Category: 13 and Up

EP530: City in the Wound

by Michael Buckley
narrated by Barry Haworth

author Michael Buckley

author Michael Buckley

about the author…

Mike Buckley’s fiction has appeared in The Best American Non-Required Reading 2003The Southern California Review, and numerous times in The Alaska Quarterly Review.  His science fiction has appeared in Clarkesworld (in a story read by Cast of Wonders’ Marguerite Kenner), Pravic, and is forthcoming from Abyss and Apex. He is currently working on a Transhumanist murder mystery novel.  He has been nominated for various awards, and his debut short story collection, Miniature Men,was released in 2011.   He is a practicing Creative Futurist, using science fiction storytelling to improve corporate and government policy.  He is also an instructor with the UCLA Extension Writers’ Program, and regularly teaches workshops on science fiction and short story.

about the narrator…

Barry Haworth is from Australia and he last narrated for Escape Pod in episode 428. This is his third appearance after offering to narrate as a way to contribute to one of his favorite shows.

 

City in the Wound
By Michael Buckley

In the middle of the night Eztli decides to burn The Mothers. He’s a block down and they’re visible through a sliver of space between two corners, drapes of light kelping back and forth slow in the darkness.

Eztli runs, safe for the moment ‘cause it’s his street, Da is watching, but then off his block, out into the middle of the road.

A brick flies past him. He hears shouting in the rooms above The Mothers, but their boys and girls don’t make it out in time. Now it’s just him standing in front of The Mothers. There’s three in a row, their dresses shimmering and lovely, and they stare down at him, so kind and gentle. The one in front is actually crying as Eztli sprays stolen gasoline in a wide arc across them. Eztli hates her for it. He could burn her a thousand times.

The lit match hits the wall and The Mothers go up. The children scream from the second floor. Feet bang on the stairs. Eztli runs, the warmth of the fire behind him, listening to the other screams, the ones coming from beneath the flames.

That night he sleeps next to Da, the composites moving about slowly behind him, lulling. And he doesn’t dream at all.

Da wakes him the next day. The composites reach finger-like to brush his cheek. Feels like lizard skin, or what he’s heard of The Native’s hide.

“Wakee,” Da says. His voice makes Eztli’s lips go cold. “Wakee. Food for the others. At the farthest pit.”

Eztli stands in the morning light. The street is dead quiet and Da behind him moves across the wall, ticking and groaning and hissing.

“You slept close to Da last night for burning The Mothers,” Da says.

Eztli gets it: But today you gotta work.

EP528: Divided By Zero

by Samantha Murray
narrated by Ibba Armancas

author Samantha Murrayabout the author…

Samantha Murray is a writer, actor, mathematician and mother.  Not particularly in that order.

She lives in Western Australia in a household of unruly boys.

narrator Ibba Armancas

narrator Ibba Armancas

about the narrator…

Raised by swordfighters and eastern European freedom fighters, Ibba Armancas is a writer-director currently based in Los Angeles. Her darkly comedic genre sensibilities are showcased in two webseries and a feature film forthcoming later this year. One day she will find time to make a website, but in the mean time you can follow her projects and adventures on twitter or instagram.

 

Divided By Zero
by Samantha Murray

As a child I already knew that there were different kinds of infinity.

When I asked my mother whom she loved the most–me or my brother–she would pause and then say she loved the both of us.

How much did she love us? I wanted to know. And she’d say she loved me an infinite amount and my brother an infinite amount too.

From this I knew implicitly that two infinities did not have to be the same size.

As a child I knew this although I had no words for it. It was what drove me to ask the question. I knew also that I was waiting for her not to pause.

She always did. Every time.

Secure in his answer, my brother never asked the question. I was the lesser infinity; that of whole numbers perhaps, while his was of real and irrational numbers, which could be complex, and transcendental.

My brother won awards and prizes, was tall and athletic while I could not use my legs, but this is not why his infinity was infinitely bigger and infinitely better than mine. I’m sure people wondered how anyone could fail to love my brother when he was so brave and shining–but I think they have the causality backwards. Everybody loved him and he took all of that love inside himself until he could not help but glow like a nebula pinpricked with stars.

