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Change to Submission Guidelines

January 25th, 2012 by Mur Lafferty Posted in Blog, Housekeeping

I wanted to let people know that we’ve changed the submission guidelines slightly- we used to have a $300 cap on payments, but that is no more!

We want short stories between 2,000 and 6,000 words. The sweet spot’s somewhere between 3,500 and 5,000 words. We pay $.05 a word for new fiction at this length, $.03 a word for reprints. ($100 minimum payment)

For the rare story (and they will be rare) longer than 6000 words, there is no longer a cap on payment.

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Book Review: “Out of Oz” by Gregory Maguire

January 23rd, 2012 by Josh Roseman Posted in Blog, Books, Reviews

The following review contains spoilers for the first three “Wicked Years” novels.

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I’ve never seen the stage version of Wicked, but when I saw the book in the bookstore, I bought it and read it. I’ve always enjoyed Oz, from the original film to the original Baum books to the newer retellings (Tin Man, The Wiz, etc). And I enjoyed Wicked.

I didn’t really care for Son of a Witch, and I thought A Lion Among Men was pretty blah, but since Out of Oz was supposed to be the conclusion of the Gregory Maguire “Wicked Years” series, I figured it was worth taking a look.

Perhaps I should’ve just learned my lesson.

All of the Maguire Oz books start slow — very slow — and take many years, if not decades, to complete. They get good toward the end, but getting there is a long, sometimes arduous journey. Out of Oz was no different. It begins with a very long Dorothy story, sending her back to Oz so she, along with pretty much everyone else we’ve known along the way, can be in the book. Maguire included dozens of Oz characters — many in passing mention only — that readers of the Baum novels might recognize, including Jellia Jamb, Jack Pumpkinhead, and even the Woggle-Bug. But for the most part, this book focuses on Rain, granddaughter of Elphaba (the Wicked Witch of the West) and daughter of Liir (the son of a witch) and Candle (a Quadling with the power to see the present).

The beginning of the novel, to me, was quite off-putting — it jumped from Rain’s long-lost memories to the Time Dragon to Glinda and back again until, finally, the plot got on track. It turns out that, sometime between the end of Wicked and the end of A Lion Among Men, Munchkinland seceded from Oz and took with it the nation’s largest source of fresh water, a lake mostly in Munchkinland territory called Restwater. The first act of the book takes place in and around Glinda’s country home — she is now the Lady Chuffrey and a former Throne Minister (president) of Oz. Soldiers usurp her home and lands in their attempt to take Restwater back for Oz, and it is at this point we meet Rain, who is a young girl sweeping the floors. We don’t know why Rain is important; we just know that she is.

Eventually Rain departs Glinda’s home with the Time Dragon — a machine important to the three previous books, run by a dwarf named Mr. Boss. With the Dragon we find Brrr (the Cowardly Lion), his wife Ilianora (daughter of Elphaba’s baby-daddy Fiyero), and the Grimmerie (a magic book that Elphaba once owned, now locked safely away in the Dragon). The travelers end up in Quadling Country (the south of Oz) and spend a year there* before finally meeting up with Liir and Candle, where Rain gets the whole story of her life.

The second act of the book focuses mostly on Rain, with detours into Dorothy’s trial for murder (she did, after all, kill two women the last time she was in Oz), and also introduces the character Tip, a boy about Rain’s age (maybe slightly older). I think you know what will happen between the two of them, so I won’t spend a lot of time on it except to say that, if you’ve read the Baum books… well… what happens to Tip is pretty similar when you compare the Baum books to the Maguire ones.

Act three is the grand finale. I can’t tell you much about it, except to say that after the climax the book goes on for another 100 pages** before ending in what, to me, was a rather unsatisfying fashion. I don’t need a happy ending, but I want to be satisfied.

