Author Archive

EP568: Dr. Mbalu and the Butcher’s Daughter (Artemis Rising 3)

Artemis Rising returns to Escape Pod for its third year! This month-long event highlights science fiction by women and non-binary authors. We have five original stories this year that range in topics from biotech to far-flung A.I, virtual reality, and nanotech.

AUTHOR: Megan Chaudhuri

NARRATOR: Laurice White

HOST: Caron J.

ARTIST: Ashley Mackenzie

about the author…

A toxicologist by training and a writer by inclination, Megan lives outside of Seattle with one husband and two cats. Her fiction has appeared in Analog, Crossed Genres, and Futuristica, among other places.

about the narrator…

Laurice is a theater graduate and long time theater student. She’s read stories for Podcastle, Pseudopod and for John Joseph Adams and Hugh Howey on The End is Nigh and The End is Now – the first two volumes of The Apocalypse Triptych.

about the artist…Ashley Mackenzie

Ashley Mackenzie is an artist and illustrator based in Edmonton, Alberta. She was born in Victoria, BC and grew up between Vancouver, BC and Edmonton, AB. After studying online for a year through AAU in San Francisco, Calif., she moved to Toronto to pursue a degree in Illustration at OCADU. Though she loves the challenge of creating complex conceptual illustrations and finding new ways to navigate ideas, visually she also enjoys making concept art and decorative illustration. When not drawing, she can be found reading, playing video games or thinking about her next project.

Dr. Mbalu and the Butcher’s Daughter

By Megan Chaudhuri

With a raspy pop, the cell sprayer in Rebecca’s hand sputtered one last drop of fur progenitor cells. Ignoring her stiff back, she leaned over the culture vat and daubed the cells onto the pink, gel-sculpted contours of a cheetah’s back muscles. The gel rippled; Rebecca held her breath as the reflexive shiver splashed the surrounding nutrient broth.

“Go in,” Rebecca whispered, her eyes hot and dry behind her goggles. Please, she prayed, conscious of the crucifix’s weight at her neck. Another reflex rippled the gel, as if the nerve matrix suddenly sensed the truth: It grew inside an old Gates Foundation lab trailer on the cheapest hook-up in Little Nairobi, rather than in the hide of an adult cheetah.

But the droplet disappeared slowly, the cells sinking into the gelatinous stew of serum and growth factors that—God willing—would ripen them into a furred skin.

“It’s ready for the fresh growth medium and antibacterials, Ming!” Rebecca called out. She palmed the vat’s control pad; the motor vibrated against her legs as she carefully lowered the cheetah’s contours beneath the broth. The pink fluid bubbled as it swallowed their unceasing work of the past months. Past years. Past one-point-three decades, actually, since the Tuesday when her mother’s partner had brought home an empty Kenya Wildlife Service uniform and a tiny, worn crucifix. The blood had been washed off its bone surface, but no one could repair the chip left by the poacher’s bullet.

Rebecca shook herself before her mind could follow its favorite bitter path—a path that lead from one dead poacher to, of all places on God’s green Earth, the lot next door. Her lot.

Rebecca turned towards the tiny walk-in fridge. “Ming?”

The walk-in’s insulated door was ajar. Chilled fog pooled on the vinyl floor.

“Ming? What’s—”

The fog parted as Ming staggered out, eyes bulging. Her gloved hands clutched a single plastic bottle of nutrient medium.

“Rebecca, look!” Ming thrust out the bottle. Behind the condensation, the fluid looked orange instead of blood red. Rebecca took it, the cold, heavy weight strangely distended in her gloved hands. Automatically, she turned it over to check the label: DMEM/F-12 Mammalian Tissue Medium (5% Bovine Serum Albumin, by Volume). EXPIRY DATE: 2068-04-01.

“It’s fine, we still have a month—” Rebecca gasped. Rotating the bottle had swirled up a cloud of thick white particles inside the liquid. One ragged sphere broke apart, trailing clumps of bacteria like a comet’s tail.

Rebecca’s body felt as cold as the medium. As cold as when she had been handed her dead mother’s crucifix. As cold as each time she stepped out of the trailer and spotted her, laboring and living while Rebecca’s mother was rotting. “Are—are all the bottles contaminated like this?”

Ming swallowed. “We must not have noticed. Between the condensation on the outside, and…” She trailed off, but Rebecca filled in the blank: working 18-hour days for the past three months, putting off anything that could possibly be ignored. “The seals must be faulty or maybe something happened during manufacture.”

“Faulty seals!” Rebecca swore. She glanced towards the shelf with the filters that could sieve out bacteria, but caught herself. Even if they had filters with the right pore size, the medium’s nutrients were gone. Forever.

Rebecca turned the bottle over, sensing the pressure built up inside, the waste gases exhaled by a billion bacteria as they had grown and divided and consumed the precious nutrients. As they had devoured her hopes for meeting her funders’ demands—for creating the world’s first in vitro cheetah skin—for flooding the market with her too-real fakes, destroying the world’s selfish lust for the hides of the beautiful beasts her mother died defending.

“Okay,” Rebecca said, her voice high-pitched. She met Ming’s anxious gaze. “Let’s be rational. We don’t have any medium. The skin needs an entire turnover into fresh medium in forty-two hours.”

“F-forty-six hours,” Ming said, “if we keep adding glucose and buffering against acidity. But the cellular waste products are going to build up too much beyond that time frame.”

“I haven’t done inventory in three months…Do we have the reagents to make medium from scratch?”

Ming shook her head. “We have glucose and the amino acids for nutrients, plus some concentrated salt solutions.” Her shoulders slumped beneath her lab coat. “But we don’t have any bovine serum.”

Rebecca inhaled sharply, feeling her surgical mask press against her nose. All of their gene tweaks optimized the cells to grow in bovine serum or plasma. Such a clever idea; she’d almost heard her mother’s praise when she first thought of it.

Rebecca yanked a pen out of her lab coat’s pocket and grabbed a paper towel from the stack by the disinfectant. “Okay. So we need thirty liters of sterile bovine serum- or plasma-supplemented medium in forty-six hours.” The pen scratched across the paper towel, mixing Mandarin and English into a mathematical pidgin. “If I SMS now and get an order rushed from Mombasa’s dockyard, it’ll cost…”

The number had many significant digits.

Ming sucked in her breath. “I guess we won’t be hiring an assistant after all.”

“No. We won’t.” Rebecca set down the pen with more precision than it needed. “I’ll ping the supplier and tell them they bloody well replace some faulty product for free. You’ll go to the bio department at the U of N branch campus and borrow some medium in the meantime.”

Ming’s mouth opened, but no sound came out. Rebecca could practically read her thoughts: Ming’s visa was project based. If the project expired, the young bioengineer had thirty days to leave Kenya. Thirty days to drag herself back to Beijing, to brave her mother’s disappointment that his eldest child had frittered away her education on some damn cats.

If only my mother was alive to be disappointed in me. Jealous, vile thought. Rebecca’s hands tried to run over her the bristly part of her afro, but found only a surgical cap. “I know, Ming. It’s going to be tight.”

With a nod that looked like it wanted to be a shake, Ming stripped off her gloves and dropped them into the biohazard bin. The smaller woman’s footsteps faded as she passed into the jerry-rigged airlock to change into street clothes.