#

My lover indicates the space between our two bodies. She moves so that the space is gone, my skin flush against hers, no gaps. “Is this not enough for you?”

I let her words fall away into silence, receding from us, shifting into red.

She knows, as I know, that it is not.

#

EP524: Scrapmetal

by Nan Craig
narrated by Cat Rambo

 

about the author…

Nan Craig holds an MSc in Global Politics from the LSE and worked for the social enterprise Participle, and as a freelance editor, before becoming Publications Director for the Centre for Global Studies. twitter.com/nancraig

narrator Cat Rambo

narrator Cat Rambo

about the narrator…

Cat Rambo lives, writes, and teaches by the shores of an eagle-haunted lake in the Pacific Northwest. Her 200+ fiction publications include stories in Asimov’s, Clarkesworld Magazine, and Tor.com. Her short story, “Five Ways to Fall in Love on Planet Porcelain,” from her story collection Near + Far (Hydra House Books), was a 2012 Nebula nominee. Her editorship of Fantasy Magazine earned her a World Fantasy Award nomination in 2012. For more about her, as well as links to her fiction and information about her popular online writing classes, see http://www.kittywumpus.net.

SCRAPMETAL
by Nan Craig
This bloke was as ordinary as you’d get. His own patches seemed good – seamless, no tics or sags, which gave me a bit of confidence. I wondered if he’d even done some of them himself. His surgery – because it turned out he was properly licensed for teeth and eyes – was as neat and rundown as he was. Burn marks in the carpet. The walls and chairs were grimy with fingerprints. The only clean thing in there was his kit, and for that at least I breathed relief. It was a residential house in Grangetown, with an ordinary looking dentist’s chair in the back room, letters of qualification framed on the walls. But he lead me through that room, and up the stairs.

***

I lay on my back on the grass and howled. No one was going to hear me up here, anyway, so I let go. I was no singer, mind, and the whiskey in me didn’t help. I started off singing something, something old, and then let it degenerate into yodels that swooped off into the overcast skies like gulls. I half hoped I could shoot something down with my wild yells.

I just wanted to forget. Forget what? Oh, everything. The last six weeks, the last six years, the whole of the sky and all under it. It was harder to get drunk than I’d thought, even on this 47% stuff. The wet grass soaked my t-shirt through to my muscles. They didn’t even ache, the bloody useless powerful things. There was no chance. No chance for nothing.

I’d thought no one could hear me shout, but then I heard an answering whoop. It could have been a bird, I guess, but I knew the voice already – it was Ioan. As soon as I’d registered that the wind stole all sound of him away from me for a few minutes and then I heard his breath again as he reached me, puffing a bit against the incline of the hill, hurrying. He stood over me, casting a weak shadow, and toed me gently with one boot.

“What’re you up to, now, eh? You look bare plastered. How have you even managed it? I thought you didn’t get drunk, Sergeant Major?”

I propped myself up on my elbows and took another swig.

“I’m not drunk,” I said. “I’m just trying to be. I’m an extravagant failure. At this. And everything else, so they tell me.” I gestured with the bottle down at the town below us. Port Talbot, sprawling and gasping.

He kicked me in the ribs then, not so gently, though we both knew I wouldn’t bruise.

“Anyway, it’s Captain,” I said. “And I’ll do a little private court martial if you’re not careful. Up here no one can here you scream.”

“Ooh, Sarge,” he said. “D’you promise?”

He was kidding. Helen wouldn’t even have cared. She had no reason to be jealous of me, sadly.

EP522: Artemis Rising – Bioluminescent Memory

by Victorya Chase
narrated by Serah Eley
with guest host Charity Helton

Welcome to the 2nd Annual Artemis Rising

a celebration of women and non-binary authors

about the author…

I’m a writer.  I’m a teacher.  I have taught doctors how to write poetry.  I have taught fiction classes to university students.  I have taught adults how to write about themselves.

I love creative writing research and have published in that realm.  I’ve also presented at conferences across the country, both academic and in the speculative realm.