As with the previous Oz books, Maguire does a masterful job tying his own interpretation of Oz into the Baum version. As someone who’s read about twenty of the original Oz books***, I appreciated the inclusion of events and characters from the original stories. I wasn’t surprised by what happens to Tip because I’d read it before, although I was waiting throughout most of the book for it to occur, so that was interesting. His worldbuilding is excellent, as is his characterization, and never once did I feel that I had learned either too much or too little about a place or a character. It’s also very funny in places — especially the parts with Daffy and Mr. Boss.

I think my biggest problem with the book was its time-scale. I realize that makes me somewhat of a hypocrite, given that my favorite book takes place over about the same scale (ten or so years) and its sequels occur almost twenty years after that, but there was just something about the way Maguire cavalierly tossed off “a year passed” or “a year later” that turned me off to the story. It took away from its urgency, and in a book that takes place against the backdrop of a nation at war, that is problematic for me. Also, as I said, I found the coda (the part after the climax) unsatisfying.

All in all, I found Out of Oz to be a good book, mostly enjoyable and mostly interesting, although it definitely wasn’t as good as Wicked — which, admittedly, suffered from many of the same problems. If you’ve read the other three Wicked Years books, you’ll probably like it just as much as you liked those. However, if you’ve only read Wicked and haven’t really wanted to pick up the others before now… I’m afraid I’ll have to suggest that you pass on them.

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Note to Parents: I would rate this book a hard PG-13 or soft R. It contains lots of bad language, some violence, prurient humor, and a few sex scenes. There are mentions of self-inflicted mutilation, but it’s not actually shown, only discussed. I think teens could handle it, because none of those things are pervasive. Of course, you should use your own discretion when it comes to your children.

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* There’s a fascinating treatise in the book about how time is measured in Oz, but even if you consider a year to be “four seasons: spring, summer, fall, and winter”, that’s a long time to do absolutely nothing germane to the plot.

** I have the font set pretty large on my Kindle app, and according to it, the book was 1002 pages. The actual printed novel is 592, so if I do some math, that tells me it’s actually closer to 50 additional pages. Most of it contains whining on the part of Rain, sadly.

*** Admittedly, I read them about 20 years ago, so my memory might be muddled, but I did read them.

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EP328: Surviving the eBookalypse

January 19th, 2012 by Mur Lafferty Posted in 13 and Up, Podcasts
 
icon for podpress  EP328 [44:02m]: Play Now | Play in Popup | Download

By Randy Henderson
Read by Roberto Suarez
Discuss on our forums.
An Escape Pod Original!
All stories by Randy Henderson
All stories read by Roberto Suarez
Rated 13-and-up for language.

Surviving the eBookalypse
by Randy Henderson

I entered the City Public Library wearing my plastic replica chainmail and sword, and my suede “book jacket” with a laminated author’s license clipped to the collar.

Before me stood a fully automated checkout kiosk for scheduling author recitals. The library floor beyond that was filled with neat rows of author cubicles, each with a desk and chair. Most were occupied. The air was filled with the soft tickity-ticking of keyboards, and the smells of coffee, “New Book” scented air fresheners, and Cup o’ Soup. Heads popped up over cubicle walls in response to the clacking of the door, then disappeared again when they saw I was no customer or potential patron.

I understood their disappointed expressions too well. This was not at all where I thought I would be two years after publishing my first e-book.

A woman’s smile caught my attention. It was like cherry-haloed sunshine, floating between her neon blue hair and her black lace dress. She emerged from a cube in the Romance section, walked up to me, leaned in close and sniffed at the air. Then she said with the hint of a Mexican accent, “I smell a transfer from Bainbridge library, no? An MFA boy, if I’m not mistaken?”

“That obvious?” I asked.

“Lucky guess.” She laughed, and flicked my author’s license. “Says so right here.”