In the company of only the cheetah skin and her thoughts, Rebecca clenched her hands tighter and tighter until her finger bones throbbed with pain. If only she had checked the medium earlier.

If only she had been sick and kept her mother at home that day one-point-three decades ago.

If only the cheapest lot in Little Namanga was somewhere else—anywhere else—than beside the shop owned by Mrs. Moses Ongoro, wife and widow of that damned poacher.

With the same precise movements she had used to seed the fur progenitor cells, Rebecca peeled off her gloves. Dropped them into the center of the biohazard bin. Ripped the label off the contaminated bottle, and followed after Ming into the changing room, her footsteps echoing off the trailer’s vinyl floor.

#

As Rebecca stepped out of the lab trailer’s electromagnetic shielding, she huffed and covered her nose. The trailer was wedged between Ongoro’s butcher shop, a mobile recycler, and an abandoned Chinese grocer, the fading characters barely visible beneath red graffiti proclaiming KENYA FIRST. The stench of offal was stronger than usual this early; without intending to, Rebecca glanced over.

No Ongoro this morning, thank God. In the widow’s place, her teenaged daughter was mucking out the empty, manure-filled pens behind the butcher shop. Rebecca could count each vertebra in the girl’s spine through her faded clothes. Only the poor worked in slaughterhouses; only the poor ate meat that grew on animals.

Good, Rebecca thought. Before the girl could see her staring—before Rebecca could struggle against the small voice of guilt that sounded, ironically and so painfully, like her mother’s voice—she turned away. With her mobile, she scanned the label’s QR code and pinged customer service.

“—hăo?”

Rebecca almost dropped the mobile. Eyebrows furrowing, she lifted it to her ear. “Nĭ hăo. Ah, sorry, I was expecting an auto-rep.”

“No, I am human,” came a woman’s voice, the warmth sounding as cultivated and precise as her Mandarin. “My name is Jing-Jing, and I am a technical services representative with Weibo-Thermo-Fisher. Am I speaking with Dr. Mbalu?”

“Y-yes,” Rebecca said, smoothing her skirt as if Jing-Jing—or whoever she really was, most call centers were in Mexico now—could see her. She took a deep breath and ignored the sounds next door of labored breathing, of a shovel scraping concrete, of the liquid plop of animal waste dropping into a bucket. “Jing-Jing, I am calling about some contaminated medium, even though the seals were intact and we stored it properly. The lot number is—”

“I have it,” Jing-Jing interrupted. “You were automatically routed to me because this lot was recalled last month due to a manufacturing issue. Dr. Mbalu, I do apologize for the inconvenience, and we at Weibo-Thermo-Fisher would normally be happy to replace the medium at no cost.”

Thank God! Rebecca grinned, but her face froze as she parsed out a key word. “‘Normally’?”

The silence stretched a second too long. “Dr. Mbalu, I do apologize, but when we emailed you last month with the recall notice, we could not have anticipated certain…logistical issues.”

Rebecca ran her free hand over her hair. The surgical cap had squashed the sides into matted felt. “Logistical issues,” she said.

There was the faint sound of typing, of somebody muffling a mic and speaking in rapid Spanish. From the butcher’s shop came the noise of a hose being turned on and sprayed across concrete. Rebecca maxed the mobile’s volume.

“—some transit issues occurring with our shipping contractors in Kenya right now.”

“Transit issues?” Could she only repeat what the woman said?

“A…disagreement, between local contractors and China Freight Co.”

A strike. Rebecca’s eyes focused on the graffiti slashed across the abandoned grocer, the words KENYA FIRST blurred where the red paint had dripped until it clotted and dried in the sun.

“Wait,” Rebecca said. “Don’t you have a manufacturer in Namanga?”

“Yes—”

“Thank God!”

“—but the Kenyan Health Ministry has ordered all medium to go to organ and blood culture facilities in hospitals and clinics.”

“Hospitals and clinics,” Rebecca echoed. The sounds of laborious cleaning next door had stopped. At least she had the small mercy of briefly, so briefly, pretending for one moment that she was not next to the tiny butcher’s shop run by the widow of the bastard who’d poached her mother’s beloved cheetahs—and then shot the first ranger who tracked him down.

“Yes, Dr. Mbalu.”

Ongoro’s daughter passed through her peripheral vision, the faded clothes replaced with a well-patched school uniform. Rebecca closed her eyes as she thanked Jing-Jing and hung up, her thoughts tangling around the phrase hospitals and clinics. The only clinic in Little Namanga that cultured red blood cells was the Margaret Kenyatta Public Clinic.

Ming. Rebecca tapped her mobile’s chat icon. There was a single SMS.

1 serum free bottle at u of n branch

Rebecca rubbed her face, feeling the grooves left in her skin by the surgical mask. They had one bottle of medium—without serum.

I could just stroll next door and ask for some fresh cow blood. Or she could sprout wings, flutter to Mombasa’s docks, and single-handedly resolve the shipping strike.

Rebecca tapped out a reply. Then she pocketed the mobile and scraped the mud off her sandals. The mobile’s slight weight bounced against her leg as she strode past the abandoned grocery and took a left, turning onto the narrow asphalt road that would take her to the clinic—and, God willing, thirty liters of bovine serum-supplemented medium.

#

The MK clinic was a long, low series of tin-roofed buildings, linked together by shaded walkways. The shade was crowded with patients and family. As Rebecca approached, the muted noise of their anxious conversations and the smells of sweat, vomit, and cigarette smoke rushed at her, the signals flooding her nerves and worming their way into the primitive part of her brain. For one moment she was a child, standing over her mother’s casket, trapped in place by the thick, wailing crowds of aunties and uncles and cousins.

She was breathing too fast. Rebecca halted, closed her eyes, and cupped her hands over her mouth, forcing herself to draw in the carbon dioxide-enriched air until her nausea passed.

Wiping her hands on her skirt, Rebecca circled the crowds and moved among the buildings, peering at doors and windows and the occasional unhelpful sign. She stopped at an unmarked door plastered with the telltale orange biohazard symbols. The techno beat of Nairobi dance music pulsed inside. A sheet of notebook paper was taped to the door’s glass, scrawled with sun-faded sharpie: Erythro Culture Techs – Keep music volume less than 30!!! Women are giving BIRTH next door!!!—Dr. Sankori

The door was locked. The doorknob vibrated with the music, its volume well over 30. Rebecca glanced again at the note, nodded, and turned towards the building next door. It was a twin of the erythropoiesis culture building—except people moved in and out. Lots of people, who seemed to get larger, to fill the world with their body heat and sweat and breath, as she moved into the clinic.

Light-headed, she listened to herself get directions to Dr. Sankori from a harried midwife. Felt her legs carry her down a hall and around a corner, towards the scents of bleach, shit, and fresh blood.

Red puddled on the vinyl floor. Drops had splattered up the nearest wall, the blood trickling down until it coagulated. An old woman in faded scrubs was swabbing the puddle and wringing out the sponge into a bucket.

Shot, Rebecca’s instincts told her. Someone had been shot in the head, neck, chest, where a bullet could just nick the edge of a crucifix that would be taken from the body, washed, and presented to another child waiting for her mother to come home—

“Are you the daughter?” said a woman in Swahili.