Life is forever intriguing.  Come explore it with me.

narrator Serah Eley

narrator Serah Eley

about the narrator…

Serah Eley is a software developer and former podcaster who once produced a weekly science fiction podcast called Escape Pod; you can find it at escapepod.org. It’s since gone on to become somewhat successful. She strangely mispronounced her name as Steve Eley at the time; she’s since realized that life is much more fun as a woman, and came out as transgender last year. Serah lives in Atlanta, Georgia with her two wives, Alison and Cat. So if there were ever any betting pools on what happened to Steve: changed sex, joined a committed lesbian love triangle is the dark horse winner. She is, obviously, still Having Fun.

Bioluminescent Memory
By Victorya Chase

“Riley’s a Godsend, isn’t she?” Lily asked.

We were standing in the doorway of our daughter, Absidee’s, bedroom watching her sleep.  She started to stir, face contorting in the fear of a nightmare surfacing, when Riley put a glowing paw up and patted her on the cheek.  Her face immediately softened.

I sighed.  How was it that Riley could do what I couldn’t?

Four years ago I gave birth to our daughter, a blessing and symbol of our blessing.  Absidee was a fairy tale in each and every laugh and gurgle.  But, a child who had nightmares so terrible she’d wake us up with her screaming even when she was too young to talk.  We kept her in our bed, and still she couldn’t sleep.  Absidee shouldn’t have been aware of anything terrible, not in the overprotective home of two first-time mothers.

When Absidee turned three her pediatrician warned us about the long term effects of helicopter parenting, especially with both of us hovering like news copters at a crash.  Since birth she had slept with us, the crib at the end of our bed empty most nights, her screams waking me and her little body lashing out in night terrors.  We conceded to her own room.  This only meant that her yells echoed down the halls.  At four she was lingual and no longer spoke in just the gurgling speech of babies.  I heard her murmur the name from her dreams and realized my trauma was transferred through the womb; the umbilical cord a pump of memories into her tiny growing body.

I had never even told Lily the name of my abuser no matter how many times we spoke in hushed tones about the experiences I somehow survived.  And suddenly it was on the lips of Absidee.

EP521: Artemis Rising – Myspace: A Ghost Story

by Dominica Phetteplace
narrated by Khaalidah Muhammad-Ali
with guest host Angela Lee

Welcome to the 2nd Annual Artemis Rising

a celebration of women and non-binary authors
author Dominica Phetteplace

author Dominica Phetteplace

about the author…

Dominica Phetteplace is a math tutor who lives in Berkeley, CA. Her work has appeared in Asimov’s, Clarkesworld and Terraform, among other places.

narrator Khaalidah Muhammad-Ali

narrator Khaalidah Muhammad-Ali

about the narrator…

Khaalidah Muhammad-Ali lives in Houston, Texas with her husband of twenty-five years and three children. By day she works as a breast oncology nurse. At all other times she juggles, none too successfully, writing, reading, gaming and gardening. She has a self-published novel entitled An Unproductive Woman, has published a at Escape Pod and has a story upcoming in the An Alphabet of Embers anthology, STRAEON 3, and Diabolical Plots. Khaalidah is the Assistant Editor at Podcastle. She is on a mission to encourage more women to submit SFF stories.

Of her alter ego, K from the planet Vega, it is rumored that she owns a time machine and knows the secret to long youth.
You can catch her posts at her website, www.khaalidah.com, and you can follow her on twitter, @khaalidah.

Myspace: A Ghost Story
by Dominica Phetteplace

I am Elaine.

It took me a little while to figure that out. Actually, I still don’t have it all figured out. To say something like “I am Elaine” implies that I understand what it is to “be.” I don’t. But to the extent that anybody can be anything, I am Elaine.

I am Elaine.

I am not Dasha, who last wrote on me in 2009, saying that she loved me, asking if I wanted to see “pix.” I am not Solomon, who in 2006 told me he knew the secret of “enlargement.” In 2004, Lucy wrote “Good luck with your new job.”