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EP327: Revenants

January 12th, 2012 by Bill Peters Posted in Podcasts
 
icon for podpress  Standard Podcast: Play Now | Play in Popup | Download

By Judith Tarr
Read by Mur Lafferty
Discuss on our forums.
First published in DINOSAURFANTASTIC from DAW edited by Mike Resnick and Martin H. Greenberg, 1993
All stories by Judith Tarr
All stories read by Mur Lafferty

REVENANTS
by Judith Tarr
Janie wanted to pet the pterodactyl.
“Here’s the auk,” I said. “Look how soft his feathers are. Look at the dodo, isn’t he funny? Don’t you want to give the quagga a carrot?”
Janie wouldn’t even dignify that with disgust. It was the pterodactyl or nothing.
Janie is four. At four, all or nothing isn’t a philosophy, it’s universal law. A very intelligent four can argue that this is the Greater Metro Revenants’ Zoo, yes? And this is the room where they keep the ones that can be petted, yes? So why can’t a person pet the pterodactyl?

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EP326: Flash Fiction Special

January 6th, 2012 by Mur Lafferty Posted in 13 and Up, Flash, Podcasts
 
icon for podpress  EP326 [45:58m]: Play Now | Play in Popup | Download

Poppies and Chrome by Sylvia Hiven
Rabbi Aaron Meets Satan by Tim Lieder
Fine-Tuning the Universe by Merrie Haskell

narrated by Mat Weller, author Richard E. Dansky, and Mur Lafferty
Discuss on our forums.

Appropriate for teens and up due to erotic imagery and language.

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Closed to submissions

January 3rd, 2012 by Mur Lafferty Posted in Housekeeping, Site News

We are completely aware of the backlog of submissions and are going to spend January tackling it. We are closed for submissions until February. Since we hadn’t made an official blog post about it till today, the stories that have arrived before noon, Jan 3, Eastern Standard Time, will still be considered.

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Soundproof #15

January 2nd, 2012 by Mur Lafferty Posted in E-pub, TheSoundproofEscapePod
icon for podpress  Ebook: Download

Dear Faithful Listeners And Readers—

Happy 2012! It’s looking to be a very exciting year at Escape Pod, and we’re delighted you’re still hanging out with us!

We had a lot of fun bringing you different things in 2011, from our first audio drama at the end of the year to the various story collections to our supporters. And thanks to your supporters, by the way. It’s amazing to realize we’re in our seventh year doing this, and we’ve operated in the black the entire time. We couldn’t have done that without you, so thank you.

To be completely honest, it hasn’t been smooth sailing. We got behind in submissions this year, even with some time off to catch up. Authors got angry, as they should have done, and we’ve figured out where things went wrong and are working on fixing it. I won’t offer excuses, only that I’m responsible for this magazine and I let down our authors, and I’m very sorry for this. We’re closing our doors to submissions in January in order to get everything organized.

Hugo voting is open, from now until March 31! I’ll have a blog post soon about what Escape Pod has offered that is eligible, and we’re appreciate a consideration if you’re eligible to nominate.

Resolutions are promises to fail, so we won’t make any, but we do promise to continue to bring you weekly SF that will be fun. And lose those 10 pounds, of course.

Have a safe and happy 2012. Be mighty, and have fun!

Mur Lafferty
Editor

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Myths of Origin by Catherynne M. Valente

December 31st, 2011 by Sarah Frost Posted in Books, Reviews

Myths of OriginIt is easy to love a book when it has been cruel to you. Myths of Origin by Catherynne M. Valente is a hard book, and one that will encourage most readers to put it down. It contains four short novels, each of which will challenge the reader to make sense of its elaborate metaphors and strange perspectives. The language in this book shows a poet’s fondness for unexpected juxtapositions. Anyone who cannot read a book simply for the beauty of the writing should not pick this one up at all.

However, those who are brave enough to read the Myths will be rewarded with four extraordinary novels. The first one, The Labyrinth, is by far the least comprehensible. Most of it seems to be happening inside the protagonist’s head. She reminds me of Alice, and her Wonderland is the Labyrinth of Crete. Whether or not there’s a minotaur in the middle is still an open question at the end, I think — there is a bull of sorts, but it’s complicated. This novel is dense and wild and does not seem to have much of a point other than to prove that a novel like itself can exist. I liked the bit with the rabbit.

