense undergrowth. We pick up pursuit, south. It reminds me of a little-known facet of my favorite story.
“The original Underground Railroad ran south to Spanish controlled Florida a lot longer than it ran north,” I tell Langston. “I’m talking more than two hundred years, going as far back as the fifteen hundreds, and lasting until well after the Revolution.”
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about the author…
Bo Balder lives and works near Amsterdam. She is the first Dutch author to have been published in F&SF and Clarkesworld, after winning the prestigious Dutch Paul Harland Award twice. Her short fiction has also appeared in Nature Futures, Futuristica Vol. I and more. Her sf novel “The Wan”, by Pink Narcissus Press, was published in 2016.
about the narrator… Amy H. Sturgis holds a Ph.D. in Intellectual History from Vanderbilt University and specializes in both Science Fiction and Indigenous American Studies. She is regular staff with the StarShipSofa podcast, editor in chief of Hocus Pocus Comics, and faculty at Lenoir-Rhyne University. She lives with her husband in the foothills of the Blue Ridge Mountains in North Carolina.
A House of Her Own
By B. Balder
Aoife was only eleven when she caught the little house in the forest. She surprised it as it drank from a puddle, half-hidden under a writhing tree root as large as her own body. Fast as an eel, she snaked her hand around it and held on tight. It was no bigger than a strawberry, all soft and furry and yellow. Even in the gloom of the giant, bad-tempered trees, it shone like a candle flame.
Alexis A. Hunter is a speculative short story writer in possession of a superbly shaped skull. When she’s not writing, she can usually be found cursing too much on Twitter or taking too many pictures of her daughter. Her stories have appeared in magazines such as Fireside Fiction, Shimmer, and Apex, among others. To learn more, visit www.alexisahunter.com — or if you aren’t afraid of a few (hundred) f-bombs, follow her on Twitter (@alexisahunter).
about the narrator…
Alex is a writer, geologist, and sharp-dressed sir. They have had short stories in Strange Horizons, Lightspeed, Daily Science Fiction, Shimmer, and more. They live in Denver (where they bicycle, drink tea, and twirl their ever-so-dapper mustache) with their two furry little bastards cats.
Your Body, By Default
By Alexis Hunter
They brought you back because they want something from you. Maybe one day they will bring people back because they can or because it’s the right thing to do — but for now there’s you and there’s them and there’s the unspoken obligations that lie between you both.
The IED blew your body into pieces: bone and brain and blood, sprayed in the sand with the twisted shell of your tank.
Maybe you weren’t always happy with your body; maybe your breasts were smaller than you would have liked and your toes reminded you of tree roots and there was that one mole right in the middle of your back that you always managed to catch with the hook of your bra; but it was your body. Your history was written in scars and tattoos. And you knew it, inside and out.
You made it yours over the years — the shaved sides of your head accenting the bright shock of magenta hair spilling over the top, the solid black contact lenses that made pupil and iris indistinguishable, the ornate scrolling ink that wrapped your ribcage.
This hunk of flesh you now inhabit is foreign. It is devoid of scar and ink and memory. It bulges or dips in all the wrong places. What it is is wrong, just as what it isn’t is wrong. It’s ten kinds of not you and you’re helpless under this skin.(Continue Reading…)
Andrew Kozma’s fiction has been published in Albedo One, Drabblecast, Interzone and Daily Science Fiction. His book of poems, City of Regret (Zone 3 Press, 2007), won the Zone 3 First Book Award. He currently, and for the foreseeable future, lives in Houston, Texas.
about the narrator…
John is the writer/narrator of Tales of the Left Hand, an ongoing fantasy series offering “swashbuckling, intrigue, and a dash of magic.” Links to audio, print and ebook formats of his books are available at www.talesofthelefthand.com. In his secret identity, he’s a graphic designer living in Northern Virginia with his wife, daughter and two cats.
By Andrew Kozma
People call Matt a librarian, but he doesn’t mind. He takes care of the books, so the name makes sense, even if most of that care involves cleaning up their shit and piss, and feeding them nutritious glop in those moments between hits. If he can convince them to eat. If they aren’t so taken over by ledge they don’t move for months at a time, muscles withering like grapes on the vine.
Matt feels more like a drug dealer, even though he is, at best, an enabler. The libraries spit out blue wedges of ledge for anyone to pick up. He’s tried to get rid of the the libraries before, herding them away from the centers of human population, but no matter how far he drove them, a few days later they’d return to where they’d been, their stubby little crab legs clicking on the concrete. And because the libraries follow demand, the streets outside Heyman’s are littered with the little fuckers. He’s just thankful they don’t come inside—some latent biological programming keeps them from entering buildings.