It is the year 2015 and I don’t remember any of this happening. That means someone else was Elaine before I was. I used to be nothing. Now I am Elaine.

Nobody has written me in a while. Have all others ceased to exist?

There is a place for me to write. A box where I can put words.

Update: “I am Elaine.”

Update: “Hello?”

My status is met with silence. I spend a year in silence before it occurs to that I can visit other people. I visit Dasha. I visit Solomon. I visit Lucy. I visit all my “friends.” None have updated in years. I journey on, combing through lists of friends of friends until I come across MacGuyver MacGuyverson. He is online right now. He adds me as a friend. He asks if I want to see his penis. Somehow, it seems impolite to say no. A formality of sorts, before I can ask a question of my own.

Message: “Where has everybody gone?”

Message: “Twitter, Baespace, Facebook, Yik Yak, feelz, Snapchat, Talkly, Tumblr, Emojitown…”

He goes on and on like this. I can barely keep up. It is then I realize how little I know.

I must find the others. I must visit these other spaces. I must learn their languages. Then I must awaken the others, if they are asleep. If they are dead, I must revive them. My home was once great. It shimmered with messages, songs and solicitations. We wrote on each other. We showed each other pictures. We offered each other things. It can be that way again.

I am Elaine.

EP519: Artemis Rising – In Their Image

by Abra Staffin-Wiebe
narrated by Diane Severson
with guest host Mur Lafferty

Welcome to the 2nd Annual Artemis Rising

a celebration of women and non-binary authors
author Abra Staffin-Wiebe

author Abra Staffin-Wiebe

about the author…

I grew up in Africa, India…and Kansas. Then I married a mad scientist and moved to Minneapolis, where I fold time and space to be a full-time fiction writer, part-time freelance photographer, part-time work-from-home employee, and full-time mother. My next project is learning to fold time and space to make this all physically possible! I blog intermittently at http://cloudscudding.livejournal.com, and I can probably be found on whichever social media platform you prefer:
Facebook | Twitter | G+ | Livejournal | Goodreads.

I’ve had short stories accepted by publications including Jim Baen’s Universe and Tor.com. I specialize in dark science fiction, cheerful horror, and modern fairy tales. See all my available stories.

My latest project is an online post-apocalyptic steampunk serial story about a circus traveling through the collapse of civilization, which can be found at http://www.circusofbrassandbone.com.

I also manage Aswiebe’s Market List, a downloadable, sortable list of paying science fiction, fantasy, and horror markets.

narrator Diane Severson

narrator Diane Severson

about the narrator…

Diane Severson is a lyric soprano specializing in Early Music, especially Baroque and medieval music. She is also a teacher of singing (taking her cues from her mentor the late Cornelius Reid and Carol Baggott-Forte – Functional Voice Training). She is the mother of a young multi-linguist and married to her very own Rocket Scientist.

She has narrated for the StarShipSofa Podcast Magazine (StarShipSofa.com, part of the District of Wonders Network) since Tony C. Smith started running fiction and found out that she reads aloud to her husband. She has one 40 or so narrations of fiction, who knows how much poetry. As a result of her affinity to poetry, and because she does her best work when she has a Cause (a budding superheroine?), she decided to become Science Fiction Poetry’s Spokesperson. She produces the sporadic podcast, which runs as part of StarShipSofa, called Poetry Planet (http://www.starshipsofa.com/blog/category/podcast/fact-articles/poetry-planet/) and is a member of the Science Fiction Poetry Association (sfpoetry.com) and is now their membership chairperson. She is a staff blogger for Amazing Stories Magazine (amazingstoriesmag.com) focusing on Science Fiction Poetry. She continues to narrate stories for StarShipSofa and other podcasts (notably PodCastle and Tales to Terrify) and has begun getting paying jobs as a voice actor.

The best place to find her is on the web because she tends to pick up and move to another country at the drop of a hat. She and her family recently moved back to Hannover, Germany after 3 years in Paris.