Rebecca looked up wildly. A middle-aged doctor in blood-stained scrubs had emerged from a nearby room and was closing the door on the faint noises within. The woman skirted the puddle and its cleaner, her movements tired but her voice brisk. “She was hemorrhaging some when we got her in here, but she’s stable on cultured erythrocytes. But we’re running low and need whole blood with platelets and clotting factors from a family member.”

“I-I’m not her daughter,” Rebecca said. The embroidered name on the woman’s scrubs was Dr. Sankori.

Rebecca took a deep breath of air that stank of blood and bleach-curdled proteins. “My name is Dr. Rebecca Mbalu,” she started, her eyes flickering between the hemorrhaged blood, the closed door, and Dr. Sankori. “I’m a local bioengineer working on, ah, a pilot project growing a cheetah skin…” Blood. Door. Blood. “S-so we can swamp the international poaching market and stop these rare megafauna from being driven extinct by our gr-greed but our culture medium’s contaminated and there’s a shipping strike going on so we can’t get any more even though we need it in forty and a half hours, and…I wanted to ask if…”

Rebecca swallowed, realizing she had been staring at the shrinking puddle of blood. She was surrounded by women, men, children who needed blood cells cultured in serum-based medium.

Would Mama have survived if—No. Her mother was dead. And the world’s first in vitro cheetah skin was withering as she dithered here.

“Yes?” Dr. Sankori said.

Rebecca wrenched her gaze from the puddle. “I wanted to ask if you can spare any serum-based medium.”

The fatigue lines deepened on Dr. Sankori’s face. “We can’t give away medium for non-clinical use,” she said, gesturing at the closed door. “We’re barely keeping up as is, and no one donates anymore. As if cultured erythrocytes are the only thing these people need!”

The exhausted doctor’s diatribe—something about the technical limitations of growing functional platelets and synthesizing clotting factors—gave Rebecca the chance to take several deep breaths, to pretend the blood puddle didn’t exist.

“Dr. Sankori, please,” Rebecca interrupted, lowering her voice to keep nearby patients and the cleaner woman from hearing. “We’re getting a fresh order of medium in the next two weeks”—God willing that the strike broke—“and I’ll replace everything. I-I’d also happily donate whole blood or go through apheresis if you need platelets and plasma.”

The doctor shook her head. “We need more than is in your entire body.”

Rebecca ran her hands over her hair. She had one final bargaining chip, although Ming would protest. But at least she’d protest over a healthy, growing cheetah skin.

“Dr. Sankori,” Rebecca said, “if you can see to it that we get medium…well, my colleague and I want to hire an assistant. Perhaps you have a daughter or a son you could recommend…?”

Silence stretched between them, a moment of quiet tension that dimmed the clinic’s noise to a murmur. Even the nearby sounds of scrubbing seemed to stop.

“My son,” Dr. Sankori said, her voice as flat as her expression, “has an excellent position with Weibosoft.”

Rebecca smoothed her skirt, looking away from the woman’s intense gaze. “Oh. I—”

The word see never emerged, because the nerves innervating her tongue—her entire body—were suddenly paralyzed as her eyes met the cleaning woman’s.

Oh, God, I didn’t recognize her in those old scrubs. All the heat in Rebecca’s body rushed to her face, leaving behind a chill that stood every tiny hair on end. This was the closest she had ever been to the poacher’s wife—widow. To her neighbor, Mrs. Moses Ongoro.

Without meaning to, without wanting to, her eyes drew in every detail. The premature gray streaking tight black braids. The brown eyes in a face even more exhausted than Dr. Sankori’s. The skin of her forehead darkened from exposure, creasing as Ongoro stared back.

She’d heard everything, Rebecca realized.

“—filters, instead.”

The doctor’s voice punctured the moment, and the world rushed back in a swirl of chattering patients, sharp-smelling bleach, and one cheetah skin slowly dying back in the lab. Rebecca staggered and caught herself on a doorframe.

“What?” Rebecca said.

“We have a box of filters. Point-six-micron pore—good enough for sterilizing any medium you make from scratch. They’re expired and we can’t use them for the clinic, but everything’s still sealed. They should work for you.”

“Oh,” Rebecca said. “That would…” She took a breath, trying to recalibrate, re-center, reset her expectations—all while Ongoro stared, stared, stared up at her. “Th-that’s great. Thanks.”

“You’re welcome. They’re yours as soon as you can get me twenty units of platelets.”

“Twenty units,” Rebecca echoed. The sounds of patients and family came at her; already she could feel her breathing speed up. “But I’ll have to talk with all these people—persuade them to donate…”

“You’re a researcher,” Dr. Sankori said. “You’ve persuaded funders to give you money, no?”

I write grant applications, Rebecca wanted to snap. Not—go into a crowd full of anxious people who sound and smell and talk like a funeral gathering…

But without these filters to sterilize the medium she must somehow make from scratch…there would be no more grant applications.

And there would be no more cheetah skin.

Rebecca kept her gaze locked on the doctor’s, refusing to look at that closed door or the puddle of blood. Or Ongoro.

She nodded slowly. “You’ve got a deal.”

#

The next morning’s air was cold, and dew mingled with the sweat on Rebecca’s skin as she pushed the bike and its precious cargo to the trailer. The box of filters was light and she had only pedaled a couple kilometers from the clinic, but she was still woozy from yesterday. Some of the wooziness was the physiological consequence of donating a double unit by apheresis—but most of it was a social hangover from venturing among all those people to beg for donations, her lips pulled back in a smile over teeth clenched against the nausea.

Her breath came even harder as she thought of the murmuring, worrying, grieving crowds.

The padlock’s chain was cold and slick in her shaking fingers. Rebecca fumbled it through the bike’s frame and then untied the box. Clutching the damp cardboard, she unlocked the trailer and sighed with relief as the door swung shut behind her.

In the changing room, Ming’s clothes hung from the hook, her sandals lined up beneath. Rebecca recognized the shirt the smaller woman had been wearing yesterday, a faded paisley print with the words SAVE THE BENGAL TIGER stamped in English.

“What’re you carrying?” Ming said as she appeared in the doorway. She lifted a gloved hand towards her puffy, exhausted-looking eyes, but paused before the latex touched her skin. “Wait. Sorry. I mean, good morning. Is it morning?”

“These’re the filters,” Rebecca said. “Ming, did you spend the night in lab?”

“If it’s morning… technically, yes,” Ming said, her Mandarin thick and slow in the way of the very drunk or the very tired. “After I donated those units last night, I checked on the skin. There was a neoplasm.”

“Good God, Ming!”

“An early trichoepithelioma,” Ming continued. “One of the follicle progenitor cells we seeded must’ve had some rare mutations that slipped past the auto-screen. I excised it with a two-centimeter margin and took some samples for sequencing. The thermocycler’s just finishing now.”

“But—why didn’t you ping me?”

Ming nodded at the box Rebecca was clutching. “Because we need those. Rebecca,” she said, slumping against the narrow doorway, “we need medium. With bovine serum. Plasma, even. Otherwise the cells in the patch won’t take.”

Rebecca ran her free hand over her hair. Carcinogenesis was Ming’s forte, not hers. “How long before you need to patch?”

“By the end of today.”

“Today!”

“Yes. Otherwise the cell layers won’t line up and it’ll be this large, glaring defect e when we show the skin to the funders.”

Rebecca squeezed her eyes shut. All she’d wanted was to take the filters inside and discover that Ming had discovered some long-forgotten bovine serum at the back of the fridge. All she’d wanted was to watch the skin grow healthy and beautiful, the living incarnation of a decade’s dreams and hard work.