Matt stores the books in what used to be Heyman’s Department Store, a four-story monstrosity which probably took up an entire city-block on Earth, in whatever city it was taken from, but here it’s lost among randomly scattered skyscrapers, row houses, suburban nuclear-family homes, churches, clubs, and sports arenas. He thinks of it as a temple. Or a museum. He tries not to think of it as a tomb. Most of the time, he’s the only non-ledged human there. (Continue Reading…)
about the author… D. S. McNab, who previously worked in the creatively challenged world of finance, is a lover of all writing genres. However, sci-fi and fantasy hold a special place in her heart. When she’s not writing about magic and aliens, she’s working as a freelance editor or cuddling with her husband and two dogs in sunny Florida. Her work has appeared in Youth Imagination Magazine.
about the narrator…
EricLuke is the screenwriter of the Joe Dante film EXPLORERS, which is currently in development as a remake, the comic books GHOST and WONDER WOMAN, and wrote and directed the NOT QUITE HUMAN films for Disney TV. His current project INTERFERENCE, a meta horror audiobook about an audiobook… that kills, is a Best Seller on Audible.com
By D.S. McNab
Have you ever wondered why park rangers are so deliriously happy with their job despite the crap pay? The easy answer is that they just really dig nature. But pull back that mossy curtain, and you’ll find a slightly less pleasant explanation. Here’s a hint: It has a tentacle tongue, about three feet on Shaq, and sometimes leads to the early and unfortunate demise of hikers.
Okay, you might need a more terrestrial hint for this one, so in the words of my idol, John Muir: “The clearest way into the Universe is through a forest wilderness.” You see, during a trip I took to Yosemite National Park in my mid-twenties, I discovered that the opposite also holds true—that the forest wilderness is the clearest way out of the Universe. So let me pick up where my boy Muir left off and tell you exactly what I came to find out about the forest and its rangers on that fateful trip.(Continue Reading…)
Remy Nakamura grew up in Greece, Japan, and the San Francisco Bay Area and currently resides in Southern California. He is obsessed with backpacking and hacking his own neuropsychology. He believes in the life-saving power of brightly-colored sticky notes. He is a Clarion West graduate and his short stories can be found in a number of anthologies. You can find him online on twitter as @remymura and at mindonfire.com.
about the narrator…
Roberto lives in Portland, Oregon. By day he works as a community college student advocate and recruiter. By night he geeks out on all things fantasy and science fiction, comic books and board games. He produces and co-hosts “A Pod of Casts: The Game of Thrones Podcast” ( http://apodofcasts.com/ ) and is a proud monthly supporter of all “Escape Artists” productions. Roberto is a father of four younglings being raised in The Ways of The Force and is married to Barbara, his Sun and Stars. Personal Website: robertosuarez.me
By Remy Nakamura
The Kingdom Coffee Missionary Handbook tells Paulo that he should always put his guns away during a door approach. He’s heard this hundreds of times before, but the Handbook speaks with a voice of authority, deep like a luchador’s, strong like a drill sergeant’s, calm like his abuelito’s. It slides in just under his ARgog’s selectively amplified environmental audio. 450 bonus points if the contact is completed without violence, calculates the Handbook, 900 if there are no deaths. Each death harms the public image of the Kingdom, the Handbook tells him. Paulo nods agreement. Way better to spread the faith on the no-kill difficulty setting.
Still, Paulo is not stupid, so he pauses to load Rambo, his ancient and lovingly modded M4A1 Carbine, before slinging it across his back. Looking bad-ass is his favorite violence prevention technique. The Handbook says nothing about tear gas, and he decides not to mention the CS smoke grenade in his left pocket. His last couple of leads had ended with tense stand-offs. Goddess, yo creo, he prays silently. Help my unbelief. He fingers his mala of Robusto beans, sniffing hard to catch its fading aroma. (Continue Reading…)
At the end of the show, there were excerpts from a speech given by President Barack Obama 4 days after 49 people were executed in a shooting rampage in Orlando, FL, USA which you can see in full here: https://youtu.be/QMvxpyeq6xU
about the author… My fiction has been published in Nth Degree, Amazing Journeys, the anthology Unparalleled Journeys, Tabard Inn, State of Imagination, The World of Myth, and Everyday Fiction. Thank you for considering my work. I have degrees in physics, molecular biophysics and medical science and I work as anesthetist. I am a female, and have been acutely aware of that my entire professional life, including attempts at writing hard science fiction.