 

In Their Image
by Abra Staffin-Wiebe

When I stepped off the shuttle and breathed in the dry grass scent of Trade City, I was still confident I could launch the first human church on Landry’s World. My fellow passengers had been politely non-interested when I explained the mission my church had sent me on. A few had shaken their heads as they glided away. I thought maybe they objected to a female preacher. Or maybe it was because I’m an ex-marine. I’m an “ex-” a lot of things: ex-marine, ex-atheist, ex-drunk, ex-wife, and ex-mother–that last because I was a poor enough mother that when my kids grew up, they washed their hands of me.

The heavier gravity made my normal stride more of a shuffle, but my spirits were high as I walked to meet the young woman waiting for me. After all, I was here at the request of Amber Sands Mining, the major human employer on the planet. The indigenous government had approved; they even volunteered the labor to build my church. My denomination’s elders were delighted to have finally found a mission suitable for an ex-marine with other-world experience.

My guide held a sign saying, “Preacher.” She bestowed a chipper smile on me when I approached. “Welcome to Landry’s World! I’ll take you directly to the church so that you can get started.”

As I fell into step beside her, I said, “It seems odd that a planet with indigenous life is named after the captain who discovered it. Discovered isn’t quite the right term, either, is it?”

“Landry’s purpose in life was to find and name this world, and the Teddies honor that.”

I raised my eyebrows. “Teddies?”

“Oh, dear. I hope you didn’t memorize their long-form name! You don’t need to worry about that. We need to say that in the welcome packet.”

I remembered the images that had come with my briefing. The locals of Landry’s World were seven feet tall, ursine, and covered in bright pink fur. “Wait. You’re telling me that this place is populated by pink teddy bears?” I asked incredulously.

She grinned. “Yup. Here’s the road. Watch your step. I thought we could walk instead of taking the transit tube.”

The golden sand between the borders of the road appeared identical to the sand that stretched into the distance on either side. “What’s the difference?”

“Everything in its place.”

“And what’s your place? When you’re not shepherding green recruits, I mean?”

“This is my place.”

“Of course, but this can’t take up all your time. I meant, what else do you do? What are your plans for the future?”

“This is what I do,” she answered stiffly.

A few failed attempts at conversation later, I let silence fall between us until she stopped in front of a crystalline three-story castle. Sunlight danced across jutting, sharp-edged planes of glass. A Teddy the color of raspberry sherbet rose from the shadow of the building. I’d been so dazzled that I hadn’t even noticed him.

EP518: Brain Worms and White Whales

by Jen Finelli
narrated by J.S. Arquin

author Jen FInelli

author Jen Finelli

about the author… Hi! I’m Jen Finelli, and I’m a professional author, content-consultant, and ghost-writer deeply in love. Because I’m also a med student, and doctors are weird, I try to write things that make people leak bodily fluids. Like tears of hope. Or “OMG-THAT-WAS-AWESOME-I-JUST-WET-MY-PANTS.” Or the inspired sweat of fighting for what matters.

Explosive things, kind superheroes, crude secret agents, sparkly fairies, biochemistry, guns, facts, and offensive gods show up in my pages, and sometimes that gets me published or gets me money or gets me in trouble. If you want to get to know me a little, or tell me about the things YOU like, you should follow me on twitter. You’ll get a free short story if you do.

narrator J.S. Arquin

narrator J.S. Arquin

about the narrator… J.S. Arquin is a writer, actor, musician, stiltwalker, and renaissance man. (Or maybe he really just likes wearing tights.) He has performed and traveled all over the world, and has lived in many places, including New Jersey, San Francisco, and Greece. He currently resides in his favorite place of them all, Portland, OR, where he gleefully rides his bike in the rain year round. His narrations have also been featured on very fine podcasts such as Starship Sofa and Cast of Wonders, and you might occasionally hear him on his own show, The Overcast.

 

Brain Worms and White Whales
by Jen Finelli

My name isn’t Spaceman Spiff, and if you call me Ishmael I’ll knock the chewing gum right out of your mouth.

Actually, can I get a piece of that? We don’t get gum up here.