All she’d wanted was to never see the widow of her mother’s killer again; to stop being reminded every damn day of her mother’s death by Ongoro’s life, as she labored next door to the cheapest damn hook-up in Little Namanga.

Rebecca rubbed at her face with her free hand, feeling where the cold dew had condensed. Her hand slid down until it met the small chain about her neck, then followed it link by link until she found the crucifix. Her thumb pressed against the crucifix’s chipped edge until the flesh ached. A little more pressure, and she knew the skin would part.

She dropped her hand. Opened her eyes, and passed the box to Ming.

“I’ll get the serum,” Rebecca said, and turned to go outside.

#

Despite the early hour, the butcher shop’s door was propped open. The sounds of running water and something being sawed greeted Rebecca as she stepped inside, forcing her feet to move fast as if she could outpace the heavy cloud of anger, fear, and guilt that descended every time she spotted Ongoro.

But the cloud enveloped her the moment she spotted Ongoro’s back, the woman’s hands excising fat from fresh cow tripe spread across the battered surface beside a stained sink. Rebecca’s sandals scuffed the uneven floor.

Ongoro whipped around, the worn knife in her hand streaked with blood and yellow flesh. All of Rebecca’s hurried resolutions—to regard this simply as a business transaction, to treat Ongoro as nothing other than a poor butcher—dissolved in red haze.

“Mama,” came a teenaged girl’s voice through the door leading back to the pens. Ongoro and Rebecca both twitched. “Do you want me to go to the knackerman before school?”

Ongoro’s throat bobbed. Her reply came out thin and forced. “Yes, Joyce. Don’t wear your uniform; come back to change after you’ve delivered the cow’s blood.”

Cow’s blood. Rebecca started to step forward; Ongoro started to raise the knife. Neither woman actually moved.

“I…” Rebecca took a deep breath. Just a business transaction. “I would like to buy the cow’s blood. All that you have.” Her words came out thin, crisp, and cold as the grave.

Something hardened in Ongoro’s face. “We have forty-two liters from this old bull.”

The blood would be coagulated, and she would get plasma instead of serum after centrifuging it—but that was better than the nothing they currently had. Rebecca listened to herself coolly ask how much per liter.

Ongoro’s answer was quiet, precise, and had far too many significant digits.

Rebecca’s shoulders tightened. “But I can’t—that’s too much!”

“That is within the standard range for fresh blood.”

“Within the standard range?” Rebecca said, pulling out her mobile and fumbling through a search. She waved the mobile screen towards Ongoro, stabbing at the search results. “There are butchers in Nairobi asking for half that!”

“They are wholesale,” Ongoro snapped. “And I doubt they are supporting a child by themselves.”

“That is because they had the good sense to not marry a murderer,” Rebecca hissed, the words easily escaping her feeble resolution.

Ongoro’s nostrils flared. “That is because they did not marry a man who risked his life to support his family.” Her words had the sharp edge of thoughts well-honed over time. “Who risked being shot and jailed by some spoiled, rich bastards who value some damn cats over staving humans! Who would rather see a poor widow work two jobs and her child labor in a damn butcher shop!”

“At least her mother’s alive!” Rebecca shouted, her voice reverberating inside the tiny shop. Beneath the sun-roughened skin, Ongoro’s face was flushed, and her lips were drawn into a sneer. Rebecca realized her own teeth were bared, her jaw locked into a rictus snarl that refused to let any more words escape.

The echo of her shout faded. Rebecca realized she was trembling, her muscles strung with a tension that she had only felt once: when a splinter in her foot had become infected. It felt now as if a scalpel was probing some abscess deep in her, an infection growing in the wound she had taken when her mother died. An infection that had worsened every time she saw Ongoro, heard Ongoro, thought of Ongoro.

Slowly, so slowly Rebecca did not notice it at first, Ongoro’s features smoothed out, her skin settling into its normal lines of exhaustion and worry. The woman took a long, deep breath.

“I will sell you the cow’s blood at cost,” Ongoro said, the words forced out one by one, “if you give my daughter the job with your lab that you offered to Dr. Sankori’s son.”

Of all the things Rebecca could have done—could have said–she just blurted out, “She’s too young.”

“My daughter already does a man’s work.” Ongoro said, and looked down at the tripe. “If her life is like her mother’s, someday she will do the jobs of two men, carving up dead animals during the night and cleaning blood and shit and vomit during the day.” The tripe wobbled as the knife snicked off yellow fat globules with more force than seemed necessary. “If her life is like yours, someone else will do the carving and cleaning. If her life is like yours”—the knife jabbed and probed for any lingering fat—“she will not marry a poor man. If her life is like yours, she will never be so desperate that she urges her husband to risk himself poaching one cheetah…and live the rest of her life knowing it is her fault when he kills a ranger, and then dies himself in prison.”

Rebecca watched the woman’s hands as Ongoro began to wrap the tripe in brown paper. Her eyes were too heavy to look up at Ongoro’s face. “But how can I hire and work with and trust your daughter? Why would she work at culturing cheetah skins, at flooding the black market, at stopping men like her father from poaching cheetahs?”

“You need cow’s blood. I have cow’s blood.” The paper closed over the tripe, cloaking the raw organ in a tidy package. Ongoro’s hands stilled. “I, who must bargain with the daughter of the woman whose death sent my husband to prison.”

In the quiet that followed, Rebecca could hear their breathing. As she exhaled, Ongoro inhaled; their lungs passing back the same stale air, as if there was not enough for both to breathe at the same time.

Footsteps broke through the quiet. Ongoro whipped around as her daughter walked in from the back pen.

“I will work hard and honestly for you,” Joyce said. The teenager’s face was a younger, rounder version of Ongoro’s, but her eyes were different. Her father’s eyes, Rebecca realized. “Because I want no one to lose their life over cheetahs again.”

Rebecca looked at the girl. At the widow of her mother’s killer, who had urged him towards the deed and carried the guilt ever since. At the confines of the tiny butcher shop. Through the back door, she could just make out a stretch of morning sky and the battered corner of the lab trailer, where Ming and the cheetah skin and all of Rebecca’s hopes waited.

She could take her knot of anger and hate and guilt back to that trailer, and nurse it to a greater size as the skin curdled and died.

Or she could leave it here on the worn floor of this cramped little shop, and take the daughter of her mother’s killer instead. Could train the girl to tend the cheetah skin. The skin that would live, and thrive, and grow.

Rebecca turned to Ongoro, and nodded.

#

In the trailer, Rebecca set down the first jug of cow’s blood. Curled up on a battered lab chair, Ming slept with her mouth open, oblivious as Rebecca powered up the centrifuge and brought out the filters. Rebecca reached out to gently shake her colleague awake, but paused with her fingers centimeters from Ming’s shoulder.

Rebecca withdrew her hand and turned back to the blood, the filters, and the waiting cheetah skin. She—they—would need Ming later, once the plasma was filtered and combined into the life-giving medium. Until then, the exhausted bioengineer could sleep. Until then, Rebecca could work in the company of just her own thoughts. Today, she would make the medium and feed the skin.

Tonight, Ming would patch the gap left by the tumor.

And tomorrow, Rebecca would open the door to Ongoro’s daughter, and begin teaching the girl what she knew about keeping cheetahs, rangers, and poachers alive.