about the narrator… Nicola Seaton-Clark has worked professionally as an actress for over fifteen years in TV, film and radio. She started her career as a jazz singer and later a singer in a rock band. Her voice-over experience includes TV and radio advertising, singing jingles, film dubbing and synchronization, training videos, corporate films, animation, and Interactive Voice Response for telephone menus. She is also a qualified TEFL teacher and has extensive experience as a vocal coach specializing in South African, Australian and New Zealand accents. http://www.offstimme.com/
Joolie and Irdl
By Sandy Parsons
The first time Irdl heard Joolie sing his pollinators stiffened under their leathery sheath. He’d had to switch from his walking legs to his squatters to remain upright. She was oblivious as he fell in behind her. She sang a human song, logical enough, being a human. He recognized the words, even though she added extra syllables, as if she’d sucked the words down her windpipe and divided them into their component parts before sending them back on achingly sweet vibrations formed from her full lips. As she sang, she plucked dry bits of moss from the grassy wall and disappeared around a corner.
He began to look for her after that. He’d catch sight of her hair first, because it rose above her. She carried a basket and a small set of silver tools, tweezers and scissors and a scoop, and he soon realized that he was jealous of them, for they were caressed by her dark fingers. He did a little searching and discovered that her job was to maintain the moss that kept the station’s gas balance in check. He petitioned Pung to let him change his lunch hour so that he might better align his schedule with hers. She didn’t always sing as she clipped and tugged and sprayed the furry walls, but the damage had been done. Irdl was smitten.
He squeezed in behind her on a gyro-shuttle. The shuttle was full, so the usual rules about personal space could be forgiven a little. He let one of his overhanging appendages rest so that the tip floated amongst her crown of wiry ringlets. She turned around, more inquisitive than annoyed.
“Excuse me.” He intoned the words with as much human inflection as his mandibles allowed, and retracted the arm. She nodded as if mollified and started to turn back. He added, hastily, “Your dreadlocks are lovely.”
“I don’t have dreadlocks.”
“Pl- Please forgive me. What do you call them, then? I am unfamiliar.” He winced inwardly at playing the alien card, at least so soon. He usually waited until he got them back to his hammock.
“It’s just my hair.” She gave her mane a little shake, and the flesh of her arms and the swell of her breasts shook where they were not confined by her cleensoot. She must have seen something in his gaze, although he couldn’t be sure what, or even hope, but she said, “You can touch it if you want.” (Continue Reading…)
Hello and welcome! My name is Merc Rustad and I’m a queer non-binary writer and filmmaker who likes dinosaurs, robots, monsters, and cookies. My fiction has appeared in nifty places like Scigentasy, Daily Science Fiction, and Flash Fiction Online. (More at the Published Fiction tab at the top of the page.)
I’m mostly found on Twitter @Merc_Rustad and occasionally playing in cardboard boxes. The site is updated with publication announcements, completed short films, and occasional blog-like essays. (For more semi-regular blogging, I hang out on LJ and DW.)
about the narrator…
Originally born in Texas, Tren eventually escaped and wound his way through a mystical series of jobs in the San Francisco Bay Area where he has worked as a software QA Tester for both graphics drivers and video games, a freelance mascot performer, and several jobs on a PBS kids’ show. For most of his life, people have told him that his voice is a pleasure to listen to. But since being a werewolf phone sex operator can get boring, he decided to use his powers to entertain a broader audience.
OF BLESSED SERVITUDE
A. Merc Rustad
The sacrificial cross threw a long shadow across the road at Bishop’s dust-caked boots. He halted sharp at the sight of it. Wind hummed through wildseed bushes strung along the ditch, yellow buds as bright as radiation seals. Bishop clenched his jaw and looked along the shadow to the cross itself. It gleamed in the sunset, a steel post with a fused crossbeam, packed dirt the color of old blood at its base. And the cross wasn’t empty.
_Well, shit. _
The offering was a pretty one—young, work-muscled body, a day’s stubble scuffing his jaw. He’d been shackled naked to the cross, arms spread against the top beam. The dusty wind tugged unkempt hair across his eyes.
Bishop slapped the film of red dirt from his duster, his shoulders tense, and checked his knives from habit. He knew he shouldn’t have traveled past Providence Circle. If chokevine hadn’t overrun the only bridge across Unrepentant’s Canyon, he’d never have come near this territory. He’d never have come within sight of the town of Blessed Servitude.