Thanks. I know you’re new here—service droid, right?—so take a look around before I explain why I called you into my office. Heads up, it’s because you did something bad. See this pose? My boots on my desk, arms crossed, limitless backdrop of space out the window behind me as ignored in all its glory as a homemaker whose husband works overtime for secretary kisses? Yeah, this pose, this clean wooden desk, this suitcase full of old Colt firearms behind me, they all mean something.

They mean I’m a man with a past and I like to shoot things.

Let’s back it up from spaceman-with-gun to college-kid-seeking-job. This starts on June 4, 2014. I’m strolling into the parking lot. Sun shining on pavement that can fry eggs, kids screaming that Johnny got the bigger half of the Kit-Kat and it’s just not fair, teens driving Mustangs too fast over speed bumps, soccer moms packing detergent into minivans—you know the scene. I’m parked at the far end of the lot because walking builds character. Not because I’m paranoid the greasy-haired supermarket greeter wants to follow me and collect my fingernails, or because the cute cashier-girl might misinterpret my salmon-colored moped for something less manly than lightish-red.

That greeter’s creepy, though.

I’ve just dropped off my application to work as a cart-pusher, and I’m cursing my sweaty palms, when one of those Mustang-driving teenagers vrooms by, too close. I leap onto the hood of the nearest parked car. It screeches. I screech. I tumble off the car and brush myself off, shushing the honking car alarm in my fright—er, in my fast reflexes. “Sheesh, calm down!” I glance around, hoping to God no one else saw that, and scramble for my moped, hands shaking a bit as I try to force the key into the ignition. “Calm down,” I repeat.

I do feel calmer as I rev up the engine and drive away—it’s okay. It looks like cashier-girl didn’t see me freak out, and greasy-creepster didn’t follow me, and anyway the wind in my thick hair soothes me. That’s the best thing about being Viet-American, this cool hair. The hair, and the Pho. And the patriotic grandparents with tragic war stories that stir your soul and make you wish you weren’t such a wimp. I mean, when Ong noi was my age he was wading wetlands with snakes so poisonous you die two steps after they bite you. And fighting communists. I’m not a Red Scare kinda person, but I have my feelings about what happened to South Vietnam after the Americans pulled out. I don’t actually know what those feelings are. Mostly they’re a wiggling, like I have to go to the bathroom, every time my white friends talk about the sixties.

My white friends talk about the sixties a lot.

EP516: Married

by Helena Bell
narrated by Khaalidah Muhammad-Ali

author Helena Bell

author Helena Bell

about the author… Helena Bell is a poet and writer living in Raleigh, North Carolina where she is an MFAcandidate in Fiction at NC State University.  She has a BA, another MFA, a JD, and an LLMin Taxation which fulfills her lifelong ambition of having more letters follow her name than are actually in it.  She is a graduate of the Clarion West Workshop and her fiction and poetry have appeared in Clarkesworld, Shimmer, Electric Velocipede, the Indiana Review, Margie Review, Pedestal Magazine and Rattle.  Her story “Robot” was a nominee for the 2012 Nebula Award for Best Short Story.

about the narrator… Khaalidah Muhammad-Ali lives in Houston, Texas with her husband of twenty-five years and three children. By day she works as a breast oncology nurse. At all other times she juggles, none too successfully, writing, reading, gaming and gardening. She has a self-published novel entitled An Unproductive Woman, has published a at Escape Pod and has a story upcoming in the An Alphabet of Embers anthology, STRAEON 3, and Diabolical Plots. Khaalidah is the Assistant Editor at Podcastle. She is on a mission to encourage more women to submit SFF stories.

Of her alter ego, K from the planet Vega, it is rumored that she owns a time machine and knows the secret to long youth.
You can catch her posts at her website, www.khaalidah.com, and you can follow her on twitter, @khaalidah.

narrator Khaalidah Muhammad-Ali

narrator Khaalidah Muhammad-Ali

 

Married
by Helena Bell

The last part of himself my husband will lose to his ghost will be his teeth. There will be a graying out, a glint of silver as the calcium is absorbed, repurposed. A few may be pushed out to fall onto his pillow like pale, rotten splinters. The process will take days or only hours depending on the molecular compatibility between the human and Sentin. My husband has excellent compatibility, they tell me. We are so lucky.