Rebecca took a deep breath and, with precise movements, pulled on a new pair of gloves.

END

EP567: Baro Porrajmos, or Love in the Vardo (Artemis Rising 3)

Artemis Rising returns to Escape Pod for its third year! This month-long event highlights science fiction by women and non-binary authors. We have five original stories this year that range in topics from biotech to far-flung A.I, virtual reality, and nanotech.

AUTHOR: Eileen Gunnell Lee

NARRATOR: Marguerite Croft

HOST: Divya Breed

ARTIST: Ashley Mackenzie

about the author…

Eileen Gunnell Lee is an award-winning essayist, teacher, and graduate student. She is currently completing a PhD in literature focusing on science fiction, myth, and the environment, and editing her first novel. She lives in Hamilton, Canada, and tweets @eileenglee.

about the narrator…

Marguerite Croft is a professional writer living in the San Francisco Bay Area. She’s a recovering anthropologist and a graduate of the Clarion West Writers Workshop. She has read fiction for Podcastle, Pseudopod, and Escape Pod..

 

 

about the artist…Ashley Mackenzie

Ashley Mackenzie is an artist and illustrator based in Edmonton, Alberta. She was born in Victoria, BC and grew up between Vancouver, BC and Edmonton, AB. After studying online for a year through AAU in San Francisco, Calif., she moved to Toronto to pursue a degree in Illustration at OCADU. Though she loves the challenge of creating complex conceptual illustrations and finding new ways to navigate ideas, visually she also enjoys making concept art and decorative illustration. When not drawing, she can be found reading, playing video games or thinking about her next project.

Baro Porrajmos, or Love in the Vardo

By Eileen Gunnell Lee

The day we left the Static was the best day of our lives. The Static had been squalid—a cold concrete building with perpetually wet floors sloping toward the drains. There had been too many of us in there, even without the men.

We celebrated the day we left the Static. We ate the rest of our rations, so certain were we that after that day we would forage in the countryside, or trade for what we couldn’t glean ourselves.

Freedom! Opre Roma, and all that.

EP566: Honey and Bone (Artemis Rising 3)

Artemis Rising returns to Escape Pod for its third year! This month-long event highlights science fiction by women and non-binary authors. We have five original stories this year that range in topics from biotech to far-flung A.I, virtual reality, and nanotech.

AUTHOR: Madeline Alvey

NARRATOR: Tina Connolly

HOST: Alex Acks

ARTIST: Ashley Mackenzie

about the author…img_3547

Madeline Alvey lives in Lexington, Kentucky and is a full-time student at the University of Kentucky, seeking degrees in both Physics and English, and minoring in Creative Writing. She has no idea what she’d like to do when she graduates, though luckily she has plenty of time. When she has it, she splits her free time between crafting; cooking; gardening; writing science fiction, fantasy, and satire; and doting on her four rats.

 

 

about the narrator…Tina Connolly

Tina Connolly is the author of the Ironskin fantasy trilogy from Tor Books, and the Seriously Wicked YA series from Tor Teen. Her novels have been finalists for the Nebula and the Norton. Her stories have appeared in Tor.com, Lightspeed, Analog, Strange Horizons, Beneath Ceaseless Skies, Daily SF, and many more. Her first collection, On the Eyeball Floor and Other Stories, is now out from Fairwood Press. Her narrations have appeared in Podcastle, Pseudopod, Beneath Ceaseless Skies, John Joseph Adams’ The End is Nigh series, and more. She co-hosts Escape Pod and runs the Parsec-winning flash fiction podcast Toasted Cake.

about the artist…Ashley Mackenzie

Ashley Mackenzie is an artist and illustrator based in Edmonton, Alberta. She was born in Victoria, BC and grew up between Vancouver, BC and Edmonton, AB. After studying online for a year through AAU in San Francisco, Calif., she moved to Toronto to pursue a degree in Illustration at OCADU. Though she loves the challenge of creating complex conceptual illustrations and finding new ways to navigate ideas, visually she also enjoys making concept art and decorative illustration. When not drawing, she can be found reading, playing video games or thinking about her next project.

 

Honey and Bone

By Madeline Alvey

With each step she took, the girl’s leg hissed. Thump, hiss, thump, hiss, thump, hiss. Whenever she lifted her leg, the knee joint extended. Her thigh and shin pulled apart unsettlingly, reminiscent of something deeply broken. Her gait was slow, round, loping. She didn’t move with any expedience. It was a speed without rush, or any desire for such.

Her footfalls themselves were soft, a quiet – thup, thup, thup. Soft leather covered her feet as she padded along, her hissing knee the loudest sound there. Once, it had creaked, a creak reminiscent of breaking metal – or perhaps, nearly as much, a rusty hinge. Before that…she didn’t remember.

EP565: The Zombee Project 3.0 (Artemis Rising 3)

Artemis Rising returns to Escape Pod for its third year! This month-long event highlights science fiction by women and non-binary authors. We have five original stories this year that range in topics from biotech to far-flung A.I, virtual reality, and nanotech.

 

 

 

AUTHOR: Allison Mulder

NARRATOR: Ibba Armancas

HOST: Divya Breed

ARTIST: Ashley Mackenzie

about the author…

Allison Mulder is most likely a failed science experiment which originated in small-town Iowa. She is unabashedly addicted to puns, often lapses into a nocturnal lifestyle, and tweets too much as @AMulderWrites. Her fiction has appeared in Crossed Genres, and is forthcoming at Intergalactic Medicine Show. These stories can be found at allisonmulder.wordpress.com/ along with other experiments in fantasy, scifi, and horror.

about the narrator…narrator Ibba Armancas

Raised by swordfighters and eastern European freedom fighters, Ibba Armancas is a writer-director currently based in Los Angeles. Her darkly comedic genre sensibilities are showcased in two webseries and a feature film forthcoming later this year. One day she will find time to make a website, but in the mean time you can follow her projects and adventures on twitter or instagram.

about the artist…Ashley Mackenzie

Ashley Mackenzie is an artist and illustrator based in Edmonton, Alberta. She was born in Victoria, BC and grew up between Vancouver, BC and Edmonton, AB. After studying online for a year through AAU in San Francisco, Calif., she moved to Toronto to pursue a degree in Illustration at OCADU. Though she loves the challenge of creating complex conceptual illustrations and finding new ways to navigate ideas, visually she also enjoys making concept art and decorative illustration. When not drawing, she can be found reading, playing video games or thinking about her next project.

 

The Zombee Project 3.0

By Allison Mulder

Jensen brought the job offer to each of them in person, like no one did anymore. She poached them from the best labs and the best apiaries, all over the world. Put everything she knew on the table, in out-of-the-way cafés and fine-but-nothing-fancy hotel rooms and home kitchens which smelled strongly of coffee and not much else.

She handpicked them. She made that very clear. Like she was assembling heroes, forming a unit–a rescue unit, with a crucial task.

At that point, it wasn’t recruitment. It was a higher calling.

“It’s not legal,” Jensen told each of them. “But no one who could enforce that knows about it.”

None of them cared. They signed Jensen’s contracts and confidentiality agreements.

And from then on they were all members of Jensen’s team.

Nothing less and nothing more.

#

Jensen’s team wasn’t ready when the first resurrected bees began twitching in their wire-covered frames.