The second novel is Yume no Hon: The Book of Dreams. This is the one that I was most looking forward to when I picked up Myths of Origin, though I found that the next novel in the sequence did most of what I wanted this one to do. Once again, Valente finds the connections between totally unrelated things — in this case, a wild woman living in an abandoned pagoda in the mountains of Japan, and the Sphinx of Thebes. Each chapter begins with the name of a season from the Japanese calendar of the Heian period, and most don’t last more than a page. Like Labyrinth, this book is filled with powerful images. I had a sense that if I’d spent more time studying Japanese folklore or Babylonian creation myths, I might have gotten more out of Yume no Hon.

The Grass-Cutting Sword is my favorite of the four, but also the most upsetting. It tackles the story of Susano and the eight-headed maiden-eating dragon. It also speaks to the varied cruelties inflicted on women — on beautiful women, on plain women, on obedient women, on wild women, on mothers and on sisters. Valente plays with voices in The Grass-Cutting Sword. The dragon and the eight maidens speak while sharing the same body, while Susano narrates his own story and the story of his mother. This book is bloody.

Under in the Mere proposes that California is a place where questing knights from King Aurthur’s court can go to hunt their beasts or find their grails. It matches each character from Arthurian legend up with a card from the tarot and with an overarching image — Kay the robot, Galahad the shapeshifter, and so on — and plays each image out to its furthest extreme. It quotes the relevant passages from Malory in case the reader is unfamiliar, and then takes them in the most unexpected directions. It is a fine book in and of itself, though I will admit to being tired after reading the other three.

If you can treat each of these novels as a separate piece, and perhaps take breaks between them, then Myths of Origin is a fine collection. Fans of Catherynne M. Valente should read this book, not just because it is more of her beautiful prose, but also to see reflections of ideas that she returns to in her other works. Myths of Origin is beautiful. It demands patience; it speaks in riddles. I am glad that I read it, but I am also a little bit glad that it’s over.

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EP325: Bad Dogs Escape

December 29th, 2011 by Mur Lafferty Posted in 13 and Up, Podcasts

By James Patrick Kelly
Cast:

Discuss on our forums.
An Escape Pod Original!
All stories by James Patrick Kelly
All stories read by AB Kovacs, Pamela L. Quevillon, John Cmar

Appropriate for older teens and up due to erotic imagery and war criminal comeuppance.

Bad Dogs Escape
By James Patrick Kelly

/SFX/ CLOCK TICKING, FADE TO

/SFX/ DOGS BARKING IN DISTANCE

SAM: Like?

BECCA: Like.

SAM: (growls like a dog, sexy)

BECCA: Like?

SAM: Like.

/SFX/ DOGS BARKING IN DISTANCE

BECCA: Lick?

SAM: (giggles) Like.

BECCA: (howls like a dog)

/SFX/ DOGS BARKING CLOSER

SAM: They’re busy today.

BECCA: Man’s best friend.

(SAM and BECCA laugh)

MEL: (in distance) Help!

SAM: Uh-oh.

BECCA: Company.

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EP324: Long Winter’s Nap

December 22nd, 2011 by Mur Lafferty Posted in 10 and Up, Podcasts
 
icon for podpress  EP324 [30:33m]: Play Now | Play in Popup | Download

By Catherine H. Shaffer
Read by Mur Lafferty
Discuss on our forums.
First published in Analog, 2006
All stories by Catherine H. Shaffer
All stories read by Mur Lafferty

Nothing objectionable in this episode, except it may not be appropriate for the younger folk, as the story does discuss Santy Clawr.

Long Winter’s Nap
by Catherine H. Shaffer

“Eat,” said MooninMama, “You have a long winter ahead.” LittlestOne turned her head away as MooninMama lifted the spoon of raspberry pie dripping with honey and caribou fat. LittlestOne was sleepy, too sleepy, for what she planned.

“I am already full,” said LittlestOne. Her stomach rumbled, giving away her lie.

MooninMama shrugged and set the plate away. It was beginning to get cold in the cave as the crackling fire burned down to embers. Soon it would be time to sleep, time to dream of spring, when they would awaken, shivering, and find that Santy Clawr had visited them.