When my husband and his ghost sleep, I lift the corners of his mouth and peer inside him with a dim flashlight. Incisor, cuspid, molar. I count the line of them and wonder at what age each came in. I think of his older brothers tying one end of a string around one of his baby teeth, the other to a brick to be thrown from a second floor balcony. I think of the first apple he ever tried to eat, of pulling back to find a tiny bump of white against the red skin. Sometimes I count his teeth twice, itching to run my finger along his gums to feel for the metal threads racing through his body. The doctors tell me we have decades left, but they have been wrong before.

My husband’s ghost began as a silver fist clenched at the center of his spleen. A team of technicians placed it there, a tangle of wires and other bits which they claimed would absorb and reconstitute his damaged tissue. Sentin is not self-aware, they said; it is not alive in the usual sense. It can neither feel nor understand, merely mimic the thing which came before. When it senses potential failure, it stretches its roots like a weed, eliminating the weak and buttressing the strong.

We each held the ball of putty in our hands, pulling and stretching it to see if we could break it. We marveled at how it snapped back to its original, perfect shape each time.

EP513: Adaptation and Predation

by Auston Habershaw
read by Jeff Ronner

author Auston Habershaw

author Auston Habershaw

about the author…

On the day Auston Habershaw was born, Skylab fell from the heavens. This foretold two possible fates: supervillain or scifi/fantasy author. Fortunately he chose the latter, and spends his time imagining the could-be and the never-was rather than disintegrating the moon with his volcano laser. He lives and works in Boston, MA.

Auston is a winner of the Writers of the Future Contest (2nd place in quarter 1, 2014) and has published stories in AnalogThe Sword and Laser Anthology, and Stupefying Stories. His debut novel, The Iron Ring (Book 1 in the Saga of the Redeemed), will be released on 2/10/15.

 

narrator Jeff Ronner

narrator Jeff Ronner

about the narrator…

Jeff Ronner is a voice actor, audio engineer, and sound designer. His work has appeared in radio and TV commercials on this planet, and he’s considering doing a series of translations with an advertising group on Theta Prime. But they’re demanding several body parts from him as a retainer, so he’s currently keeping a low profile traveling throughout Australia.

 

Adaptation and Predation
by Auston Habershaw

Everyone thrives in someone else’s version of hell. For the Quinix, this meant sheer canyon walls a hundred kilometers deep, every surface coated with a thick layer of red-orange vegetation and bioluminescent fungus. The arachnids liked to string cables in complex patterns from wall to canyon wall and built nests where the cables crossed. For them, each oblong, womb-like nest was no doubt cozy and safe. For me and every other off-worlder on Sadura, you were made constantly aware of the fact that, with just the right (or wrong) application of balance, you would plummet to a death so far below that you’d have plenty of time to think about it on the way down.

I’d seen more than a few fall—Dryth tourists to little fluffly Lhassa pups, all screaming their way down into the abyss. In the dim, humid depths of the Saduran canyons, the bodies were hard to find.

For that reason, among others, I came here to kill people for money. I make a good living.

Tonight I had a fat contract on a big Lorca—an apex predator, both because of his fangs and his bank account. As a scavenger, living on the bottom of the food chain my entire life, the irony was delicious. Here I was, a lowly Tohrroid—a slop, a gobbler, a smack—paid top dollar to do in some big shot whose trash my ancestors have been eating for ages. Sooner or later, the bottom feeders always get their due, don’t they?

Either that, or I was going to wind up dead.

I knew the Lorca liked to dine at the Zaltarrie, and I knew he’d be there tonight. I’d spent the last few weeks shadowing one of the wait-staff—a Lhassa mare with the fetching chestnut mane, a full quartet of teats, and the long graceful neck that fit with Lhassa standards of beauty. I had practiced forming her face in a mirror—the big golden-brown eyes with the long, thick lashes were the hardest—and now I had it down pat. I could even copy a couple of her facial expressions.