The team had gone through so many cases of small, still bodies sent by the collection branch of the project–fresh bees, long-dead bees, solitary, bumble, and honey. Pollinators, honey-makers. Stinging and stingless and every one of them dead from Colony Collapse Disorder, and a dozen other hypothesized causes, and more unidentified threats besides.

Jensen’s team was made up of professionals, happily married to their work, caring tenderly for the in-laws that were their safety protocols. But they got used to failure, administering the compound to insect corpses that stayed corpses. Observing only decomposition during the dictated test periods. Burning the samples to cinders, then receiving new batches of bees for testing.

Jensen’s team got so used to failure that they got used to other things, like neglecting their bulky, white protective suits when not working directly with the dead bees. They filled out paperwork and cleaned beakers in quiet corners of the lab, bare-faced, chatting with the team members who handled the compound and the corpses at the far table.

When the first stiff, disoriented honey bee wriggled back to life and slipped from a surprised scientist’s forceps, several team members across the room were not wearing their protective suits.

“Got it,” he called. “I’ve got this one–”

He deftly swept the runaway bee from midair and–no alternatives in reach–cupped the beaker against his own gloved hand.

A wince. Wide eyes.

He slid beaker and bee onto one of the lab tables, waving a teammate forward. “Take it.”

The wire bee veil didn’t hide his colleague’s horror. “Did it–”

“Quarantine.” He edged to the door, heart racing. “I need to quarantine myself. But it’ll be fine. Just keep the others contained. Everything will be fine.”

EP564: Trusted Messenger

AUTHOR: Kevin Wabaunsee

NARRATOR: Phillip Lanos

HOST: Norm Sherman

about the author…

Kevin Wabaunsee is a speculative fiction writer living in Chicago. A former newspaper reporter on the health and medical beat, he is currently an editor and communications director for a large medical school. He is a Prairie Band Potawatomi.

 

 

 

 

about the narrator…Displaying Profile-Pic.png

Phillip Lanos is Los Angeles born, hyper-active and yet pensive. An Actor, Singer-Songwriter and currently the host and editor of the Ajax Union Digital Marketing Podcast. Television appearances include MTV’s “Copycat” & “Parental Control” and Telemundo’s “Yo Soy El Artista.
Trusted Messenger

By Kevin Wabaunsee

Dr. Thaddeus Begay had been expecting a dying child in the exam room, but no one had said anything about a woman half-dead from starvation. He stepped inside and muscled the door shut – like the rest of the clinic, it was made from metal reclaimed from the original dropship, and like everything else in the colony, it didn’t quite fit right.

“Good morning,” Thad said.

“Hello there,” the woman said. Her tone was probably meant to be cheerful, but to Thad, it sounded like it took significant effort.

Thad frowned. His nurse must have made a mistake. A woman had burst into the clinic without an appointment, the nurse had said, demanding help for her sick child.

But the woman sitting on the examination table with her child was thin to the point of starvation. Cheeks deeply sunken; the outline of her ribs and collarbone sharp through her tank top. Her hair, like her shirt, was thin and plastered against her flesh with sweat. On her lap sat a little boy of about a year and a half, had jet-black hair and deep brown eyes, and cheeks that were flushed with a painful crimson rash. Still, he looked healthier than his mother.

Thad dragged a stool over to her. It squealed across the faint outlines of the struts and tie-downs and internal dividing walls that had once honeycombed the massive storage container that now served as the colony’s clinic.

He glanced back at the chart – her name was Suzanne Buenaventura. He glanced at her vitals, and nearly gagged when he saw her records from the colony ship. She’d been more than 215 pounds when the dropships had landed. Sitting on the exam table, she didn’t look like she’d top 110. “And what seems to be the problem this morning, Mrs. Buenaventura?”

EP563: Two Steps Forward

AUTHOR: Holly Schofield

NARRATOR: Adam Pracht

HOST: Norm Sherman

about the author…

Holly Schofield travels through time at the rate of one second per second, oscillating between the alternate realities of city and country life. Her fiction has appeared in Lightspeed’s “Women Destroy Science Fiction”, AE, Unlikely Story, Tesseracts, and many other publications throughout the world. For more of her work, see hollyschofield.wordpress.com.

 

about the narrator…

Adam Pracht lives in Kansas, but asks that you not hold that against him. He works full-time as the public relations coordinator at McPherson College, where he also received his master’s in higher education administration in spring 2016. He’s excited to get his life back. He was the 2002 college recipient of the Robert F. Kennedy award for writing about the disadvantaged and has published a disappointingly slim volume of short stories called Frame Story: Seven Stories of Sci-Fi & Fantasy, Horror & Humor which is available from Amazon as an e-Book or in paperback. He’s been working on his second volume – Schrödinger’s Zombie: Seven Weird and Wonderful Tales of the Undead – since 2012 and successfully finished the first story. He hopes to complete it before he’s cremated and takes up permanent residence in an urn.
Two Steps Forward

By Holly Schofield

I eased myself down off the running board of the ’28 Hudson sedan then laid a hand on the hood in mute sympathy for its overheated pistons. A quick buttoning-up of my topcoat and a tug on my fedora and I felt ready to approach the farmhouse.

The old woman on the veranda watched me as I drew close. Fly-away gray hair surrounded a narrow, clever face, faded housedress atop rubber boots, she was as much of a hodgepodge as I used to be. The late model Stewart Warner radio perched on the windowsill shimmied with “The Spell of the Blues”. I hummed along as the saxophones swooped and soared.

The old woman fingered the jumble of items on her lap as if looking for a weapon and I stopped a few feet from the bottom step of the porch.

“Afternoon, ma’am.” I tipped my hat, not too far, and put my hands in my pockets. “I won’t take up much of your time. Your husband built that famous automated scarecrow, am I right?” At her tightening mouth, I quickly added, “I’m not a reporter, just an admirer. I saw that scarecrow ace the dance marathon at the Playland  Pavilion in Montreal last winter. Truly hep to the jive.”  The ballroom’s mirrored walls reflecting the graceful moves of the dark-suited figure, hands as clever as Frisco twirling a chiffon-clad partner–a sight worth seeing, all right. The old woman grunted and picked up a dirty rag. She poured something golden and syrupy over it from a pickle jar, and began rubbing a coaster-sized metal disc—a flywheel? a gear?—with more vigor than necessary.

EP562: Meltwater

AUTHOR: Benjamin C. Kinney

NARRATOR: Rajan Khanna

HOST: Tina Connolly

about the author…

Benjamin C. Kinney is a neuroscientist by day, speculative fiction writer by night. Once upon a time, he worked in a glass-walled tower making cyborg monkeys, but he long ago abandoned that business to run electromagnetic fields across human brains. He lives in St. Louis with two cats and his spacefaring wife. His fiction and nonfiction have appeared in Strange Horizons, Clarkesworld, PodCastle, and Flash Fiction Online – and, at last, his beloved Escape Pod, where he sifts through submissions as an Associate Editor.

about the narrator…Rajan Khanna Author Photo

Rajan Khanna is a fiction writer, blogger, reviewer and narrator. His first novel, Falling Sky, a post-apocalyptic adventure with airships, was released in October 2014 from Pyr. A sequel, Rising Tide, came out in October 2015. His short fiction has appeared in Lightspeed Magazine, Beneath Ceaseless Skies, Shimmer, and several anthologies. His articles and reviews have appeared at Tor.com and LitReactor.com and his podcast narrations can be heard at Podcastle, Escape Pod, PseudoPod, Beneath Ceaseless Skies and Lightspeed Magazine. Rajan lives in New York where he’s a member of the Altered Fluid writing group. He is represented by Barry Goldblatt of the Barry Goldblatt Agency.
Meltwater

By Ben Kinney

My beloved waits for me in the flooded church. She’s died one time too many, and I can’t get her back without her help. At least, at last, it gives me a reason to see her again.