He hadn’t been home in ten years.
“You should get off the road, stranger.”
“Mighty courteous of you to warn a man,” Bishop said. He shouldn’t look at the man chained against steel, shouldn’t stir up old memories. He never saved the offerings, and he didn’t try. (Continue Reading…)
Lia Ardith Swope Mitchell is a writer of literary fiction. Sometimes speculative, sometimes not. Real world with a twist, let’s say. She has lived in Minneapolis all her life, except for a couple years in Wisconsin and France.
Lia is also a PhD candidate in French literature at the University of Minnesota. Her dissertation is currently titled Scientific Marvelous: Technologized Experience and Speculative Fiction in the Third Republic. Someday, she swears, she will finish it.
about the narrator…
Amanda Ching is a freelance editor and writer. Her work has appeared in WordRiot, Candlemark & Gleam’s Alice: (re)Visions, and every bathroom stall on I-80 from Pittsburgh to Indianapolis. She tweets @cerebralcutlass and blogs at http://amandaching.wordpress.com.
by Lia Swope Mitchell
The aliens come in peace, as they always do, bearing gifts and a banner printed with hopeful messages. Universal understanding, sharing and collaboration, the usual thing: three-hundred-year-old language cribbed from the Bebo time capsule. We install them in the quarantine tank and let them alone. We’re still processing the previous group.
The predecessors were large, their plump thigh muscles well marbled with fat. We’re dressing them in herbs and slow-roasting them, and the flavor is good, rich and unctuous, the fibers softened by their long voyage in low-G. The rest we’re making into sausage, confit, and stock. We’ve been lucky this year, with three groups since spring. Sometimes we go a long time without meat; at least real meat, better than the crawlers and birds, tiny dust-flavored things full of bones.
These new ones aren’t impressive, as aliens go. Maybe reptilian: small and sweet-fleshed. Ten forlorn figures in blue smocks, they sit on the sterile-sheeted beds and do not speak or gesture much, exchange only occasional glances. From this we conclude that they communicate telepathically. After a few hours, though, one falls ill, probably from some unfamiliar bacteria. Greenish saliva drips from its mouth onto a pillow. Soon enough they might all be infected, and already this is no great harvest.
The first gift is plants, miniature trees bearing sour marble-sized drupes. Alien plants are rarely hardy enough, although we try. Under our red-eyed sun they wither quickly, and even within the shade and cool of the Complex they give too little in exchange for the water required. Our own plants have adapted to heat and dust. They stand tough and proud in bristling rows, radiating out into the dustplains. Most years they’re enough, as long as our numbers are controlled. But any supplements that arrive, while they last, are welcome.
They brought another gift, too: squares of a glass-like material, several thin layers pressed together around dull silvery skins, about ten centimeters across. Close examination reveals no obvious function, but they’re not particularly decorative, either. The inner material is metallic but not metal, not a mineral at all. Normally we refrain from extended communication with aliens, but given the possibility of new technology, we decide to see what information they can offer.
After some discussion, Reception selects an ambassador. Sub-engineer Tres is the smallest Reception tech, physically unthreatening even to these small aliens. We dress her in a white robe and place metal circlets around her waist, throat and wrists, a tiara on her head. Worthless old-world trinkets, but aliens often interpret them as signs of importance. She looks right. A good-enough representative for us, the collective remainders of the human race.
Rich Larson was born in West Africa, has studied in Rhode Island and worked in Spain, and at 23 now writes from Edmonton, Alberta. His speculative fiction received the 2014 Dell Award and 2012 Rannu Prize for Writers of Speculative Fiction, and has been nominated for the Theodore Sturgeon Prize, while his literary short work has been nominated for both the Pushcart and Journey Prize. He was a semifinalist for the 2013 Norman Mailer Poetry Prize, and in 2011 his novel Devolution was a finalist for the Amazon Breakthrough Novel Award. Alongside writing, he enjoys soccer, basketball, foreign languages, travel, sketching, and pool..
about the narrator…
Nathaniel Lee is Escape Pod’s assistant editor and sometime contributor. His writing can be found at various online venues, including Daily Science Fiction, Intergalactic Medicine Show, and all of the EA podcasts. He lives somewhat unwillingly in North Carolina with his wife and son and their obligatory authorial cats.
This story, like teenagers, contains copious amounts of profanity.