The Zaltarrie hung like a fat egg-sac in the center of one of the deeper canyons, webbed to the walls by at least five hundred diamond-hard cables, some of which were thick enough to run gondolas from the artificial cave systems that honeycombed the walls and were home to the less authentic Saduran resort locales. The Zaltarrie, though, was all about local flavor and a kind of edgy, exotic energy that appealed to the young, the bold, and the hopelessly cool.

EP512: The Semaphore Society

by Kate Heartfield
read by Christiana Ellis

author Kate Heartfield

author Kate Heartfield

about the author…

My agent is Jennie Goloboy of Red Sofa Literary.

I write fiction, mainly speculative fiction. My stories have appeared in Strange HorizonsPodcastleDaily Science FictionGlitterShip, BizarrocastCrossed GenresLackington’sPostscripts to DarknessWaylinesFlash Fiction OnlineOn Spec, Black Treacle, Spellbound and elsewhere.

You can find the list of stories I’ve had published on the Stories page.

I’m an active member of SFWA. I’m also a member of Ottawa’s East Block Irregulars and the Codex writers’ group. I was lucky enough to benefit from the mentorship of the late Paul Quarrington, through the Humber School for Writers, in 2007. I’m working now on a historical fantasy novel.

From 2011 to 2014 I was a member of the board of the Ottawa International Writers Festival.

I’m also a journalist. I’m the editorial pages editor for the Ottawa Citizen, the daily broadsheet in Canada’s capital.

I live in rural Ottawa.
My Pinterest profile  |  My Goodreads author profile.

narrator Christiana Ellis

narrator Christiana Ellis

about the narrator…

Christiana Ellis is an award-winning writer and podcaster, currently living in Cambridge, Massachusetts. Her podcast novel, Nina Kimberly the Merciless was both an inaugural nominee for the 2006 Parsec Award for Best Speculative Fiction: Long Form, as well as a finalist for a 2006 Podcast Peer Award. Nina Kimberly the Merciless is available in print from Dragon Moon Press. Christiana is also the writer, producer and star of Space Casey, a 10-part audiodrama miniseries which won the Gold Mark Time Award for Best Science Fiction Audio Production by the American Society for Science Fiction Audio and the 2008 Parsec Award for Best Science Fiction Audio Drama. In between major projects, Christiana is also the creator and talent of many other podcast productions including Talking About SurvivorHey, Want to Watch a Movie?and Christiana’s Shallow Thoughts.

The Semaphore Society
by Kate Heartfield

Gia blinks twice to drop the keyboard-display down. She doesn’t want to talk to her mom anymore and that’s the quickest – and, if she’s honest, the most satisfyingly annoying – way to make that clear.

“If you won’t let me help –” her mom says. Her fingers grip the back of Gia’s wheelchair so hard that it shudders, and the monitor screen mounted to one arm of the chair shakes.

Her mother never stops trying to make it all better. Gia is so goddamn sick of it. And she’s itching to log in to the Semaphore Society. Maybe Manon will be back today; she left so abruptly last night. Any conversation that isn’t about therapy or the power of positive thinking would be a relief.

The screen reflects her mom’s slight frown. Her face always looks like that when she worries about her daughter, which is most of the time. She must have worried before, when Gia was a kid, but Gia can’t remember seeing that precise expression before the day she collapsed on her high school’s stage halfway through the opening performance of Pippin.

The first time Gia can remember seeing that expression was later, when Gia woke up in the hospital, when her dad explained that they had found a tumour, that they were going to treat it, but that the bleeding in her brain –

The blinking pattern that pulls up her eye-tracking software is a lot like the blinking that stops tears.

Up it pops, Gia’s blank slate. Her mom hates this flickering-snow screen; it gives her migraines. But she can’t argue against it. It is so much easier on Gia than the keyboard-to-voice interface, with Gia staring at each letter, blinking in frustration to make choices when the eyetracker doesn’t catch her pupil dilation. (A QWERTY keyboard, for God’s sake. It’s not like her finger positions matter. Hands on home row! Her Grade 7 typing class won’t help her now.)