The church lies at the edge of the Mediterranean fracture, below cliffs barely eight thousand years old. Glacial melt pours down the precipice, filling the air with a fine frigid mist. Rime ice coats the façade, making the church look like a sharp-clawed hand locked in melting wax. Another fork drops me off in a flier, leaving me alone in the valley with my pack and what few memories I can carry.

Boulders and high water have turned the entrance into a scramble over icy stone. My lungs heave against thin cold air as I catch my breath in the nave atop a half-submerged pile of boulders. There’s just enough dry space for me to stand upright. I wish I’d taken a different body, but for this task–for me–only the traditional shape will do.

I first spot Emlune as a glowing line of blue. Her primary lamp cuts across the chamber, and the air glimmers with frozen mist. She clings to the vaulted ceiling with eight articulated limbs. Smaller lights spangle her teardrop-shaped chassis, as if she had swum in water rich with bioluminescent algae.

I cup my hands in front of my mouth. “Emlune!”

The light swivels toward me, even though she must’ve noticed me already. The artifice lends her attention a charming, primitive touch. I say, “There you are. Six thousand years, and this place hasn’t changed a bit. You’re still maintaining it, yes?”

“Percel.” Her voice sounds calm, but as distant as steeple to pews. “If you’re using that name again?”

“Of course.” I rub my hands together through their gloves, though my flesh is already warm. “Bad news. Your last iteration died without leaving any other forks of herself. No variants, no backups, nothing.” I intend to add she’s gone, but the words never leave my throat.

She scuttles down from ceiling to wall and hops onto a boulder beside me. Her body is glossy with layers of diamond, twice the size of my relic form. She says, “How?”

The question hurts, and I succumb to the temptation to avoid it. “She was in the Cascadia Zone, working on the volcanoes. She must’ve mis-timed an eruption.”

A manipulator swivels, like the shake of a head. “Why didn’t she make any backups?”

“I don’t know.” I want to fidget, to look anywhere else. Beneath her bright-light gaze, I can’t hold back the truth. “But it can’t have been an accident. Unless you think you forked someone careless.”

I wince as the last words escape my mouth. I don’t want her death on my shoulders, but I’d rather blame myself than her. Her beam flickers over my face, and I wonder what my skin and muscles reveal.

She laughs, a sound like the memory of bells. “You’re so transparent in that body. It’s sweet. It’s all right, I know you’re on edge. I’ve missed you too.”

I take a deep breath, filling my lungs with the easy grace of her forgiveness. “It’s good to see you, Emlune. It’s a lonely world out there without your fork. But to be honest, we missed this you.”

Emlune braces four legs beneath her and tilts her spun-diamond body like a sitting dog. “Am I so different from my forks? Or did you change yourselves to love me less?” Her voice gains a bittersweet edge, as if disappointed by the sadness on her tongue. “Probably both. I knew my fork would be different out there. Because of the work. I just can’t… obsess about the old Earth, not like you do.”

Frustration surges inside me. “What’s wrong with the work? At least I’m doing something productive! What have you accomplished these millennia? Thought deep thoughts and kept a church from falling down?”

Blue light strikes my eyes. I squint, but hold my ground. What could be more important than repairing this shattered Earth? I have to make her understand.

She says, “You shouldn’t have come back.”

She slips into the water and vanishes between the boulders. I am alone in the frozen church, hating myself. I haven’t forked into a body like this in millennia, and I’ve forgotten how to manage the emotions. The frustration remains, and I find myself pacing back and forth.

I slip on the ice. I catch myself on my hands, and my bones jar with the impact. I curse with clenched teeth and words that have long since lost their meaning.

I sit up. My body aches, but nothing worse. I’m not going anywhere. I may not remember all nine thousand years, but I know patience.

#

I dig a transmitter out of my pack and pass the time by keeping tabs on the work. I have four other forks currently running: two submarines working the Mid-Atlantic Ridge, a solar array warming the Cocos Plate, and a flyer surveying the Iberian peninsula. I consider envying my other forks. They miss only Emlune’s now-dead fork, with an affection faded by the malignant accumulation of changes. They barely recall Emlune’s frozen source, but I exist for my task: body, mind, and memories. When I finish my mission, when we splice back together, all of us will learn what we’ve been missing. They will remember my minutes and hours with Emlune, and they are the ones who will envy me.

Emlune clambers up onto the rocks. Screenlight reflects off of the camber of her fins, rippling as her limbs narrow themselves into legs.

She says, “I’m sorry, I shouldn’t have have run off like that. I’m not used to company.”

I shift my jacket on my shoulders. “I’m sorry too. I was being nasty. I’d blame this body, but that doesn’t make me any less responsible.” I try a smile. “I hope you’ll forgive me?”

“Always. As long as you will,” she says wistfully. Her light flickers to my face, to my screen, and back. “I’m glad you’re still enjoying your work.”

I nod toward my screen. “Do you remember the old Earth?” I try to recall us walking there together, breathing air rich with nitrogen and oxygen, warm sunlight on our singular face. “But never mind. It’s okay if you don’t. I just need another fork of you that will.”

“It didn’t work out last time. Evidently.”

“It worked for six thousand years. If we have to do this every few millennia, that’s not so bad, is it?”

She sighs, her voice heavy with regret. “My fork must’ve been miserable. To end the way she did. Maybe this isn’t meant to be.” Her tone hardens, but I can hear the crack beneath the plaster. “Learn to adapt, Percel.”

I wince. This isn’t going well. “We will. But we–I–don’t want to do it alone. Won’t you try again?” My pleading tone embarrasses me. This is futile, even if she acquiesces. As long as the idea repels her, she’ll never be able to craft a self that wants this future.

An idea dawns, and I grasp it like a whisper of radio signal in a cave. “Wait. I’ve been greedy, haven’t I? Let’s trade forks. I’ll bring one here to keep you company.”

Emlune’s primary lamp goes dark. The other lights on her carapace twinkle like a cupful of stars. I can still discern her shape, as the light from my screen casts her spangled shadow against the false window-arch of a triforium. She says, “You think a version of you could be happy here?”

“With you? Of course.” I’ve spoken too quickly. Would that fork still be us, the me whom she loves, without its interest in the world beyond?

Maybe not. But maybe she’ll be happy, even if her partner is someone else.

I wonder whether she can see my agony. But I put on a smile and say, “It’s worth a try. I don’t have the hardware to copy from this body, but I’ll have one of my others send the new fork.”

Her light flickers back into life and she reaches out. Her diamond manipulator touches my skin. Not as cold as ice, but as cold as the dead. Still, it’s the only touch I desire.

“It’s worth a try,” she echoes. “And until your fork arrives, we have time to talk.”

#

I receive a message from my fork in the church. Emlune wants us to make a version willing to stay here.

I can make such a fork, and I know her future. The new fork will diverge so far we’ll never achieve a proper splice. She will learn the things I most lack: peace, certainty, trust in permanence. She will ask the hardest questions. She will challenge me.

I will fall in love with her.

Six thousand years have passed since the last time I did this, but I have not forgotten.

#

Dawn light filters through clerestory window holes as Emlune sits on the cold stone beside me, telling tales of her work. Water and ice and time form an ever-changing loom, and every day she weaves the church anew. She doesn’t pause at the sound of turbines, but she falls silent when spun-diamond feet clink against boulders in the entrance.

An eight-limbed teardrop-shaped machine joins us, carrying a box full of gear. With my inchoate senses, the kit looks like nothing more than a tangle of shadow and silver.

I say, “Hello, Percel.”

“And to you, Percel.” The new arrival laughs with my voice, and then swivels toward Emlune. “You must be Emlune? I’m afraid I don’t remember much of you. But I will in a moment.”

The new Percel unspools a pair of leads from the kit, plugs one into her carapace, and offers me the other. “You have the only full instance of our feelings for her. Ready to share?”

More than ready, if it’ll create one more soul who understands me. I slip the lead into the socket where my spine ascends to skull, a concession to modernity in the timeless architecture of my human body. The world stutters as my functions lock down during the copying process, but when I resume, only an instant has passed.

I disconnect, and rub my fingers against the hard rim of the port. I force myself not to glance at Emlune; even if I did, I wouldn’t be able to read the reaction on her carapace. “Do you remember now, Percel?”

My newest fork hesitates, lights cycling beneath her surface as she weighs my gift. For her, it should be no burden. “I do.” The lights fall still, and her main lamp flickers to Emlune, then back to me. “But why Percel? Neither of us should answer to that. Names don’t mean much if we reuse them. I think I’d rather go by Temze. How about you?”

Satisfaction freezes in my veins. “I like Percel.”

Temze’s lamp dims, and she swivels it toward Emlune. Tightbeam communication passes between them. Temze’s dismissal hurts, a spike of disappointment somewhere behind my ribs.

I’m still not sure I understand Temze’s meaning. There’s no reason why I should; she has a long and different life ahead of her. But I want to make her proud of me. I clear my throat. “Call me Arju.”

Emlune and Temze focus on me. A breath of mist eddies across the nave. Emlune says, “It’s been a pleasure meeting you, Arju.”

Meeting. We both know I’m not the same Percel who left her here six thousand years ago. I’m a short-lived fork, and soon I’ll splice back into the others. I will become part of my future selves, to live my manifold lives with Emlune’s copies.

It’s not enough.

This time, I’ll know what I’ve lost. In love but forgotten, as Emlune and Temze build their private world. I can’t imagine a more painful fate. There must be a way out.

There is a way out.

I take the kit from Temze’s manipulators. “Download Emlune’s fork into me.”

Emlune recoils. “Your body barely has room for one personality. I’d overwrite you! If it’s even possible.”

Temze speaks cautiously, her voice deferential. “It’s possible. We designed this kit to create Arju.” I’ve surprised her, and I try to hide my flash of pleasure before her attention swivels toward me. “I don’t understand, but I’ll respect your choice. If you’re certain.”

Emlune scrapes her manipulators along the ice, as if hunting for purchase. “Why are you doing this?”

The wire shakes in my hands. My body feels like glass, strong but brittle. I must not crack. I was made to love this Emlune, solitary and eternal. If I splice, my love would rejoin the stream of my future selves. As long as some part of us pines for Emlune in her sanctuary, we will return here again and again, frozen in our yearning for an impossible love.

I look at them both, two bodies dazzling with diamond and light. “Because without me, we’ll be free.”

I attach the lead and wait for her to flow into me.

###

EP561: The Android’s Prehistoric Menagerie

AUTHOR: A. Merc Rustad

NARRATOR: Setsu Uzume

HOST: Adam Pracht

about the author…

about the narrator… 

Setsu Uzume is the assistant edtior at Podcastle, and spent her formative years in and out of dojos. She also trained in a monastery in rural China, studying Daoism and swordplay. While she has dabbled in many arts, only writing and martial arts seem to have stuck. Find her on Twitter @KatanaPen
The Android’s Prehistoric Menagerie

By A. Merc Rustad

 

The world explodes.

 

#

 

Unit EX-702 comes back online when UV wavelengths activate its solar plating. Its optics are crusted with red dust; a low-powered system scan concludes that though its left arm is missing and there is excessive oxidation damage along its chassis and helmet, as well as a web spun from several arachnids (Nephila clavipes) now embedded in its servo stump, EX-702 is functional. Its operational protocols are intact.

This unit is programmed for the support of life and sapience.

Its databanks are semi-corrupted beyond basic functions and archived footage and base knowledge dumps. Attempts to access the ‘Net and reboot from a mobile hub fail with a repeated NO CONNECTION AVAILABLE alert. EX-702 lifts its remaining arm and scrapes dust away from its optics.

Operational Function 413: this unit will maintain self-preservation operations, including but not limited to the access of immediately available data to determine procedure, when it does not conflict with the preservation of homo sapiens’ survival.

EX-702 sits in the crater of what had been Newtonian Genetech Incorporated laboratories and HQ facility. Debris from the lab cakes the thick concrete and rusted iron walls. Its scanner matrix glitches with static-filled readouts and partially deteriorated unprocessed updates from microseconds before it was shut down.

Scientist voices agitated and unmodulated without appropriate safety masks. [STATIC] “—find survivors! Protect yourself!” [SHUT DOWN]

Something crackles against EX-702’s knee joints. Fibers, synthetic and organic—old HAZMAT suits shredded and woven around broken plywood and stripped copper wiring—shaped in a non-geometric design. Inside the structure sit three maroon and heather-brown eggs thirteen centimeters in length and six in diameter.

Processing…

EP560: Run

AUTHOR: C. R. Hodges

NARRATOR: Eden Royce

HOST: Alasdair Stuart

about the author…

about the narrator… 

Eden Royce is descended from women who practiced root, a type of conjure magic in her native Charleston, South Carolina. She’s been a bridal consultant, reptile handler, and stockbroker, but now writes dark fiction about the American South from her home in the English countryside.
Eden is one of the founders of Colors in Darkness, a place for dark fiction authors of color to get support for their projects and is the recipient of the Speculative Literature Foundation’s Diverse  Worlds grant for 2016.
Run

By C. R. Hodges

The claxon blares three times: all clear. We file out of the underground shelter and up the serpentine lava tube. Our semi-annual hibernation drill, bureaucratic gibberish for run down to the emergency shelter and hide, is now monthly. I’m all for avoiding nuclear annihilation, but I wish the drills weren’t scheduled so close to lunar sunset.

I jostle my way toward the front of the long line headed for the surface modules. It’s been fourteen Earth days since I’ve talked to my best friend. Sure we could have emailed or texted, even from two-hundred and thirty-nine thousand miles away, but that would be cheating. We’re the Interplanetary Morse Code Club. Sally is President, Earth District; I’m Vice President of Lunar Operations. It’s a small club.

EA Metacast, January 2017

A look back at 2016 and what’s in store for Escape Artists — and for you — in 2017.

Also, a full list of 2016 award-eligible 2016 Escape Pod first publications follows, along with links to episodes, for those who couldn’t make it through the marathon audio version: